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A $15 million Compton arts center is in the works thanks to this formerly incarcerated painter

Fulton Leroy Washington, the self-taught painter known as Mr. Wash, has unveiled plans for a $15-million community arts hub in Compton, California. Designed by the renowned firm Morphosis Architects, the proposed Art by Wash Studio & Community Center will provide housing, studio space, and a small-business incubator specifically for formerly incarcerated artists. The project was launched alongside Washington’s latest exhibition, “The City of Compton: Then & Now,” which serves as a fundraiser for the construction.

Patrick Martinez’s anti-Ice neons greet Frieze LA visitors

Los Angeles artist Patrick Martinez has installed six politically charged neon sculptures at the entrance of Frieze Los Angeles, featuring slogans such as “Deport Ice” and “Nobody is illegal.” These works adapt the visual language of local mom-and-pop storefront signage—typically used for check-cashing or pawn shops—to broadcast urgent social and political messages. The installation serves as a bridge between the elite art fair environment and the grassroots protest culture of the city.

‘Everyone can talk about a cabinet or a chair’: Ryan Preciado on his show at Hollyhock House in Los Angeles

Artist Ryan Preciado has launched a new exhibition titled "Diary of a Fly" at Frank Lloyd Wright’s historic Hollyhock House in Los Angeles. The show features a mix of high-gloss steel sculptures, woven tapestries, and furniture that Preciado calls "insecure sculptures"—objects that blur the line between functional craft and fine art. By placing these contemporary works within the UNESCO World Heritage Site, Preciado creates a dialogue between his own carpentry-based practice and Wright’s iconic Modernist architecture.

Art, fashion and nature join forces

The article features a conversation between Los Angeles-based artist Sam Falls and Edoardo Zegna, chief marketing, digital and sustainability officer at the Italian luxury menswear brand Zegna, during Miami Art Week. Falls creates works that blend Land Art and plein air photography by leaving materials in natural environments, while Zegna discusses the brand's century-long stewardship of Oasi Zegna, a 100 sq. km forest in the Italian Alps. Zegna has created an invitation-only pop-up space called Villa Zegna in the Design District showcasing Falls's works, and Falls also has pieces at 303 Gallery's stand at Art Basel Miami Beach and in the Ruinart Lounge.

16 New Auction Records Set in November 2025

New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.

Yoko Ono: Music of the Mind

The Broad museum in Los Angeles will present 'Yoko Ono: Music of the Mind,' the artist's first solo museum exhibition in Southern California, from May 23 to October 11, 2026. Organized in collaboration with Tate Modern, London, the show spans Ono's seven-decade career, featuring interactive instruction works, participatory installations like 'Wish Trees for Los Angeles,' films such as 'Cut Piece' (1964) and 'FILM NO. 4 (BOTTOMS)' (1967), and collaborative pieces with John Lennon including 'Bed Peace' (1969). Visitors will be invited to engage directly with works that turn simple acts into expressions of peace and connection.

‘Made in L.A.' at the Hammer Museum, a free art exhibit, loves on local artists

The Hammer Museum in Westwood will host the seventh edition of 'Made in L.A.,' a free biennial exhibition running from October 5, 2025, through March 1, 2026. The show features 28 regional artists, with a focus on emerging and under-recognized talents, and includes paintings, photographs, video works, sculptures, and dance. Notable works include Na Mira's 'Sugungga (Hello)' 2024 and a recreation of Alonzo Davis's 'Eye on '84' by Patrick Martinez.

25 of 2025: 5 Groundbreaking Fiber Artists You Need to Know

Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.

12 art exhibits to explore this fall

Greater Boston's fall art exhibitions feature a range of shows that reflect on social issues and artistic traditions. Notable exhibits include Jean Shin's "Fabricated Imaginaries: Crafting Art" at the Rose Art Museum, which explores textile consumption and Asian stereotypes; "Sketch, Shade, Smudge: Drawing from Gray to Black" at Harvard Art Museums, showcasing monochromatic works; "Andrew Gn: Fashioning the World" at the Peabody Essex Museum, highlighting the designer's blend of Eastern and Western aesthetics; and "List Projects 33: Every Ocean Hughes" at MIT List Visual Arts Center, examining the process of dying through video installation.

Art for fall 2025: From the Art Institute to the Architecture Biennial, 10 exhibits for all kinds of realities

A Chicago-based art critic presents a curated guide to 10 exhibitions for fall 2025, ranging from a major traveling survey of activist artist Elizabeth Catlett at the Art Institute of Chicago to a textiles show exploring mourning and survival, a Helen Frankenthaler printmaking exhibit at the Block Museum, and the final programming at the Roman Susan Art Foundation in Rogers Park. Other highlights include a collaborative museum debut by artists Mayumi Lake and Bob Faust inspired by the Japanese design principle shakkei.

