See Photos from Archives of Nine Photographers Going to Center for Creative Photography

The Center for Creative Photography at the University of Arizona has acquired the archives of nine photographers: Laura Aguilar, Jack Dykinga, Jody Forster, Frank Gohlke, Mark Klett, Nathan Lyons, Stephen Marc, Patrick Nagatani, and Susan Wood. The collections include photographic prints as well as supporting materials like correspondence, notebooks, and working proofs that document the artists' creative processes.

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Raúl de Nieves has transformed the industrial architecture of Pioneer Works in Red Hook into a luminous sanctuary through his solo exhibition, "In Light of Innocence." The installation features 50 handcrafted faux stained-glass panels made from acetate and aluminum tape, replacing traditional religious iconography with symbols from tarot, Mexican folklore, and personal text. The centerpiece is a large light box featuring a skeleton that symbolizes transformation and renewal rather than death.

Our Critics Disagree on MoMA PS1’s Greater New York, a Wide-Ranging Survey Defined by a Fascination with Fragility

MoMA PS1 has launched the sixth edition of Greater New York, its signature quinquennial survey featuring 53 artists living and working across the city's five boroughs. Marking the institution’s 50th anniversary, this iteration was organized entirely by the museum’s internal curatorial staff rather than outside contributors. The exhibition moves away from the introspective, surrealist themes of the pandemic-era 2021 edition, focusing instead on the social fabric of the city and the systemic challenges facing its residents.

Unseen George Condo Works Arrive at Auction From Anna Condo’s Collection

Anna Condo, the former wife of American painter George Condo, is bringing 27 previously unseen works from her private collection to auction at Christie’s. The collection, which includes paintings, drawings, and sculptures acquired during their 28-year marriage, will be featured in the Post-War and Contemporary Art day sale on May 21. These works have never been exhibited or sold publicly, offering a rare glimpse into the artist's private creative output between 1988 and 2017.

Billionaire Collector Ken Griffin’s Basquiat Buying Spree Continues

Billionaire collector Ken Griffin has significantly expanded his holdings of Jean-Michel Basquiat, notably acquiring the 1983 masterpiece 'In Italian' from the collection of Peter Brant. The acquisition came to light through press materials for an upcoming exhibition at the Pérez Art Museum Miami (PAMM) titled "Basquiat: Figures, Signs, Symbols," which will showcase nearly a dozen works from Griffin’s private collection. The show, curated by PAMM director Franklin Sirmans and Griffin’s curator Megan Kincaid, includes other high-profile acquisitions such as the 1982 'Untitled (Skull)' previously purchased from Yusaku Maezawa.

Riyadh’s New Black Gold Museum Attempts to Convey ‘The Legacy of Oil Through Art’

The Black Gold Museum has officially opened in Riyadh, Saudi Arabia, as a flagship project of the nation’s Vision 2030 initiative. Housed in a Zaha Hadid-designed complex and directed by Jack Persekian, the institution features over 350 artworks by 170 international and local artists, including Manal AlDowayan and Doug Aitken. The museum explores the history and cultural impact of oil through four thematic sections—Encounter, Dreams, Doubts, and Visions—blending historical narrative with contemporary artistic reflection.

The Artist Whose Shimmering Obelisks Are Cropping Up All Over the World

Artist Gisela Colón is currently the subject of a major retrospective at the Museo de Arte Contemporáneo de Puerto Rico (MAC), showcasing her signature "monoliths" and iridescent obelisks. These monumental sculptures, which have appeared in global locations ranging from the Great Pyramids of Giza to the Saudi Arabian desert, utilize advanced aerospace carbon fiber and site-specific minerals to create shifting, phenomenological experiences. The exhibition tracks her evolution from 1996 to the present, highlighting her unique ability to blend high-tech materials with ancient totemic forms.

How Dalí’s Amber Varnish May Have Caused This Painting to Decay

A new scientific study has revealed the cause of deterioration in Salvador Dalí's 1946 painting 'The Temptation of Saint Anthony.' Researchers from the Royal Museums of Fine Arts of Belgium and an international team used advanced imaging techniques to determine that the degradation, which includes areas becoming transparent or textured, is linked to the chemical interaction between a zinc white paint layer and an amber varnish layer, both materials specifically advocated by Dalí in his own artistic manual.

