Little Rock artist Kevin Cole has been selected for inclusion in a group exhibition at the Harlem Fine Arts Show in New York City. The show features works by African American artists from across the United States, highlighting diverse perspectives and contemporary practices within the Black art community.
A monumental sculpture titled "Reflection" by French-born artist Prune Nourry has been installed at Ocean Terrace Park in Miami Beach, honoring the women of the U.S. Coast Guard Women’s Reserve (Spars) who served during World War II. The 21.3-foot sculpture features a half-face resting in water, completed by its reflection, with a mangrove tree sprouting from the side of the head. It was unveiled on October 30 and is Nourry’s first public art project in the U.S. The work uses the likeness of Yeoman Third Class Nellie Locust, a Cherokee woman who served in the Spars, with permission from her family. The sculpture was created in collaboration with landscape architect Raymond Jungles.
The City of West Hollywood’s Arts Division will host an artist reception on October 24 for 'Heart of WeHo,' a new group exhibition celebrating the city’s 40th anniversary. Featuring 27 local artists, the show presents paintings, photography, sculpture, and mixed media that depict West Hollywood’s landmarks, history, and everyday spaces—from iconic nightlife and architecture to quieter corners and imagined futures. The exhibition is on view at the West Hollywood Library through May 2026.
The Center for Creative Works (CCW) and Haverford College's Cantor Fitzgerald Gallery have partnered to present LOOK HERE, a multisensory exhibition highlighting the work of neurodivergent artists. The show features six CCW artists—Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu—and is curated by Jennifer Gilbert alongside CCW artists Mary T. Bevlock and Paige Donovan. The exhibition includes accessible design elements such as braille, ASL videos, touch panels, sensory backpacks, and tours led by neurodivergent artists. Two satellite exhibitions, LOOK THERE at Haverford's VCAM gallery and LOOK EVERYWHERE at Philadelphia's Atelier Gallery, run concurrently, along with the sixth annual Creating Community Symposium, which brings together progressive art studios from across the US.
“Nordic Echoes: Tradition in Contemporary Art” is a traveling exhibition opening October 4, 2025, at the South Dakota Art Museum and running through January 3, 2026. Curated by Sally Yerkovich, it features 55 works by 24 artists from the Upper Midwest, including Bill Amundson, Sonja Peterson, and Tara Austin. The show examines how Nordic folk arts—such as weaving, carving, and blacksmithing—inspire contemporary painting, textiles, and metalwork, presenting tradition as a living, evolving practice.
The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.
More than 30 Luxembourgish artists have taken over Larochette Castle for the L’Art-Rochette exhibition, running until 14 September. The show features wood, marble, scrap metal sculptures, pottery, photography, paintings, and jewellery, with most works available for purchase. Highlights include wooden sculptures by Jean-Paul Thielfels, scrap metal works by Karin Mayer, marble sculpture by Eck Lunkes, pottery by Mady Roef, and photography by Marc Barthelemy. Organisers Laurence Anciaux and Ren Spautz launched the event in 2020, and it has grown into a biannual art and photo show.
Multimedia artist Im Youngzoo has won the Frieze Seoul Artist Award 2025, creating a new commission titled "Calming Signal" for this year's edition of the fair. The three-channel video installation explores how humans use learned and repeated gestures during times of collective unease, drawing inspiration from Norwegian dog trainer Turid Rugaas's concept of calming signals—instinctual behaviors animals use to de-escalate conflict. Im, born in 1982, works across video, installation, performance, and virtual reality, and has also been shortlisted for the 2025 Korea Artist Prize, with her work currently on view at MMCA Seoul.
Ukrainian artist Oleksiy Sai's installation *Black Cloud* (2025) was destroyed by a hurricane-force dust storm at the Burning Man festival in Nevada on 24 August, coinciding with Ukrainian Independence Day. The 100-foot-tall, eight-ton inflatable sculpture, funded by private donors from Ukraine and the US, featured strobe lights and a soundscape of missiles and sirens by war veteran DJ Tapolsky. The team behind the work is rebuilding it, and the installation had previously premiered in Kyiv with an edited soundscape to avoid traumatizing residents.
An art exhibition titled 'Retrospective of Works' held at the West End Art Studio in Mallow, Ireland, from July 23 to August 3, raised €6,600 for two charities. Organized by Colman Dalton and his wife Marie, the 10-day show featured approximately 65 works by Irish, British, and French artists, including pieces by James O’Halloran, Paul Kelly, Jack Vettriano, T.S. Lowry, and others. The opening night was so crowded that 20 people had to wait outside. A raffle on opening night generated the funds, which were split equally between Focus Ireland, a homelessness charity, and HART, a local dog rescue charity.
The Museum of Contemporary Art Arlington presents 'Portals,' an exhibition curated by Donna Honarpisheh featuring three rising female artists—Aryana Minai, Shyama Golden, and Aiza Ahmed—who explore the concept of liminality through dreamscapes and half-seen worlds. Minai’s works use handmade paper, bricks, and skeleton leaves to create tactile portals and altars; Golden’s oil and acrylic paintings depict a surreal journey into a subconscious dream world inspired by 'Alice in Wonderland' and Sri Lankan folklore.
