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A French national audit report, the Cour des Comptes, has revealed severe security deficiencies at the Louvre Museum, finding that only 39% of its rooms had cameras as of 2024 and that a security upgrade begun in 2015 only resulted in a tender at the end of last year, with completion not expected until 2032. The report was released shortly after a theft of crown jewels from the museum, and it criticizes the Louvre for prioritizing acquisitions and post-pandemic projects over essential security investments. Louvre director Laurence des Cars acknowledged the museum's "very inadequate" and "outdated" security systems during a Senate hearing, though she stated alarms functioned during the heist. Four suspects are in custody for the October 19 robbery.

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Paris prosecutors have revealed that the theft of French crown jewels from the Louvre Museum was carried out by petty criminals, not organized crime professionals. Four individuals—three men and one woman—have been charged, with two of the men having multiple prior theft convictions. The heist occurred on October 19, when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Apollo Gallery. One crown belonging to Empress Eugénie was later recovered outside the museum, but eight artifacts remain missing.

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On Wednesday, Laurence des Cars, president and director of the Louvre Museum, testified before the French Senate about the theft of nine pieces of France's crown jewels from the Apollo Gallery. The heist occurred on Sunday when robbers used a cherry picker and angle grinder to steal jewelry worth an estimated $102 million in under eight minutes. Des Cars revealed that security cameras were outdated and inadequate, with only one camera covering the breached balcony, and that she offered her resignation afterward, which the French Minister of Culture refused. The museum had previously faced criticism over security, including a staff walkout in June over staffing and safety concerns, and an official report had flagged outdated systems and lack of CCTV.

The Louvre’s new director is inheriting a troubled, traumatised museum—can he repair the damage?

Christophe Leribault has been appointed as the new director of the Musée du Louvre, taking over an institution reeling from a major security breach. The theft of the crown jewels in October exposed severe systemic failures, including neglected security upgrades and a management culture criticized as autocratic under his predecessor, Laurence des Cars. The museum has also been plagued by strikes, ticket fraud scandals, and damaging parliamentary reports.

Lauren Sánchez Bezos unveils Met’s new exhibit amid gala backlash

Lauren Sánchez Bezos appeared alongside Anna Wintour at a press conference in New York to unveil the Metropolitan Museum of Art's new Costume Art exhibit, which opens May 10 ahead of the Met Gala. Sánchez Bezos and her husband Jeff Bezos are primary sponsors of this year's gala and exhibit, a role that has sparked backlash and a boycott campaign from the activist group Everyone Hates Elon. The exhibit explores themes of the dressed body through garments paired with ancient artifacts, featuring categories like "the naked body," "classic body," and "disabled body."

‘Don’t mind if I do’: Northampton exhibit brings art to visitors in a unique and accessible way

Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.

Pompidou to launch outpost near Unesco heritage site of Iguaçu falls in Brazil

The Centre Pompidou has signed a five-year partnership with Brazil to open its first South American outpost near the Iguaçu falls, a UNESCO World Heritage site, in the city of Foz do Iguaçu. Scheduled to launch in November 2027, the 10,000 sq. m. museum will be designed by Paraguayan architect Solano Benitez, with a construction budget of R$200 million ($36 million). The venue will host exhibitions, live performances, festivals, film screenings, lectures, and artist residencies focused on the cultures of Brazil, Argentina, and Paraguay.

Met Gala 2026: Celebrities Wearing Art — Decoding the Inspirations Behind Their Looks

At the 2026 Met Gala, held on May 4 at New York's Metropolitan Museum of Art, celebrities interpreted the dress code 'Fashion is Art' with looks inspired by iconic artworks. ROSÉ wore a Saint Laurent gown based on Georges Braque's 'The Birds,' Emma Chamberlain's dress fused Vincent van Gogh's 'The Garden at Arles' and 'The Starry Night,' and Ben Platt donned a jacket reimagining Georges-Pierre Seurat's 'A Sunday Afternoon on the Island of La Grande Jatte' through bead embroidery.

Met Museum show at new Costume Institute puts fashion in same spotlight as Egyptian artefacts

The Metropolitan Museum of Art's Costume Institute has opened its spring exhibition 'Costume Art' in a new 12,000-square-foot space called the Condé M Nast Galleries, located off the museum's Great Hall. The show pairs 200 garments and accessories with 200 artworks from the Met's collection, organized into 13 thematic body types such as Naked and Nude, Abstracted Body, Corpulent Body, Disabled Body, and Mortal Body. Lead curator Andrew Bolton aims to challenge traditional hierarchies by placing fashion on equal footing with fine art. The exhibition's launch is overshadowed by controversy over sponsorship by Jeff Bezos and Lauren Sánchez Bezos for the Met Gala.

Everything to know about the Met Gala 2026: Theme, hosts and what to expect

The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.

