Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.
Hat die Neue Nationalgalerie Gefühle?
The Kunsthalle Bremen has opened "Remix. Photographie – Fiktion und Wahrheit," an exhibition drawn from its permanent collection that explores the tension between reality and artifice in photography. The show traces a lineage from Heinrich Zille’s unvarnished turn-of-the-century street scenes to the objective industrial typologies of Bernd and Hilla Becher, eventually moving into the postmodern manipulations of the Düsseldorf School, including works by Thomas Ruff and Thomas Struth.
In sordina a Milano un collezionista ha aperto un nuovo spazio espositivo: “Finalmente posso vedere le mie opere”
Collector Pier Luigi Guzzetti has quietly opened Gallerie Guzzetti, a new 300-square-meter private exhibition space in Milan's Cenisio/Mac Mahon district. The minimalist basement venue serves as a dedicated home for Guzzetti’s eclectic collection of over 300 works, which spans 20th-century masters, emerging artists, and a significant photography archive. Managed alongside Corinne Cortinovis, the space operates with a philosophy of discretion, favoring word-of-mouth over traditional press offices or social media presence.
The McNay Art Museum in San Antonio, Texas, is highlighted as the state's first modern art museum, uniquely housed in a 1929 Spanish Colonial Revival-style mansion. Founded in 1954 by collector Marion Koogler McNay, the institution manages a collection of over 20,000 objects, including masterworks by Pablo Picasso, Henri Matisse, and Georgia O'Keeffe, set across 25 acres of landscaped gardens.
Poly Auction Hong Kong concluded its Spring 2026 auction series with total sales exceeding HKD 255 million, representing a 23% increase over the previous autumn season. The sales were led by Liu Wei’s 1995 masterpiece "You Like Pork?", which fetched HKD 27.6 million, and a Ming Dynasty Blue and White 'Grapes' Dish that realized HKD 24.6 million. The auction saw participation from collectors across 17 countries, with significant growth in the Modern and Contemporary Art segment, which rose over 63% compared to the prior season.
Alpha 137 Gallery has listed a unique 1955 work on paper by American modernist Dorothy Dehner titled "Drawing for Sculpture." The piece, executed in brown marker on found stationery from a New York manufacturer’s agent, represents a pivotal moment in Dehner’s career when she transitioned from painting to the abstract sculpture for which she became famous. The work is hand-signed and dated, reflecting her early exploration of three-dimensional forms through graphic media.
Northern Irish artist Robyn Ward has announced a major global exhibition titled 'Shards of Dawn,' set to premiere in 2026. The exhibition will debut at Mana Contemporary in New Jersey before traveling to Mana Contemporary Miami during Art Basel and concluding at the Modern Art Museum Shanghai in 2027. Curated by Shai Baitel, the body of work incorporates industrial fragments and discarded materials, marking the second installment of a trilogy that explores themes of memory, fracture, and resilience.
El Paso Community College (EPCC) hosted the grand opening of its 49th Annual Juried Student Art Exhibition at the Transmountain campus Gallery of Fine Art. The event featured a wide range of visual art created by students across various disciplines and levels within the college district. Highlighting the evening was an awards ceremony judged by Michael Reyes, an EPCC alumnus and Senior Curator at the El Paso Museum of Art, who recognized top works including Camila Galindo’s "Medieval Sadness," which took home the Best of Show honors.
Museums worldwide are grappling with the escalating need for heightened security measures following a series of high-profile thefts, including a recent bold robbery at the Louvre. Institutions are forced to re-evaluate their surveillance protocols and physical barriers to protect priceless cultural heritage from increasingly sophisticated criminal tactics.
The Taubman Museum of Art in Roanoke, Virginia, has unveiled a new large-scale mural titled "Intersecting Terrain" by artist Mokha Laget. Commissioned to celebrate the 75th anniversary of the museum’s permanent collection, the geometric work draws inspiration from the local Blue Ridge Mountains and the architectural vision of the museum's designer, Randall Stout. The mural is situated in a public-facing space and is scheduled to remain on view for the next two years.
Marcel Duchamp - Hommage a Caissa (for the Marcel Duchamp Fund of the American Chess Foundation) , 1966
This rare 1966 silkscreen poster commemorates the "Hommage à Caissa" exhibition at New York’s Cordier & Ekstrom Gallery, a fundraiser organized by Marcel Duchamp for the American Chess Foundation. The event featured contributions from 36 iconic artists, including Salvador Dalí, Jasper Johns, and Alexander Calder, and is famously remembered for Andy Warhol’s uninvited "guerrilla attack" appearance with the Velvet Underground. The poster's design incorporates RSVP cards sent to participating artists, some featuring personal notes and autographs.
Artist Margaret Bremner is presenting a solo exhibition titled "Shapes Shifting" at the Art 10 Gallery in Nanaimo, British Columbia. The showcase features Bremner’s mixed media works, which utilize paint pens, colored pencils, collage, and ink to explore geometric structures like ogees, triangles, and circles. The artist emphasizes a process that begins with random smears or washes before imposing order through intricate patterning and varied fills.
The 2026 LeMoyne Chain of Parks Art Festival transformed downtown Tallahassee into a vibrant outdoor gallery, featuring over 160 national juried artists. Visitors explored a diverse array of mediums, including glasswork, sculpture, oil painting, and photography, alongside live 3D street art demonstrations and local entertainment.
L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro
Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.