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Joseph Beuys remains one of the most polarizing figures in 20th-century art, a former Nazi soldier who reinvented himself as a shamanic healer and a founding member of the Green Party. A new monographic study by art historian Daniel Spaulding, 'Joseph Beuys and History', re-evaluates the artist's legacy by confronting his refusal to apologize for his wartime past and his use of ambiguous materials like fat and felt. Spaulding argues that Beuys’s work should be read through the lens of 'bad faith,' where his utopian slogans masked a deep, unresolved engagement with the horrors of the Holocaust.

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The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.

The Women Artists Who Turned Ireland’s Saints Into National Icons

A new exhibition, "Collaborating in Conflict: The Yeats Family and the Public Arts," at the McMullen Museum of Art, spotlights the revolutionary contributions of sisters Susan Mary (Lily) and Elizabeth Corbet (Lolly) Yeats. Long overshadowed by their famous brothers, the sisters co-founded the Dun Emer Industries cooperative, which included a press and a textile guild, and produced embroidered banners of Irish saints for St. Brendan's Cathedral, playing a pivotal role in the Irish Arts and Crafts movement.

Lost John Constable Painting Rediscovered in Texas Bound for Auction

Lost John Constable Painting Rediscovered in Texas Bound for Auction

A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.

Frida Kahlo Icon Headlines

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Tate Modern has announced a major exhibition for 2026 titled "Frida Kahlo: The Making of an Icon," featuring over 130 artworks and archival materials. The exhibition aims to explore the cult-like following surrounding the Mexican artist and how her personal biography became inseparable from her creative legacy. This announcement follows a series of global institutional efforts to deconstruct the Kahlo myth, including recent shows at the Art Institute of Chicago and the Dallas Museum of Art.

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Advanced imaging and material analysis have officially reattributed the 1633 painting "Vision of Zacharias in the Temple" to Rembrandt van Rijn. The work, which had been dismissed by scholars in the 1960s as the product of a collaborator, underwent a rigorous two-year study by the Rijksmuseum’s conservation department. Using macro-XRF scanning and dendrochronological analysis, researchers identified characteristic pentimenti and period-accurate materials that confirm it as a masterpiece from the artist's early Amsterdam period.

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The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.

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A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.

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Google commissioned Judy Chicago to create a major public artwork for the renovation of Chicago's historic Thompson Center, involving a terrazzo floor and a 17-story glass elevator shaft. The artist and her husband, Donald Woodman, began design work in anticipation of a 2027 completion date.

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Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.

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Taschen has released a monumental two-volume monograph titled "Art Sin Fin" (2026) dedicated to the 96-year-old Chilean filmmaker and polymath Alejandro Jodorowsky. The book, priced at $1,500 and packaged in a Plexiglass box, spans over 2,000 pages and includes film stills, collages, drawings, photographs, comic strips, and performance images curated by Jodorowsky himself in collaboration with Donatien Grau, head of contemporary programs at the Louvre Museum. It covers his entire career, from his surrealist films "El Topo" (1970) and "The Holy Mountain" (1973) to his failed "Dune" adaptation, his comic series like "The Incal" and "The Metabarons," his psychomagic therapy practice, and recent collaborations with his wife Pascale Montandon.

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An inmate in a Virginia prison has had the July/August issue of the Humanist magazine rejected by prison censors because it contains a reproduction of Peter Paul Rubens's painting of Adam and Eve, in which Eve's breasts are visible despite fig leaves covering the couple's genitals. Attorney Jeffrey E. Fogel filed a federal lawsuit on August 31 on behalf of the American Humanist Association, arguing that the rejection violates the First and Fourteenth Amendments and has caused financial harm to the publisher. The article in question, titled "Everything You Know about Sex is Wrong," aims to challenge binary gender concepts.

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Belgian art dealer Klaas Muller has identified a previously unattributed oil-on-paper study as a work by Flemish master Peter Paul Rubens, titled "Bearded old man, looking down to his left" (ca. 1609). Muller purchased the piece for under €100,000 at a lesser-known northern European auction house three years ago, where it was listed as an unknown artist from the "Flemish school." After recognizing the bearded figure as Saint Thomas from Rubens's "Apostolado Lerma" series at the Prado, Muller commissioned research from art historian Ben van Beneden, former director of Rubenshuis, who confirmed the work's exceptional quality and likely attribution to Rubens. The study also features a ghostly woman's face visible when turned upside down, reflecting Rubens's playful reuse of materials.

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Artnet News asked several working artists—Manuel Mathieu, Hanna Salomonsson, Aki Sasamoto, Nigel Hall, Sharmistha Ray, and Miljohn Ruperto—to share the practical and philosophical lessons that sustain their creative practices. Topics include building trust with collaborators, navigating financial uncertainty, setting up shared studio spaces, using recycled materials, maintaining optimism at age 82, reframing rejection, and adapting to the expectation that artists must act as entrepreneurs before their first gallery show.

