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This Exhibition Proves That Blackness Is as Vast and Limitless as the Universe Itself

The Museum of the African Diaspora (MoAD) in San Francisco has launched "Unbound: Art, Blackness, and the Universe," a major exhibition marking the institution's 20th anniversary. Spanning all three floors, the show features an international group of African diasporic artists whose work intersects with astrophysics, spirituality, and mythology. Organized into three thematic sections—Geo-Cartographic, Religio-Mythic, and Techno-Cyborgian—the exhibition showcases diverse media ranging from Mikael Owunna’s ultraviolet photography and Harmonia Rosales’s Yoruba-inspired paintings to David Alabo’s virtual reality installations.

Delhi Gallery District: Defence Colony Emerges As City’s First Art Hub

The Defence Colony neighborhood has officially transformed into Delhi’s first dedicated gallery district, housing 11 distinct art spaces within a compact, walkable circuit. Anchored by established institutions like Vadehra Art Gallery and Akar Prakar, the area has seen a recent influx of contemporary spaces including GALLERYSKE, PHOTOINK, and the newly opened Gallery Dotwalk. This concentration of venues has birthed a new cultural ritual in the city: late-night art walks where collectors, curators, and younger audiences move seamlessly between openings.

‘Soft Reins’ art exhibition in Palm Beach explores horses as muses

The exhibition 'Soft Reins: From Degas to Fordjour' opened at Acquavella Galleries in Palm Beach's Royal Poinciana Plaza. Curated by artist Tomokazu Matsuyama, it presents works by a range of artists, from historical figures like Edgar Degas and Pablo Picasso to contemporary names like Derek Fordjour and Sarah Miska, all exploring equestrian themes.

The Big Review | Monuments, The Geffen Contemporary at Moca and The Brick, Los Angeles ★★★★★

A major exhibition titled 'Monuments' is on view at two Los Angeles venues, The Geffen Contemporary at Moca and The Brick. The show places nine decommissioned Confederate monuments, some already defaced, into dialogue with works by 19 contemporary artists, most of whom are Black. The centerpiece is Kara Walker's 'Unmanned Drone' (2023), a radical reworking of a removed statue of Confederate general Stonewall Jackson, which occupies its own venue at The Brick.

Gone too soon: A posthumous retrospective of the late Noah Davis at the Philadelphia Art Museum

The Philadelphia Art Museum (PAM) has opened "Noah Davis," the first solo retrospective of the late Los Angeles–based painter, who died at age 32 from a rare cancer. Davis's career spanned only six years, beginning with his first solo show at Tilton Gallery in New York in 2009. The exhibition, which originated at the Barbican in London, is the fourth and final stop of an international tour and the only North American venue. It features Davis's large-scale, abstract figurative paintings of Black life, including works like "You Are..." (2012) and "Untitled" (2015), and highlights his use of chemical solvents to degrade paint surfaces. The show also explores his role as founder of the Underground Museum in Arlington Heights, Los Angeles, a community-focused space where he once displayed fakes as "Imitations of Wealth."

Master Drawings New York marks 20th anniversary as both fair and market expand

Master Drawings New York (MDNY) marks its 20th edition this month, founded in 2006 by London dealers Crispian Riley-Smith and Margot Gordon and acquired in 2023 by dealer Christopher Bishop. The fair focuses on works on paper from the 15th century to today, also including painting, sculpture, and photography. This year features 36 dealers across two dozen Upper East Side gallery spaces, with ten new exhibitors from Europe, making it the most geographically diverse edition yet. Programming includes a highlights catalogue of 20 important works sold during previous editions that ended up in major collections such as the Metropolitan Museum of Art and the Getty.

In pictures: a season for newcomers at Art Basel Miami Beach’s Meridians

Yasmil Raymond returns for her second year as curator of Art Basel Miami Beach’s Meridians sector, focusing on showcasing a more diverse group of artists and providing opportunities for newcomers. She highlights several works, including Huang Yong Ping’s political sculpture referencing a US spy plane incident, Stephanie Syjuco’s critique of Western culture through a photography-studio installation, Ward Shelley’s post-truth library, Jesús Rafael Soto’s immersive Pénétrable, Luisa Rabbia’s feminist reimagining of a labor strike painting, and Anne Samat’s woven family portrait made from thrift-store objects.

