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When Gagosian Goes So Do His Galleries, How Hockney’s Swimmer Swam Away, and Green Shoots in the Gallery World

Kenny Schachter's article opens with a broad critique of the political climate under the Trump administration, linking it to a chilling effect on free speech and democracy, before pivoting to the art world. He notes the absence of a U.S. representative for the 61st Venice Biennale, mentions Marilyn Minter's protest piece, and references David Hockney's *Portrait of an Artist (Pool with Two Figures)* at Christie's. The piece also touches on market negativity, the resilience of art, and skepticism about the Middle East as a market savior.

Victoria Miro: ‘Art should open your eyes to something you don’t know’

Victoria Miro, the influential London art dealer, reflects on her 40-year career as her eponymous gallery celebrates its anniversary. In a rare interview, she discusses her humble beginnings—displaying art in her husband's office window and hosting pop-ups—and her rise to prominence representing acclaimed artists such as Chris Ofili, Isaac Julien, Do Ho Suh, and Chantal Joffe. The gallery's birthday exhibition, "Victoria Miro: 40 Years," features works by its roster, including pieces by Kudzanai-Violet Hwami, Stan Douglas, and Grayson Perry.

National Portrait Gallery

The article is a placeholder or stub for the National Portrait Gallery, likely referencing a news item or update about the institution. It includes a subscription prompt for The Art Newspaper’s digital newsletter and standard footer information, but no substantive content about events, exhibitions, or developments at the gallery.

art guide new york exhibitions

The article reviews the joint exhibition "Hunks" at Bureau gallery in New York, featuring works by painter Julia Rommel and photographer Lucas Blalock. Rommel's post-minimalist abstract paintings, created through folding and stapling canvases, explore color and texture with a personal touch, while Blalock's digitally manipulated photographs blend studio effects and surreal editing. The show runs through February 21, 2026, at the gallery's 112 Duane Street location.

Art Dealer Larry Gagosian Recalls Rare Misstep With San Francisco Gallery: ‘Nobody Showed Up’

Larry Gagosian, the mega-dealer, has candidly discussed the failure of his San Francisco gallery, which operated from 2016 to 2021. He stated the gallery simply failed because "nobody showed up" to openings, describing the experience as depressing. The closure was part of a broader reflection on his career, prompted by the opening of a new Gagosian gallery on New York's Upper East Side.

Studio 54 Fine Art Is Betting on a More Nimble Gallery Model

Studio 54 Fine Art, founded and directed by Gary Williamson, is pioneering a nimble gallery model without a permanent brick-and-mortar space, instead meeting collectors through rotating physical exhibitions and behind-the-scenes matchmaking. The gallery is currently presenting the exhibition “Empire of Silence: The Untamed Majesty of Rowan Blackwell” in Switzerland, featuring large-scale photographs of wild animals by artist Rowan Blackwell, on view through August 31. Williamson, who transitioned from luxury goods and property investment to founding the gallery in Milan in 2016, emphasizes a focus on quality, provenance, and long-term value, with a roster of artists selected for technical mastery and distinctive vision.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

tracing the transition from mannerism to baroque at tefaf maastricht

London-based gallery Trinity Fine Art has announced a curated presentation for TEFAF Maastricht 2026 focusing on the stylistic evolution from Mannerism to the Baroque. The showcase features three significant works: an ambitious 1580 biblical scene by Lavinia Fontana, a rare and well-documented 1610 depiction of St. Jerome by Orazio Gentileschi, and a mature 1620 composition of the Holy Family by Giulio Cesare Procaccini.

minor injuries michael joo sculpture damaged space zeroone

A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.

todd von ammon grids galleries fairs column

Todd von Ammon, a young gallerist, critiques the contemporary art market's over-reliance on art fairs and the homogenization of gallery spaces into a sterile, grid-like system. He contrasts this with the lost charm of discovering hidden, architecturally unique galleries in labyrinthine neighborhoods, which he argues fosters a sense of urban belonging and agency for collectors and art workers. The article traces the shift from the rabbit warrens of SoHo to the dense Chelsea gallery district and the rise of the modern art fair, epitomized by Art Basel's expansion to Miami Beach in 2002, which he likens to a pyramid scheme that burdens young galleries with high costs for minimal returns.

gagosian rewrites art basel paris rulebook by bringing old master to modern and contemporary fair

Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.

tanya bonakdar gallery closes los angeles

Tanya Bonakdar Gallery is closing its Los Angeles location after seven years, with the final exhibition being a solo show for Ben Hyunjin that ends on August 29. The gallery, which opened on Highland Avenue in 2018, decided not to renew its lease, citing a natural pause to assess its accomplishments in the city. The closure follows recent shutdowns of other LA galleries, including Blum and Clearing.

