The National Gallery of Art in Washington, D.C., has received a gift of 1,261 photographs from artist Mitch Epstein and his wife, Susan Bell. The donation, the largest institutional collection of Epstein's work, spans his five-decade career and includes major series such as 'American Power,' 'Property Rights,' and 'New York Arbor.'
A new immersive film exhibition titled 'David Bowie: You’re Not Alone' has opened at London's Lightroom. Directed by Mark Grimmer, who previously designed the V&A's 2013 Bowie exhibition, the hour-long 360-degree film focuses on the artist's most-streamed hits and features unseen performance footage, including from his 1978 Earls Court show. It aims to appeal to both die-hard fans and a younger audience.
The Los Angeles County Museum of Art (LACMA) is set to open its long-awaited and highly debated new building, the David Geffen Galleries. Designed by Swiss architect Peter Zumthor, the $720 million concrete structure spans Wilshire Boulevard and replaces several older buildings with a single, elevated exhibition level. The opening marks the culmination of a decade-long project spearheaded by Director Michael Govan, featuring a non-linear layout that integrates the museum's encyclopedic collection into thematic displays rather than traditional chronological or regional divisions.
The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.
The exhibition “Our Friend, Jean” returns to Brooklyn this May at The Bishop Gallery, coinciding with Frieze Week. The show features twenty artworks alongside personal ephemera and photographs from Jean-Michel Basquiat’s formative years between 1979 and 1980, primarily sourced from the collection of his former roommate Alexis Adler. This iteration includes previously unseen items from Adler’s trove, such as hand-painted garments and postcards, and will be activated by panels featuring Basquiat’s early collaborators.
Radiohead has announced a North American tour for "Motion Picture House," a massive 17,000-square-foot immersive audiovisual installation. The project features a 75-minute film titled Kid A Mnesia, directed by Sean Evans, which incorporates art created by frontman Thom Yorke and longtime collaborator Stanley Donwood. Launching at the Coachella festival before traveling to cities like Brooklyn and Mexico City, the experience combines surround-sound studio recordings with physical galleries displaying the original source art from the band's seminal turn-of-the-century albums.
Art historian Sam Smiles has released a comprehensive new book examining J.M.W. Turner’s complex relationship with the slave trade, expanding on his 2007 discovery of the artist's personal investment in a Jamaican cattle farm that utilized enslaved labor. The research traces Turner’s financial ties from his early patronage by wealthy plantation owners to his own speculative ventures, challenging the long-held perception of the artist as a straightforward abolitionist.
The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.
The Art Institute of Chicago has acquired its first work by the iconic American illustrator Norman Rockwell. The painting, titled "The Dugout" (1948), is a significant oil study for a Saturday Evening Post cover depicting dejected Chicago Cubs players. Donated by former Illinois Governor Bruce Rauner and his wife Diana, the work has been immediately placed on view alongside other masterpieces of American art like "American Gothic."
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Anishinaabe artist Henry Guimond has designed a mission patch for Canadian astronaut Jeremy Hansen to wear during the Artemis II lunar mission. The artwork features seven symbolic animals representing the Seven Sacred Laws of Anishinaabe custom, intended as a universal message for humanity that will literally travel beyond Earth's orbit.
The New Museum in New York has announced a major $80 million capital campaign to double its physical footprint on the Bowery. The expansion will utilize an adjacent building already owned by the institution, increasing the total space from 58,000 to over 100,000 square feet. The museum has already secured $43 million of its goal, bolstered by a record-breaking undisclosed donation from longtime supporter Toby Devan Lewis.
Bonhams has opened its new U.S. headquarters at 111 West 57th Street in New York, moving from its longtime Madison Avenue location into a 42,000-square-foot space within the restored Steinway Hall. The design features an 80-foot glass atrium, a grand staircase, and restored historic elements, aiming to create a transparent, cultural-center-like atmosphere rather than a traditional salesroom.
The Art Institute of Chicago has acquired a preparatory oil study for Norman Rockwell's 1948 painting *The Dugout*, donated by former Illinois Governor Bruce Rauner and his wife Diana Rauner. This marks the first work by the iconic American illustrator to enter the museum's collection, where it now hangs alongside Grant Wood's *American Gothic*.