15 Art Shows to See in Los Angeles This Fall

This fall, Los Angeles museums are presenting a diverse array of exhibitions that explore community, justice, and historical reclamation. Highlights include a historical survey of Mail Art in Latin America, a traveling exhibition of radical Chicano prints from the Smithsonian at the Huntington, a show at the Getty drawn from the Guerrilla Girls' archive, and a two-person exhibition at Skirball pairing Philip Guston with Trenton Doyle Hancock. Other notable shows include 'Monuments' co-organized by the Brick and the Museum of Contemporary Art, solo exhibitions by Guadalupe Maravilla at REDCAT and by American Artist on Octavia E. Butler, and the California Biennial at the Orange County Museum of Art. The article also lists shows at Oxy Arts, the Museum of Contemporary Art, and other venues, featuring artists such as Ken Gonzales-Day, Tavares Strachan, and Stanya Kahn.

Tefaf New York wish list: objects and treasures to suit every collector’s taste

Tefaf New York presents a curated wish list of objects and treasures catering to diverse collector tastes. Highlights include Lee Bontecou's monumental mixed-media sculpture 'Untitled (1980-2001)' shown by Ortuzar and Marc Selwyn Fine Art, a rare René Magritte collage from 1926 offered by Di Donna Galleries, an ancient Egyptian bronze Osiris statue from David Aaron, and an Aboriginal painting by Mantua Nangala from Salon 94. Each piece is accompanied by price estimates and provenance details, reflecting the fair's focus on high-quality, historically significant works.

RADICAL SOFTWARE: WOMEN, ART & COMPUTING 1960–1991

Kunsthalle Wien presents "Radical Software: Women, Art & Computing 1960–1991," a landmark exhibition foregrounding the pioneering role of women in early digital art. Organized with Mudam Luxembourg, the show brings together over one hundred works by fifty artists from European and U.S. collections, spanning painting, sculpture, installation, film, performance, and computer-generated works. The title references the 1970 magazine "Radical Software" by Beryl Korot, Phyllis Segura, and Ira Schneider, which envisioned decentralized access to information. The exhibition traces digital art from mainframe experiments in the 1960s through the microcomputer revolution, highlighting artists like Charlotte Johannesson, who traded a tapestry for an Apple II in 1978.

New York Art Week Will Test the Market’s Momentum

New York Art Week is set to test the art market's momentum with half a dozen fairs and major auctions. Frieze New York opens at the Shed on May 13 with 68 galleries, while Sotheby's leads auction sales starting May 14, featuring a Mark Rothko painting estimated at $70–$100 million from Robert Mnuchin's collection. The total low estimate for Sotheby's week is $690.4 million, roughly 70% higher than last year's hammer total. Alternative fair Esther, co-founded by Margot Samel and Olga Temnikova, kicks off May 12 at the Estonian House for its third and final edition, emphasizing intentionality and community over scale.

Sarah Lucas Unveils VENUS VICTORIA at the New Museum’s Bowery Plaza

The New Museum has unveiled "VENUS VICTORIA," a new public sculpture by British artist Sarah Lucas, inaugurating the museum's outdoor plaza at the junction of Bowery and Prince Street in downtown Manhattan. The sculpture, which features Lucas's signature Bunny figure seated atop a giant washing machine, was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. It opens on May 12, 2026, and will remain on view for two years as the first of five commissions dedicated to public sculpture by women artists.

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In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

adolf hitler artwork auction germany

A group of 14 watercolors and drawings by Adolf Hitler, dated from 1904 to 1922, will be auctioned at the Weidler auction house in Nuremberg, Germany, between June 18 and 20. The works are expected to sell for between €1,000 and €45,000 each, following a previous sale of a Hitler watercolor that fetched €130,000 in November last year.

cannupa hanska luger mascot jordan peele horror film him

Cannupa Hanska Luger collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol for the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson on the design, which evolved from a “Conquistador Larry” concept into a “razzle-dazzle rose gold glitter monster.” Luger explained on Instagram that the mascot incorporates Indigenous references as a deliberate commentary on the racist history of sports mascots, calling it “an act of reclamation.”

johanna burton director ica philadelphia departs moca la

Johanna Burton, director of the Museum of Contemporary Art (MOCA) in Los Angeles, has been appointed the next director of the Institute of Contemporary Art (ICA) Philadelphia, effective November 1. She succeeds Zoë Ryan, who left in January to lead the Hammer Museum in Los Angeles. Burton, who joined MOCA in 2021 after leading the Wexner Center for the Arts, stabilized the institution following a period of turmoil, reinstating its annual gala, securing major gifts, and hiring senior curator Clara Kim.