Untitled Art fair displays new dimensions on Miami's South Beach

Untitled Art fair opened its 14th edition on Miami's South Beach, featuring 160 exhibitors and a strong focus on emerging talent through its Nest sector and new solo and non-profit booth sections. Notable works include Márton Nemes's multisensory Stereo Paintings 11b (2025), Siebren Versteeg's media-critique piece History (2003), and Tanya Aguiñiga's socially engaged cotton-rope sculpture. The fair saw institutional visitors like collectors Don and Mera Rubell and curator Hans Ulrich Obrist, with sales reported for works by Élise Peroi and Samuel Nnorom.

Karma gallery debuts representation of Yvonne Jacquette in Miami

Karma gallery has taken over representation of the estate of Yvonne Jacquette (1934-2023), the American painter known for her aerial nighttime cityscapes and unconventional perspectives. The gallery, with locations in New York, Los Angeles, and Maine, is already showing Jacquette's work in a Manhattan group exhibition and at Art Basel Miami Beach, with a solo show planned for 2026 at its Chelsea space. The decision follows nearly three decades of representation by DC Moore Gallery.

Queer sexuality in Islamic art explored in Norway exhibition

A new exhibition titled "Deviant Ornaments" opens at the National Museum (Nasjonalmuseet) of Norway in Oslo, running from 27 November 2025 to 15 March 2026. Curated by Noor Bhangu, a South Asian curator and scholar based in Norway, the show explores queer desires and practices in the visual cultures of the Islamic world, bringing together over 40 works spanning 1,000 years. It connects historical objects—such as a Safavid textile, a 19th-century armband, and 13th-century Iranian wall tiles—with works by 12 contemporary artists, including Lynette Yiadom-Boakye, Alize Zorlutuna, Shahzia Sikander, Taner Ceylan, Damien Ajavon, Rah Eleh, Kasra Jalilipour, and Sa’dia Rehman. Four works are newly commissioned.

Community-Driven Exhibition Transforms Cars Into Unconventional Vehicles for Site-Specific Art

Over a crisp weekend in October, a Harlem parking lot hosted Stay Frosty, a community-driven exhibition organized by BravinLee Programs. The show transformed cars into unconventional vehicles for site-specific art, with works installed in trunks, truck beds, and on rearview mirrors. Highlights included Baloney's "Piggies Undo the World," featuring pigs attacking a red pickup; Ellie Murphy's tapestries draped over the fence; and Amy Rose Khoshbin's interactive "Altars to Agency." Artists, independent curators, galleries, and non-profits participated, turning the lot into an enclosed, vibrant environment for visual art.

Looking Beyond the Conflict: What's driving contemporary artists from Sri Lanka?

Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.

Tania Willard wins Canada’s top contemporary art prize

Tania Willard, a member of the Secwépemc First Nation, has won the 2025 Sobey Art Award, Canada’s top contemporary art prize, at a ceremony at the National Gallery of Canada in Ottawa. The award, announced by last year’s winner Nico Williams, comes with C$100,000 ($71,200). Willard’s multidisciplinary practice spans basketry, sculpture, public art, and land-based projects, and she is also a prominent curator. The five other finalists each received C$25,000. Works by all finalists are on view at the NGC until February 2026.

Painting in Space

The article announces "Singing in Unison: Painting in Space," an exhibition curated by Michael David at Art Cake in Brooklyn, running from October 18 to December 7, 2025. It features works from the 1980s and '90s by four abstract artists—Al Held, Frank Stella, Elizabeth Murray, and Judy Pfaff—who each explored the interplay between two-dimensionality and three-dimensionality, flatness and depth, and spatial boundaries in painting. The exhibition includes an opening reception with a cooking performance by Rirkrit Tiravanija and Tomas Vu, a panel discussion, and a closing poetry reading.

Heavy in more ways than one: Confederate statues hit the road for Los Angeles exhibition

The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.

15 Solo Shows at Frieze London and Frieze Masters

Frieze London and Frieze Masters have announced 15 solo shows featured across both fairs, highlighting emerging and established contemporary artists. The presentations span painting, sculpture, and installation, with participating galleries including major international dealers.