Klara Lidén “Kunstwerke” at KW Institute for Contemporary Art, Berlin

Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.

art elizabeth peyton david zwirner interview

Elizabeth Peyton's New York solo debut with David Zwirner, titled "Elizabeth Peyton: mountains in my heart (the death of Sarpedon)," opened at the gallery's West 19th Street space. The exhibition features Peyton's small-scale figurative paintings, including a new work inspired by the death of Sarpedon from the Iliad, rendered after a 19th-century painting by Henri-Léopold Lévy. Peyton, who has been an artist-in-residence at the Louvre since 2023, continues her practice of drawing from pop culture, historical figures, and personal acquaintances, with subjects ranging from musician Cameron Winter to philosopher Simone Weil.

art iiu susiraja photography gratin exhibition

Finnish artist Iiu Susiraja, known for her deadpan self-portraits that blend vulnerability and absurdity, is opening her first New York solo exhibition since her 2023 MoMA PS1 show, titled “A style called a dead fish,” at the gallery Gratin on December 11. The article, an interview by a critic, explores Susiraja’s practice of embracing her “inner clown” through photographs that feature nudity, balloons, and domestic props, often staged in her own home or her parents’ home in Turku. New works include images like “Lift up, Breasts” (2025), where helium balloons are taped to her nipples, and a sculpture involving photocopying machines that will distribute keepsakes during the show.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

art los angeles gallery show guide

Cultured's gallery show guide highlights five exhibitions in Los Angeles. Lee Lozano's "Hard Handshake" at Hauser & Wirth (through January 18, 2026) features drawings from her first nine years, marking the first major LA show devoted to her work. Puppies Puppies (Jade Guanaro Kuriki-Olivo) presents "Forbidden Colors (Free)(Palestine)(Sudan)" and "Transgender Abstraction to Transgender Conceptualism" at Ceradon (through December 6), transforming the gallery into flags referencing Palestine, Sudan, and trans pride. Sabrina Gschwandtner's "Absinthe, Smoke, Sugar, Choice" at Shoshana Wayne Gallery (through January 10, 2026) uses quilt-making with illuminated film strips to explore female bodily autonomy. Kathleen Ryan's "Souvenir" at Karma (through December 20) debuts concrete peaches with Harley Davidson engines. Ben Sakoguchi's "Chin Music" at Marc Selwyn Fine Art (through December 23) uses historic advertisement motifs to animate history.

art florence bonnefous air de paris

Florence Bonnefous, co-founder of Air de Paris gallery, is profiled in a feature that traces the gallery's 35-year history from its founding in Nice with poet Edouard Merino to its current industrial space in Romainville, a northern Paris suburb. The gallery, named after Marcel Duchamp's readymade, launched with a legendary 1990 exhibition featuring Philippe Parreno, Pierre Joseph, and Philippe Perrin, and has since become known for championing underground conceptual and challenging art. Bonnefous is described as a preeminent gallerist-curator who prioritizes artistic integrity over profit, representing estates of avant-garde female artists like Sturtevant and Dorothy Iannone, and maintaining close bonds with artists such as Liam Gillick and Flint Jamison. The gallery is exhibiting at Art Basel Paris but recently withdrew from Art Basel in Basel over a booth placement dispute.

los angeles institutions green protocol

A coalition of Los Angeles’s leading art institutions, including the Getty, LACMA, MOCA, and the Hammer Museum, has officially pledged to adopt the Bizot Green Protocol. This collective commitment, which also includes the gallery Hauser & Wirth, establishes climate-minded guidelines for museum operations such as widening temperature and humidity parameters for galleries and reducing air travel for loans. The move was largely catalyzed by the devastating impact of recent wildfires on the region's cultural infrastructure.

jr china

French artist JR is presenting two solo exhibitions in China: “La Vie en Mouvement” at Perrotin Shanghai and “Kaleidoscope” at Galleria Continua in Beijing. The shows feature works from the past two decades, including photographs of ballerinas in unexpected urban settings and an installation that appears to crack open the gallery wall to reveal a Summer Palace pavilion. In an interview, JR discussed how architecture shapes his images, his resistance to being labeled an activist, and his reflections on past projects in Shanghai’s now-vanished shantytowns.

Exhibition | Tristan Unrau, 'Hopes and Fears' at David Kordansky Gallery, Los Angeles, United States

David Kordansky Gallery in Los Angeles presents 'Hopes and Fears,' a solo exhibition of new paintings by Tristan Unrau from March 19 to April 25, 2026. This is the artist's first show with the gallery and his most ambitious presentation to date, occupying three spaces at the venue.

55 years. Berggruen Gallery

Berggruen Gallery in San Francisco announces its 55th Anniversary Exhibition, a group show running from June 26 to August 14, 2025. The exhibition features paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library and SFAI archive, showcasing museum-quality works by contemporary and historical artists. Many pieces are on loan from private collections and rarely exhibited publicly. The gallery, founded by John Berggruen in 1970 on Grant Avenue, quickly became a nationally recognized force in shaping the West Coast art scene, bridging New York and international artists with local collectors.