Treasures from the worlds of fashion and art collide at an extraordinary new exhibition in Lisbon

A new exhibition titled 'Art & Fashion' has opened at Lisbon's Calouste Gulbenkian Museum, curated by Eloy Martínez de la Pera Celada. It juxtaposes masterpieces from the museum's permanent collection—spanning ancient Egyptian artifacts to Rembrandt and Impressionist works—with historic and contemporary fashion pieces, including garments from Charles Frederick Worth, Yohji Yamamoto, Dries Van Noten, Alexander McQueen, and Sarah Burton's debut at Givenchy. The show is organized by regional provenance and temporarily replaces the museum's usual display while its Brutalist building undergoes renovation.

New biography offers well-crafted story of Louise Bourgeois’s rich life

Marie-Laure Bernadac’s new biography, 'Knife-Woman: The Life of Louise Bourgeois', provides a comprehensive look at the French-American artist’s prolific career and traumatic upbringing. The book explores how Bourgeois transformed childhood wounds—specifically her father’s infidelity and psychological cruelty—into a radical body of work spanning sculpture, installation, and textiles. From her early encouragement by Fernand Léger to her late-career fame with the 'Maman' spider sculptures, the biography traces her evolution from a painter to a boundary-defying sculptor who utilized materials ranging from latex to marble.

Order and chaos in contemporary Israeli art

Basia Monka profiles three contemporary Israeli artists—Ariel Hacohen, Jessica Moritz, and others—who, despite diverse backgrounds and mediums, share a common drive to explore order and chaos through repetition in their work. Hacohen, a 2024 Rappaport Prize laureate, uses photography, video, and sculpture to blend archaeology, history, and memory, with current exhibitions at the Haifa Museum of Art and Tel Aviv Museum of Art. The article presents each artist's answers to three questions about inspiration, the definition of art, and what makes their work unique.

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An antiques expert and a cabinet maker have been found guilty of forging and selling nine imitation 18th-century armchairs that they falsely claimed belonged to French royalty, including Marie Antoinette. Georges "Bill" Pallot, a leading furniture expert, and Bruno Desnoues, a former Versailles restorer, sold the fakes through Paris galleries and Sotheby's to the Château of Versailles and private collectors, including Qatari Prince Tamim ibn Hamad Al Thani and an Hermès family heir. Pallot was sentenced to four years in prison (44 months suspended), fined €200,000, and banned from working as an expert for five years; Desnoues received three years (32 months suspended) and a €100,000 fine. Both must pay €1.6 million in indemnities. The gallery Laurent Kraemer was acquitted, with the court ruling it was also a victim.

“Boycott the Bezos Met Gala” Posters Emerge Across NYC

Activists have launched a wheatpasting campaign across New York City calling for a boycott of the 2026 Met Gala. The protest targets the event's lead sponsors and honorary co-chairs, Jeff Bezos and Lauren Sánchez, highlighting Amazon's alleged exploitation of warehouse labor and its technological support for U.S. Immigration and Customs Enforcement (ICE). The posters, designed by the activist group Everyone Hates Elon, feature provocative imagery such as urine-filled water bottles and tear gas canisters to symbolize the human cost of Amazon's business practices.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

Wintour: Met Gala still makes me nervous

Wintour: Met-Gala macht mich immer noch nervös

Anna Wintour, longtime host of the Met Gala, admitted at a press conference that even after nearly 30 years, the star-studded fundraiser still makes her nervous, calling it both her favorite and most terrifying time of year. The annual Costume Institute Benefit, which raises millions for the Metropolitan Museum of Art's Costume Institute, is expected to bring in more donations than ever this year, according to Wintour and museum director Max Hollein. This year's gala opens the exhibition "Costume Art" with the dress code "Fashion is Art," and new gallery spaces for the Costume Institute will debut. Co-chairs include Jeff Bezos and Lauren Sánchez Bezos, while New York Mayor Zohran Mamdani has publicly declined to attend.

A Record for Lalanne

Un record pour Lalanne

Sotheby's New York achieved a major result with the sale of a set of fifteen mirrors by Claude Lalanne (died 2019), commissioned between 1974 and 1985 for the music room of Yves Saint Laurent and Pierre Bergé's Paris apartment. Estimated at $10–15 million, the lot—from the collection of Jean and Terry de Gunzburg after the 2009 Saint Laurent-Bergé sale—fetched $33.5 million including fees, setting a record for the artist.

Step into the Sublime Sculptures of Bobby Anspach at the Newport Art Museum

The Newport Art Museum is hosting "Everything is Change," the first solo museum exhibition of the late sculptor Bobby Anspach. Curated by Taylor Baldwin, Anspach's former MFA professor at RISD, the show features immersive installations from his *Place for Continuous Eye Contact* series, alongside a documentary by Julia Barrett Mitchell and a restorative space called "The Nature of Choice" designed by architect Lauren Rottet. The exhibition spans five rooms across two floors, with trained guides facilitating visitors' experiences of Anspach's kaleidoscopic, perception-altering works.