AP Art students from Meridian High School participated in a professional curation and installation master class at the Mississippi Arts + Entertainment Experience (The MAEX). Led by curator Christina McField, the students transitioned from artists to curators, learning the technical and conceptual requirements for mounting a professional museum exhibition.
Gus Casely-Hayford, the director of V&A East, outlines his vision for the new museum as a collaborative space designed specifically to re-engage young audiences. Highlighting a new commission by Cuban artist Tania Bruguera created with local youth, Casely-Hayford argues that museums must move beyond Victorian-era paternalism toward a model of co-creation. The institution has consulted over 30,000 young people to ensure its galleries, such as the "Why We Make" space, reflect contemporary concerns and community needs.
Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »
Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.
Der unterschätzte Architekt der Avantgarde
The Fondazione Antonio Dalle Nogare in Bolzano is hosting a comprehensive retrospective dedicated to Ilja Sdanewitsch, known as Iliazd, a Georgian-Russian-French avant-garde polymath. The exhibition, titled "Toutité Iliazd. Die Erforschung der Form," showcases his diverse output as a writer, designer, and publisher who viewed the book as a primary art object. The display includes architectural reliefs, textile designs for Coco Chanel, and his significant collaborations with icons like Picasso and Duchamp.
Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.
The Margate Art Museum is currently hosting its annual open art exhibition, featuring the work of South Coast-based artist Celeste van der Merwe. Her highlighted painting, 'Knitting the Nations: Will I See Them Again?', depicts a woman knitting textured patches that represent different continents and countries. The piece uses symbolism to explore the emotional weight of global migration and the fragility of family bonds when loved ones are scattered across the world.
The Triennale Milano is hosting a dedicated exhibition celebrating the prolific output of the British design duo Edward Barber and Jay Osgerby. The showcase highlights the studio's influential career, featuring a range of industrial design projects that have defined modern British aesthetics over the past two decades.
Toronto's visual arts landscape is highlighted as a premier destination for travelers, featuring a mix of massive institutional collections and specialized local galleries. Key attractions include the Royal Ontario Museum (ROM), known for its vast natural history and ancient civilization galleries, and the Art Gallery of Ontario (AGO), which houses over 120,000 works ranging from Renaissance masterpieces to contemporary installations like Yayoi Kusama’s Infinity Mirrored Room.
The group exhibition 'Intellectual Structures: Trigger, Judgment, and Decision' at Each Modern in Taipei explores the cognitive processes behind artistic creation. Featuring works by DAZHI, Ding Hongdan, Jing Ao, Liang Yuanwei, Wenjue, and Xu Qu, the show examines how human thought remains distinct from artificial intelligence by focusing on the 'neural algorithms' of the brain. The curatorial framework breaks down the creative act into three stages: the initial sensory trigger, the critical judgment between experience and transcendence, and the final decision that collapses multiple possibilities into a singular work.
The Association of Student Artists is hosting its 32nd annual exhibition, titled “Among the Stars,” at Kingsford High School. The event showcases over 600 artworks from students across nine regional school districts, featuring a diverse range of mediums including oil painting, sculpture, digital art, and metal smithing. The program includes a public viewing, an awards ceremony for Merit and Best in Show honors, and portfolio reviews conducted by representatives from several major regional universities.
Ogden City’s quarterly Community Art Show at Union Station has become a staple of the local creative scene, offering a low-barrier platform for artists of all ages and skill levels. Managed by Ogden City Arts, the program accepts a diverse range of media—including poetry, textiles, and 3D works—with no entry fees for participants. The initiative, which began in 2020 as a way to activate the historic Union Station lobby during the pandemic, now showcases between 25 and 75 pieces per exhibition.
Utah State University Eastern is hosting its annual Student Art Show at Gallery East from April 20 through April 28. The exhibition showcases a diverse range of creative works produced by students over the academic year. A public reception and awards ceremony is scheduled for the evening of April 23 to recognize outstanding student achievements.
The art world mourns the passing of Melvin Edwards, a pioneering American sculptor who died on March 30, 2026. Known for his mastery of steel, iron, and barbed wire, Edwards rose to prominence in the 1960s with works that balanced formal abstraction with the heavy symbolism of chains and industrial materials. His career was marked by significant milestones, including being the first African American sculptor to have a solo exhibition at the Whitney Museum in 1970 and his long-standing presence in the permanent collection of the Museum of Modern Art.
Rhys Meatyard, a celebrated St. Petersburg, Florida artist and muralist, has opened a new solo exhibition titled 'Ceremony' at The Werk Gallery. The show, which runs through the end of April, explores themes of love, grief, and hope, drawing inspiration from author Victor Frankl and the character Aragorn from *The Lord of the Rings*.
The Museum of Contemporary Art San Diego (MCASD) is debuting "Giants," a major exhibition featuring over 130 works from the private collection of Kasseem "Swizz Beatz" Dean and Alicia Keys. The West Coast premiere showcases monumental paintings, sculptures, and installations by nearly 40 Black artists, including Kehinde Wiley, Mickalene Thomas, and Nick Cave. The show is organized around themes of scale and cultural impact, beginning with personal artifacts from the Deans' early careers before transitioning into significant contemporary masterpieces.
Chicago’s art history is defined by a series of indigenous movements that prioritized visceral, existential expression over commercial appeal. The article traces this lineage back to the late 1940s with the emergence of the Monster Roster, a group of artists including Leon Golub and Dominick Di Meo who returned from World War II to produce agonistic work. This movement was catalyzed by institutional resistance at the School of the Art Institute of Chicago, leading to the creation of the independent Momentum Exhibitions which bypassed conservative juried systems.