7 Artists Who Capture the Essence of Black Dandyism

The article highlights seven contemporary artists whose work embodies Black dandyism, timed to the 2025 Met Gala theme 'Superfine: Tailoring Black Style' and the corresponding exhibition at the Metropolitan Museum of Art's Costume Institute. It traces the history of Black dandyism from its 18th-century European roots through its evolution during slavery and the 20th century, emphasizing its role as a defiant, empowering form of self-expression that challenges gender norms and racial stereotypes. Featured artists include Barkley L. Hendricks, Derek Fordjour, and Tyler Mitchell, among others.

What If Every City Provided Artists With Free Supplies?

Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.

minnie evans legacy high museum whitney

The article reflects on the responsibility of critical art writing in the Southeast, sparked by the announcement that Art Papers, an international art magazine based in Atlanta, will sunset in 2026 after 50 years. The author recounts a debate among local art workers about reviewing the forthcoming Minnie Evans retrospective organized by the High Museum of Art and traveling to the Whitney Museum, which he initially declined due to a conflict of interest with curator Katherine Jentleson. He ultimately agrees to write, emphasizing the need for Black scholars to engage with self-taught Black artists. The piece examines how Evans's narrative has been mediated through the lens of white photographer and art historian Nina Howell Starr, questioning the power dynamics and what remains unknown about Evans's own agency.

art taina cruz whitney biennial

Taína Cruz, a 26-year-old New York-born artist, is gaining significant attention for her paintings of ghoulish, grimacing figures. She secured gallery representation with Berlin's Kraupa-Tuskany Zeidler before graduating from Yale's MFA program and has been selected for two major New York exhibitions this spring: the Whitney Biennial, where she is the youngest artist, and the Greater New York quinquennial at MoMA PS1. Her practice spans video, sculpture, and painting, incorporating 3D animation. At the Whitney, she created a billboard above Gansevoort Street featuring one of her haunting young girls, with additional paintings inside the museum.

Alex Katz | Porcelain Beauty 1 (2021) | For Sale

Alex Katz's 2021 porcelain enamel sculpture "Porcelain Beauty 1" (edition 18/25) is being offered for sale through Palm Beach Modern Auctions. The work, measuring 24 by 20.75 inches and mounted on aluminum, was printed and published by Lococo Fine Art Publishing in St. Louis, Missouri, and comes with its original crate and installation brochure. Its provenance includes Vertu Fine Art in Boca Raton, Florida, and a private collection in Florida.

Alex Katz | Three Trees - 알렉스카츠 - Alex Katz Dancing with reality… (2018) | For Sale

This article is a sales listing for Alex Katz's 2018 silkscreen print "Three Trees - 알렉스카츠 - Alex Katz Dancing with reality… (2018)", offered by Frank Fluegel Gallery in Nuremberg, Germany. The work is a 20-color silkscreen print measuring 37 × 59 inches, part of a limited edition of 60, hand-signed by the artist and priced at $16,500. The listing includes details about the artist's background, his signature style of flat color planes influenced by advertising aesthetics and Pop art, and his exhibition history at major institutions worldwide.

Hunt Slonem | Me (2022) | For Sale

Hunt Slonem's painting "Me" (2022), a small oil-on-wood work from his signature Bunnies series, is listed for sale at $8,000 through OA Fine Art in Paris and Hong Kong. The piece measures 10 × 8 inches, is hand-signed and dated by the artist, and comes with a certificate of authenticity. Slonem, born in 1951, is known for Neo-Expressionist paintings featuring repeated birds, bunnies, and butterflies, influenced by Andy Warhol's Pop art seriality.

Lake Flato Shapes a Stunning New Art Space in Texas Hill Country

A new art space called Arthouse is opening on April 25, 2026, in Marble Falls, Texas. Designed by the architecture firm Lake Flato, the 2,000-square-foot white building will display works from the personal collection of philanthropists Mickey and Jeanne Klein, including pieces by Mary C. Sloane, Kenturah Davis, Faith Ringgold, Ed Ruscha, James Turrell, and Teresita Fernández. The debut exhibition, "Words Matter," curated by Mickey Klein, explores text and narrative and coincides with the town's Paint the Town Art Festival. The building also features a courtyard designed by landscape designer Sada Uchiyama.

Exhibition | Maureen Gallace, 'April 2026' at Gladstone Gallery, Samseong-ro, Seoul, South Korea

Maureen Gallace is making her South Korean debut with 'April 2026,' an exhibition of new paintings at Gladstone Gallery’s Seoul location. The presentation features the artist’s signature small-scale works, which depict the rural and coastal landscapes of the American Northeast through a minimalist, distilled visual language. These paintings continue Gallace's exploration of the tension between architectural geometry and natural environments, blending direct observation with the hazy quality of memory.

