Rabindranath Tagore's 1937 painting *From Across the Dark* sold for 107 million rupees ($1.2 million) at AstaGuru's "Historic Masterpieces" online auction, setting a new auction record for the artist. The work, executed in ink, poster color, and crayon, far exceeded its presale low estimate of 20 million rupees. Tagore's previous record was set at Sotheby's London in October 2023 for *Untitled (Three Bauls)*.
Sperone Westwater, a 50-year-old New York gallery, closed on January 1, 2026, amid a legal dispute between its co-founders Gian Enzo Sperone and Angela Westwater. Court filings reveal Sperone accuses Westwater of mismanagement, including using the gallery's Norman Foster-designed building on the Bowery to subsidize unprofitable operations, while Westwater counters that Sperone has been largely absent since 2016 and is attempting to extract maximum financial benefit. The corporation's two directors are deadlocked, and a receiver may be appointed to oversee dissolution, including sale of the building and distribution of assets.
The Panama Papers leak has revealed that the 1997 sale of the Victor and Sally Ganz collection at Christie's New York was secretly orchestrated by billionaire currency trader Joseph Lewis. Lewis had already purchased the top works from the collection through a Christie's subsidiary, Spink & Son, months before the auction, and structured a guarantee that shared profits above $168 million. The sale, which set a private collection auction record at $206 million, included Pablo Picasso's "Women of Algiers (version O)" fetching $31.9 million. The documents also confirm that a Modigliani painting involved in a Nazi restitution case belongs to the Nahmad family.
Chinese artist and activist Ai Weiwei will debut a major new installation in Kyiv, Ukraine, this fall at Pavilion 13, a Soviet-era glass exposition hall that recently reopened as a cultural venue after renovation by architectural firm Forma. The work, titled *Three Perfectly Proportioned Spheres and Camouflage Uniforms Painted White* (2025), features metal spheres inspired by Leonardo da Vinci's mathematical illustrations, encased in camouflage fabric thinly painted white, exploring themes of concealment, reality, and war. Commissioned by the nonprofit Ribbon International, the installation will be on view from September 14 to November 30, 2025, alongside a site-responsive intervention by Berlin-based artist Sam Lewitt.
A Reuters investigation this week identified street artist Banksy as 52-year-old Robin Gunningham, reigniting a long-running public debate about the unmasking of anonymous artists. This follows a recent hoax announcement of novelist Elena Ferrante's death, which similarly targeted her carefully guarded identity.
Des plages de Valence aux jardins andalous, le virtuose Joaquín Sorolla célébré par une exposition lumineuse à Toulouse
The article announces a luminous exhibition in Toulouse celebrating the Spanish painter Joaquín Sorolla (1863–1923), known for his radiant beach scenes and masterful use of light. Co-curated by Ana Debenedetti of the Bemberg collection and Enrique Varela Agüí, director of the Museo Sorolla in Madrid, the show features iconic works such as *Contre-jour, Maria à Biarritz* (1906) and *Sur le sable, plage de Zarautz* (1910), alongside a reconstruction of Sorolla’s studio. The exhibition highlights his unique style blending realism, impressionism, and luminism, with energetic brushwork, bold compositions, and photographic framing.
Vidéo : Les secrets de la licorne, créature légendaire au cœur d’une exposition au musée de Cluny
The Musée de Cluny in Paris is presenting an exhibition titled "Licornes!" from March 13 to July 12, 2026, exploring the history and symbolism of the unicorn from antiquity to the present day. Curated by Béatrice de Chancel-Bardelot, the show traces the creature's evolving depiction in literature, illuminated manuscripts, frescoes, tapestries, and contemporary art, highlighting its shifting meanings from a wild, aggressive beast to a symbol of purity, virtue, and, more recently, LGBTQIA+ pride and feminine power.
The Musée Sainte-Croix in Poitiers, France, is hosting a new exhibition reviving the legacy of Sarah Lipska, a Polish-born artist who thrived in 1920s Paris as a costume designer, decorator, and fashion creator. Once a celebrated figure with her own boutique on the Champs-Élysées, Lipska collaborated with Léon Bakst and designed for the theater, including the operetta 'Annabella' (1922), before falling into obscurity. The museum, which holds the world's largest collection of her work, has built this through decades of acquisitions and a major donation from Lipska's daughter.
Les expos et visites immersives à ne pas rater du printemps à l’été en France
The article from Beaux Arts Magazine highlights a selection of immersive art exhibitions and experiences across France for spring and summer 2026. Featured attractions include "Passion Japon" at Parc de la Villette in Paris, a journey through Japanese culture with Hokusai and Hiroshige projections; "L'Odyssée Céleste" at Église Saint-Eustache, a 3D light spectacle with live choral music; "Frissons" at the Musée d'Orsay, an interactive light installation by artist Adrien M responding to visitors' movements; and a Picasso immersive experience at Les Baux-de-Provence.