Inside Clarissa, the Hottest Art Show of Frieze Week

Clarissa, a new curatorial platform from Émergent Magazine, launched its first group exhibition during Frieze Week in London. Staged across three levels of a former club and sex shop in King’s Cross, the show features a mix of established and emerging artists—including Michael Dean, Hilary Lloyd, Tobias Spichtig, Joel Wycherley, Remi Ajani, and Tiago Francez—alongside works by Patricia L Boyd, Oscar Enberg, Hamish Pearch, and others. Curated by Reuben Beren James and Albert Riera Galceran in collaboration with the nomadic collective Soft Commodity, the exhibition aims to ignore art-world hierarchies and focus on intuitive dialogues between artists across generations and geographies.

Amid government intervention, Slovak artists and curators call for EU law to protect freedoms

On 25 August, the Slovak National Gallery (SNG) removed a large permanent installation by artist Denisa Lehocká, allegedly without her permission and in violation of contract terms. The removal, which Lehocká calls a "gross violation," occurred amid a broader crisis at the institution, which has seen multiple directors fired and mass employee resignations under the country's populist government. The incident is part of a pattern of government intervention in the arts, including the firing of museum directors by Culture Minister Martina Šimkovičová, who has targeted "progressive art." In response, Slovak artists and organizations like Otvorená Kultúra! have issued the Bratislava Declaration for Artistic Freedom, calling on the EU to adopt a European Artistic Freedom Act to protect creative expression.

New chapter for Artbo: Colombia’s art market finds resilience amidst flux

The 21st edition of Artbo, Colombia's premier art fair, opened in Bogotá with 46 galleries, down from its peak a decade ago. The fair is framed by the inaugural Bogotá Biennial, which adds international draw, and a leadership change: Jaime A. Martínez, an art historian and former gallerist, takes over from María Paz Gaviria. Early sales include works by Tania Candiani, Marcelo Moscheta, and Ximena Garrido-Lecca, with galleries reporting cautious but engaged Colombian collectors.

Timely rediscoveries await at Independent 20th Century

The fourth edition of Independent 20th Century fair takes place at Casa Cipriani from September 4-7, featuring 31 exhibitors and works by around 40 overlooked 20th-century artists. Highlights include solo presentations of visionaries like Gertrude Greene, Jacci Den Hartog, and Judy Pfaff, alongside lesser-known works by icons such as Pablo Picasso and Edvard Munch. New exhibitors like Mariposa Gallery (devoted to queer icon Peter Berlin) and established names like Gmurzynska (showcasing Dan Basen) join the fair, which emphasizes self-taught artists and politically poignant themes.

Bollywood Star Sonam Kapoor on the Women Who Shaped Her Eye for South Asian Art

Bollywood star Sonam Kapoor discusses her evolution as an art collector, shaped by the women in her family—her mother Sunita Kapoor and aunt Kavita Singh, a Mumbai-based interior designer and art curator. Kapoor began collecting instinctively, drawn to South Asian modernists like Amrita Sher-Gil and Manjit Bawa, but has recently shifted toward contemporary works and underrepresented artists, especially women and those outside major art hubs. She sources art from galleries such as Jhaveri Contemporary, Chemould Prescott, and Nature Morte, as well as auction houses including Christie’s, Sotheby’s, and Saffronart. Kapoor was on the host committee for the Serpentine Summer Party in London, where she admired Arpita Singh’s first institutional solo show outside India.

Victoria Miro gallery launches sophisticated digital platform to put past and present exhibitions online

Victoria Miro gallery has launched a new digital platform called Live / Archive, which uses 3D modeling, augmented reality (AR), and virtual reality (VR) to present past and current exhibitions online. The platform, powered by the Vortic software developed by Oliver Miro, initially features 72 archived shows dating back to 2019, including Grayson Perry's "Super Rich Interior Decoration." The launch coincides with the gallery's 40th anniversary, and the platform allows artists like Chantal Joffe to revisit and plan exhibitions virtually.

Art in Wisconsin—Art and Science and Art: The Semi-Hidden Wonders of the James Watrous Gallery

The James Watrous Gallery, a nonprofit art space located on the third floor of the Overture Center for the Arts in Madison, Wisconsin, is dedicated to showcasing contemporary artists and curators with ties to the state. Unlike the nearby Madison Museum of Contemporary Art (MMoCA) and Chazen Museum of Art, which feature national and international artists, Watrous Gallery focuses almost exclusively on Wisconsin-based practitioners. Directed by Jody Clowes for the past decade, the gallery selects exhibitions through an open call every three to four years, with a committee of artists, arts workers, and curators from across the state. Recent shows include works by artists such as Shane McAdams, Lois Bielefeld, Dakota Mace, and the collaborative duo Shana McCaw and Brent Budsberg. The gallery is part of the Wisconsin Academy of Sciences, Arts & Letters, and each exhibition is featured in the Academy's publication "Wisconsin People & Ideas," often connecting to broader themes like climate and energy.