Still Thinking About the Fall 2026 Runways? Here Are 8 Can’t-Miss NYC Exhibits to Dress Up and See This April

New York City’s April art calendar features a diverse array of major institutional shows and gallery exhibitions, ranging from Italian Renaissance masters to contemporary experimental collectives. Highlights include a massive Raphael retrospective at the Metropolitan Museum of Art, the first major U.S. museum exhibition for Finnish painter Helene Schjerfbeck, and the 82nd edition of the Whitney Biennial featuring 56 multidisciplinary artists.

10 Art Shows We Can’t Wait to See in 2026

Vulture's 2026 Preview highlights ten highly anticipated art exhibitions across New York City museums and galleries. Featured shows include Raphael at the Metropolitan Museum of Art, a Marcel Duchamp retrospective at the Museum of Modern Art, the Whitney Biennial, and solo presentations by artists such as Paul Chan at Greene Naftali, Carol Bove at the Whitney, and a MacArthur-winning artist at Marian Goodman Gallery. Other venues include the Morgan Library & Museum, The Drawing Center, the Guggenheim Museum, Canada gallery, and the New Museum, which is expected to reopen after delays.

The Best New York City Exhibitions of 2025

Hyperallergic's staff and contributors present their picks for the best New York City exhibitions of 2025, highlighting a year marked by major museum reopenings, including the Studio Museum in Harlem after a seven-year hiatus and the Frick's expansion. Notable shows include Amy Sherald's 'American Sublime' at the Whitney Museum, Rashid Johnson at the Guggenheim, Wifredo Lam at MoMA, and surveys of Indigenous design at the Ford Foundation Gallery, Seydou Keïta at the Brooklyn Museum, and hometown heroes like Jack Whitten at MoMA and Coco Fusco at El Museo del Barrio. The list also features Saya Woolfalk at the Museum of Arts and Design, Nayland Blake at Matthew Marks Gallery, and Ben Shahn at the Jewish Museum.

Woody De Othello Opens the Door of His California Studio Ahead of a Major Exhibition in Miami

Woody De Othello, a self-described '90s kid from North Miami Beach now based in Oakland, California, is preparing for his largest museum exhibition to date at the Pérez Art Museum Miami (PAMM), on view through June 28, 2026. The exhibition, titled 'Coming Forth by Day,' marks a homecoming for the artist, whose Funk Art–inflected ceramic and bronze sculptures of animated household objects—telephones, clocks, fans—have gained significant attention. Othello's work, which blends cartoonish aesthetics with personal narrative, has been featured in biennials at the Whitney Museum of American Art and the Orange County Museum of Art. He works out of two East Bay studios, one a former gym for painting and ceramics, the other a woodshop for frames and pedestals, and has been represented by San Francisco dealer Jessica Silverman since 2018.

A brush with… Mary Kelly—podcast

This podcast episode features an in-depth conversation with pioneering conceptual and feminist artist Mary Kelly, now 84 and based in Los Angeles. She reflects on her groundbreaking works such as *Post-Partum Document* (1973-77) and *Interim* (1984-89), her move to Beirut in the 1960s, the influence of May 1968, and her lifelong commitment to non-figurative art after encountering Franz Kline's work at age 15. The episode also covers her current exhibition *We don't want to set the world on fire* at Pippy Houldsworth Gallery in London, running until January 2026.

16 Hidden Art Gems You Can Visit for Free During Open House New York

Open House New York returns for 2025 from October 17 to 19, offering free or low-cost access to over 340 venues across all five boroughs, including architectural landmarks, cultural institutions, and hidden spaces not normally open to the public. Highlights include the filtration system at Astoria Pool, behind-the-scenes tours of a Goodwill in Brooklyn, a passive house in Harlem, and art-focused sites such as MTA Arts and Design subway tours, the Whitney Museum's flood mitigation system by Renzo Piano, and the Morbid Anatomy Museum. The event features 164 drop-in venues and 178 ticketed sites at $7 per person, with tickets released on October 3.

25 of 2025: 5 Artists Transforming Time-Based Media

This article profiles five emerging artists who are transforming time-based media in 2025, focusing on Ayoung Kim and Meriem Bennani. Ayoung Kim, born in 1979 in Seoul, creates immersive works blending live-action footage, CGI, gaming technologies, and AI, with her piece "Delivery Dancer's Sphere" recently acquired by the Tate collection. Meriem Bennani, a Moroccan-born, Brooklyn-based artist, gained acclaim for her video installations and viral "2 Lizards" series, with works held by the Whitney Museum, MoMA, and Musée d'Art Moderne de la Ville de Paris.

New York Museums are Showcasing African American Art, Exhibitions Feature Lorna Simpson, Rashid Johnson, Beauford Delaney, Amy Sherald, Black Dandyism & More

New York museums are presenting a wave of major exhibitions focused on African American art this spring and summer, many running through fall 2025. Solo shows include the largest-ever surveys of Rashid Johnson at the Guggenheim Museum, Amy Sherald at the Whitney Museum of American Art, and Jack Whitten at the Museum of Modern Art. The Drawing Center hosts the first museum exhibition dedicated to Beauford Delaney's drawings, while the Brooklyn Museum presents the first museum show for sculptor Nancy Elizabeth Prophet. At the Metropolitan Museum of Art, highlights include the newly renovated Michael C. Rockefeller Wing, a Lorna Simpson painting exhibition, a roof garden installation by Jennie C. Jones, and the Costume Institute's "Superfine: Tailoring Black Style" exploring Black dandyism.

