The Spencer Museum of Art in Kansas is presenting the largest exhibition to date of work by Jimmy Tsutomu Mirikitani, an artist who faced incarceration and homelessness. The show, titled 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' features drawings, collages, and mixed media works that explore themes of displacement, trauma, and resilience.
The Tar River Art Gallery in Rocky Mount, North Carolina, is hosting a winter exhibit opening and public reception on February 22, from 2:00 to 4:00 PM at the Dunn Center on the campus of North Carolina Wesleyan University. The exhibition features works from over 40 regional artists, including paintings, watercolors, pen-and-ink works, collages, assemblages, ceramic sculpture, metal art, fused glass, and handcrafted jewelry. The event is free and open to the public, with light refreshments and opportunities to meet the artists. The gallery builds on the legacy of the former Gravely Gallery, honoring Janice Gravely, and now offers expanded space for a broader range of mediums.
Eastern Oregon University’s Nightingale Gallery presents “Shifting Grounds,” a solo exhibition by Spokane-based artist and architect Andrew Parker. The show explores how place shapes identity through abstract mixed-media works that blend collage, India ink, colored pencil, and repurposed materials like personal photographs, grocery bags, and maps. An opening reception takes place November 7, and the artist will give a public talk on November 5. The exhibition runs through December 4.
Artist Topher Campbell's large-scale sculpture *My Body Is An Archive*, commissioned by Tate Modern for his exhibition *Topher Campbell My ruckus. Heart!*, faces destruction if a new home is not found by the end of October 2025. The polished mahogany and collage work, which weighs over a ton, was temporarily housed at Birmingham Museums Trust after the show closed in January 2025, but the trust can no longer store it due to warehouse pressures. Campbell has launched a Go Fund Me campaign, which has raised 85% of its £2,000 target, to cover transport and storage costs.
Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.
Harta Space in Penang is hosting 'A Third Eye', an exhibition paying tribute to the late multi-dimensional artist Askandar Unglehrt. Born in Germany, Unglehrt studied at the Sorbonne in Paris during the 1960s, where he was influenced by Dadaism and surrealist poet Jean Hans Arp. He later settled in Malaysia, taught at Universiti Sains Malaysia, and developed a distinctive artistic practice rooted in collage, assemblage, and the concept of a 'third eye' that synthesizes Eastern and Western perspectives. The exhibition explores his humorous, esoteric works and his lifelong questioning of art's seriousness.
P. S. Art 2025, now in its twenty-third year, marks the eighteenth edition hosted at The Metropolitan Museum of Art. The juried exhibition features 137 works—including collages, drawings, paintings, and sculptures—selected from nearly 1,000 entries by New York City public school students from prekindergarten through grade 12, representing all five boroughs and District 75. The show highlights student creativity, close observation, and technical skill, with support from art teachers and partners Studio in a School and The Met.
Lake Charles artist Ryann Sterling presents a new African American art exhibit at the Black Heritage Gallery inside Historic City Hall in Lake Charles, Louisiana. The show features 15 mixed-media collages, sculptures, and photography pieces that explore themes of southern culture, femininity, and spirituality rooted in deep South Louisiana. Sterling, who has been an artist for 14 years, is debuting her first solo exhibit; her work has previously been displayed at the New Orleans African American Museum and the New Orleans Museum of Art.
A tribute exhibition titled "Jennifer Johnson: Atmosphere, Colour and Light" will be held at The Loft Studio, Salcombe Art Club, from May 24 to June 7, 2025, celebrating the life and work of Devon-based artist Jennifer Johnson, who died last year after a long battle with cancer. The exhibition, organized by her son Christopher Derrick, will showcase her extensive body of work—including watercolours, oils, drawings, collages, and digital art—and will raise funds for St. Luke’s Hospice, which cared for her in her final days.
