A cycle of eleven paintings commissioned in 1772 for the Chapelle Saint-Louis at the École Militaire in Paris, depicting the life of Saint Louis, has been rediscovered. The chapel was built under Louis XV by architect Ange-Jacques Gabriel, and the paintings were executed by Jean-Baptiste-Marie Pierre following a carefully devised iconographic program. The discovery sheds new light on a major decorative ensemble from the Ancien Régime.
Belleville Art on the Square returns for its 24th year from May 15-17, 2026, in downtown Belleville. The festival features over 100 artists from more than 27 states and one international artist, showcasing works in multiple mediums. Highlights include artist demonstrations by the Gateway East Artists Guild, a high school art show with judged awards, a Children's Art Garden with interactive activities, live entertainment at the Wine Court, and food vendors offering a variety of cuisines. Admission is free, and the event runs Friday evening through Sunday afternoon.
Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?
Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.
An Egyptian archaeological mission excavating at the Abu El-Naga necropolis near Luxor has uncovered a cache of ten well-preserved painted wooden coffins hidden in the courtyard shaft of the tomb of Baki. The coffins span multiple periods, including the 18th Dynasty, the Ramesside period, and the Late Period, with inscriptions naming individuals such as Merit, a chantress of the god Amun, and Padi-Amun, a priest in the Temple of Amun. The team also discovered the tomb of a purification priest named A-Shafi-Nakhtu, decorated with funerary scenes, and a burial site containing over 30 mummified cats from the Ptolemaic Period. The discoveries were announced by Egypt's Supreme Council of Antiquities, with the excavation season beginning in November 2025.
Israel advanced a bill on Tuesday that would grant sweeping civilian authority over antiquities and archaeology in the occupied West Bank, replacing the current military-run system. The Likud-backed legislation would create a "Judea and Samaria Heritage Authority" under the Israeli heritage minister, empowered to purchase and expropriate land, oversee excavations, and manage heritage sites across Areas B and C of the West Bank. The bill passed its first of three votes (23-14) and would be led by Amichai Eliyahu, a far-right politician who advocates for annexation. Human rights groups and the Israeli NGO Emek Shaveh warned the move amounts to de facto annexation and a violation of Palestinian rights.
Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.
The Oklahoma Arts Council has received the largest gift in the history of the Oklahoma State Art Collection: ten works by influential Native artists from The Howard L. and Mary Ellen Meredith Collection, donated by America Meredith and Samonia Byford in honor of their parents. The donated works include pieces by Benjamin Harjo Jr., Norma Howard, Vanessa Paukeigope Jennings, Ruthe Blalock Jones, Shan Goshorn, Doc Tate Nevaquaya, Jane Osti, Juanita Pahdopony, Jeri Redcorn, and Dick West. The artworks are now on display in the Betty Price Gallery at the Oklahoma State Capitol, alongside two other recent acquisitions.
Casa Romantica Cultural Center and Gardens in San Clemente, California, will present an exhibition titled "Through the Decades: Artists That Shaped the Festival of Arts." The show highlights the work of artists who have participated in the Festival of Arts, a longstanding local art event, tracing its evolution across different decades. The exhibition aims to showcase the diverse artistic styles and contributions that have defined the festival over time.
Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.
The New York Times Art section published a primer on three architecturally significant Buddhist stupas (reliquary mounds) located in Nepal, Thailand, and Taiwan. The article highlights the distinct design and cultural importance of each monument, serving as an educational overview for readers interested in Buddhist architecture.
Gli effetti percettivi dei dipinti di Alessandro Gioiello sono in mostra a Roma
Alessandro Gioiello's solo exhibition "Pensieri Sparsi" is on view at Galleria Richter Fine Art in Rome, featuring oil-on-canvas works such as "Broken Flowers" (2026), "Quarantatreesimo" (2025), and "Tiscert" (2026). The show presents a stream-of-consciousness approach where color and composition emerge from a lengthy process of selection and transformation, inviting viewers to reconstruct meaning through the creative gesture rather than a linear narrative.
A school art festival at St Barnabas Primary School in the UK has received support from celebrities and artists, whose paintings and contributions feature in the event. Headteacher Beccy Harris noted that the festival's theme aligns with the school's vision to 'help children soar on wings like eagles.'
An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.
The West Allis Arts Collective is hosting an art crawl on May 16 from 11 a.m. to 6 p.m., partnering with 14 local businesses that will transform into temporary galleries. Over 30 artists, including Milwaukee-based painter Keith Barber and mixed-media artist Yuliya Bay, will display and sell their work across venues such as Majestik Tattoo Studio, Yoga is Served, Muse 33 Visual and Performance Arts Gallery, Story Keepers Books, and Miller And Campbell Costume Service.
PlayLab, a new hands-on learning and play space for children and families, will officially open on Saturday, May 16, at the Southwest Art Gallery and Science Center in Dickinson, North Dakota. Located beneath the gallery's main floor, the interactive space features 12 themed labs—including motion, discovery, building engineering, design, spark, construction, magnet, sensory, logic, space, and eco areas—each equipped with materials to foster creativity, motor skills, critical thinking, and problem-solving. Admission is $10 per child, and regular hours will be Saturdays from 10 a.m. to noon and Sundays from 1 to 3 p.m.
A three-day art exhibition titled “Light from the Inner Soul” is being held at Cumilla Shilpakala Auditorium in Bangladesh, showcasing paintings and handcrafted works by eight women with no formal art training. Organized by Jannatul Ferdous Twonni, the exhibition features a range of media including calligraphy, metal art, wax art, glass painting, canvas works, and AI-inspired pieces, with participants ranging from a 16-year-old to a 90-year-old woman.
Limerick Museum has opened 'Dressed to Impress: Sybil Connolly and the Art of Irish Elegance', an exhibition celebrating the life and work of Sybil Connolly, one of Ireland's most renowned fashion designers. Curated by Dr. Zara Power, the show features rarely seen garments, including a piece worn by Máirín Lynch, as well as maquettes, sketches, and interior design objects on loan from the Hunt Museum and Cork Public Museum. The exhibition runs until July 31, 2026, and admission is free.