British Art Show names Ekow Eshun as curator for upcoming 10th edition

Ekow Eshun has been named curator of the 10th edition of the British Art Show, the UK's largest recurring contemporary art exhibition. The show will open in Coventry in September 2026 and travel to four other cities—Swansea, Bristol, Sheffield, and Newcastle/Gateshead—until March 2028. Eshun, former director of the Institute of Contemporary Arts in London and curator of the acclaimed exhibition *In the Black Fantastic* at the Hayward Gallery, will select artists and works over the next year, with new commissions expected.

Explore 200 Years of American Art at the PEM

The Peabody Essex Museum (PEM) in Salem, Massachusetts, is hosting "Making History: 200 Years of American Art," an exhibition organized by the Pennsylvania Academy of the Fine Arts (PAFA) and on view through September 21, 2025. The show features 85 original works by American artists, including Charles Willson Peale's *The Artist in His Museum*, Patience Wright's wax sculpture of George Washington, and portraits of Ruth St. Denis and Mrs. Chase. PEM's curators have reimagined the exhibition with local relevance and immersive design, and the final gallery invites visitors to contribute personal reflections on history.

'Tony Cragg: Skulptura' at the Museum of Modern Art Dubrovnik, Croatia

The Museum of Modern Art Dubrovnik in Croatia will host 'Tony Cragg: Skulptura' from 22 July to 5 October 2025, marking the first-ever presentation of British sculptor Tony Cragg's work to a Croatian audience. Curated by Jelena Tamindžija Donnart and supported by German curator Detmar Westhoff, the exhibition features around 30 sculptures, drawings, and preparatory sketches spanning Cragg's decades-long career, including iconic early works from 1985 and highlights from his 'Early Forms' series. The show occupies the Banac Palace's first two floors, terraces, and garden, offering an indoor-outdoor experience.

Zuccaire Gallery Exhibit Explores Power of Indigenous Language in Contemporary Art

The Paul W. Zuccaire Gallery at Stony Brook University presents "Weaving Words, Weaving Worlds: The Power of Indigenous Language in Contemporary Art," a group exhibition featuring 24 artists including Jeffrey Gibson, Jaune Quick-to-See Smith, and Kay WalkingStick. The show, on view from July 17 through November 22, explores how traditional and new media art can serve as a vessel for cultural continuity, storytelling, and the reclamation of Indigenous languages, with a focus on Algonquian languages spoken across Long Island and the Northeast. Archival materials from Stony Brook University’s Special Collections, including the Native Long Island map with over 400 Algonquian words, provide historical context.

Recent NYC Exhibition Highlights: Beverly Fishman, NANNYCAM, Dena Novak, and more

The article reviews two recent New York City art exhibitions. The first, "Creators, Educators Art Show" at BASIS Independent on the Upper West Side (June 6-8, 2025), curated by Carmen Lucia Recio, featured works by 17 New York City art teachers and educators, including Noelle Salaun, Nicholas Leeper, Avani Patel, Lynne Marie Rosenberg, Chris Floyd, and Emily Linares. The second, "Samantha Thomas: Love in a Mist" at Anat Egbi Gallery in Tribeca (April 18-June 14, 2025), marks the artist's first New York solo show in over a decade, showcasing her abstract works blending Abstract Expressionism, Color Field, and Pattern & Decoration.

'I'm a container for my own spirit': Nickola Pottinger on her show of sculptures at the Aldrich Contemporary Art Museum

Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.

In tough times for dealers, Art Basel debuts a section for new works

Art Basel is introducing a new section called Premiere at its upcoming fair, designed for galleries to present works created within the last five years by up to three artists, organized around a loose curatorial concept. The inaugural section features ten exhibitors, mostly smaller to mid-sized galleries showing mid-career artists, with prices ranging from €5,000 to $85,000. The section is priced at SFr22,000 for a 32 sq. m stand, cheaper than the main section but more expensive than the emerging-artist-focused Statements section, which can be financially risky for dealers.