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A cyberattack targeted the Dresden State Art Collections (SKD), a network of 15 museums in eastern Germany, on Wednesday. The attack disrupted large parts of the digital infrastructure, including the online shop and visitor services, but the museums remain open and physical security is intact. IT specialists and forensic experts are working to clean up and rebuild systems, with no timeline yet for full restoration. The SKD is cooperating with the Dresden Police and State Criminal Police Office, as confirmed by the Saxon State Minister for Culture and Tourism.

Julia Stoschek Foundation to Close in Berlin

The Julia Stoschek Foundation will close its Berlin outpost at the end of October 2025, after a decade of operation. The Düsseldorf-based nonprofit, which holds one of the world's largest collections of time-based art, opened the Berlin space in 2016 and welcomed over 450,000 visitors across 22 exhibitions, including solo shows by Meriem Bennani, Stan Douglas, Arthur Jafa, and Mark Leckey. The foundation cited a "strategic realignment" that will shift focus to projects elsewhere in Germany and abroad. Its Düsseldorf space is currently closed for renovations and expected to reopen next year.

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Archaeologist Mike Pitts has challenged the prevailing narrative surrounding the removal of Hoa Hakananaiʻa, the iconic Easter Island moai held by the British Museum. Drawing on a newly discovered 1869 eyewitness account from the Army and Navy Gazette and a rare historical photograph, Pitts argues that the statue's excavation was a collaborative effort involving hundreds of Indigenous Rapa Nui people rather than a simple act of imperial theft. The evidence suggests the British crew traded tobacco for assistance and were guided to the statue's location by the islanders.

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Unionized staff at the Louvre Museum in Paris voted unanimously to continue a strike that began on Monday, with hundreds of workers walking out to protest deteriorating working conditions, insufficient staffing, and a proposed dual pricing system for non-EU visitors. The strike has forced partial closures, with the museum offering only a limited 'masterpiece route' featuring works like the Mona Lisa and Venus de Milo. Unions rejected a Culture Ministry offer to cancel a planned €5.7 million budget cut, recruit more staff, and raise pay, deeming the proposals insufficient. Workers also oppose a plan to raise ticket prices for non-EU visitors from €22 to €32 to fund renovations, and criticize the use of funds from a brand licensing deal with Abu Dhabi.

nadine khoury founder dubai young collectors circle future collecting art gulf 1234757722

Nadine Khoury, a Dubai-based collector, curator, and art adviser, founded the Young Collectors Circle in 2023 to engage Millennial and Gen Z professionals in the Gulf region with contemporary art. Through studio visits, suppers with established collectors, and exhibition openings, Khoury aims to cultivate a new generation of passionate, patient collectors. She previously worked at Green Art Gallery in Dubai and runs her own art advisory firm, Nasij. The initiative grew organically via word-of-mouth and Instagram, with events limited to 15 attendees to foster intimate connections between collectors, artists, and gallerists.

Exhibition | OSGEMEOS, 'The Open Window' at Lehmann Maupin, 501 West 24th Street, New York, United States

Lehmann Maupin is set to present "The Open Window," an exhibition of new works by the renowned Brazilian twin artist duo OSGEMEOS, running from April 23 to June 6, 2026, in New York. The showcase features five new paintings that continue the artists' exploration of their surreal "Tritrez" universe, characterized by their signature yellow-skinned figures and intricate patterns. These works operate at a more intimate scale than their well-known large-format murals, focusing on material sensitivity and detailed narratives inspired by hip-hop culture and Brazilian folklore.

Lehmann Maupin takes permanent space in Mayfair’s No. 9 Cork Street

Lehmann Maupin has secured a permanent space on the first floor of No. 9 Cork Street in London's Mayfair, the gallery hub operated by Frieze. The gallery will hold three to four exhibitions annually in the ground-floor gallery, starting with a show of British painter Freya Douglas-Morris on February 26, priced between £40,000 and £60,000. The upstairs viewing space opened with Billy Childish and will feature Catherine Opie later this year. The gallery also plans to develop its secondary market business from this London base.

December Book Bag: from a photographic record of a lost nightclub to the tale of an accidental art heist

This article presents a roundup of four new art-related book releases for December. It covers Liz Johnson Artur's photographic monograph 'PDA' documenting a queer Black club night in London from 2011 to 2021; a survey of William Nicholson's career edited by Simon Martin, accompanying an exhibition at Pallant House Gallery; a monograph on Sandy Skoglund's surreal installations tied to a show at the McNay Art Museum; and Whit Rummel and Noah Charney's true-crime memoir 'The Accidental Picasso Thief' about a stolen Picasso painting that ended up in a forklift operator's home.