Star-Studded Doc on Auction Icon Simon de Pury Heads to Cannes

A new feature-length documentary titled "The Hammer" will premiere at this spring's Cannes Film Market, chronicling the five-decade career of Swiss auctioneer and art advisor Simon de Pury. Produced by Simon Wallon, who previously made a documentary on casting director Bonnie Timmermann, the film features cameos from artists Marina Abramović, Jeff Koons, Ai Weiwei, and Chloe Wise, and includes executive producer Catherine Quantschnigg. Filming took place in New York, Tokyo, London, Cannes, Miami, and Monaco between July 2023 and February 2025.

christies 21st century evening sale totals november 2025

Christie's 21st-century evening sale on Wednesday, November 2025, achieved a hammer total of $99.7 million on 44 lots, within the pre-sale estimate of $87.5–$127 million. With fees, the final total reached $123.6 million. The sale opened with 18 lots from the collection of Chicago philanthropists Stefan Edlis and Gael Neeson, featuring works by Cindy Sherman, Andy Warhol, Tom Wesselmann, and Diego Giacometti. A Giacometti coffee table sparked a seven-minute bidding war, selling for $4.53 million. Three artist records were set: Firelei Báez ($1.1 million), Olga de Amaral ($3.1 million), and Joan Brown ($596,500). Only one work, by Cecily Brown, failed to sell.

christies riggio modern art new york evening auctions 2025

Christie’s spring marquee auctions in New York brought in a combined $489 million with fees across two evening sales: the Leonard & Louise Riggio: Collected Works sale and the 20th Century sale. The Riggio collection, featuring 39 works heavy on Surrealism, modernism, and Minimalism, achieved $272 million with buyer’s premium, led by Piet Mondrian’s Composition With Large Red Plane, Bluish Gray, Yellow, Black and Blue (1922) at $47.56 million and René Magritte’s L’empire des lumières (1949) at $34.9 million. The 20th Century sale included major canvases by Monet, Rothko, and Warhol, but the hammer total of $409 million fell below the $446 million pre-sale low estimate, indicating the auction house did not meet expectations.

Ulysses Jenkins (1946–2026), A Black Radical Imagination

The article is a personal tribute by curator Erin Christovale to the late artist Ulysses Jenkins (1946–2026), chronicling their decade-long friendship and collaboration. Christovale recounts how she first encountered Jenkins's video work at the William Grant Still Arts Center in Los Angeles, and how a conversation with Otolith Group's Kodwo Eshun led to her curating Jenkins's work. She describes key moments including Jenkins's video "Planet X" (2006) about Hurricane Katrina, his 1979 work "Two-Zone Transfer" featuring Kerry James Marshall in blackface masks, and the 2021 retrospective "Ulysses Jenkins: Without Your Interpretation" co-curated with Meg Onli at the Institute of Contemporary Art Philadelphia, which later traveled to the Hammer Museum and Julia Stoschek Foundation.

art ej hill kate zambreno review

EJ Hill's new endurance performance, "Yearning for an Absolute" (2025), is on view at 52 Walker in Tribeca through September 13, 2025. For the duration of the exhibition, the 40-year-old Black queer artist kneels every day, all day, within a red velvet enclosure, referencing Catholic devotional practices, saintly mortifications, and his own history of durational works like "Excellentia, Mollitia, Victoria" (2018) at the Hammer Museum's "Made in LA" biennial. The installation also includes red leather kneelers for sale, framed kneeler pad paintings marked with the artist's indentations, and a neon rectangle reminiscent of Dan Flavin's church installation.

Pablo Picasso | AR310 Mask (1956) | For Sale

This article presents a Pablo Picasso ceramic mask, AR310 Mask (1956), available for sale through Leona Craig Art in Hong Kong for US$21,000. The work is an edition of 300, made from A.R. white clay with engobes and oxidized paraffin decoration. The provenance describes how Picasso first visited Vallauris in 1946 after a Paris exhibition, was inspired by ceramicist Suzanne Hammier, and later returned with Matisse and Chagall to see his fired pieces, eventually staying for nearly thirty years.

An Analog Tether

A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.

Made in LA biennial contemplates wildfires and immigrant arrests

The Hammer Museum in Los Angeles has opened the seventh edition of its Made in LA biennial, running until March 1, 2026. Curators Essence Harden and Paulina Pobocha selected 28 artists from over 200 studio visits, with no predetermined theme. The exhibition features works that respond to the city's recent challenges, including the January wildfires and ongoing ICE raids, as seen in pieces like Alonzo Davis's 'Eye on ’84' and Patrick Martinez's neon sign reading 'Agua Is Life; NO ICE'.

Philadelphia Art Museum exhibits Noah Davis’s tender depiction of Black life

The Philadelphia Art Museum has opened a new exhibition surveying the career of the late American artist Noah Davis, featuring over 60 works from 2007 to his death in 2015. The show, curated by Eleanor Nairne and Wells Fray-Smith, is the final stop of an international tour organized with DAS MINSK in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. It includes paintings, sculptures, and works on paper that chronologically map Davis's multimedia practice, with a final room dedicated to his last three paintings.

‘Like a Malfunctioning Theme Park Ride’: Banality and Body Horror at New York Art Week

New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.