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A New York court has summoned art dealers Count Edmondo di Robilant and Marco Voena to answer a civil complaint filed by former employee and curator Virginia Brilliant. The lawsuit, filed in New York, alleges repeated verbal harassment, misogynistic, antisemitic, racist, and homophobic comments, and other inappropriate behavior at their gallery Robilant and Voena, which has locations in New York, London, Milan, Paris, and St. Moritz. Brilliant, who holds a Ph.D. from the Courtauld Institute of Art, began working as an independent contractor in 2019. She claims the dealers created a toxic workplace, failed to pay promised medical expenses during her chemotherapy for breast cancer, and owes her commissions, back pay, and damages totaling at least $3.13 million. Robilant was served papers at the TEFAF New York art fair on May 13.

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The article reports that at the 100-day mark of Trump's second presidency, his economic policies—particularly tariffs—are disrupting the art world. While artworks remain exempt, antiques and design objects are not, causing concern for dealers, including those preparing for Tefaf New York. Changes to de minimis rules have lowered the customs processing threshold from $2,500 to $800, triggering widespread shipping delays. Additionally, Frieze has been sold to Hollywood powerbroker Ari Emanuel, and auction veteran Alex Rotter has been tapped as Christie's new global president.

Annual Juried Art Shows: How to Get Seen in Texas

Texas's art landscape is increasingly defined by its robust circuit of annual juried exhibitions, which serve as vital entry points for emerging artists. These recurring events, such as Lawndale’s The Big Show and Craighead Green Gallery’s New Texas Talent, provide a platform for artists to have their work reviewed by guest curators, museum professionals, and gallerists, often leading to formal representation or solo exhibition opportunities.

Leading Art Gallery Opening in Landmarked Aspen Block Building

M.S. Rau, the 113-year-old New Orleans-based gallery specializing in fine art, antiques, and jewelry, has signed a long-term lease to open a permanent second location in Aspen’s historic Aspen Block Building at 307 S. Galena Street. The new two-level, 2,200-square-foot space is set to debut in January 2026, featuring works by Renoir, Picasso, and Magritte, alongside pieces from luxury houses such as Tiffany & Co., Van Cleef & Arpels, Fabergé, and Cartier. The expansion follows a successful seasonal pop-up in Aspen last year and marks the gallery’s first year-round secondary location since its founding in 1912.

Aude Herledan | Black Venus (2015) | For Sale

This is a sales listing for Aude Herledan's bronze sculpture "Black Venus" (2015), an editioned work from her series "Faithful To My African Roots." The piece is offered by 1831 Art Gallery in Paris, with a certificate of authenticity and price available on request. The listing also provides a biography of Herledan, a French-born artist raised in Kinshasa who studied at the École Estienne, Parsons School, École des Beaux-Arts, and École du Louvre, and who has shown at major fairs including TEFAA and Art Paris.

Rooms to Roam in Chicago

The inaugural Neighbors Art Fair has launched in Chicago, situated within a historic residence in the city's Gold Coast neighborhood. Founded by Mirka Serrato and curated by Jonny Tanna, the fair rejects the traditional high-spectacle trade show model in favor of a "micro-fair" format. By utilizing a domestic setting and an invitation-based entry system, the event prioritizes architectural intimacy, timed entry, and deliberate engagement between galleries and visitors.

Netherlands will return stolen ancient statue—featured at Tefaf art fair in 2022—to Egypt

The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.

Can Hauser & Wirth's new Palo Alto space achieve what its rivals failed to?

Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.

Rediscovered Rubens and a woolly mammoth head star at Brafa fair in Brussels

Brafa, Belgium's premier art and antiques fair, has expanded for its 71st edition, now featuring 147 exhibitors across three halls in the Brussels Expo convention centre. Highlights include a newly rediscovered Peter Paul Rubens painting, *Portrait of an Old Man* (around 1609), priced at over €1 million, and a 50,000-year-old woolly mammoth head from Siberia that sold for €45,000. The fair runs from 25 February to 1 March, with a strong focus on painting from Old Masters to Modern art, and a notable presence of Belgian and early 20th-century French artists.

Medieval triptych ventures out of Dorset to sell for £5.7m in London Old Master auctions

A late 15th-century Netherlandish triptych, *The Five Miracles of Christ*, sold for £5.7 million at Sotheby’s London Old Master auction. The work, kept for centuries at St. John’s Almshouse in Sherborne, Dorset, had never before appeared on the market. The charity sold it to fund affordable housing, and the buyer—an unnamed Christian charitable foundation—plans to keep the painting publicly viewable in the town. Other highlights included a Rembrandt reattribution, *Saint John on Patmos*, which sold for £6.8 million, and a record £3.2 million for a Hans Eworth portrait of the 4th Duke of Norfolk.

The art market bites back as estimates fail to score

Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.

valentino new york art week tefaf

Valentino CEO of the Americas Daniel Paltridge and CULTURED Editor-in-Chief Sarah Harrelson hosted a dinner at Casa Tua New York to celebrate the opening of TEFAF New York art fair. The private event gathered collectors, curators, and exhibitors, including Komal Shah, Dana Farouki, Kinga Lampert, Away founder Jen Rubio, TEFAF Executive Committee President Hidde van Seggelen, and exhibitor Lucas Ratton, for conversation and Italian cuisine.

A painting by Jean Cousin at TEFAF?

Un tableau de Jean Cousin à la TEFAF ?

