Six artists having a museum moment: Basquiat, Hockney, Bove, Brown, Wylie and Goldin

Six blue-chip artists are currently experiencing a significant wave of institutional recognition through major museum exhibitions across the globe. Cecily Brown is preparing for a homecoming solo show at London’s Serpentine South, while Jean-Michel Basquiat is the subject of a focused study on his works on paper at Denmark’s Louisiana Museum of Modern Art. Other featured artists include David Hockney, who recently opened a massive 400-work retrospective at the Fondation Louis Vuitton, alongside Carol Bove, Rose Wylie, and Nan Goldin.

Rare Gates of Paradise replica restored and on display at the BYU Museum of Art

The BYU Museum of Art (MOA) has unveiled a meticulously restored gypsum cast replica of Lorenzo Ghiberti’s Renaissance masterpiece, the "Gates of Paradise." The restoration project spanned a decade and involved approximately 13,000 hours of labor, largely performed by BYU students who repaired damage and applied gold leaf to the ten ornate panels. The restored work is now the centerpiece of the exhibition "Gilded Paradise," which features immersive projections of Florence and will remain on view through October 2026.

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The Art Business Conference in Paris recently highlighted the growing trend and inherent risks of collaborations between artists and commercial brands. Keynote speaker Vadim Grigoryan and other industry experts discussed how these partnerships have evolved from historical precedents like Dalí and Schiaparelli into a modern necessity for brands seeking cultural relevance. While these deals offer artists financial stability and massive public exposure, the conference warned of the dangers of "commodity" marketing and the exploitation of artistic vision.

Paint Drippings: Art Industry News February 23

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This week’s art industry roundup highlights major shifts across the global market, including Art Basel’s announcement of 290 galleries for its flagship Swiss fair and Sotheby’s adjustment of its buyer’s premium rates. Significant personnel moves include Devyani Saltzman’s abrupt departure from the Barbican, which sparked an open letter from over 170 cultural figures, and Anne-Claire Legendre becoming the first woman to lead Paris’s Arab World Institute.

New McMullen Museum exhibition

The McMullen Museum of Art at Boston College has launched "Collaborating in Conflict: The Yeats Family and the Public Arts," a comprehensive exhibition exploring three generations of the Yeats family. Featuring approximately 200 works including paintings, embroideries, and rare manuscripts, the show highlights the collaborative yet often tense creative output of patriarch John Butler Yeats and his children, including the poet William Butler Yeats and the painter Jack B. Yeats. Many of the items on display are being shown publicly for the first time or for the first time outside of Ireland.

Creativity through adversity: Kansas exhibition explores Jimmy Tsutomu Mirikitani's life and work

The Spencer Museum of Art in Kansas is presenting the largest exhibition to date of work by Jimmy Tsutomu Mirikitani, an artist who faced incarceration and homelessness. The show, titled 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' features drawings, collages, and mixed media works that explore themes of displacement, trauma, and resilience.

A ‘showstopper’ of an exhibition at WAM: ‘Alex Katz: Theater and Dance’

The Wichita Art Museum (WAM) has opened a major exhibition titled 'Alex Katz: Theater and Dance,' focusing on the celebrated American artist's decades-long engagement with performing arts subjects. The show features over 50 works, including paintings, collages, and prints that capture the energy and aesthetics of theater and dance, highlighting a significant but less-explored facet of Katz's prolific career.

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The article explores how Emily Brontë's novel *Wuthering Heights* has inspired visual artists across different eras. It details specific works by English artist Edna Clarke Hall, who created hundreds of sketches and watercolors reflecting her personal connection to the story's themes of isolation and turmoil, and by Polish-French modernist Balthus, who produced a series of ink illustrations focusing on the childhood trauma of the protagonists.

Poetry and visual imagery come together in Marion Art Gallery exhibition

The Marion Art Gallery at Fredonia is presenting "Children of Grass: A Portrait of American Poetry," an exhibition featuring 50 photographic portraits and one video of prominent American poets by photographer B.A. Van Sise. Each portrait visually interprets a poem by its subject, creating a collaborative image. The exhibition runs from February 24 to April 15, with related events including a lecture by Van Sise and a poetry reading by former U.S. Poet Laureate Joy Harjo.

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Gagosian Gallery will open a new exhibition of Roy Lichtenstein's work titled "Painting with Scattered Brushstrokes" in March 2026. The show, drawing exclusively from the Lichtenstein family collection, will feature paintings, sculpture, and works on paper from the 1970s and '80s, focusing on his recurring brushstroke motif. It coincides with a major retrospective at the Whitney Museum and follows a period of intense market activity for the artist's work.