‘A new lease of life’: London’s Annely Juda Fine Art looks to the future with Mayfair move

London’s Annely Juda Fine Art is relocating from its Dering Street premises in Mayfair after 35 years to a new gallery on nearby Hanover Square, set to open at the end of October. The move marks a new phase for the nearly 60-year-old gallery, with co-director Nina Fellmann taking on greater responsibilities as founder David Juda, who turns 80 next year, steps back. The new space occupies three floors of a Grade II-listed Georgian townhouse, including a former ballroom with a glass-domed ceiling, and will feature a smaller gallery for emerging artists. David Hockney will inaugurate the venue with his Moon series (2020-23), while the final exhibition at the old space is a site-specific installation by Tadashi Kawamata titled Demolition.

Public art blossoms around New York

New York City's public spaces are blooming with large-scale outdoor art this spring, complementing the gallery and museum season. From the High Line to Brooklyn Bridge Park, the Bronx to Stuyvesant Square, artists including Derek Fordjour, Raven Halfmoon, Monira Al Qadiri, Judith Modrak, Woody De Othello, Shellyne Rodriguez, and Graciela Cassel have installed sculptures, murals, and interactive works. Highlights include Fordjour's mural *Backbreaker Double* (2025), Halfmoon's ceramic bust *West Side Warrior* (2025), and Rodriguez's *Phoenix Ladder: Monument to the People of the Bronx* (2025), which commemorates housing loss in the 1970s.

Cosmic, concrete, earthy: Nancy Holt’s Land Art on show in UK

Nancy Holt (1938-2014), a pioneering land artist who studied biology at Tufts University, is the subject of her first major UK exhibition at the Goodwood Art Foundation in West Sussex. The show includes the first posthumous installation of *Hydra's Head*, an earthwork of six pools aligned with the Hydra constellation, originally sited on the Niagara River in 1974, and *Ventilation System* (1985-92), which extends from the gallery into the landscape. Curated by Ann Gallagher, the exhibition draws on Holt's archives and the Holt/Smithson Foundation, which preserves her legacy and that of her husband Robert Smithson.

Harnessing the winds of societal change: how art dealers have been able to shape taste for centuries

Valentina Castellani, a former Gagosian director, has authored a new book titled *Trading Beauty: Art Market Histories from the Altar to the Gallery* (out 1 May). The book traces how art dealers have historically leveraged societal changes—political, economic, and social—to reshape taste and market structures. Castellani begins in the Middle Ages, when art was made only on commission for patrons like the Catholic church and monarchies, and moves through key shifts such as the Dutch Republic's first open art market in the 17th century, which gave rise to the professional art dealer. She highlights dealers like Paul Durand-Ruel, Joseph Duveen, and Leo Castelli who capitalized on anti-establishment energy, new wealth, and post-war consumer culture to bring avant-garde art to the forefront.

Gladstone Gallery to Relocate in Seoul, Doubling Exhibition Space

Gladstone Gallery is relocating its Seoul location to the Hannam-dong neighborhood later this year, doubling its exhibition space. Designed by architect Minsuk Cho of Mass Studies, the new outpost will occupy two floors of the 739-28 Hannam Building, across from Pace Gallery and near the Leeum Museum of Art. The space is set to open in late summer ahead of Frieze Seoul in September, with a solo exhibition by Ed Atkins—his first in the city—inaugurating the gallery. Gladstone first opened in Seoul's Gangnam district in 2022, joining a wave of Western galleries entering the Korean market.

A Bodybuilder’s 3,300-Year-Old Egyptian Stele Heads to TEFAF

A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.

‘An open letter to the nation’: National Gallery of Art reckons with America at 250

The National Gallery of Art in Washington D.C. has launched "Dear America: Artists Explore the American Experience," a major exhibition marking the United States' 250th anniversary. Featuring over 100 works on paper by 95 artists, the show eschews traditional patriotic tropes in favor of a nuanced, self-critical look at the nation's history. Organized around the themes of land, community, and freedom, the exhibition juxtaposes iconic imagery from artists like Roy Lichtenstein and Thomas Moran with provocative contemporary perspectives from Zanele Muholi and Carrie Mae Weems.

ali cherri almine rech interview

Lebanese-born artist Ali Cherri discusses his latest exhibition, "Last Watch Before Dawn," currently on view at Almine Rech in New York. The show centers on his new film, *The Sentinel* (2025), which explores the psychological and physical toll of military service through the figure of a French soldier. This exhibition marks a shift in Cherri’s practice, as he integrated the creation of sculptures and watercolors directly into the filmmaking process, allowing the gallery space to function as an extension of the cinematic set.