Earth Day Panel on “Regeneration” Exhibition at Parrish Art Museum

The Parrish Art Museum is hosting a special panel discussion on April 18 to coincide with Earth Day and the centennial of Robert Rauschenberg. The event features Helen Hsu from the Robert Rauschenberg Foundation and various contemporary artists featured in the museum's current exhibition, "Regeneration: Long Island’s History of Ecological Art and Care." The conversation will explore Rauschenberg’s environmental legacy—including his design of the first Earth Day poster in 1970—alongside modern artistic approaches to ecological activism.

10 Art Shows to See in the Bay Area This Spring

The San Francisco Bay Area's spring art season features a robust lineup of exhibitions highlighting local artists, history, and community resilience amid a challenging cultural climate. Shows include Cece Carpio's first solo exhibition at SOMArts blending street art and folklore, a major Theresa Hak Kyung Cha retrospective at BAMPFA, and Trina Michelle Robinson's two-venue exploration of Black migration at 500 Capp Street and Root Division.

Press Release: Pace University Art Gallery Presents Nuclear Injustice: Advocating for a Nuclear-Free Future

Pace University Art Gallery presents 'Nuclear Injustice,' a group exhibition featuring works by Kathy Jetñil-Kijiner, Alan Nakagawa, Michael Wang, and Will Wilson. The show explores the lasting consequences of nuclear testing and bombings through photography, sound installation, video poetry, and sculpture, opening November 15, 2025, and running through January 31, 2026. Curated by Sarah Cunningham and Joel Wilson in collaboration with Emily Welty, the exhibition examines radioactive landscapes, Indigenous resistance, and global movements for a nuclear-free future.

Comment | As Cop30 opens in Brazil, it is time for the art world to embrace ethics with aesthetics

COP30, the United Nations Climate Change Conference, opens in Belém, Brazil, with culture officially on its agenda for the first time, thanks to advocacy from the Amazonian activist group Labverde and Art of Change 21. The conference features interventions and performances by eight Brazilian and indigenous artists, including photographer Christian Braga and activist Beto Oliveira, alongside a flurry of artist-led activities in UK galleries and institutions. The article also marks the tenth anniversary of Gustav Metzger's environmental art project "Remember Nature," which mobilized over 140 artists including Judy Chicago, Olafur Eliasson, and Marina Abramović, and was revisited on November 4, 2025, with sixteen English arts institutions hosting public projects.

Young at art: inside Frieze London's Focus section

Frieze London's Focus section, dedicated to galleries aged 12 years or younger, features six standout booths showcasing diverse materials and themes. Artists include Alex Margo Arden (with mannequins from the National Motor Museum), Luís Lázaro Matos (a queer myth of a stranded beluga whale), Rim Park (plant anatomy reliefs and etchings), Lara Fluxà (precarious glass and tar sculptures), and Delaine Le Bas (calico fabric works with protest messages). The section is noted for its variety beyond painting, with climate breakdown emerging as a recurring theme among younger artists.

An exhibition in New York City takes on censorship in the art world

Art at a Time Like This, a non-profit organization, has opened the exhibition 'Don’t Look Now' in New York City's Nolita neighborhood (October 10–25), featuring 24 contemporary artists whose work has been censored or blacklisted. Participants include Marilyn Minter, Shepard Fairey, Dread Scott, Danielle SeeWalker, and Yvonne Iten-Scott, whose pieces were removed from shows, rescinded from residencies, or targeted by officials due to political content. The exhibition responds to the Trump administration's crackdown on free speech in the culture sector, including mass layoffs at the NEA and NEH, proposed funding cuts, and canceled shows at institutions like the Smithsonian.

UC Davis Artist, Sociologist, Ph.D. Student Reflect on ‘Breathe' Exhibition at Manetti Shrem Museum

Three UC Davis scholars—artist and professor Margaret Laurena Kemp, a sociologist, and a Ph.D. student—reflect on the exhibition 'Breath(e): Toward Climate and Social Justice' at the Manetti Shrem Museum. The show, curated by Glenn Kaino and Mika Yoshitake, combines climate change and social justice themes through works like Jin-me Yoon's video installation 'Turning Time (Pacific Flyways),' 2022. Kemp incorporates the exhibit into her course, using breathwork and dance to engage students with Black literature and visual art, culminating in a student performance at the museum on November 13.

