Review: Alex Da Corte’s colorful, pop-inspired art show in Fort Worth

Alex Da Corte's exhibition "The Whale" at the Modern Art Museum of Fort Worth is the first museum show to focus on his relationship to painting, though it defies traditional definitions. The show features a variety of works including "puffy paintings," "slatwall paintings," and "reverse glass paintings," alongside a video where Da Corte portrays Marcel Duchamp. Curated by Alison Hearst, the exhibition also integrates some of Da Corte's works into the museum's permanent collection galleries, a first for the institution.

Have we reached peak painting?

The article examines the enduring dominance of painting in the art world, despite repeated predictions of its demise. It cites record-breaking sales—Leonardo's *Salvator Mundi* ($450m), Jasper Johns's *Flag* ($110m), and Marlene Dumas's *Miss January* ($13.6m)—and highlights the upcoming Jenny Saville survey at the National Portrait Gallery in London. The Turner Prize shortlist includes painter Mohammed Sami, whose work *Poor Folk II* sold for $571,500 at Sotheby's, far exceeding estimates. Exhibitions like *Painting after Painting* at SMAK in Ghent and *R U Still Painting???* in New York explore how artists continue to use the medium, with curators and market figures affirming painting's resilience.

‘Step Outside’ packs Philly’s street art scene into one unique gallery space

Philadelphia's underground street art scene is stepping into the spotlight with a two-day pop-up exhibition titled 'Step Outside' at Huddle gallery in Fishtown. Organized by street artists Doomed Future and Red Hound Heavy Hammer, the show features over 75 outdoor and graffiti artists, including works by the anonymous artist Blur. The event includes live wheat-pasting, installations, and a large submission wall, aiming to replicate the subversive energy of creating art outdoors within a gallery setting.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

See Some of the Most Outrageous, Stylish Looks at the 2026 Met Gala

The 2026 Met Gala raised $42 million for the Metropolitan Museum of Art's Costume Institute, surpassing last year's $31 million. The event, themed "Costume Art" with a dress code of "Fashion is Art," featured honorary chairs Jeff Bezos and Lauren Sánchez Bezos, whose involvement sparked protests. Co-chairs included Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with artists Anna Weyant, Tschabalala Self, and Amy Sherald on the host committee. The gala precedes the Costume Institute's spring exhibition, also titled "Costume Art," opening May 10.

Buffalo AKG Art Museum Director Janne Sirén to Depart After 13 Years

Janne Sirén, director of the Buffalo AKG Art Museum in Upstate New York, will step down in October after 13 years. His tenure included a major $230 million expansion in 2023 that doubled the museum's square footage and drew a record 340,000 visitors in the following year. However, his departure follows local media reports that he used a museum loan to help finance his $710,000 home, with the Erie County Comptroller’s Office alleging he failed to repay it and that the loan may violate state nonprofit laws. The museum defended the loan as common in executive recruitment and stated it operates in full compliance with the law.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

Andrew Lloyd Webber Is Writing a Musical About the Heist that Made ‘Mona Lisa’ Famous

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical centered on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and hid it for two years before it was recovered in Italy. Lloyd Webber revealed the project following the Broadway opening of Cats: The Jellicle Ball, noting that he is beginning the writing process immediately.

Italian Winemaker Ornellaia Reveals Marina Abramović’s Designs for Its 2023 Vintages

Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.

Raphael Died Before 40. His Met Retrospective Begs the Question: What If He Had Lived?

The Metropolitan Museum of Art is preparing a major spring retrospective dedicated to Raphael, the Italian Renaissance master who died in 1520 before his 40th birthday. This will be his first such exhibition in the United States, aiming to reassess an artist traditionally viewed as a facile, efficient prodigy rather than a deep intellectual.

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The Musée d’Orsay has acquired a significant collection of 17 Impressionist and post-Impressionist fan paintings donated by Hong Kong-based collector Ms. Kan, featuring works by Pissarro, Gauguin, and Degas. In other major news, Helen Legg has been appointed the next director of London’s Royal Academy of Arts, and the New Museum premiered a new film by Camille Henrot. Additionally, the Jim Irsay Collection achieved a "white glove" result at Christie’s, totaling $94.5 million and setting 28 world records for pop-culture memorabilia.

