The Artistic Museum of Contemporary Art (AMOCA) is launching its second pop-up exhibition, "Dialogues Wales: New Voices from the Museum Collection," at Cardiff’s Temple of Peace. Running from April 15 to 18, the show highlights women and nonbinary artists from the private collection of co-founder Anders Hedlund, featuring over forty international and local figures including Shani Rhys James, Ewa Juszkiewicz, and Lynda Benglis.
Newcastle Art Gallery has officially reopened following a major $145 million site-wide transformation, doubling its footprint to become the largest public art gallery in New South Wales outside of Sydney. Designed by Clare Design in collaboration with Smith and Tzannes and Arup, the expansion adds 1,600 square metres of exhibition space, a new learning studio, and upgraded facilities to house a collection of over 7,000 works. The inaugural exhibition, "Iconic, Loved, Unexpected," features nearly 500 pieces ranging from colonial-era paintings to contemporary commissions by artists like Megan Cope and Shellie Smith.
The Newcastle Art Gallery in New South Wales is set to open its $48 million expansion this Saturday, concluding a turbulent development process that spanned over two decades. The upgrade adds 1,600 square metres of exhibition space and 13 new galleries, transforming the facility into the largest public art institution in the state outside of Sydney and allowing its $145 million permanent collection to be displayed at scale for the first time.
The Norton Museum of Art's 2026 annual gala drew nearly 700 guests and raised nearly $5 million for the museum's programs. The event featured a live auction hosted by Sotheby's Oliver Barker, selling works by contemporary artists like Julie Curtiss, Jeffrey Gibson, Jessie Henson, and Marilyn Minter, and honored trustee Ronnie Heyman and artist Loie Hollowell. The evening's design was inspired by the concurrent exhibition "Art and Life in Rembrandt's Time: Masterpieces from the Leiden Collection."
A comprehensive list of gallery exhibitions opening and closing in New York City for the week of February 9-15, 2026, has been published. The schedule includes openings at major galleries like Gagosian, Hauser & Wirth, and Matthew Marks, featuring artists such as Michael Heizer, Felix Gonzalez-Torres, and Anish Kapoor, alongside shows at smaller spaces. The list also notes the final weekend to see exhibitions at venues including Tanya Bonakdar Gallery and Alexander Gray Associates.
Banco Santander announced on 21 January that it will manage 160 works from the Gelman Collection of 20th-century Mexican art, following a long-term agreement with the Zambrano family, which acquired the collection in 2023. The newly branded Gelman Santander Collection will debut this summer at Faro Santander, the bank's new venue in Cantabria, Spain. The collection, started by Russian-born film producer Jacques Gelman and his wife Natasha, includes major works by Frida Kahlo, Diego Rivera, Rufino Tamayo, and others, but has been largely out of public view since 2008 amid inheritance disputes. The agreement is complicated by Mexican law, which designates many works as National Artistic Monuments, restricting their permanent export and requiring oversight by the Instituto Nacional de Bellas Artes y Literatura (INBAL).
The article examines the current state of the art market, which is in its third consecutive year of contraction. It traces how low interest rates fueled speculative price inflation, leading to a boom in ultra-contemporary art that has now burst, with collectors shifting toward Old Masters. Dealers like Larry Gagosian are now advocating for lowering primary market prices, while private sales stall due to sellers' 'anchoring' to peak valuations. The piece highlights the disconnect between high prices and long-term value, using examples such as auction records being manipulated (e.g., Patrick Drahi's anonymous bidding on a Francis Bacon triptych) and the reality that most artworks in even celebrated collections depreciate.
The Museum of Modern Art in Warsaw (MSN Warsaw) will launch two concurrent exhibitions, "The Woman Question 1550–2025" and "The City of Women," running from November 21, 2025, to May 3, 2026. Featuring nearly 200 women artists from around the world—spanning from Artemisia Gentileschi and Frida Kahlo to Yoko Ono and Tala Madani—the shows aim to present five centuries of art by women, curated by Alison M. Gingeras and a team of researchers including Julia Bryan-Wilson, Michalina Sablik, Vera Zalutskaya, Karolina Gembara, and Wiktoria Szczupacka. The exhibitions include works borrowed from major international institutions such as the Uffizi Gallery, Mathaf: Arab Museum of Modern Art, and the Nasjonalmuseet.
Four major retrospective exhibitions are opening around the world in late 2025 and early 2026, celebrating the work of Robert Rauschenberg, Wes Anderson, Vivienne Westwood, Rei Kawakubo, and Wifredo Lam. At M+ in Hong Kong, "Robert Rauschenberg and Asia" explores the artist's collaborations with artisans in India, China, and Japan. The Design Museum in London presents "Wes Anderson: The Archives," featuring over 600 items from his film sets. The Museum of Modern Art in New York hosts "Wilfredo Lam: When I Don't Sleep, I Dream," the most extensive US retrospective of the Cuban-born artist. A creative conversation between designers Vivienne Westwood and Rei Kawakubo is also highlighted.
Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.
The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.
180 Studios presents 'Paradigm Shift', a major exhibition at 180 Strand in London that transforms the venue's subterranean spaces to showcase acclaimed moving image works from the 1970s to the present. Curated by Jefferson Hack and Mark Wadhwa, the show features over a dozen artists including Ryan Trecartin, Nan Goldin, Andy Warhol, Pipilotti Rist, and Arthur Jafa, drawing from avant-garde cinema, TV, music video, performance, fashion, gaming, and internet culture. New commissions by 180 Studios sit alongside iconic historical works, tracing revolutions in moving image culture from Warhol's 1970s 'Fashion TV' to TELFAR TV today.
The Musée Jacquemart-André in Paris opens a new exhibition, "Georges de La Tour: From Shadow to Light," running from 11 September 2025 to 25 January 2026. This is the first Paris show dedicated to the 17th-century French painter in nearly 30 years, featuring about 20 original works and a dozen studio pieces. The exhibition explores La Tour's working practice and his influence from Caravaggio, highlighting how his oeuvre—now counted at only 48 known works—was rediscovered after centuries of misattribution, thanks largely to German art historian Hermann Voss in 1915.
The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.
A first-century CE marble bust, known as the "Head of Alexander," was returned to the Italian government on August 5, ending a seven-year legal battle. The bust, believed stolen from an Italian museum decades ago, was seized in 2018 by the Manhattan District Attorney's Antiquities Trafficking Unit from Safani Gallery in New York. The gallery filed multiple lawsuits against Italy and the Italian Ministry of Culture, claiming unlawful taking and seeking compensation, but all claims were dismissed. The bust, excavated in the early 1900s along Rome's Via Sacra, had passed through multiple cities and auctions, including sales at Sotheby Park Bernet and later for $150,000 by Safani Gallery in 2017.
Cranbrook Art Museum has opened a new design exhibition titled “Eventually Everything Connects: Mid-Century Modern Design in the United States,” showcasing over 200 works by nearly 100 designers, including Harry Bertoia, Florence Knoll Bassett, and Charles and Ray Eames. The show draws from the museum's extensive collection of mid-century modern artifacts—furniture, textiles, ceramics, lighting, and graphic design—spanning 1945 to 1970, and is curated by director Andrew Satake Blauvelt and MillerKnoll Curatorial Fellow Bridget Bartal.
The Metropolitan Museum of Art has reopened its newly reimagined galleries dedicated to the arts of Africa, the Ancient Americas, and Oceania, following a multiyear transformation of the Michael C. Rockefeller Wing. The renovated spaces present a refreshed installation of the museum's extensive collection, highlighting cross-cultural connections and updated interpretive approaches.
The Denver Art Museum has opened a new photography exhibition titled *What We’ve Been Up to: Landscape*, featuring works by over a dozen artists including Meghann Riepenhoff, Masao Yamamoto, Linda Conner, Terri Weifenbach, Tanya Marcuse, Christina Fernandez, Patrick Nagatani, Zora J. Murff, Marion Post Wolcott, William Henry Jackson, Mary Peck, Abelardo Morell, Steve Fitch, John Ganis, Frank Gohlke, and Henry Wessel, Jr. The photographs are loosely grouped by theme—ranging from intimate nature studies and scenic beauty to technology’s imprint and difficult histories of slavery, Indigenous conflict, and natural disasters. A related lecture by Terri Weifenbach is scheduled for September 30, 2025.
The Denver Art Museum announced an upcoming exhibition titled "Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection," featuring over 150 artworks by Kahlo, Rivera, and their contemporaries including Lola Alvarez Bravo, Gunther Gerzso, María Izquierdo, and Carlos Mérida. Organized by MondoMostre and curated locally by Rebecca Hart, the show will run from October 25, 2020, to January 17, 2021, in the museum's Anschutz and Martin & McCormick Galleries, highlighting the role of art and indigenous culture in forging national identity after the Mexican Revolution.
At the opening of "Riopelle: Crossroads in Time" at the Vancouver Art Gallery, philanthropist and collector Michael Audain gave a patriotic speech praising Quebecois modernist Jean Paul Riopelle. Amid US President Donald Trump's trade war and annexation threats, a wave of Canadian nationalism has boosted the domestic art market. Heffel Fine Art Auction House reports record online sales of Canadian art, with Riopelle works especially sought after due to major bequests to a new museum wing in Quebec, removing key pieces from the market. Collectors like Felix Tetu note rising prices and increased interprovincial buying, while the Riopelle Foundation's centennial promotions are bridging Canada's Anglophone-Francophone cultural divide.