The Museum of Contemporary Art (MOCA) in Los Angeles has opened "MOCA focus: Takako Yamaguchi," the third exhibition in its relaunched MOCA focus series, running from June 29, 2025, to January 4, 2026. The show presents the first solo museum exhibition in Los Angeles for the 72-year-old Japanese-born artist, featuring a series of oil-and-bronze-leaf seascapes that synthesize motifs she has developed over four decades, blending influences from Mexican muralism, Renaissance art, Japanese Nihonga, and Art Nouveau.
The di Rosa Center for Contemporary Art has opened a new satellite museum, di Rosa San Francisco, at the Minnesota Street Project. The debut exhibition, 'Far Out: Northern California Art from the di Rosa Collection,' features works by artists including Michele Pred, Enrique Chagoya, Paul Kos, Roy De Forest, Ester Hernandez, and Joan Brown. The show is organized into three sections—Material Worlds; Piracy and Protest; and Tricksters, Scavengers, and Scamps—highlighting how Northern California artists experiment and push against mainstream conventions. The exhibition runs through October 4th.
The Reykjavík Grapevine highlights four new establishments in Reykjavík: Elliði, a coffeehouse with a gallery space in Elliðaárdalur; RÝMD, an artist-run space in Breiðholt reopening with a new team; La Boutique Design Gallery, a design store that has transformed its first floor into an exhibition space; and a new Starbucks on Laugavegur, which the article criticizes as part of the city's commercialization.
The artist twins Jane and Louise Wilson are presenting a new exhibition, "Performance of Entrapment," at London Mithraeum Bloomberg Space from 17 July 2025 to 1 January 2026. The show features 2,000-year-old oak stakes unearthed during excavations by the Museum of London Archaeology (Mola) at Bloomberg's European headquarters between 2012 and 2014. These timbers, dated to AD50-80, were preserved in the waterlogged conditions of the lost Walbrook river valley. The Wilsons also incorporate films and layered works, including images from scanning electron microscopy of the ancient wood.
An exhibition titled 'Dlúthpháirtíocht' (the Irish word for solidarity) is on display at Metamorphika Studio in Hackney, London, featuring over 50 works that connect Palestinian and Irish histories. The show includes pieces by Palestinian artist Nabil Abughanima, who fled Gaza two months ago, and Irish photographer Seamus Murphy, alongside works by Amal Al Nakhala, Spicebag, and Council Baby. Co-curated by Seán Óg Ó Murchú, the itinerant exhibition will travel to Dublin, Cork, and Belfast after its London run ends on 19 July.
The Shed in Hudson Yards has opened 'Open Call: Portals,' a free summer exhibition featuring twelve early-career New York City artists. Curated by Dejá Belardo, the show includes works across multimedia, sound, and sculpture, such as Tyson Houseman's live soundscape 'The Six Seasons,' Zain Alam's audiovisual piece 'Meter & Light: Night,' and Mel Corchado's sugar-based garment installation '$ticky $in$.' The artists were selected based on their pitches and given a year to develop their pieces, with the exhibition exploring themes of spirituality, colonialism, migration, and identity.
The St. Louis Art Museum's 'Roaring' exhibit, which opened after a five-year delay due to the pandemic, is nearing its July 27 closing date. Featuring 12 vintage cars and over 160 items, the show explores the intersection of French automobiles and fashion between 1918 and 1939, highlighting the era's artistic and mechanical innovation. Nearly 70,000 visitors have attended, making it the museum's most popular attraction since 2018's 'Sunken Cities.'
The Manchester International Festival (MIF) returns with a new edition featuring three standout art exhibitions. At Aviva Studios, "Football City, Art United" pairs top footballers like Vivianne Miedema and Ella Toone with artists such as Suzanne Lacy and the collective Keiken to create 11 co-produced works exploring gender, ritual, and identity. At the Whitworth gallery, the first international solo show of Indigenous Uitoto artist Santiago Yahuarcani presents over 30 works on bark canvas, addressing ancestral cosmology and the legacy of colonial violence during the rubber boom.
Dutch photographer Paul Kooiker has opened a new exhibition titled '2025' at Acne Paper Palais Royal in Paris, featuring portraits of 42 students from the Gerrit Rietveld Academie in Amsterdam, where he taught photography for 25 years. Commissioned by Acne Studios' magazine offshoot Acne Paper, the show marks the first exhibition in the brand's new permanent gallery space. Kooiker shot the students spontaneously in corridors and classrooms, capturing them in his signature black-and-white style that blends timelessness with a sense of the unsettling, though this project breaks from his usual anonymity by focusing on faces and a specific moment in time.
A new exhibition titled “A Whimsical Life—the art of Linda Catchlove” opens at the Museum of Economic Botany in Adelaide Botanic Garden, celebrating the late South Australian artist Linda Catchlove. The show runs from May 31 to September 14 and features her botanical watercolours, Disney animations, children’s book illustrations, and personal tools, blending meticulous botanical illustration with whimsical fantasy elements inspired by her early career at Disney Studios in Sydney.