Rosalía Apologizes for Picasso Comments on TikTok

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Spanish pop star Rosalía issued a public apology on TikTok after facing backlash for comments regarding Pablo Picasso. During a podcast interview with writer Mariana Enriquez, the singer initially stated she did not care to differentiate Picasso’s art from his personal life; however, she later retracted those statements, admitting she was unaware of the artist's well-documented history of physical and emotional abuse toward women.

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Jonas Wood has unveiled a new series of paintings at Gagosian in Beverly Hills that transforms global tennis courts into geometric abstractions. Derived from years of photographing tournament broadcasts and Nintendo games, the works strip away players and equipment to focus on the flat bands of color, white lines, and nets that define the sport's architecture. The collection represents a systematic exploration of the ATP and WTA tours, utilizing the tennis court as a formal vehicle for color theory and composition.

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Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.

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Artist Trevor Paglen has publicly noted a striking visual and conceptual overlap between his recent gallery exhibitions titled "Cardinals"—which explore UFO photography and lore—and the imagery in the trailer for Steven Spielberg's upcoming film *Disclosure Day*. Paglen suggests the film's use of cardinals as harbingers of alien life likely originated from his work, specifically a 2023 video installation profiling a former Air Force officer who claimed "Cardinals" was an internal code name for UFOs.

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The Art Institute of Chicago has acquired a preparatory oil study for Norman Rockwell's 1948 painting *The Dugout*, donated by former Illinois Governor Bruce Rauner and his wife Diana Rauner. This marks the first work by the iconic American illustrator to enter the museum's collection, where it now hangs alongside Grant Wood's *American Gothic*.

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A new documentary titled "Pretty Dirty: The Life and Times of Marilyn Minter" premiered at the DOC NYC film festival at IFC Center, chronicling the artist's four-decade career and personal struggles. Directed by Jennifer Ash Rudick and Amanda Benchley, the film follows Minter's journey from a dysfunctional upbringing in the South—with an emotionally abusive mother and her own battles with addiction—to her eventual rise as a major figure in contemporary art. It highlights her gritty, provocative enamel-on-metal paintings, her commercial work for Tom Ford and Zara, and her cultural impact through projects like Madonna's 2009 tour and the TV show Gossip Girl. The documentary features interviews with celebrities such as Lizzo, Jane Fonda, and Miley Cyrus, as well as art-world peers like Laurie Simmons and Jeff Koons.

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Claes Oldenburg's 1969 sculpture *Lipstick (Ascending) on Caterpillar Tracks* was vandalized in October when the letters "ATB" were etched into its metal base. Yale University is relocating the 24-foot-tall work from the Morse College courtyard to the Yale University Art Gallery for conservation and care, following the discovery of the defacement. The sculpture, a beloved campus landmark originally installed in Beinecke Plaza, has a history of being removed and restored due to weather damage and graffiti.

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A new museum dedicated to the legendary art collection of dealer Ileana Sonnabend opened in Mantua, Italy, this past weekend. Housed in the 13th-century Palazzo della Ragione, the Sonnabend Collection Mantova displays nearly 100 artworks valued at $270 million, including masterpieces by Pop artists like Roy Lichtenstein and Andy Warhol, Arte Povera sculptors such as Michelangelo Pistoletto, and contemporary figures like Bruce Nauman. The project is a partnership between the Municipality of Mantua, the Sonnabend Collection Foundation, and Marsilio Arte, with a six-year renewable loan agreement.

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The article recounts the author's experience at the 2025 Performa biennial in New York, beginning on November 4 with the death of Dick Cheney and the election of Zohran Mamdani as mayor. The author attended Diane Severin Nguyen's performance "War Songs," which restaged historical protest concerts from the Vietnam War era, blending anti-war anthems with pop music. The piece also highlights missing performances by Lina Lapelytė and Ayoung Kim, and expresses anticipation for Aria Dean's play "The Color Scheme."

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Rosalía's fourth studio album, *LUX*, features a recording of Patti Smith from a 1976 interview on the closing track "La Yugular." The article describes Rosalía's admiration for Smith, recounting a meeting where Smith complimented her dress and discussed the song. Smith's influence is highlighted through her music, memoir *Just Kids*, and her artistic practice in photography and mixed media, including her first solo exhibition at the Wadsworth Atheneum Museum of Art in 2011. Smith also recently released a new memoir, *Bread of Angels*.

