Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.
The article examines the art market's struggle to attract new wealthy buyers despite a surge in global wealth. Marc Spiegler, former global director of Art Basel, argues that galleries have failed to recruit the newly wealthy, noting that inflation-adjusted art sales have declined over the past 15 years. He suggests the industry needs to reposition art as 'magical' and transformative to appeal to potential patrons.
The National Portrait Gallery in Washington, D.C., will debut an exhibition titled “Portrait of a Nation: 2025 Honorees” on December 12, featuring newly commissioned and acquired portraits of filmmaker Steven Spielberg, JP Morgan Chase CEO Jamie Dimon, scientist Temple Grandin, and poet Joy Harjo. The show follows a fundraising gala and includes works by Kate Capshaw, Jason Alden, Joel Daniel Phillips, and David Lenz, with the Spielberg portrait combining oil painting and film projection.
The RISD Museum in Providence has opened "Liz Collins: Motherlode," the first U.S. survey dedicated to fiber and textile artist Liz Collins. Curated by Kate Irvin, the exhibition spans Collins's multi-decade career, from her early fashion label to her recent cross-disciplinary experiments, and includes works like "Cosmic Explosion" (2008–18). Collins, a double RISD graduate and former professor there, describes the show as a homecoming rooted in her deep ties to the school and museum.
Carl Kahler's 1891 painting *My Wife's Lovers*, a monumental portrait of 42 cats commissioned by San Francisco millionaire Kate Birdsall Johnson, has resurfaced in popularity thanks to social media and a record-breaking sale at Sotheby's in 2016, where it fetched $826,000—more than double its high estimate. The article details Kahler's background as a horse-racing painter from Austria, his three-year stay at Johnson's Buena Vista Castle sketching her feline menagerie, and the painting's debut at the 1893 Chicago World's Fair. Johnson, an eccentric art collector and philanthropist, owned hundreds of cats and named the work after her late husband's nickname for them.
An exhibition titled "The King's Tour Artists" will open at Buckingham Palace on July 10, showcasing over 70 works created by 42 artists who accompanied King Charles on international royal tours over the past four decades. The tradition began in 1985 when the then-Prince of Charles invited artist John Ward to join his tour of Italy, and has continued unbroken ever since, with artists capturing landscapes, figure studies, and historic moments such as the British handover of Hong Kong in 1997. Featured works include Richard Foster's depiction of Charles and Camilla on North Seymour Island in the Galápagos, and Susannah Fiennes's painting of sailors lowering the flag on HMY Britannia.
The Guardian's weekly entertainment guide highlights two major art exhibitions opening in May 2025: 'Aleksandra Kasuba' at Tate St Ives (2 May to 4 October) and 'Zurbarán' at the National Gallery, London (2 May to 23 August). The Kasuba show is the first UK presentation of the Lithuanian American artist's proto-immersive 'spatial environments,' featuring early paintings, mosaics, and installations focused on utopian social harmony. The Zurbarán exhibition presents a blockbuster survey of the 17th-century Spanish Baroque master, known for his intense religious subjects and dramatic chiaroscuro.
Fondazione Dries Van Noten has opened at Palazzo Pisani Moretta in Venice with its inaugural exhibition, "The Only True Protest Is Beauty," running from April 25 to October 4, 2026. Curated by Dries Van Noten himself, the show features over 200 works across twenty rooms, blending fashion, art, design, ceramics, glass, and photography. Highlights include archival pieces by Christian Lacroix and Rei Kawakubo for Comme des Garçons, alongside works by emerging and established artists such as Ayham Hassan, Peter Buggenhout, Ritsue Mishima, and Misha Kahn. The exhibition avoids a fixed curatorial logic, instead using instinctive juxtapositions to explore beauty as tension and disruption.
The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."
Photographer Dan Bannino has created a series titled "Still Diet," in which he photographs bizarre celebrity fad diets in the style of Old Master still life paintings. The series features diets associated with figures such as Gwyneth Paltrow, Charles Saatchi, Beyoncé Knowles, Henry VIII, and others, using carefully arranged food items and props to mimic classical compositions.
This episode of the Art Angle podcast, hosted by Kate Brown with co-hosts Ben Davis and Andrew Russeth, covers three major art-world stories: crypto collector Justin Sun’s escalating legal battle with billionaire David Geffen over a Giacometti sculpture; Jeff Koons’ trio of massive Hulk sculptures that debuted at Frieze New York; and the first round of the new Art Basel Awards. The discussion weaves together legal disputes, market signals, and institutional recognition.