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The Rose Art Museum at Brandeis University has opened a survey exhibition titled 'Photorealism in Focus.' The show brings together works by more than 30 artists, including early pioneers like Robert Cottingham and Ralph Ladell Goings, as well as artists such as Audrey Flack and Joyce Stillman-Myers, to trace the movement's history from the late 1960s to its contemporary expansions across painting and sculpture.

Michelangelo Pistoletto Debuts Five New Mirror Works in First-Ever Solo Exhibition in St. Moritz

Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.

Review: The powerful devotion of a female gaze: a triumphant exhibition of Gwen John's work

A landmark exhibition of Welsh artist Gwen John, titled "Gwen John: Strange Beauties," has opened at Amgueddfa Cymru (National Museum Wales) to celebrate the painter's 150th birthday. It is the most comprehensive retrospective of her work in 40 years, spanning two floors and featuring previously unseen sketches, watercolours, and intimate paintings of recurring subjects like cats, St Thérèse of Lisieux, and the artist's own room. The exhibition is curated by Lucy Wood and runs until June 28th.

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A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.

Architects respond to "excess and demolition" at reuse exhibition in Mexico

Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.

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San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.

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Critic and artist Aria Dean, known for her influential essays on digital culture and race, has staged a new theatrical work titled "The Color Scheme" as part of the Performa biennial. The piece imagines a 1920s meeting in Berlin between two Black intellectuals, marking a shift from her usual focus on contemporary online life to historical Black culture and politics. Dean's essays are collected in the recent book "Bad Infinity" from Sternberg Press, and her art has appeared in major exhibitions including the Hammer Museum's Made in L.A. Biennial and the Whitney Biennial.

Contemporary art on paper at DESA Unicum

The DESA Unicum auction house in Warsaw has opened its latest "Contemporary Art. Works on Paper" exhibition, which will culminate in an auction of the presented works. This edition is notable for its broad historical scope, featuring pieces created between 1940 and 2025, and includes museum-quality works and rare sketches by key Polish avant-garde artists.

New exhibits at Rose Art Museum delve into photorealism, notions of refuge

Two new winter exhibitions open February 11, 2026 at the Rose Art Museum at Brandeis University: “Photorealism in Focus” and “Yinka Shonibare: Sanctuary.” The first brings together pioneering Photorealists like Richard Estes, Charles S. Bell, Audrey Flack, and Ralph Goings alongside contemporary artists, exploring the blurred line between painting and photography. The second features the U.S. debut of Yinka Shonibare’s installation “Sanctuary City” (2024), comprising 18 illuminated miniature buildings that served as historical refuges, lined with the artist’s signature Dutch wax textiles. Both shows are curated by Gannit Akori, the museum’s director and chief curator.

Show unpacks legacy of polymath architect who restored Paris's Notre-Dame (the first time)

The Bard Graduate Center in New York is opening the first major US exhibition on French architect Eugène Emmanuel Viollet-le-Duc (1814-1879), known for restoring Notre-Dame de Paris and other medieval French monuments. Titled "Viollet-le-Duc: Drawing Worlds," the show features over 150 drawings spanning five decades, from his teenage sketches to late studies of medieval weaponry, drawn largely from the archives of the Médiathèque du patrimoine et de la photographie. Co-curated by Martin Bressani and Barry Bergdoll, the exhibition highlights his creative approach to preservation, including his iconic spire for Notre-Dame, which was faithfully rebuilt after the 2019 fire.

Naomi Campbell reflects on Picasso’s muses for exhibition in Swiss Alps

Naomi Campbell has contributed an essay to an upcoming exhibition of Pablo Picasso's paintings staged by Nahmad Contemporary at Tarmak22 gallery in Gstaad, Switzerland, from 14 February to 15 March. The show features 14 works from Picasso's Le Peintre et son modèle series (1963–1965), which explore the dynamic between artist and model. Campbell, drawing on her decades as a supermodel, offers a personal perspective on the power dynamics of being looked at, comparing the painter-model relationship to that of photographer and model.

A gifted colourist and civic-minded storyteller: touring show celebrates US artist Noah Davis

A touring survey of the late American painter Noah Davis (1983-2015) is making its final stop at the Philadelphia Museum of Art, following presentations at Das Minsk in Potsdam, the Barbican in London, and the Hammer Museum in Los Angeles. The exhibition features 60 works from Davis's oeuvre of 400 paintings, showcasing his skill as a colourist and storyteller who balanced social relevance with artistic independence. Davis, who died of cancer at age 32, founded the Underground Museum in Los Angeles with his wife Karon, and his work has gained significant market momentum, with his 2008 painting *The Casting Call* selling for $2 million at Sotheby's in November 2024.