Deborah Roberts presents her newest body of work in the exhibition "Consequences of being" at The FLAG Art Foundation, featuring eight canvases and nine mixed-media works on paper that blend collage, painting, and drawing. The works explore the postcolonial landscape of Europe and Africa, using fragmented imagery of Black children against stark-white backgrounds to address themes of colonialism, commerce, and identity. Key pieces include "Have a seat, this may take a while" (2025), which incorporates miniature sailing ships and a collaged tiara from Queen Elizabeth II, and "Hands in the air," which critiques racist packaging from a German ice cream company. The exhibition also includes a series of eight collages titled "Many thousands gone" and a sculptural edition, "Zuri," a ceramic bust with metallic glaze.
Renowned York-based artist Mark Hearld is hosting an independent five-day exhibition at his private residence in The Mount. The showcase features twenty new collages and a series of prints, including works inspired by a recent trip to Jaipur and a collaborative screenprint with Penfold Press. The event is notable for being held outside the official York Open Studios program, a circuit Hearld has participated in for two decades but was not selected for this year.
The Times Art Museum has launched a major retrospective of Henri Matisse’s printmaking, featuring 100 works that span his career from early line drawings to his iconic late-period cut-outs. Titled "Bathe in Color — A Journey of Lines, Body and Dreams," the exhibition includes significant collaborations with Paris-based workshops Mourlot Studios and Atelier Auval, highlighted by the vibrant composition La Gerbe.
López de la Serna CAC has launched a collective exhibition exploring the evolution of portraiture through the works of four major contemporary artists: Francesco Clemente, Alex Katz, David Salle, and Henry Taylor. The exhibition moves beyond traditional representation to examine how identity is constructed in the postmodern era, utilizing diverse approaches ranging from Clemente’s mystical pastels and Katz’s flat, vibrant aesthetics to Salle’s fragmented collages and Taylor’s socially conscious figuration.
William Kentridge's award-winning chamber opera *Waiting for the Sibyl* (2019) makes its New York premiere this week at Powerhouse Arts in Brooklyn, as part of the inaugural Powerhouse: International arts festival. The opera, which won an Olivier Award in 2023, features an original score by Nhlanhla Mahlangu and Kyle Shepherd, and incorporates Kentridge's animated ink drawings, collages, text projections, and sculptures. Inspired by the Cumaean Sibyl of ancient legend, the work explores themes of fate and uncertainty, with paper leaves from texts like Dante's *Divine Comedy* symbolically blowing through the action. The production was originally commissioned by the Rome Opera as a companion piece to Alexander Calder's 1968 *Work in Progress*.
The Longboat Key chapter of the National League of American Pen Women, Inc. has opened a two-month art exhibition at Plymouth Harbor featuring over 30 artists working in oil painting, pastels, photography, glasswork, sculpture, and creative writing. Notable participants include Miriam Cassell, who layers collages and paint to advocate for inclusion; Jo Jo Fusco, who contributed a large-scale oil painting inspired by Edward Hopper; and Medge Jaspan, who debuted a black-and-white piece titled 'Dec. 21' tied to personal milestones. The exhibition debuted on September 9, with Plymouth Harbor resident Joslyn Kirkegaard purchasing a painting by Barbara Jendrysik depicting the Sarasota skyline.
A pro-Palestine mural at the University of North Carolina (UNC) in Chapel Hill was boarded over overnight on August 17 by university administration without warning to the art department. The mural, created by students and community members in a course taught by artist Hồng-An Trương, had been displayed in the Hanes Art Center lobby for over a year. It features collaged prints in the colors of the Palestinian flag and the text “I told you I loved you and I wanted genocide to stop.” University officials cited the need to remove the artwork after its one-year display period and to repair the wall, but faculty and students have condemned the action as censorship.
The Beverly Arts Center in Chicago is hosting "RE-BOP! (Obstructions & Disruptions)," a group exhibition dedicated to the art of collage. Curated by Paloma Trecka and Todd Bartel, the show features nearly 60 artists from Ireland, Spain, the Netherlands, and across the U.S., including prominent local artist Tony Fitzpatrick, who originally conceived the exhibition. The works range from traditional cut-paper pieces to digital collages, with many exploring themes of improvisation, rhythm, and disruption. The exhibition was organized with help from the Beverly Arts Alliance and the participatory magazine Cut Me Up, which issued an open call that drew 150 submissions.