Les dessins hantés par la Shoah de Chaïm Kaliski se révèlent dans une expo au mahJ
The Musée d’Art et d’Histoire du Judaïsme (mahJ) in Paris is hosting the first monographic exhibition dedicated to Chaïm Kaliski, a Belgian artist who began drawing at the age of 60 to process the trauma of the Holocaust. After his death in 2015, thousands of drawings were discovered in his Brussels apartment, documenting his family's history and the fate of Polish Jews in Belgium. The exhibition features 120 works that blend childlike aesthetics with haunting historical narratives, including poignant depictions of his parents' final moments at Auschwitz.
Une phénoménale expo d’art urbain avec des légendes du graffiti arrive à La Villette : la billetterie est ouverte !
A major exhibition of graffiti and street art, "Beyond the Streets," is opening at the Grande Halle de la Villette in Paris. The show features monumental sculptures, architectural interventions, archival photos, videos, and murals by legendary artists including Futura 2000, Fab Five Freddy, Shepard Fairey (Obey), Invader, André Saraiva, Fuzi, Felipe Pantone, Lady Pink, and Vhils. The exhibition, which has already drawn over 650,000 visitors worldwide, runs from late May to early September 2026, and ticket sales have just opened.
The article reflects on the #MeToo movement's failure to achieve lasting change, using the case of architect David Adjaye as a central example. Adjaye was accused in 2023 by three women of sexual exploitation, harassment, and creating a hostile work environment at his firm, Adjaye Associates, allegations he denied. Despite initial backlash—including termination from projects like Westminster's Holocaust Memorial—many clients quietly resumed working with him, illustrating a broader pattern of institutional cowardice.
Cannupa Hanska Luger collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol for the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson on the design, which evolved from a “Conquistador Larry” concept into a “razzle-dazzle rose gold glitter monster.” Luger explained on Instagram that the mascot incorporates Indigenous references as a deliberate commentary on the racist history of sports mascots, calling it “an act of reclamation.”
Frieze Seoul 2025 will bring together 120 galleries from over 30 countries for its fourth edition, running September 4–6 at the COEX convention center with a preview day on September 3. The fair coincides with Kiaf Seoul and is split into three sections: the main Galleries section (90 exhibitors), Focus Asia (10 solo presentations of emerging artists), and Frieze Masters (20 booths covering works from the Middle Ages to the 20th century). Blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, and David Zwirner, alongside leading Korean galleries such as Gallery Hyundai and Kukje Gallery. Five galleries have graduated from Focus Asia to the main section, and 20 first-time participants join the main section.
The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.
The Bavarian Parliament has unanimously ordered a comprehensive investigation into revelations that the state returned Nazi-looted artworks to the families of high-ranking Nazi officials instead of their rightful Jewish owners. A report by the Commission for Looted Art in Europe (CLAE) exposed that state-owned museums in Munich profited from these stolen works for decades, in some cases selling them back to Nazi descendants at nominal prices or keeping them in public collections.
Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.
Two previously unseen preliminary pencil sketches of Winnie-the-Pooh by illustrator E.H. Shepard have been revealed to the public for the first time. Shared by the artist’s family to mark the centenary of A.A. Milne’s classic stories, the drawings depict scenes from the "expotition" to the North Pole and the hunt for a "Woozle" that were never included in the final 1926 publication. These rare works are set to go on display at Peter Harrington Rare Books in London starting April 17.
An open letter signed by hundreds of Mexican artists and cultural figures warns that the core of the renowned Gelman Collection, including eleven Frida Kahlo paintings declared national monuments, is at risk of permanent export from Mexico. The letter alleges that Banco Santander's new Faro Santander museum, through an agreement with collector Marcelo Zambrano, is misinterpreting Mexico's strict heritage laws to justify a "dynamic" but effectively permanent display abroad, which would violate the legal prohibition on the permanent export of Kahlo's work.
The Fondation Cartier for Contemporary Art has opened a new building in Paris, designed by architect Jean Nouvel, after ten years of planning and construction. Located near the Louvre in the former Grand Hotel du Louvre, the 8,500-square-meter space features transformable architecture with movable walls and floors, conceived as a "machine" for flexible exhibitions. The opening show, "Exposition Générale," curated by Grazia Quaroni and Béatrice Grenier and designed by Formafantasma, highlights the building's structural innovations and features works from the foundation's permanent collection, including pieces by Cai Guo-Qiang, Joan Mitchell, James Turrell, and Malick Sidibé.