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Artist Ming Wong has created a new video installation titled "Dance of the Sun on the Water / Saltatio Solis in Aqua," currently on view at the National Gallery in London. The work reimagines the figure of Saint Sebastian, drawing inspiration from the museum's collection of classical paintings, including a 1475 altarpiece by Antonio and Piero del Pollaiuolo, as well as Derek Jarman's 1976 queer film "Sebastiane." Wong, the fifth artist selected for the National Gallery's Modern and Contemporary program, completed the piece during a one-year residency, exploring how the martyr's image has evolved across centuries and what it means in contemporary times.

Historic Frida Kahlo exhibit premieres at the Museum of Fine Arts, Houston

A new exhibition titled "Frida: The Making of an Icon" opens at the Museum of Fine Arts, Houston (MFAH) on Monday, tracing Frida Kahlo's transformation from a relatively unknown painter at her death in 1954 to one of the world's most recognizable artists. Curated by Mari Carmen Ramírez, the show features 35 works by Kahlo alongside pieces by other artists who drew on her imagery and personal history. It also includes a gallery devoted to "Fridamania," displaying over 200 mass-produced merchandise items that reflect the commercialization of Kahlo's image. The exhibition will travel to the Tate Modern in London after its Houston run ends May 17.

Winslow Homer’s mountaineer and Bob Ross's valley view: our pick of the January auctions

The article highlights five notable artworks heading to auction in January 2025, spanning sales at Christie’s, Sotheby’s, Bonhams Skinner, and Heritage Auctions. Featured lots include Winslow Homer’s *A Mountain Climber Resting* (est. $1.5–2.5M) from the Max N. Berry Collection, Otobong Nkanga’s tapestry *The Pursuit of Bling: The Transformation* (est. £20,000–30,000), Bob Ross’s *Valley View* (est. $30,000–50,000), and Claes Oldenburg’s lithograph *Three Way Plug* (est. $3,000+). Each work comes with distinct provenance—from a Standard Oil heiress to a hardware pioneer—and reflects diverse market segments from blue-chip American painting to contemporary African art and pop-culture collectibles.

Gallery 121 celebrates Indigenous artists in new exhibition

Gallery 121 in Belleville, Ontario, opened a new Indigenous art exhibition on January 19, 2026, featuring nine Haudenosaunee artists including David R. Maracle, Rebecca Maracle, Janice Brant, and others. The month-long show, running until February 7, opened with a smudging ceremony and musical performance by Maracle, and includes works by Gallery 121 member artists. The exhibition continues the gallery's annual tradition of showcasing Indigenous artists from the Tyendinaga Mohawk Territory since 2014.

Why this rarely seen Van Gogh self-portrait deserves more attention

A blog post examines Van Gogh's lesser-known self-portrait, *Self-portrait with bandaged Ear and Pipe* (January 1889), held in a private collection and rarely exhibited—last lent outside Switzerland in 1990. The painting shows the artist clean-shaven, smoking a pipe, with a striking orange-red background, painted just weeks after he mutilated his ear following a row with Paul Gauguin. The post contrasts it with the more famous version in London's Courtauld Gallery, analyzing compositional details and the artist's psychological state.

Beatriz González, indefatigable force in Colombian art, has died, aged 93

Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.

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The Rijksmuseum in Amsterdam has announced an $11.5 million permanent sculpture garden, funded by a €60 million donation from the Don Quixote Foundation. Designed by Foster + Partners and landscape architect Piet Blanckaert, the garden will transform three areas of the museum grounds into a permanent display of Modern and contemporary sculpture, featuring works by Alberto Giacometti, Louise Bourgeois, Alexander Calder, Henry Moore, and Roni Horn. Three existing pavilions will be converted into exhibition spaces, and the garden is slated to open later this year, pending local council approval.

'100 Candleholders' by Blunk Space is an exhibition to ignite creativity

Blunk Space gallery in Point Reyes Station, California, is presenting '100 Candleholders', an exhibition running from 17 January to 28 March 2026. The show features 100 artists and designers from around the world—including Max Lamb, Bethan Laura Wood, Ido Yoshimoto, and Jonathan Cross—each invited to create a candleholder inspired by the late sculptor JB Blunk, his work, or his self-built home and studio, Blunk House. This is the second installment in the '100' series, following '100 Hooks' in 2023-24, and takes its cue from Blunk's own 1981 exhibition '100 Plates Plus', which explored the artistic potential of everyday objects.