filter_list Showing 18 results for "collage" close Clear
dashboard All 18 museum exhibitions 12article local 2candle obituary 2trending_up market 1person people 1
date_range Range Today This Week This Month All
Subscribe

Harmony Korine Makes Sense of His Shape-Shifting Art: ‘It’s Really One Whole Work’

Harmony Korine's first-ever U.S. retrospective, titled "Perfect Nonsense," has opened at the Institute of Contemporary Art, Miami. The exhibition gathers over 50 pieces spanning his career, including adolescent writings, zines, collages from the 1990s, figurative paintings, and recent works using game engines. Korine, known for transgressive films like *Gummo* (1997) and *Spring Breakers* (2012), also founded EDGLRD, a studio producing experimental content with cutting-edge tech, such as his 2023 project *AGGRO DR1FT*, which premiered at the Venice International Film Festival.

Diane Keaton’s Iconic Wardrobe and Art Collection Head to Auction

Bonhams auction house, in collaboration with the Fine Art Group, is organizing a four-part, 550-lot sale of Diane Keaton's personal belongings. The sales, taking place online and in New York from late May to mid-June, will include her iconic wardrobe, Hollywood memorabilia, home furnishings, and a significant portion of her art collection, featuring works by artists like Robert Rauschenberg and Ed Ruscha, as well as her own mixed-media collages.

Ides Kihlen, Abstract Painter and Argentine Art Legend, Dies at 108

Ides Kihlen, the beloved Argentine abstract painter, died on April 14 at age 108. Her first solo exhibition came at age 85 in 2002 at the National Museum of Decorative Arts in Buenos Aires, after which her career blossomed with presentations at institutions including the Museum of Modern Art of São Paulo and the Emilio Caraffa Fine Arts Museum. Known for rhythmic compositions blending geometric forms, experimental line work, and collage on varied supports, Kihlen maintained a daily routine of painting from morning and playing piano after sunset, reflecting her lifelong dual commitment to art and music.

Exhibition | Bùi Thanh Tâm, 'Here on and after' at Eli Klein Gallery, New York, United States

Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.

Exhibition | EILEEN AGAR, 'Leaves of the World' at Andrew Kreps Gallery, 22 Cortlandt Alley, New York, United States

Andrew Kreps Gallery in New York is presenting 'Leaves of the World,' an exhibition of works by Eileen Agar (1899–1991) spanning seven decades of her career, from 1927 to 1980. The show highlights Agar's enduring engagement with collage and her unique blend of surrealism, cubism, and abstraction, featuring pieces such as 'Leaves of the World' (c. 1940) and 'Personnage' (1949). A parallel exhibition of Agar's work will open at Alison Jacques in London this June.

Jimmy Tsutomu Mirikitani, a New Sort of Street Artist, Rises from Art History’s Margins

Jimmy Tsutomu Mirikitani, a late Japanese American collagist who lived and worked as a street artist in New York City, is the subject of a new solo exhibition at the Spencer Museum of Art in Kansas City, on view through June. Co-curators Maki Kaneko and Kris Imants Ercums organized the show thematically rather than chronologically, reflecting Mirikitani's fragmented life—from surviving the atomic bombing of Hiroshima and incarceration at Tule Lake to arriving in New York in the 1950s. The exhibition draws on years of research, including visits to the parks where he lived and to Hiroshima, and builds on Linda Hattendorf's 2006 documentary *The Cats of Mirikitani*.

MOCAD Reopens with New Exhibitions from Detroit Artists

Detroit's Museum of Contemporary Art (MOCAD) has reopened after an eight-month closure for construction, unveiling four new exhibitions as part of its 2026 Spring Exhibition and 20th anniversary. The renovations include a new HVAC system, educational space, and windows that allow passersby to see inside. The building has been renamed the Julia Reyes Taubman Building in honor of the late co-founder, whose family contributed $1.8 million toward the $3 million first phase. Mayor Mary Sheffield toured the exhibitions at an April 23 media preview, praising the museum's role in community healing and access. Featured exhibitions include "Olayami Dabls: Detroit Cosmologies," the first retrospective of the artist's nearly 50-year career, showcasing his evolution from figurative acrylics to abstract collage.

Aldwyth, Ascetic Whose Artwork Reordered the World, Dies at 90

Aldwyth, a reclusive artist known for her intricate collages and Joseph Cornell-inspired assemblages, has died at age 90. Living an ascetic lifestyle, she created epic, densely layered works that reordered art history and her own place within—and outside—it, often using found objects and meticulous cut-paper compositions.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

Other Worlds of Light: Zarina’s “Beyond the Stars”

Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

‘Breeders’ is a collaborative Lawrence art show on parenthood that took a village

A group of 17 Lawrence-based artists with children have collaborated on a new exhibition titled 'Breeders' at Cider Gallery, opening April 24. Organized by local artist and teacher John Sebelius, the show explores the joys and challenges of parenthood through diverse media, including paintings, collages, and ceramics. A sister show, 'Offspring,' featuring works by the artists' children, will open simultaneously at Seedco Studios. Participating artists include Mona Cliff, Stan Herd, Angie Pickman, Kevin Willmott, Megan Embers, and Katie Winter, among others.

Pictures: Emma Lamb opens Dartmoor-inspired 3D art exhibition near Ivybridge

Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.

The World According to Aldwyth

The New York Times Art section published an article titled "The World According to Aldwyth," profiling the artist Aldwyth, who works in paint, bricolage, and collage. The piece explores how her art delves into the history of art, ideas, and the human species, presenting her unique creative vision and thematic concerns.

Reconnecting with the Handmade: The Hart Gallery’s Ampersand student art exhibit

William & Mary students showcased their handmade artworks in the Hart Gallery's "Handmade" exhibit, held in conjunction with the Ampersand International Arts Festival. Curated by alumna Zara Fina Stasi '12, a Richmond-based artist and founder of Good for the Bees, the multimedia exhibition featured approximately a dozen student submissions including assemblage, collage, sculpture, sewn hangings, and traditional painting. Student curators Gibran Adnan '27 and Rebecca Graber '27 collaborated with Stasi to select and install the works, which explored themes of experimentation, self-expression, and the human process of creating by hand.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.

Kids Day: When Nature Becomes Art

The Peggy Guggenheim Collection in Venice offers a free weekly workshop series called "Kids Day" for children aged 4 to 10, held on Sundays at 3 pm. The upcoming session, "When Nature Becomes Art," introduces young participants to collage techniques inspired by Surrealist artists such as Eileen Agar and André Masson, who used natural materials like shells, sand, feathers, and plants. The program includes a brief guided tour of the museum followed by a hands-on art workshop, conducted in Italian with interpretation available upon request.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.