Art Basel unveils gallery line-up and first highlights for its 2026 Hong Kong edition

Art Basel has announced the gallery lineup and first highlights for its 2026 Hong Kong edition, which will feature 240 galleries from 41 countries and territories. Over half of the participating galleries operate in the Asia-Pacific region, including 29 with spaces in Hong Kong. A new sector called Echoes debuts, spotlighting recent works, while the Encounters sector will be curated for the first time by a collective of four Asia-based curators led by Mami Kataoka. The fair also introduces a Film Program curated by Ellen Pau and a Conversations Program directed by Venus Lau. A co-commissioned public artwork by Shahzia Sikander will be presented on the M+ Facade. The fair runs March 27–29, 2026, at the Hong Kong Convention and Exhibition Centre.

How Art Week Tokyo is opening up routes into Japan’s contemporary art landscape

Art Week Tokyo, which launched in November 2021 during border closures, has adopted a unique "post-art fair" model that forgoes a traditional art fair in favor of connecting museums and galleries across Tokyo via free buses and inviting international art professionals. The fourth full edition coincides with three major Japanese art festivals—the Aichi Triennale, Okayama Art Summit, and Setouchi Triennale—creating a powerful autumn art season. Key highlights include AWT Focus, a selling exhibition at the Okura Museum of Art curated by Adam Szymczyk, featuring over 50 artists with increased international gallery participation, and the museum exhibition "Prism of the Real: Making Art in Japan 1989-2010" at the National Art Center, Tokyo, curated by Doryun Chong.

Large Roman Villa Uncovered in the U.K. During Wind Farm Survey

Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.

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The British Museum's proposal to redesign its forecourt with two permanent security pavilions and a Mediterranean-style garden has drawn opposition from conservation groups. The Georgian Group and the Victorian Society argue the additions would disrupt the historic symmetry and formal setting of Robert Smirke's 19th-century Greek Revival building, urging Camden Council to reject the plan.

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Lithuania's pavilion at the 2019 Venice Biennale presents "Sun & Sea (Marina)," an opera about a day at the beach that serves as a subtle, chilling commentary on climate change. Viewers observe performers lounging on a sandy tableau from a balcony, as they sing about mundane inconveniences and environmental apathy. The work, created by theater director Rugilė Barzdžiukaitė, playwright Vaiva Grainytė, and composer Lina Lapelytė, was adapted into English for the biennale and organized by Lucia Pietroiusti of London's Serpentine Galleries.

Of the Love that Moves the Sun and the Other Stars: An Interview with Amalia Cross

DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS

The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.

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London's National Gallery is implementing significant staff reductions and program changes to address a projected £8.2 million ($11.2 million) budget deficit. The museum has launched a voluntary exit scheme for employees and will cut public programs, aiming to reduce the deficit by £2.6–3 million through personnel costs. The remaining shortfall will be addressed through other operational cuts.

Collector Julia Stoschek Closes Down Berlin Exhibition Venue After 10 Years In Favor of International Projects

Julia Stoschek, a leading art collector and ARTnews Top 200 figure, is closing her Berlin exhibition venue after a decade of operation. The 3,000-square-meter space in the former Czech Cultural Center, which opened in 2016, will shut at the end of October 2026, having hosted 22 exhibitions and attracted 450,000 visitors. The Stoschek Foundation will maintain its Düsseldorf venue, while Stoschek shifts focus to international projects, such as the recent Los Angeles exhibition “What a Wonderful World: An Audiovisual Poem,” curated by Udo Kittelmann.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

A Parisian Man Just Won a $1 Million Picasso Painting with a $117 Raffle Ticket

Ari Hodara, a 58-year-old engineer from Paris, has won a Pablo Picasso painting valued at approximately $1 million after purchasing a raffle ticket for just 100 euros. The artwork, a 1941 gouache-on-paper titled "Head of a Woman," depicts the artist's muse Dora Maar and was provided by Opera Gallery. The raffle sold 120,000 tickets globally, successfully raising significant funds for charity.

Max Levai Bets on Scale—and Himself—with New Chelsea Gallery

Max Levai, former president of Marlborough Gallery, is opening a new 7,000-square-foot flagship gallery in Chelsea this fall at 529 West 20th Street. This marks his first permanent New York space after years of operating through pop-ups and international projects. He is sharing the building with the gallery 47 Canal, run by Oliver Newton, in an arrangement where two independent galleries will coexist under one roof, sharing costs but maintaining separate programs.