The Laing Art Gallery in Newcastle is opening a new exhibition titled 'With These Hands' from May 17 to September 27, exploring the representation of craft in paintings, drawings, and prints. The show features works produced in Britain and Europe from the 1750s onward, depicting hand-making and mending as domestic pastime, rural labor, semi-industrial work, and war effort. It includes paintings by artists such as Mary Cassatt, G.F. Watts, and Evelyn Dunbar, alongside objects like quilts, embroidery, metalwork, and ceramics from makers including Bernard Leach and Michael Cardew. Loans come from Tate, V&A, Royal Academy of Arts, Imperial War Museums, and regional collections.
World-renowned artist Mateo Blanco has unveiled *Silver Falls Flag* (2026), a textile work reimagining the American flag as a flowing cascade of silver threads, evoking waterfalls and natural rhythms. The piece will be displayed from May 16 to August 23 at the Brick Store Museum in Kennebunk, Maine, as part of the exhibition *From Many, One: Visions of American Patriotism at 250*, marking the nation's 250th anniversary.
The National Gallery of Canada has unveiled the exhibition "Abbas Akhavan: Entre chien et loup" for the Canada Pavilion at the 61st International Art Exhibition – La Biennale di Venezia in 2026. The site-specific installation reimagines the pavilion's architecture as a Wardian case, a precursor to the terrarium used to transport plants across the British Empire, featuring a custom pool with giant Victoria water lilies. The artist replaced the facade with glass panels, making the plants visible from outside, and the installation is framed by additional sculptural works. The exhibition is curated by Kim Nguyen and accompanied by a fully illustrated publication.
New York dealer Hollis Taggart is opening a second gallery location on the Lower East Side, named Hollis Taggart Downtown, dedicated to emerging and mid-career contemporary artists. The inaugural exhibition, "Boundless," opens May 17 and features ten artists including Osamu Kobayashi, Katherine Boxall, Kelly Worman, and Joanne Greenbaum. The space, at 109 Norfolk Street, is a partnership with longtime employees Paul Efstathiou and Eleanor Flatow. The move comes as the gallery nearly doubled its Chelsea space in 2023, despite a market downturn.
Le fantasme de la femme fatale
A documentary titled "Le fantasme de la femme fatale" (The Fantasy of the Femme Fatale), directed by Susanne Brand, is available on Arte.tv. The film traces the visual history of the femme fatale, a seductive and dangerous figure prevalent in centuries of figurative painting by male artists like Gustave Moreau and Franz Von Stuck, often depicted as Salome or languid nymphs.
Protestations au Mexique contre le transfert en Espagne d’une rare collection
A coalition of nearly 400 art professionals in Mexico is protesting the planned transfer of the prestigious Gelman Collection to Spain. The collection, which includes iconic works by Frida Kahlo and Diego Rivera, is slated to move to the Faro Santander museum in northern Spain under a five-year management agreement with Banco Santander. Critics describe the move as a "public disaster," citing the opaque 2023 sale of the collection to the Zambrano family and the potential violation of Natasha Gelman’s original will, which stipulated the works remain in Mexico.
The article reports on the exhibition "Regards sensibles" at the macLyon (Musée d'Art Contemporain de Lyon), which showcases 28 video artworks from the collection of Isabelle and Jean-Conrad Lemaître. The exhibition celebrates the couple's complete donation of their video art collection to the museum. It begins with Gillian Wearing's 1996 video "Boytime," the first video artwork the Lemaîtres acquired, and spans works from 1984 to 2025 by artists of 43 nationalities, offering a broad panorama of the video art genre.
The Obama Foundation has unveiled the final group of artists commissioned to create site-specific works for the Obama Presidential Center in Chicago. This prestigious roster includes Jeffrey Gibson, Rashid Johnson, Lorna Simpson, and Njideka Akunyili Crosby, whose works will be integrated into the 19.3-acre campus. The announcement completes the artistic vision for the center, which aims to blend public space with high-caliber contemporary art when it opens on June 19th.
King's Leap gallery in New York presents "There were gardens," a group exhibition running from April 3 to May 9, 2026, featuring works by Dara Birnbaum, Gina Folly, Collin Leitch, Chris Marker, Jeff Preiss, Julia Scher, Jason Simon, and Mira M. Yang. The show includes 37 images documented in the Contemporary Art Library, with photography by Stephen Faught.
Leah Ke Yi Zheng, a Chinese-born painter based in Chicago, is the subject of a feature interview discussing her first solo institutional exhibition at the Renaissance Society, on view through April 12. Zheng, who earned her MFA at the School of the Art Institute of Chicago (SAIC) in 2019, has developed a distinctive practice that moves beyond traditional canvas to Chinese silk and explores asymmetric forms. Her exhibition comprises 64 paintings rooted in the I Ching, the ancient Chinese text, featuring motifs of machine gears, haunting absent faces, and hexagrams. The show is designed in dialogue with the Renaissance Society's architecture, with modified windows and wall proportions to create a recursive, reflective experience.