Jamea Richmond-Edwards: Another World and Yet the Same September 13, 2025 — June 14, 2026 - Wellin Museum

The Ruth and Elmer Wellin Museum of Art at Hamilton College will present "Jamea Richmond-Edwards: Another World and Yet the Same" from September 13, 2025, to June 14, 2026. Curated by Alexander Jarman, the exhibition features a large body of newly created work alongside mixed-media paintings from the past seven years, exploring race, class, and identity. Richmond-Edwards draws on her Detroit roots, incorporating music genres like jazz, soul, Motown, techno, and hip hop, as well as imagery from school marching bands. The title references a 17th-century dystopian novel by Joseph Hall, and the artist adapts its narrative through a fictional character, Iceberg, who leads a voyage to Antarctica to establish an egalitarian society, addressing themes of climate change and self-determination.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

New York non-profit Art in General, shuttered since 2020, stages a comeback

Art in General, the New York non-profit art space that closed its physical location in 2020 during the Covid-19 pandemic, is returning after a five-year hiatus. It will stage a pop-up exhibition at Yve Yang Gallery in Soho starting August 22, led by new director Xiaoyu Weng, who also serves as artistic director of the Tanoto Art Foundation in Singapore. New board members include artist Paul Pfeiffer, digital strategist Jiajia Fei, and gallerist Yve Yang. The organization plans to host pop-up exhibitions, talks, and events while searching for a permanent space.

Seattle mural festival, shows that make you think and more visual arts

Seattle's visual arts scene remains vibrant after the Seattle Art Fair, with a packed schedule of exhibitions and events. Highlights include the politically charged "Latin American Land/Escapes" at SOIL Gallery, featuring 14 Mexican artists whose names were withheld due to immigration concerns; "Hugh Hayden: American Vernacular" at the Frye Art Museum, the artist's first solo museum show on the West Coast; a new mural by Charlene Liu at the Henry Art Gallery; and the ongoing "Ai, Rebel: The Art and Activism of Ai Weiwei" at the Seattle Art Museum. The Belltown Mural Festival also returns for a second year, with live painting performances starting Aug. 4.

At Baltimore Museum of Art, a new exhibition asks us to consider the connections between race, colonialism and the climate crisis

The Baltimore Museum of Art has opened "Black Earth Rising," an exhibition organized by British curator and writer Ekow Eshun. The show brings together thirteen African diasporic, Latin American, and Indigenous artists—including Frank Bowling, Jaune Quick-to-See Smith, Yinka Shonibare, Wangechi Mutu, Alejandro Piñeiro Bello, Firelei Baez, and Tyler Mitchell—to explore the connections between race, colonialism, and the climate crisis. Eshun also authored an accompanying book that pivots environmental debates away from a Eurocentric viewpoint, emphasizing that the Global South bears the brunt of climate change despite being least responsible for it. The exhibition critiques the term "Anthropocene" and instead promotes the concept of the "Plantationocene," which traces environmental destruction back to 15th-century European colonization and the plantation system.

Climate protester splashes pink paint on Picasso work at Montreal Museum of Fine Arts

On Thursday morning, a supporter of the environmental activist group Last Generation Canada splattered pink paint on Pablo Picasso's 1901 painting *L'hétaïre* at the Montreal Museum of Fine Arts (MMFA). The painting, on loan from the Pinacoteca Agnelli in Turin and featured in the exhibition *Berthe Weill: Art Dealer of the Parisian Avant-garde*, was behind protective glass and showed no immediate damage. The activist, identified only as Marcel, was arrested and charged with mischief under $5,000. The museum reopened the rest of the exhibition after about an hour.