The Art Institute of Chicago has partnered with the Tuscany-based sculpting studio Ten X to create two marble reimaginations of a rare 8th-century Tang dynasty Bodhisattva. The original limestone sculpture, a centerpiece of the museum’s Asian art collection, has been missing its left arm since it was acquired in 1930, leaving its meditative gesture a mystery. Rather than attempting a traditional restoration, curator Dr. Tao Wang commissioned two distinct versions that explore different historical possibilities for the figure's hand placement based on extensive cross-cultural research.
A parent describes bringing their toddler to a "family-friendly drop-in" session at the Fitzwilliam Museum in Cambridge, where children are allowed to roam freely among priceless ceramics and other artworks. The session is child-led and loosely structured, with activities like coloring, building blocks, and musical instruments placed directly in the galleries rather than in a separate cordoned-off area.
Bvlgari and CULTURED magazine co-hosted a launch party for Bvlgari's new Icons Minaudière collection at the Chateau Marmont in Los Angeles. The event, held in Penthouse 64, brought together a mix of Hollywood actors, visual artists, art dealers, and fashion insiders, with guests including Camila Mendes, Lauren Halsey, Emma Webster, and dealers Shaun Regen and Hannah Hoffman. Attendees enjoyed cocktails, dinner, and a rare pink moon sighting, and left with a co-developed mini-magazine.
EJ Hill's new endurance performance, "Yearning for an Absolute" (2025), is on view at 52 Walker in Tribeca through September 13, 2025. For the duration of the exhibition, the 40-year-old Black queer artist kneels every day, all day, within a red velvet enclosure, referencing Catholic devotional practices, saintly mortifications, and his own history of durational works like "Excellentia, Mollitia, Victoria" (2018) at the Hammer Museum's "Made in LA" biennial. The installation also includes red leather kneelers for sale, framed kneeler pad paintings marked with the artist's indentations, and a neon rectangle reminiscent of Dan Flavin's church installation.
Laura de Gunzburg, a 35-year-old cultural advisor and daughter of arts patron Nathalie de Gunzburg, and Gabriel Chipperfield, a 36-year-old developer and son of architect David Chipperfield, discuss their art collection and collecting philosophy in an interview. The couple, who support institutions like the Dia Art Foundation, Serpentine Galleries, and Turner Contemporary, share insights on their first purchases, rookie mistakes, and the artists they follow, including Alvaro Barrington, Alicja Kwade, and Mary Stephenson.
Radiohead has launched a multimedia installation, exhibition, and screening experience titled "Motion Picture House KID A MNESIA" at the Brooklyn Navy Yard, running through June 28. The immersive event features artwork related to the band's albums Kid A and Amnesiac, including screenprints, a video array with vintage TVs, and a 25-foot-tall sculpture of the band's recurring "Stickman" figure. The centerpiece is a hour-plus film set in a black-and-white woods, accompanied by the band's music, with no dialogue or wall text, allowing visitors to freely explore the darkened space. Tickets are $72, and the experience will travel to Chicago, Mexico City, and San Francisco.
San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.
A new wave of gallery exhibitions is championing analog physicality and personal intimacy as a direct counter-response to the rise of AI-generated imagery. Artists like Ben Wolf Noam and Joseph Geagan are utilizing traditional mediums such as charcoal, lithography, and oil paint to capture spontaneous, sentimental moments of human connection, from family dinners to portraits of friends. These works emphasize the "hospitable mess" of real life, prioritizing the recognizable faces and tangible textures that AI often flattens.
January brings a full slate of exhibitions across the Bay Area timed to San Francisco Art Week, headlined by the 12th edition of FOG Design+Art at Fort Mason Center (January 21-25). Galerie highlights nine must-see shows, including "100 Candleholders" at Blunk Space, where international artists create candleholders inspired by JB Blunk; "New Work: Sheila Hicks" at SFMOMA, featuring fiber installations tied to personal places; "The Houses Are Haunted By White Night-Gowns" at The Future Perfect, a furniture-and-bowls installation by Studio Ahead; and "Auudi Dorsey: What’s Left, Never Left" at Jonathan Carver Moore, where the painter excavates histories of African American leisure sites.
This article presents a year-end roundup of the top art shows in New Jersey during 2025, curated by a Hudson County-based arts writer. The author highlights a concentration of exceptional exhibitions in Essex County, particularly in Montclair, while also noting strong shows at institutions like the Zimmerli Art Museum, Princeton University, the Morris Museum, and the Hunterdon Art Museum. Specific shows featured include "Jake Troyli: Fine Line" at Project for Empty Space in Newark and "Salvador Jiménez-Flores: Raíces & Resistencias" at Grounds For Sculpture in Hamilton, with detailed descriptions of their themes and artistic impact.