Tokyo City View is hosting 'Leiji Matsumoto Exhibition: A Creative Journey', the first large-scale retrospective dedicated to the legendary manga artist who died in 2023. The show, running until September 7, traces his seven-decade career through original drawings discovered after his death, immersive installations, and recreations of his creative space, highlighting iconic works like 'Space Battleship Yamato', 'Galaxy Express 999', and 'Space Pirate Captain Harlock'.
Curator Puja Vaish discovered ceramic works by artist Vijoo Sadwelkar in the Jehangir Nicholson Art Foundation's collection, leading her to Haresh Mehta, who preserved original works from the Vitrum studio. This resulted in the exhibition "A Glazed History: Badri Narayan & the Vitrum Studio" at the JNAF Gallery at CSMVS Museum in Mumbai, the first retrospective of the studio that operated from the 1950s to the 1970s. Vitrum, founded by emigre glass expert Simon Lifschutz and his wife Hanna, blended art, craft, and design by having artists create hand-painted ceramic tiles and Venetian glass mosaics for everyday homes.
The Palmer Museum of Art at Penn State has opened a new exhibition titled "Washi Transformed: New Expressions in Japanese Paper," running from June 7 to July 27. The show features nine contemporary Japanese artists—Hina Aoyama, Eriko Horiki, Kyoko Ibe, Yoshio Ikezaki, Kakuko Ishii, Yuko Kimura, Yuko Nishimura, Takaaki Tanaka, and Ayomi Yoshida—who transform traditional handmade washi paper into textured two-dimensional works, sculptures, and installations. The exhibition explores paper's versatility through techniques like layering, weaving, and folding, highlighting its connection to the natural world.
The Mystic Seaport Museum in Connecticut has opened a new exhibition titled "Monstrous: Whaling and Its Colossal Impact," which explores the deep connection between the US whaling industry and capitalism. Featuring objects from the museum's permanent collection—including 19th-century photographs, blubber hooks, ship models, captain's logbooks, a sperm whale jawbone, a jar of blue whale fetuses, and whale oil products—the show illustrates how whale oil lit lamps and greased machines for over a century. A giant scratchboard mural by contemporary artist Jos Sances, titled "Or, The Whale" (2019-20), dominates the space, while references to Herman Melville's "Moby-Dick" permeate the exhibition, which also includes a copy of a 1930 illustrated three-volume edition.
A new art gallery concept, Prospect Refuge Gallery, opens in Northeast Minneapolis, led by Victoria Sass of Prospect Refuge Studio. The gallery's inaugural exhibition, "Homecoming: Objects of Origin," features works by New York-based ceramicist Jeremy Anderson, a Twin Cities native, showcasing ceramic vessels, lighting, and bronze-cast furniture that draw influence from Midwest rural architecture. The gallery aims to rotate regional talent through exhibitions focused on collectable design.
The Zillman Art Museum at the University of Maine in Bangor announces a new solo exhibition, "A Journey to Distant Memories," featuring works by Pennsylvania-based painter O'Neil Scott. Running from May 16 to September 6, 2025, the show includes never-before-seen paintings and some of the artist's largest compositions. Scott, born in Spanish Town, Jamaica, draws inspiration from memories of his youth, exploring themes of community, migration, and the passage of time through works such as "In Case of Emergency" and "Fading Promises." Admission to the museum is free in 2025 thanks to sponsor Birchbrook.
The Pennsylvania Historical & Museum Commission and the State Museum of Pennsylvania have announced the winners of the 58th Annual Art of the State 2025 exhibition. From over 2,300 entries, 96 works were selected across five categories—painting, craft, sculpture, photography/digital media, and work on paper—with cash awards totaling $5,300. First-place winners include Polly Bech (Craft), Judith Pekala Hawkins (Painting), Mary Elizabeth Kulesa (Photography/Digital Media), Brynn Hurlstone (Sculpture), and Libby Soffer (Work on Paper). The exhibition runs through September 14, 2025, at The State Museum of Pennsylvania.
Gallery A3 in Amherst, Massachusetts, has issued an open call for its 10th Annual Juried Show, scheduled for August 7–30, 2025. Submissions will be accepted online from May 19 to June 21, with a theme of "United We Stand: Art for Divisive Times." The juror is Billy Myers, Artistic Director and Curator of the Art for the Soul Gallery in Springfield. Accepted artists will exhibit in the downtown Amherst gallery, with an opening reception on August 7 and a free public Art Forum on August 21.
Turkish artist Koray Kasap has opened his first 3D art exhibition in the United States, held at an outdoor gallery in Morristown, New Jersey. The mixed-media show blends painting with everyday objects and features themes from Turkish culture, including works titled "Nefsini Terbiye Eden Derviş" ("The Dervish Who Trains His Soul"), "Ayasofya" ("Hagia Sophia"), and "Filistinli Anne" ("Palestinian Mother"). Kasap, a graduate of Mimar Sinan University of Fine Arts and a former photographer known for album covers in the 1990s, uses charcoal and coffee instead of traditional paints. He has pledged to donate proceeds from the Palestinian Mother painting to Palestinian children.