A significant French Renaissance painting, "La Pentecôte" attributed to Jean Cousin the Elder, will be presented at the 2026 TEFAF Maastricht art fair by the gallery Caretto & Occhinegro. The 1558 oil on panel, once part of the Bob Jones University Museum collection, is expected to attract major attention from specialists and museums at the fair.

Can Tefaf Maastricht Keep Up with the Experience Economy?

Can Tefaf Maastricht keep up with the experience economy?

The 39th Tefaf Maastricht fair opened, showcasing high-quality pre-20th century art and antiques, from Monet paintings to a 1st-century Egyptian vase. However, the fair faces an existential question about the relevance of older art in a market where Old Masters specialists are declining and contemporary art sales are volatile.

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The High Court of Justice of Andalusia has overturned a four-year prison sentence for antiques dealer Santos Boy Jiménez Cortés, who was previously convicted of misappropriating a 17th-century Baroque sculpture. The artwork, 'Saint Margaret of Cortona' by José de Mora, was purchased from the Our Lady of the Angels convent in Granada for €21,600 before being resold to a Madrid gallery and eventually offered at TEFAF New York for €400,000. The court ruled that the nuns' claims—that they had only requested a restoration budget rather than selling the piece—were inconsistent and lacked documentation.

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A new report from First Thursday, a London-based sales intelligence company, reveals widespread frustration among gallerists over the rising costs and high risks of participating in art fairs. Surveying 56 commercial galleries across Europe, Asia, Africa, and North America, the inaugural Art Fair Report found that nearly half of galleries spent over £30,000 ($40,000) per fair, with 24% spending between £50,000 and £100,000. High participation costs were cited by 83% of respondents as the biggest challenge, followed by sales uncertainty (77%). As a result, 31% plan to attend fewer fairs, shifting investment to digital platforms and marketing.

At TEFAF New York, Lesser-Known Artists Delight

At TEFAF New York, held at the Park Avenue Armory, the art fair known for its European roots showcased a range of works. Our critic highlights five lesser-known artists who stood out, offering fresh perspectives that cut through the traditional art-world star system.

These Artisans, Showing at TEFAF New York, Push the Limits of Materials

TEFAF New York is showcasing a group of artisans who are pushing the boundaries of traditional craft. Exhibitors include a couple who grow their own furniture, an artist who polishes metal to a mirror-like finish, and another who collaborates with insects in their creative process. These works challenge conventional definitions of craft and material use.

The Korean Artist Park Daesung Is In the Spotlight at 81

The Korean artist Park Daesung, now nearly 81 years old, is experiencing a surge of international attention. His works have recently been featured in exhibitions across major cities including Chicago, London, Washington, and Los Angeles, and are now set to be shown at TEFAF New York.

New rules on importing cultural artefacts create headaches at Tefaf Maastricht

The implementation of new EU regulations on the import of cultural goods over 250 years old is causing significant disruption at TEFAF Maastricht. Dealers and collectors are facing administrative hurdles, including difficulties obtaining mandatory EORI numbers and inconsistent enforcement by customs officials. These rules, which require extensive documentation for items originating outside the EU, have led to seized shipments and a general crisis of confidence among international exhibitors.

Why the new EU law aimed at stopping antiquities trafficking may hamper museum loans

A new EU regulation (2019/880) taking effect on 28 June aims to prevent trafficking of looted antiquities by requiring importers to provide extensive provenance records and export permits for cultural goods over 200 years old or worth more than €18,000. While the law includes an exemption for temporary exhibitions, implementing rules limit this exemption to loans from museums outside the EU, excluding private collectors. Museum directors and art fair officials warn that the administrative burden may discourage private lenders from participating in temporary exhibitions, potentially reducing the diversity of cultural offerings in the EU.

Anxious collectors are increasingly turning to freeport havens, experts say

Rising tariffs, geopolitical instability, and extreme weather events are driving art collectors to move valuable items into secure, tax-friendly freeports, particularly in Switzerland. Experts Alexandre Ducamp of Natural le Coultre and Fritz Dietl of Delaware Freeport report a significant increase in clients over the past three years, citing the war in Ukraine, multiple ongoing conflicts, and President Trump's April 2025 'Liberation Day' tariffs as key factors. Collectors are using freeports in Geneva, Zurich, Basel, and Chiasso, as well as foreign trade zones in Delaware, to delay or avoid import duties on items like design furniture, antiques, and Chinese-origin artworks, with some purchases being cancelled due to new tariffs.

Transforming (and Transforming) to Survive. Interview with sculptor and designer Tadeáš Podracký

Trasformarsi (e trasformare) per sopravvivere. Intervista allo scultore e designer Tadeáš Podracký

Czech sculptor and designer Tadeáš Podracký (b. 1989) presents new works during Milan Design Week 2026, including three carved wooden lamps and sculptures exploring hybridity. The pieces are inspired by the rare Sorbus sudetica tree, a hybrid species that has survived for nearly 20,000 years through asexual reproduction. The exhibition, titled "Before the Shape Appears," is produced by 5 Vie and hosted at Cavallerizze in Via Olona. Podracký's practice bridges fine art and collectible design, using techniques such as carving, waxing, patination, and pigment infusion to create objects that appear to have grown organically.

TEFAF 2026, an Excellent Edition

La Tefaf 2026, une excellente édition

The 2026 edition of TEFAF Maastricht (running until March 19) is noted as an excellent year, featuring a significant number of major artworks. The article highlights specific pieces of French patrimonial importance, including four 16th-century terracotta terms from the Château d'Oiron and a Sèvres porcelain cabaret dedicated to French painters from 1814.