Miart, Milan's international modern and contemporary art fair, is marking its 30th anniversary with significant changes for its 2026 edition. The fair is moving to a new venue, the South Wing at Allianz MiCo designed by Mario Bellini Architects, and adopting a more compact, three-floor layout designed to foster cross-presentation and dialogue. It has also announced a new theme, "New Directions," inspired by the jazz legacies of John Coltrane and Miles Davis, and a fresh graphic identity from design studio Leftloft.
The article examines the paradox of rising art prices despite a contracting market. The global art trade shrank by 12% in 2024, according to the Art Basel/UBS Art Market report, and financial volatility from trade wars has further depressed conditions. Yet dealers resist lowering prices, fearing that doing so would signal decreased value. Collectors like Jeff Magid argue that entry-level prices—often tens of thousands of dollars—are shutting out new buyers, and artists sometimes must leave their galleries to restart at lower price points. The upcoming Frieze New York fair will test whether this pricing strategy holds.
The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.
Expo Chicago has distinguished itself within the global art fair circuit through its unique Curatorial Forum, a partnership with Independent Curators International (ICI) that began in 2014. Originally conceived by Tony Karman and Renaud Proch, the program has evolved from a small gathering into a major national convening that provides curators with professional development, networking opportunities, and a platform for thought leadership. The initiative has been so successful that ICI established its only year-round satellite office in Chicago to support the local curatorial community.
Sotheby’s will hold a Modern and Contemporary Art auction on 25 January during Singapore Art Week (SAW) 2026 at The Edition Singapore. The sale features rare works by early Southeast Asian masters, including Walter Spies’ "Die Schlittschuhläufer (The Ice Skaters)" (1922) and Raden Saleh’s "The Eruption of Mount Merapi, by Day" (1865), alongside Vietnamese silk paintings by Le Pho and Mai Trung Thu, and a David Hockney piece. The auction highlights a 60% rise in new bidders from Southeast Asia since 2022.
Sotheby’s is holding its Modern and Contemporary Art auction during Singapore Art Week, featuring rare works that have not been publicly available for decades. Highlights include Walter Spies’s *Die Schlittschuhlaufer (The Ice Skaters)*, estimated at $980,000–$1.8 million, and Raden Saleh’s *The Eruption of Mount Merapi, by day*, appearing at auction for the first time after being held in a private European collection for over a century. Other notable lots include works by Pacita Abad, Marc Chagall, Zao Wou-ki, Mai Trung Thu, and David Hockney. Public exhibition runs January 22–25 at The Singapore Edition, with the live auction on January 25.
Sotheby's is holding a major auction in Singapore on January 25, featuring works by Indonesian Romantic painter Raden Saleh, German painter Walter Spies, and British artist David Hockney, among others. The auction includes Raden Saleh's 'The Eruption Of Mount Merapi, By Day' (1865), expected to fetch between $700,000 and $1.3 million, and Walter Spies' 'Die Schlittschuhlaufer (The Ice Skaters)' (1922), estimated at $980,000 to $1.8 million. Concurrently, the Singapore Art Museum (SAM) is presenting 'Nafasan Bumi – An Endless Harvest' from January 16 to May 31, featuring Indonesian artists Elia Nurvista and Bagus Pandega, whose works use nickel and palm materials to explore the environmental and social impacts of Indonesia's palm oil and nickel industries.
Frank Gehry, the legendary architect who transformed the global architectural landscape with his deconstructivist style, has died in Santa Monica on 5 December. The article traces his career from his early days remodeling his own Santa Monica home—a controversial project that used corrugated metal, plywood, and chain-link fencing—to his rise as a Pritzker Prize winner and the creator of the iconic Guggenheim Museum Bilbao (1997). Gehry, born Ephraim Goldberg in Toronto in 1929, studied at the University of Southern California and Harvard before founding Frank O. Gehry & Associates in 1962, and spent over six decades championing buildings that embraced emotion and movement over cold minimalism.
A writer revisits the Rhode Island School of Design (RISD) alumni magazine after being assigned to explore how a group of RISD graduates from the late 2000s helped shape contemporary American material culture. The article focuses on the cohort that studied at RISD during the 2008 financial crisis, a time of institutional dysfunction and curricular drift, and includes figures like fashion brand Eckhaus Latta (co-founded by Mike Eckhaus and Zoe Latta), designer Adam Charlap Hyman, artists Katie Stout, Misha Kahn, F Taylor Colantonio, and Martine Gutierrez. The author reflects on shared memories and the unique conditions that produced this influential group.