Mexico City is renowned for its immense concentration of museums, with estimates ranging from 150 to 200 institutions. The city's art scene has been further amplified by the rise of Zona Maco, which has established a major international Art Week each February, drawing collectors and galleries. The article highlights five must-see museums, beginning with the Museo Anahuacalli, a unique museum built by Diego Rivera and architect Juan O'Gorman to house Rivera's vast collection of pre-Hispanic artifacts.
A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.
Beverly Buchanan, who lived in Athens, Georgia for over 20 years, often paid for everyday needs with her artworks, trading them with her doctor and local community members. A new exhibition titled "Beverly's Athens" at the University of Georgia's Athenaeum showcases works borrowed from local collections, including pieces from her doctor's personal collection and sculptures from her own backyard. The show features her flower drawings, which her dealer Betty Parsons once rejected, as well as her "ruins" sculptures and archival footage of her garden. Curators Mo Costello and Katz Tepper, both artists who are chronically ill, organized the exhibition to highlight Buchanan's ecosystem of exchange and survival.
The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.
The Arkansas Museum of Art in Little Rock is presenting "Architects of Being," an exhibition pairing the work of Esphyr Slobodkina and Louise Nevelson through January 11, 2026. Slobodkina, a Russian-born Jewish immigrant and founding member of the American Abstract Artists, was a painter, sculptor, writer, and fashion designer who also authored the classic children's book *Caps for Sale*. Nevelson, also an Eastern European Jewish immigrant, is renowned for her monochromatic wood assemblages. The show juxtaposes their geometric abstractions, collages, sculptures, and personal fashion, curated as a hypothetical dialogue between two kindred spirits who never met. The exhibition will travel to the Chrysler Museum of Art in Norfolk, Virginia, and the New Britain Museum of American Art.
Artnet News has compiled a guide to holiday art shows in New York City for December 2025. The featured exhibitions include the Metropolitan Museum of Art's annual "Christmas Tree and Neapolitan Baroque Crèche" (November 25–January 6), the American Museum of Natural History's "Origami Holiday Tree" (November 24–January 20) inspired by its dinosaur extinction exhibition, the Morgan Library and Museum's display of Charles Dickens's original manuscript of "A Christmas Carol" (November 25–January 11), and the New York Public Library's "Best Friends Forever: Holiday Greeting Cards" (December 3–January 4). Each venue offers a unique artistic take on the holiday season, from 18th-century Neapolitan figurines and thousands of origami animals to literary history and vintage greeting cards.
The Detroit Institute of Arts (DIA) has reinstalled its African American galleries, moving them from the back of the museum to a prominent location beside Diego Rivera's iconic "Detroit Industry Murals" (1932–33). The reinstallation is framed by a quote from Alain Locke's 1925 essay "The Legacy of the Ancestral Arts," envisioning the museum as an instrument of cultural education and repair. Complementing this is "Contemporary Anishinaabe Art: A Continuation" (through April 5), the first comprehensive survey of art from the Indigenous inhabitants of the Great Lakes region. The DIA began collecting African American art in 1943 and in 2001 became the first US museum to name a curator devoted to that field, Valerie J. Mercer, who still serves as curator and head of African American art.
The article explores Frederic William Burton's iconic Victorian watercolor *Hellelil and Hildebrand, the Meeting on the Turret Stairs* (1864), held at the National Gallery of Ireland. It recounts the tragic medieval Danish ballad that inspired the painting, in which the noblewoman Hellelil and her guard Heldebrand are doomed lovers. Burton, an Irish painter influenced by the Pre-Raphaelite Brotherhood, worked exclusively in watercolor and gouache, making this delicate piece a technical marvel. The museum displays it only one hour twice weekly to protect it from light damage.
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left the museum less than a year before its scheduled September 2026 opening. The museum stated it has no immediate plans to replace her, with George Lucas continuing to oversee curatorial direction. This departure follows a series of staffing issues, including the exit of director and CEO Sandra Jackson-Dumont in March 2025, layoffs of 22 staff members in May, and the earlier losses of curator Amanda Hunt and curator-at-large Dan Nadel. The $1-billion museum, first announced in 2017, has faced repeated delays due to the pandemic and supply-chain shortages.
Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left her post, as first reported by the Los Angeles Times. Her departure is the latest in a series of leadership exits at the institution, which is set to open on September 22, 2026. The museum was founded by George Lucas and Mellody Hobson, and Rivas was one of six women of color appointed to high-ranking roles in 2020 by then director and CEO Sandra Jackson-Dumont, who left in February. The museum laid off 15 employees in May, and CEO duties are now held on an interim basis by Jim Gianopulos, while Lucas himself oversees curatorial content.
René Magritte’s *L’empire des lumières* series, comprising 17 oil paintings and 10 gouaches created between the late 1940s and early 1960s, juxtaposes a nocturnal street scene with a bright daytime sky. The article explores the origins, meaning, and market performance of these works, noting that they were inspired by a line from André Breton’s poem *L’Aigrette* and reflect Magritte’s own Brussels neighborhood. Recent auction sales have shattered records, including a 1954 version that sold for $121.2 million at Christie’s New York in November 2024, making it the most expensive Surrealist artwork ever sold at auction.
Norman Rockwell's iconic painting "Freedom From Want" (1943), known as the quintessential Thanksgiving image, is examined through three lesser-known facts. The painting was part of a series responding to FDR's "Four Freedoms" speech, initially rejected by the military's Office of War Information before being embraced for a war bond campaign that raised over $132 million. Rockwell used friends and family as models, including his wife and the family cook, who actually prepared the turkey depicted. The work has recently returned to the spotlight: a four-panel Rockwell suite sold for $7.2 million at Heritage Auctions to the White House Historical Association, while Rockwell's family criticized the Department of Homeland Security for using his art in divisive social media posts.
The New York Gallery History Project has launched its first installment: an online archive of Jay Gorney Modern Art, which operated from 1985 to 1998. The archive documents over 90 exhibitions held at the gallery, featuring artists such as Catherine Opie, Jessica Stockholder, Gillian Wearing, Haim Steinbach, and Martha Rosler. The material includes installation views, artwork images, and original invitations, all digitized from analog transparencies and slides. The project is an initiative of the Independent art fair and the Contemporary Art Library, a Los Angeles nonprofit.
Sotheby's held a day sale on Wednesday featuring 30 works from the collection of cosmetics heir Leonard Lauder, generating $3.84 million against an estimate of $2.22 million to $3.29 million. The sale followed a strong Tuesday auction led by a Gustav Klimt portrait from Lauder's collection that achieved the second-highest price ever for an artwork at auction. Standout results included works by Dorothea Rockburne, Elizabeth Murray, and Lyonel Feininger that far exceeded their estimates, while a Claes Oldenburg sculpture sold for $444,500, the top price of the day.
Christie’s fall auction season in New York opened with a robust evening sale of 20th-century art on Monday night at Rockefeller Center, achieving a total of $690 million after fees. The sale featured an 18-lot offering from the private collection of Robert and Patricia Weis, followed by the main 20th-century auction. The top lot was Mark Rothko’s *No. 31 (Yellow Stripe)* (1958), which sold for $62 million, while Claude Monet’s *Nymphéas* (1907) brought $45.5 million. The sale had a 95 percent sell-through rate, with 55 of 80 lots guaranteed, and strong in-person bidding provided a boost of market confidence after months of art fair cancellations and gallery closures.
A four-panel suite of paintings by Norman Rockwell, titled *So You Want to See The President!* (1943), sold for $7.2 million at Heritage Auctions on November 14. The work, which hung in the White House for decades, was bought by the White House Historical Association, marking its most expensive acquisition to date. The sale followed a bitter ownership dispute among descendants of the original commissioner, President Franklin D. Roosevelt's press secretary Stephen T. Early, with a federal judge ruling in favor of the current owner, William Elam, in 2023.
Metallica guitarist Kirk Hammett is auctioning Frank Frazetta's painting *Conan the Berserker* (1967), which he purchased directly from the artist for $1 million in 2009. The work, originally used as cover art for a paperback edition of Robert E. Howard's novel *Conan the Conqueror*, will be offered in Heritage Auctions' “Hollywood/Entertainment Signature Auction” on December 9–10, with bidding starting at $10 million. The sale follows a record-breaking Frazetta auction in September, when his oil painting *Man Ape* (1966) sold for $13.5 million.