Louvre forced to close after staff walk out protesting overcrowding

Staff at the Musée du Louvre, the world's most visited museum, walked off the job on Monday morning, forcing an unscheduled closure. Thousands of visitors with pre-booked tickets were left waiting outside I. M. Pei’s glass pyramid in 27°C heat as gallery attendants, ticket agents, and security personnel gathered in the auditorium to protest overcrowded galleries and worsening visiting conditions. The walkout lasted a few hours; management representatives met with staff, and the museum reopened around 2:30pm. It was the second walkout this year.

At Chaumont-sur-Loire, incredible gardens recreate cult films

À Chaumont-sur-Loire, d’incroyables jardins recréent des films culte

The Domaine de Chaumont-sur-Loire in France has launched the 2026 edition of its Festival International des Jardins, themed around cinema. Participants including gardeners, landscape designers, and artists—among them actresses Sabine Azéma, Golshifteh Farahani, and Mélanie Laurent, and director Momoko Seto—have transformed small plots into living landscapes inspired by iconic films and cinematic genres, such as a vegetal Cannes Film Festival and a garden based on James Cameron's *Avatar* trilogy. The festival runs from April 22 to November 1, 2026, alongside the estate's ongoing 'Saison d'art' exhibition featuring works by Marc Desgrandchamps, Antonio Crespo Foix, and others.

Andrée Putman Studio to Reveal Unseen Iconic Furniture Creations at Art Paris

Andrée Putman Studio is set to unveil a series of unseen furniture creations and collectible interior pieces at the Art Paris fair this April. Curated by the late designer’s daughter, Olivia Putman, and CEO Aurélie Laure, the showcase features archival designs reinterpreted in new materials, such as a mirrored version of the 'Mille et Un Carreaux' table and stainless steel 'Trois Carats et Demi' side tables. The presentation coincides with the opening of La Galerie Andrée Putman in Paris, a new space dedicated to the designer's enduring legacy.

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Louvre director Laurence des Cars defended the museum's security protocols in a New York Times interview following a recent robbery. She revealed that a comprehensive security review had already been initiated, including a master plan to add 100 cameras to the museum's perimeter, and that several companies had bid on the project before the theft occurred. However, she acknowledged that implementation has been slow due to the museum's scale and public procurement rules, with the full camera system not expected to be operational until the end of next year.

One Day in SA: Is Every Month Contemporary Art Month?

San Antonio’s art scene is characterized by a rapid-fire schedule of artist-run exhibitions and pop-up events that often center around the Blue Star Arts Complex. A recent survey of the city's offerings highlighted diverse installations, including Scott Martin’s immersive automotive video work at Slab Cinema Arthouse and Lauren Raye Snow’s mystical portraiture at FL!GHT gallery. The local landscape is defined by a DIY spirit where openings are frequent, fleeting, and deeply communal.

Newcastle Art Gallery set to make its mark with opening weekend celebrations

Newcastle Art Gallery is launching its opening weekend celebrations with a street party, live music, and interactive art experiences. A unique highlight offers three attendees the chance to win a bespoke tattoo inspired by the Gallery's collection, to be inked by a local artist during the festivities.

Major exhibition to transform USC Pacific Asia Museum into an immersive journey through myth and the immigrant story

USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.

Commentary: This year's Met Gala proved one thing: The real devil who wears Prada is Jeff Bezos

Jeff Bezos and his wife Lauren Sánchez Bezos served as honorary co-chairs and sponsors of this year's Met Gala, sparking widespread protests and calls for boycotts. Guerrilla activist group Everyone Hates Elon plastered New York with anti-Bezos signage, and activists placed 300 bottles filled with fake urine inside the Metropolitan Museum of Art to highlight Amazon workers' bathroom break complaints. New York Mayor Zohran Mamdani declined his invitation, and the absence of celebrities like Meryl Streep and Zendaya fueled speculation about a boycott, though representatives denied any coordinated protest. Despite the controversy, the gala proceeded with many attendees and is expected to raise more than last year's $31 million for the Costume Institute.

Un’importante collezione tedesca d’arte per la prima volta in mostra in Italia a Venezia

The Kelterborn Collection, a German private collection focused on video art and experimental installations, will be exhibited in Italy for the first time at Venice's Contemporary Forces platform from May 7 to September 27, 2026. The exhibition, titled "Who’s a good boy??," is curated by Anastasia Stravinsky and Mario von Kelterborn in collaboration with IKT – International Association of Curators of Contemporary Art, and features works by twelve artists including Joseph Beuys, Gary Hill, Laure Prouvost, and Ulay. The show aligns with the theme of the 61st Venice Biennale, exploring power "in minor keys."

Artists take us down the rabbit hole in this group exhibition

The group exhibition 'Down the Rabbit Hole' at The Crypt Gallery features over 30 artists reflecting on the psychological and social impacts of the Covid-19 pandemic. Presented by the social enterprise Katya’s Space, the show honors the legacy of the late artist Katya Kan, who passed away in 2023. The works explore themes of digital addiction, isolation, and the 'dystopian' shift in reality experienced during global lockdowns, using Lewis Carroll’s Alice in Wonderland as a metaphor for this profound transformation.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.