Julian Charrière: ‘The deep sea is a phantasmagorical space’

French Swiss artist Julian Charrière presents 'Midnight Zone' at Museum Tinguely in Basel, an exhibition that plunges viewers into the oceanic abyss through four new commissions and earlier works. The show features video installations, sculptural works, and acoustic pieces that explore deep-sea ecologies, including a film set in the Clarion-Clipperton Zone targeted for deep-sea mining, and a rotating Fresnel lens installation that translates low-frequency noise pollution into vibration. Charrière’s multidisciplinary approach draws on fieldwork in extreme geographies like the Arctic and deep ocean.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

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Art Palm Beach returns for its fourth edition from January 28 to February 1, 2026, at the Palm Beach County Convention Center. The fair features a mix of returning and first-time galleries from the U.S. and abroad, including Gefen Gallery (San Francisco), Onessimo Fine Art (Palm Beach), Oliver Sears Gallery (Dublin), and John Martin Gallery (London). Highlights include Hollis Taggart’s presentation of John Knuth’s fly paintings, Pontone Gallery’s showcase of Matteo Massagrande, and Provident Fine Art’s retrospective ‘Sylvester Stallone: Evolution.’ For the first time, the DIVERSEartPB program presents a large-scale, biennial-style installation curated by Marisa Caichiolo, featuring Chilean artist Eugenia Vargas-Pereira’s participatory work AGUAS (1991).

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The Gallery Climate Coalition (GCC), a London-based organization with 2,000 members across 60 countries, released a report titled "Five-Year Review of Climate Action in the Visual Arts" during London Art+Climate Week, timed with the UN climate summit Cop30 in Brazil. The report reveals that 80 percent of members who began tracking their carbon footprint in 2019 have reduced their impact by 25 percent, and are on track to cut emissions by 50 percent by 2030. Key sources of emissions include shipping, air travel, and energy use, accounting for 80 to 95 percent of members' carbon output. Christie's London, which hosted a launch event, reported a 69 percent reduction in emissions from 2019 to 2024 through renewable energy and reduced catalog publishing.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Review | Raphael, a master of serenity, is the artist we need right now

Art critic Philip Kennicott reflects on the profound psychological impact of Raphael’s Renaissance masterpieces, specifically citing the 'Madonna of the Meadow' in Vienna and the 'Alba Madonna' in Washington, D.C. He describes how these works possess a unique ability to cure 'museum fatigue' and mental clutter, offering a sense of serenity and clarity that feels particularly necessary in the current cultural climate.

When Gagosian Goes So Do His Galleries, How Hockney’s Swimmer Swam Away, and Green Shoots in the Gallery World

Kenny Schachter's article opens with a broad critique of the political climate under the Trump administration, linking it to a chilling effect on free speech and democracy, before pivoting to the art world. He notes the absence of a U.S. representative for the 61st Venice Biennale, mentions Marilyn Minter's protest piece, and references David Hockney's *Portrait of an Artist (Pool with Two Figures)* at Christie's. The piece also touches on market negativity, the resilience of art, and skepticism about the Middle East as a market savior.

Lacma will plant towering, flowering Jeff Koons sculpture outside new building

The Los Angeles County Museum of Art (Lacma) has acquired Jeff Koons's monumental floral sculpture *Split-Rocker* (2000), a 37-foot-tall work featuring two halves of children's rocking toys embedded with over 50,000 flowering plants. Donated by collectors Lynda and Stewart Resnick through their foundation, the sculpture will be installed outdoors later this year, ahead of the museum's $715 million David Geffen Galleries opening in 2025. The work has previously been displayed at the Palais des Papes in Avignon, Château de Versailles, Fondation Beyeler, Glenstone, and Rockefeller Center.

10 Exhibitions to See in Chicago This Spring

A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.

The Major Exhibitions at LUMA Arles in France: Zaha Hadid, Gerhard Richter and Patti Smith

Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith

LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.

Vincenzo Trione's new book aims to redefine the concept of the avant-garde (reviews by his students)

Il nuovo libro di Vincenzo Trione vuole ridefinire il concetto di avanguardia (le recensioni dei suoi allievi)

On March 9, 2026, at IULM University in Milan, Vincenzo Trione presented his new book *Rifare il mondo. Le età dell’avanguardia* (Einaudi, 2025). The event was part of the cultural program *Leonardo alla IULM*, which also featured pages from the Codex Atlanticus on loan from the Biblioteca Ambrosiana. Trione, a professor at IULM, discussed the book with four of his students: Anna Luigia De Simone, Vincenzo Di Rosa, Anna Calise, and Alessia Scaparra Seneca. The talk, titled "Nessuna parola caratterizza l’arte contemporanea più di avanguardia," explored the concept of the avant-garde, its historical legacy, and its contemporary reactivation through movements, manifestos, collectives, and cultural phenomena.