A fading Banksy mural titled *Migrant Child*, painted on a palazzo in Venice during the 2019 Venice Biennale, was removed from its wall late Wednesday night by a conservation team led by Federico Borgogni. The piece, which shows a child in a lifejacket holding a pink smoke flare, had suffered water damage and salt exposure. The restoration is financed by Banca Ifis, a Venice-based bank, which plans to display the work at free cultural events after conservation. The removal proceeded despite earlier criticism from artists and activists who argued that the work's decay was integral to its meaning.
The Centre Pompidou is expanding its global footprint with the opening of a new satellite museum in Seoul this June. Housed in a former aquarium within the Hanwha Group's headquarters in the Yeouido financial district, the Centre Pompidou Hanwha is the result of a four-year partnership between the French institution and the Hanwha Foundation of Culture. The renovated 108,000-square-foot space, designed by architect Jean-Michel Wilmotte, will debut with an exhibition titled "The Cubists: Inventing Modern Vision," which explores the evolution of Cubism and its intersections with Korean art.
The Chicago art scene takes center stage with a curated guide to six essential exhibitions coinciding with the EXPO Chicago 2026 art fair. Highlights include Josh Brainin’s immersive two-channel video installation at Tala and a thematic exploration of Chicago’s urban infrastructure hosted at the Chicago Cultural Center, showcasing a diverse range of media from digital video to architectural critique.
Akinsanya Kambon’s work is featured as a highlight in a curated guide of six must-see exhibitions during the EXPO Chicago 2026 art fair. The selection spans a diverse range of media and venues, including Josh Brainin’s frantic two-channel video installations at Tala and a thematic exploration of urban infrastructure hosted at the Chicago Cultural Center.
The article, part of a series on e-flux, presents a theoretical analysis of the 1965 Watts rebellion through the lens of Guy Debord's Situationist thought. It examines how the rioters' destruction and theft of commodities, like refrigerators they couldn't power, acted as a rejection of capitalist integration and exposed the false promise of consumer affluence.
A California antiquities dealer, Aaron Mendelsohn, surrendered a 2,000-year-old bronze statue of a Roman emperor, known as the Nude Emperor, to New York prosecutors. The statue, valued at $1.33 million, was purchased in 2007 from a defunct New York gallery but is believed to have been looted in the late 1960s from a Roman shrine in Bubon, Turkey. In a deal filed in New York Criminal Court, Mendelsohn relinquished claims to the statue without admitting wrongdoing, and prosecutors withdrew an arrest warrant. The statue was repatriated to Turkey in a restitution ceremony on Monday, alongside dozens of other objects, including an $800,000 marble head of Demosthenes seized from the Metropolitan Museum of Art.
Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.
Barbara Guggenheim Associates, Inc., a New York art advisory firm, is embroiled in legal conflict after founder Barbara Guggenheim and her longtime associate Abigail Asher filed dueling lawsuits in the Supreme Court of the State of New York. Guggenheim’s suit, filed in August but only recently reported by Artnet News, accuses Asher of diverting some $20.5 million in firm revenue for personal expenses, including rent, dinner bills, and home repairs, and alleges Asher wrongfully kept commissions from a Jean-Michel Basquiat artwork. Asher countersued, accusing Guggenheim of bullying, gaslighting, and using firm funds for personal costs like funeral expenses and luxury vehicles, while denying the financial misconduct claims. The lawsuits also involve the firm’s CPA, Robert Mandeltort, and Asher’s assistant, Jessica Lewis.
The article discusses the controversy surrounding Hunter Biden's art career, focusing on his upcoming exhibition at Georges Bergès Gallery in October. Despite limited public exposure to his work, Bergès is pricing Biden's drawings at $75,000 and paintings at $500,000, placing him in the top tier of emerging artists. The White House issued ethics guidelines requiring buyer identities to remain secret from both Biden and the administration, raising concerns about potential conflicts of interest. The author questions the wisdom of selling the art given Biden's public struggles with addiction and his family's political prominence.
The Figge Art Museum in Davenport, Iowa, is hosting a Music & Maker's Night on May 14, featuring a guided tour of the exhibition "Get Surreal (A Surreal Lens)" led by Co-Senior Curator Joshua Johnson. The event includes an art-making activity and live music in the museum's Quad City Bank & Trust Grand Lobby. The exhibition explores how photographers from the earliest days of the medium have used techniques like montage, double exposure, and digital manipulation to distort reality and create dreamlike imagery, featuring works by artists such as Alan Cohen, György Kepes, Olivia Parker, and Emmet Gowin.