France’s new restitution law passes final vote

The French parliament has officially passed framework legislation establishing a legal pathway for the restitution of cultural artifacts looted from former colonies. This landmark law, inspired by a report from former Louvre director Jean-Luc Martinez, allows for the deaccession of items taken by force or under duress between 1815 and 1972. While the law fulfills a 2017 pledge by President Emmanuel Macron, it remains strictly supervised, requiring bilateral scientific committees to verify claims and excluding military archives and archaeological shares.

National Assembly Unanimously Votes on Law for Restitution of Looted Colonial Works, but with Restrictions

L’Assemblée vote à l’unanimité la loi sur la restitution des œuvres pillées pendant la colonisation, mais avec des restrictions

The French National Assembly has unanimously passed a landmark law establishing a permanent legal framework for the restitution of cultural property looted during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new law allows the government to return artifacts via decree following consultations with scientific and parliamentary commissions. This shift fulfills a long-standing promise to simplify the return of African heritage currently held in French public collections.

Protests in Mexico Against the Transfer of a Rare Collection to Spain

Protestations au Mexique contre le transfert en Espagne d’une rare collection

A coalition of nearly 400 art professionals in Mexico is protesting the planned transfer of the prestigious Gelman Collection to Spain. The collection, which includes iconic works by Frida Kahlo and Diego Rivera, is slated to move to the Faro Santander museum in northern Spain under a five-year management agreement with Banco Santander. Critics describe the move as a "public disaster," citing the opaque 2023 sale of the collection to the Zambrano family and the potential violation of Natasha Gelman’s original will, which stipulated the works remain in Mexico.

The Long Legal Saga Between Artist Ryder Ripps and the Bored Ape Yacht Club Is Finally Over

Yuga Labs, the creator of the Bored Ape Yacht Club (BAYC), has reached a confidential settlement with artist Ryder Ripps and his partner Jeremy Cahen, ending a multi-year legal battle over trademark infringement and appropriation art. The dispute began in 2022 when Ripps launched his RR/BAYC NFT collection, which used identical imagery to the original Bored Apes to protest alleged racist and alt-right symbolism within the project. As part of the agreement, Ripps and Cahen are now under a permanent injunction preventing them from using any Yuga Labs trademarks or images.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

Mexico faces sales of pre-Columbian art

Le Mexique face aux ventes d’art précolombien

The Mexican government is facing ongoing legal and diplomatic hurdles in its attempts to halt the sale of pre-Columbian artifacts in Paris. Despite formal protests from the Mexican embassy citing national heritage laws from 1827, auction houses like Millon continue to proceed with sales, generating millions in revenue. French authorities and legal experts maintain that Mexican national laws do not supersede French jurisdiction, which largely adheres to the 1970 UNESCO Convention regarding the illicit import and export of cultural property.