The evolution of agriculture tells the story of the world in an unmissable exhibition at Fondazione Prada

L’evoluzione dell’agricoltura racconta il mondo in un’imperdibile mostra alla Fondazione Prada

The Fondazione Prada in Milan is hosting "Dash," a comprehensive solo exhibition by Chinese artist Cao Fei that explores the intersection of ancient agricultural rituals and cutting-edge technology. The exhibition features installations like 'Land Ceremony,' where an agricultural drone is treated as a ritualistic rice dragon, alongside VR experiences and documentary films that investigate the automation of farming in China and Southeast Asia.

Opening date for London’s V&A East Museum announced

The V&A East Museum in London's Queen Elizabeth Olympic Park will open on 18 April 2026, completing the institution's east London cultural campus. Designed by O'Donnell + Tuomey, the five-story museum will feature two free permanent "Why We Make" galleries co-curated with local youth groups, showcasing over 500 objects from the V&A collection alongside contemporary works by artists including Yinka Ilori, Tania Bruguera, Carrie Mae Weems, and Thomas J. Price. The opening exhibition, "The Music Is Black: A British Story," will chart the influence of Black British music from 1900 to the present.

Henry Moore Foundation awards £100,000 in unrestricted grants

The Henry Moore Foundation has awarded £100,000 in unrestricted grants to fifty sculptors across the UK, each receiving £2,000 through its Artist Award Scheme. The funding, announced amid the cost-of-living crisis and cultural sector cuts, can be used for materials, studio rent, or bridging gaps. Recipients were nominated by a panel of 25 arts professionals from UK regions and Northern Ireland, including Viviana Checchia of Void in Derry and Nicole Yip of Spike Island in Bristol. Notable past recipients include 2024 Turner Prize winner Jasleen Kaur and Manon Awst, who will represent Wales at the 2026 Venice Biennale.

Queer Arts Festival opens Portals for emerging artists and contrasting journeys

The Queer Arts Festival (QAF) in Vancouver opens its 16th annual edition from June 6 to 28, featuring a signature visual exhibition titled "Portals" at Centre A: Vancouver International Centre for Contemporary Asian Art from June 21 to August 23. Curated by Mark Takeshi McGregor and Diane Hau Yu Wong, the exhibition showcases six emerging and local artists—Arkah, Evan Matchett-Wong, Sena Cleave, Miles Saraswat, Christian Yves Jones, and Naomi Maya Leung—whose works explore themes of queerness, migration, diaspora, and belonging through photography, sculpture, embroidery, film, and mixed media. The festival also includes concerts, media screenings, and community events, serving as a sanctuary for 2SLGBTQIA+ communities amid rising anti-trans and anti-queer rhetoric.

"East-Northeast: Charting Moments in Maine" Presents Four Different Exhibitions of Maine-Focused Artists in Summer 2025

The Bowdoin College Museum of Art (BCMA) presents "East-Northeast: Charting Moments in Maine," a series of four exhibitions running in summer 2025 that highlight artists inspired by Maine. The shows include Gordon Parks’s previously unseen 1944 photographs of rural life, John McKee’s coastal series "As Maine Goes" (first public viewing since 1966), Ann Craven’s lunar paintings from 2020 and 2024, and films by Swiss-American artist Rudy Burckhardt. The exhibitions span from June 28 to November 9, 2025, with a keynote lecture by Philip Brookman on June 28.

Why This Storied London Gallery Is Planning Its Future in Paris

Waddington Custot, a cornerstone of London’s art scene, is formalizing its leadership succession as Victor Custot joins his father, Stéphane, as board director. The younger Custot, who transitioned from a career in tech, is now spearheading the gallery’s strategic expansion. Central to this new chapter is a significant move toward Paris, reflecting a broader shift in the European art market landscape following Brexit.