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The global art market returned to growth in 2025, reaching $59.6 billion in sales according to the latest Art Basel and UBS Art Market Report. This 4 percent increase ended a two-year decline, driven primarily by a 9 percent surge in public auction sales and a significant revival in high-value transactions for works priced over $10 million. While the United States maintained its dominant 44 percent market share, the recovery was uneven, with the Impressionist and Old Masters sectors seeing major gains while Postwar and Contemporary art continued to cool.

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DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

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Paul Slocum, artist and gallerist, celebrated the 20th anniversary of his Dallas-based And/Or gallery, a pioneering space dedicated to new media and digital art. The gallery, founded in 2006, has championed early internet and computer-based artists like Cory Arcangel and Petra Cortright, operating from a DIY ethos largely independent of the traditional art market.

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In 1995, artist Red Grooms created the Tennessee Foxtrot Carousel, a working carousel featuring 36 figures from Tennessee history, installed at the base of Nashville's Broadway. After financial troubles forced its closure in 2003, the Tennessee State Museum acquired and dismantled it in 2004, storing it for years. Though the museum moved to a new $160 million building in 2018, the carousel remained in storage. Now, the museum has issued a request for information seeking partners to restore and operate the carousel, as reported by the New York Times.

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Two New York art galleries run by dueling brothers are locked in a legal battle over the use of the name "Aicon." Projjal Dutta, representing Aicon Contemporary, filed a lawsuit in New York Supreme Court in October against his brother Prajit Dutta and director Harry Hutchison, who run Aicon Art and ArtsIndia.com. The suit alleges that the defendants have misleadingly used the names "Aicon Gallery" or simply "Aicon" instead of the agreed-upon "Aicon Art," causing confusion in the art market. The brothers previously operated the legacy Aicon Gallery together for 20 years before parting ways in 2019, but they still share the same address and phone number at 35 Great Jones Street.

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Sperone Westwater, a prominent New York gallery that has operated for 50 years, will close on December 31. The announcement came three months after co-founder Gian Enzo Sperone filed a lawsuit against his partner Angela Westwater, accusing her of creating a "parasitic deadlock," mishandling funds, withholding records, and mismanaging rent payments. The suit, filed in the Supreme Court of the State of New York alongside Sandstown Trade Ltd., which holds a 50 percent stake in the gallery, details disputes over rent, salaries, and control. Westwater allegedly sought to change the rent payment structure due to declining revenues and claimed she could close the gallery at any time. The gallery, founded in 1975 as Sperone Westwater Fischer, has represented major artists including Bruce Nauman, Francesco Clemente, and Richard Long, whose current show will be the final exhibition.

Inspiration awaits at the Art Gallery of NSW, Sydney

The Art Gallery of New South Wales (AGNSW) has solidified its status as a premier global cultural destination following the completion of its Sydney Modern Project. The institution now comprises two distinct architectural landmarks: the historic Naala Nura (South Building) and the contemporary Naala Badu (North Building), designed by Pritzker Prize-winning architects SANAA. These new Aboriginal names, meaning "seeing Country" and "seeing waters," reflect a deep institutional commitment to Indigenous engagement and the gallery's unique geographic position overlooking Sydney Harbour.

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

French Engineer Snags $1 Million Picasso With $116 Raffle Ticket

French engineer Ari Hodara has won a 1941 Pablo Picasso painting titled 'Tête de Femme' through a charity raffle after purchasing a single €100 ticket. The draw, held at Christie’s Paris, sold 120,000 tickets globally and raised €12 million for the Alzheimer’s Research Foundation. The artwork was sourced from the Opera Gallery, which will receive approximately €1 million of the proceeds.

The Art Consultancy Firm Saying No to the Attention Economy

Approximately Blue (AB), a contemporary art consultancy and brokerage, is deliberately operating without a public-facing brand, social media presence, or physical address. Founded by François-Luc Giraldeau and Emily Johnson, the firm focuses exclusively on primary market fine art prints and multiples, prioritizing deep research and direct, substantive relationships with collectors over visibility and hype.

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Francis Irv, an unconventional art space in New York known for its unpredictable programming, is closing after over three years. Founded by Sam Marion Wilken and Shane Rossi, the gallery operated first in a Chinatown mall beneath the Manhattan Bridge and later in a nondescript third-floor room nearby. It showcased a multigenerational mix of artists from the US and Europe, including Megan Marrin, Win McCarthy, and Reinhard Mucha, and participated in alternative art fairs like Basel Social Club and Paris Internationale rather than the mainstream circuit.