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Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.

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Michael Heizer has unveiled a major exhibition titled "Negative Sculpture" at Gagosian’s West 21st Street gallery in New York. The installation features two massive works, Convoluted Line A and Convoluted Line B, which consist of steel liners filled with crushed red granite embedded into a raised gallery floor. To achieve the artist's vision of negative space without excavating the building's foundation, the gallery undertook a complex two-year engineering project to elevate the entire floor surface, matching the specific concrete hue of Heizer’s Nevada studio.

Why Robert Therrien is a big deal

The Broad in Los Angeles is hosting the largest museum retrospective to date for the late conceptual artist Robert Therrien. Curated by Ed Schad, the exhibition features over 125 works, including his iconic oversized sculptures like the 10-foot-high "Under the Table" and a massive stack of plates. The show aims to elevate the profile of an artist who was a fixture of the Los Angeles art scene for five decades but often remains less of a household name than his contemporaries.

Monumental commissions and pioneering women artists take centre stage at Diriyah Contemporary Art Biennale 2026

The third edition of the Diriyah Contemporary Art Biennale has opened in Riyadh’s JAX District under the title 'In Interludes and Transitions.' Curated by Nora Razian and Sabih Ahmed, the exhibition features over 65 artists from 35 countries, focusing on themes of migration, oral storytelling, and the movement of ideas across borders. The show is housed in repurposed 1970s industrial warehouses with a scenography designed by Formafantasma that emphasizes intimacy despite the monumental scale of the venues.

Michaelina Wautier Market Appraisal

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The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

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Alexander Calder’s monumental sculpture "Mountains and Clouds," located in the Hart Senate Office Building in Washington, D.C., is finally undergoing a full restoration. The 75-foot-wide "clouds" component of the mobile was dismantled in 2016 due to structural safety concerns, leaving only the stationary "mountains" portion on display for nearly a decade. Supported by private funding secured by the Calder Foundation, the project will refabricate the suspended elements and reinstall the computer-controlled motor system that allows the sculpture to rotate.

Twenty Billion Won for a Single Dot: Lee Ufan Masterpieces Head to Auction

South Korea’s leading auction houses, K Auction and Seoul Auction, are headlining their February sales with monumental works by Lee Ufan. Two rare, large-scale 'Dialogue' canvases featuring the artist's signature minimalist dots are expected to fetch significant sums, with estimates reaching up to 2.4 billion won. The auctions also feature major works by other Korean masters, including an early 1955 painting by Kim Tschang-yeul and a blue monochrome piece by the late Chung Sang-Hwa.

Jasmine Little, Los Angeles Painter and Ceramicist, Dies at 41

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Los Angeles-based artist Jasmine Little has passed away at the age of 41, as confirmed by her gallery, La Loma. Known for her versatile practice that spanned lush still-life paintings and intricate sgraffito ceramic vessels, Little's work often blended historical references with personal mythology. Her gallerist, Kirk Nelson, remembered her as a "force of nature" who produced monumental sculptures and detailed narratives through intense, dedicated periods of creation.

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Isaiah Zagar, the visionary mosaic artist behind the landmark Philadelphia’s Magic Gardens, died on February 19 at age 86 due to complications from heart failure and Parkinson’s Disease. A Pratt Institute graduate and former Peace Corps volunteer, Zagar transformed Philadelphia’s South Street neighborhood over five decades, creating more than 200 public murals and a sprawling, immersive environment of tunnels and grottos made from glass, tile, and found objects.

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Scottish sculptor Andy Scott, renowned for his massive 300-ton steel horse heads known as The Kelpies, is the subject of a new solo exhibition titled “Monumental” at VEFA Gallery in Torrance, California. The show shifts the focus from his colossal public landmarks to a more intimate human scale, featuring maquettes, sketches, and a ten-foot steel horse head. By showcasing the evolution of his work from initial drawings to complex engineering feats, the exhibition highlights the technical precision and emotional depth behind Scott’s animal forms.

Louise Nevelson Sculpture at Long Island Synagogue for Sale

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Temple Beth El, a synagogue in Great Neck, New York, has announced the sale of a monumental 55-foot-long Louise Nevelson sculpture titled "The White Flame of the Six Million." Commissioned in the 1960s as a Holocaust memorial and functional Torah ark, the white-painted wood installation has served as the centerpiece of the congregation's sanctuary for over 50 years. Due to dwindling membership and a decision to sell the synagogue property, the congregation is seeking a new home for the massive work.

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A group of military veterans and a historical preservationist have filed a lawsuit to block the construction of the proposed 'Independence Arch' in Washington, D.C. The legal challenge, filed by Public Citizen, argues that the 250-foot structure would obstruct the symbolic views from Arlington National Cemetery toward the capital's historic monuments. The plaintiffs contend the Trump administration is attempting to bypass necessary congressional approvals and federal review processes for the project.