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Jack Whitten is the recipient of the 2025 ARTnews Award for his retrospective "Jack Whitten: The Messenger" at the Museum of Modern Art, New York, running from March 23 to August 2, 2025. Curated by Michelle Kuo with Helena Klevorn, Dana Liljegren, and David Sledge, the exhibition features 175 works spanning Whitten's six-decade career, highlighting his innovative use of acrylic paint, his custom squeegee-like tool called the Developer, and his mosaic-like paintings made from dried acrylic chips. The show includes early works from the civil rights era, mid-career homages to Black thinkers like W.E.B. Du Bois and Ralph Ellison, and a monumental abstraction memorializing 9/11.

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The Trump administration has threatened to withhold funding from the Smithsonian Institution, accusing it of failing to comply with a content review demanded by the White House. In an email obtained by the Washington Post, budget director Russell Vought and Domestic Policy Council director Vince Haley alleged that the Smithsonian had not turned over all requested documents and exhibition materials, citing a prior executive order in which President Trump claimed the institution promoted “corrosive ideology” by portraying the U.S. as inherently racist. Smithsonian secretary Lonnie G. Bunch III defended the network’s independence, stating it remains committed to sharing information but that a government shutdown had slowed efforts. The administration set a January 13 deadline for full compliance, specifically targeting programming for America’s 250th anniversary.

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Mathaf: Arab Museum of Modern Art in Doha has appointed Lebanese architect Lina Ghotmeh to lead a major campus expansion, announced as the institution celebrates its 15th anniversary. The project will redesign the ground floor lobby and library as an open majlis-inspired space, expand the cafe and shop, add a monumental portrait by Yan Pei-Ming, and later transform the plaza and parking area into artist studios, ceramics facilities, glass and material labs, and a sound studio in collaboration with Tarek Atoui. Mathaf director Zeina Arida called the plan 'a new chapter' for the museum.

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Texas State University (TXST) canceled a scheduled appearance of the Black History 101 Mobile Museum at its San Marcos campus for Black History Month 2026, prompting a First Amendment challenge from the American Civil Liberties Union (ACLU) of Texas. The museum's founder, Khalid El-Hakim, had been invited by a campus activities director on October 13, 2025, but the invitation was rescinded on October 28 after consultation with supervisors and leadership. The ACLU's letter to TXST president Kelly Damphousse cited a 2023 Texas Senate bill banning DEI programs at public universities and the state's political climate as reasons for the cancellation, though the university denied the DEI ban was the cause.

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Sotheby's is projecting $7.0 billion in consolidated 2025 sales, a 17% increase over the previous year and the strongest result in the company's history. Auction sales rose 26% to $5.7 billion, driven by high-quality consignments including the Leonard A. Lauder Collection and a $236.4 million Klimt painting. Luxury sales climbed 22% to $2.7 billion, while RM Sotheby's surpassed $1 billion for the first time. The opening of Sotheby's new global headquarters at the Breuer Building was a commercial centerpiece, generating $1.17 billion in its inaugural week. The company also expanded rapidly in the Middle East, staging the first international auction in Saudi Arabia and launching Collectors' Week in Abu Dhabi.

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Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.

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Emma McIntyre, a New Zealand-born painter known for her oxidation technique using rust on canvas, has rapidly ascended in the art world. After earning MFAs in Auckland and Pasadena, she joined mega-gallery David Zwirner in 2024, with additional representation by Château Shatto in Los Angeles and Air de Paris. Her auction record was set at Phillips London in October 2025, with her work "Seven types of ambiguity" selling for $225,100. McIntyre's practice blends material experimentation—including iron oxide pigments and bubble wrap—with references spanning Greek myth to Rococo art.

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Elizabeth Browning Jackson, a pioneering artist in the art-furniture movement, was rediscovered in 2021 after a phone call from Stephen Markos, founder of Superhouse Gallery, who had long admired her 1982 sculptural couch "Gloria." Markos urged Jackson to open a barn on her Rhode Island property, where she found her early works—hand-tufted rugs, cut-aluminum furniture, drawings, and prototypes—sealed away for 35 years. This rediscovery culminates at Design Miami 2025, where Superhouse presents Jackson as a foundational voice in the art-furniture movement, alongside contemporaries like Dan Friedman and Wendy Maruyama. Jackson's new exhibition "Re/construct" is also on view at Superhouse's Tribeca space through December 20, featuring reconstructed rugs based on her original 1980s designs.