Local artist Steve Harrington-Ellsmore presents his exhibition "Phantasmagorical Experience" at Unity Art Studio in Andover, running from May 13 to June 7. The show traces his journey from a self-taught "outsider artist" to a formally trained practitioner, featuring surreal paintings, installations, and collages that have drawn comparisons to Bosch and Dali. Harrington-Ellsmore, who graduated from Winchester School of Art in 2006 with a degree in fine art sculpture, is known for vibrant collages and oil paintings that conjure dreamlike landscapes, often incorporating prominent figures for cultural commentary.
The NSU Art Museum Fort Lauderdale has become the permanent home of Christo and Jeanne-Claude's "Surrounded Islands," featuring over 43 original preparatory drawings and collages by Christo, along with large-scale photo murals, photographs, engineering surveys, environmental reports, permits, personal correspondence, scale models, and actual fabric segments from the project. The exhibition is ongoing and includes rare archival materials gifted by the Christo and Jeanne-Claude Foundation.
Adam Pendleton, a contemporary artist known for his abstract and text-based works, has a major exhibition in Washington, D.C., that challenges viewers to engage in deep contemplation. The show, likely at a prominent institution, features his signature blend of painting, collage, and language, exploring themes of history, identity, and social justice.
The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.
Ceramicists Savannah Jacob and Abby Jo Elle are co-curating "Respect Your Mother," a group exhibition at Patina Gallery dedicated to climate change and environmental activism. Opening in honor of Earth Day, the show features works from over 50 artists across various mediums, including sculptures, collages, and paintings, with a strict prohibition on artificial intelligence to emphasize human-centric craft.
Ndidi Dike, a British-Nigerian sculptor and multi-disciplinary artist, presents her first major solo exhibition at an Austrian institution, titled "Rare Earth Rare Justice," at Secession in Vienna. The show features works across mixed media, painting, sculpture, collage, photography, video, and installation, addressing social, political, and economic conditions of the modern world.
Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.
The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.
Artist Margaret Bremner is presenting a solo exhibition titled "Shapes Shifting" at the Art 10 Gallery in Nanaimo, British Columbia. The showcase features Bremner’s mixed media works, which utilize paint pens, colored pencils, collage, and ink to explore geometric structures like ogees, triangles, and circles. The artist emphasizes a process that begins with random smears or washes before imposing order through intricate patterning and varied fills.
Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.
A group of 17 Lawrence-based artists with children have collaborated on a new exhibition titled 'Breeders' at Cider Gallery, opening April 24. Organized by local artist and teacher John Sebelius, the show explores the joys and challenges of parenthood through diverse media, including paintings, collages, and ceramics. A sister show, 'Offspring,' featuring works by the artists' children, will open simultaneously at Seedco Studios. Participating artists include Mona Cliff, Stan Herd, Angie Pickman, Kevin Willmott, Megan Embers, and Katie Winter, among others.
Alcea Gallery opened in October at 7512 Madison St. in Forest Park, Illinois, owned by Summer Lambert, a former corporate marketer who turned to freelance marketing and decided to launch her own gallery after years of being rejected from museum and gallery jobs for lacking an art background. The gallery features contemporary paintings, collages, ceramics, and prints by local and national artists, with Lambert displaying work for free and offering a 70% commission on sales. She launched with her personal collection and has since received interest from artists in Forest Park, Oak Park, and as far as Florida, though she notes a deficit of buyers rather than artists.
Art Center Waco is presenting "In Her Element," an exhibition spotlighting five Austin-based female artists: Valerie Fowler, Tara Eales, Georgie Miller, Amy Twomey, and Philana Oliphant. The show, curated by Andrea La Valleur-Purvis in partnership with the nonprofit Women & Their Work, opens with a reception on Thursday at 6 p.m. and runs through October 31. The artists explore personal narratives through experimental materials, bold concepts, and vivid visuals, with works ranging from Fowler's oil paintings on environmental and feminine themes to Miller's collages based on her muses' last meals.