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Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

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This tribute article recounts the profound impact of artist Dara Birnbaum's work on the author, describing a chance meeting with Birnbaum at MoMA's café and the subsequent friendship that developed. It highlights Birnbaum's pioneering role in video art, including her manipulation of single video frames and use of color bars, and cites key works like "Technology/Transformation: Wonder Woman" (1978–79), "Local TV News Analysis" (1980), and "MTV: Artbreak" (1987) that deconstructed mass media and gender representation.

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Taylor Swift's music video for her song 'The Fate of Ophelia' has been found to closely reference Friedrich Heyser's painting 'Ophelia' (ca. 1900), held at the Wiesbaden State Museum in Hamburg. Swifties have flocked to the museum by the hundreds to see the Art Nouveau work, surprising and delighting museum director Andreas Henning. Separately, a street mural reading 'Black Artists Matter' and a rainbow crosswalk in Austin, Texas, face removal under President Trump's directive against DEI initiatives, as ordered by Texas Governor Greg Abbott. In other news, Art Basel has renamed its VIP section to 'collector and institutional relations,' five stolen 18th-century snuffboxes have been recovered from the Cognacq-Jay Museum in Paris, and Chiara Camoni will represent Italy at the upcoming Venice Biennale.

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Solange has launched the Saint Heron Community Library, a new initiative making rare and out-of-print art books available to the public for free borrowing. The digital library, run through her Saint Heron platform, includes exhibition catalogs for artists such as Barbara Chase-Riboud, Henry Ossawa Tanner, Martin Puryear, Gary Simmons, and Pope.L, as well as texts like Cedric Dover's 1960 book *American Negro Art*. Books are loaned for 45 days, though most are already checked out. The collection also features works by Black thinkers and writers including Audre Lorde, Ntozake Shange, Octavia Butler, and Wanda Coleman.

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Time magazine released its annual Time 100 list on September 20, 2025, naming the most influential people of the year across six categories. Four art world figures made the list: visual artists Yoshitomo Nara and Mickalene Thomas (categorized as an "innovator"), architect Annabelle Selldorf, and novelist/filmmaker/performance artist Miranda July. The list also includes corporate CEOs, Trump administration members, fashion designers, and athletes, with each entry accompanied by a write-up from a fellow celebrity.

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The article reports on several art world developments: US museums are making progress on Spanish-language translation efforts despite broader challenges like declining attendance and funding. The Harvard Art Museums have acquired Heinz Mack's Light-Relief (1960), a gift from the Mack Foundation. The Detroit Institute of Arts is opening its first major Native American art exhibition in over three decades, featuring 90 works by Anishinaabe artists. Ukrainian artist David Chichkan was killed fighting against Russia. Additionally, the Natural History Museum is displaying the Alien franchise egg prop in its space exhibition.

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Bill Dilworth, the longtime caretaker of Walter De Maria's "The New York Earth Room," died on December 10, 2024, at age 70 from a stroke. His death was reported by The New York Times on Saturday. Dilworth tended the 1977 installation—280,000 pounds of dirt piled two feet high—for 35 years, from 1989 until his retirement in 2024. Managed by the Dia Art Foundation, the piece has been open to the public since 1980 and became a cult favorite, even inspiring a lookalike in a music video by pop star Lorde. Dilworth, an abstract painter, also maintained another De Maria work, "The Broken Kilometer," through his wife Patti, who served as its caretaker.

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The fourth season of the FX series *The Bear* features two photographs by Tyler Mitchell in an episode centered on the character Syd. The works shown are *Untitled (Kiki and Stephan Dancing)*, a grid of shots commissioned by *Vogue* featuring actors KiKi Layne and Stephan James, and *Untitled (Group Hula Hoop)*, a 2019 image of children hula hooping in Brooklyn. Mitchell, who rose to fame for photographing Beyoncé, is now represented by Gagosian and has seen his market prices climb above $24,000 at auction.

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Cara Romero, an enrolled citizen of the Chemehuevi Indian Tribe, is the subject of her first institutional solo exhibition, "Panûpünüwügai," at Dartmouth's Hood Museum in New Hampshire. The show features her photography that fuses Indigenous ancestral memory with pop culture, depicting Native women as powerful agents reclaiming space against colonial stereotypes. Romero has also been featured in over 10 museum group exhibitions since last fall, including shows at the Hudson River Museum and Cantor Art Center.