Frieze New York Diary: sparring artists are boxing clever, Whitney gets set for almighty dick pic, and Bates mansion is reincarnated

The article covers several art-world events during Frieze New York week. Highlights include a boxing match at the Prince George Ballroom for the Cultivist's tenth anniversary, featuring artists like Shaun Leonardo, Cheryl Pope, and Jesus Benavente. At the Whitney Museum, the upcoming exhibition 'Sixties Surreal' will showcase Harold Stevenson's monumental male nude 'The New Adam' (1962), owned by the Guggenheim. Other notable items include Felix Beaudry's textile piece 'Put' (2024) at the Golden Thread 2 pop-up, Cornelia Parker's 'PsychoBarn (Flotsam)' (2024) at Frith Street Gallery, and Chantal Joffe's portrait of critic Hettie Judah at Victoria Miro.

In pictures: Rujeko Hockley’s Frieze favourites

Rujeko Hockley, an associate curator at the Whitney Museum of American Art, shares her personal highlights from Frieze art fair, selecting works by artists including Joey Terrill, Chitra Ganesh, Danielle Brathwaite-Shirley, Ernie Barnes, Jeremy Frey, Maia Ruth Lee, Beverly Buchanan, and Luana Vitra. Each selection is accompanied by Hockley's commentary on the themes and techniques that draw her to the pieces, ranging from new media and biographical elements to Indigenous craft and migration narratives.

Maia Chao Performs the Museum

Artist Maia Chao will activate the seventh-floor galleries of the Whitney Museum of American Art with her performance "Being Moved" as part of the 2026 Whitney Biennial programming. The work explores the theatricality and choreography of a museum visit, examining the gap between the fantasy of profound encounter and the ambivalence of spectatorship. Chao, who studied cultural anthropology at Brown University and grew up with artist parents in Providence, Rhode Island, approaches the museum as a structure that quietly trains behavior and participation. Her earlier projects include "My Business (Cards)" (2017), which invokes Adrian Piper's work, and "Look at Art, Get Paid" (2015–20), which paid non-museum-goers to serve as guest critics.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

In 1955, Calder brings his famous 'Cirque' to life in front of Jean Painlevé's camera

En 1955, Calder active son célèbre « Cirque » face à la caméra de Jean Painlevé

A 1955 film by Jean Painlevé captures Alexander Calder performing his famous "Cirque" (Circus), a handmade miniature circus he created between 1926 and 1931 in Paris. The film shows Calder manipulating fragile wire-and-wood figures—weightlifters, trapeze artists, clowns, and dancers—while a gramophone plays. The work, now preserved at the Whitney Museum of New York, is on loan for a major Calder retrospective at the Fondation Louis Vuitton in Paris (April 15–August 16, 2026). Painlevé's film is also the subject of a concurrent exhibition at the Musée de Pont-Aven (February 7–May 31, 2026).

Sheila Hicks en 2 minutes

Sheila Hicks, the American textile artist born in 1934, is profiled in a concise overview of her career. The article traces her journey from studying under Josef Albers at Yale and learning weaving from Andean artisans in Chile, to establishing her studio in Mexico and later Paris. It highlights her monumental commissions for hotels, embassies, and public spaces, as well as her intimate "Minimes" works. Key milestones include her 2014 piece "Pillar of Inquiry/Supple Column" at the Whitney Biennial, her 2017 installation at the Venice Biennale, and a major retrospective at the Centre Pompidou in 2018.

La quinquennale d’art contemporain

This issue of Le Journal des Arts (n°676, May 2, 2026) covers a range of contemporary art news in France and internationally. Headlines include a critical look at the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling down the Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artists' site in Paris, and a profile of auctioneer Hubert L'Huillier.

“PAPER TIGER TELEVISION: It’s 8:30. Do you know where your brains are?” at Goldsmiths CCA, London

Goldsmiths CCA in London is hosting a retrospective exhibition dedicated to the influential US media collective Paper Tiger Television. The show features a large-scale installation of a shattered television frame as its entry point, evoking themes of media critique and technological disruption central to the collective's work.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.

whitney biennial technology machine human artists

The 2026 Whitney Biennial features a wave of artists grappling with the unsettling intersection of human identity and advanced technology. Works by Cooper Jacoby and Isabelle Frances McGuire highlight a shift away from the sleek, optimistic 'Y2K' tech aesthetic toward a 'techno-horror' that explores data extraction and biometric surveillance. Jacoby’s 'Estate' series uses AI-generated scripts derived from the social media data of deceased individuals, while McGuire’s sculptures utilize 3D medical scans to create distorted, ghostly figures that blur the line between the organic and the digital.