Vogue India highlights 12 new art shows opening across India in November 2025, including the expanded Art Mumbai fair featuring 82 galleries at Mahalaxmi Racecourse, and exhibitions at venues like NGMA Delhi, MAP Bengaluru, Tao Art Gallery Mumbai, and Experimenter Kolkata. Notable shows include a centenary tribute to Krishen Khanna, a display of 200 Taj Mahal images, and curations exploring celestial escorts and feminist works.
Art Center Sarasota presents three concurrent exhibitions running through November 15: "SARTQ Collective: Legacy x Response: SARTQ Responds to a Century of ACS," featuring contemporary works by the local artist collective SARTQ that engage with the center's 100-year history; "Juan Alonso-Rodriguez: Earthly Glyphs," showcasing the Cuban-born artist's fictional microscopic views of Earth's strata; and "Njeri Kinuthia: Reconstruction: Mwacha Mila NiSi Mtumwa," a series of portraits exploring cultural identity through weaving, sewing, and embroidery. The exhibitions highlight the breadth of artistic practice in Southwest Florida, from established regional artists to emerging voices.
Dublin Gallery Weekend returns from 6–9 November 2025, featuring over 100 artists across 20 venues throughout Ireland's capital. Founded in 2023 by the Contemporary Art Gallery Association, the event connects small, independent galleries with established institutions. The Art Newspaper highlights five must-see shows, including Cecilia Vicuña's 'Reverse Migration' at the Irish Museum of Modern Art (IMMA), Isabel Nolan's 'Look at the Harlequins!' at Kerlin Gallery, Alan Butler's 'Assets' at Green on Red, and a group show 'Kwaidan - Encounters with Lafcadio Hearn' at SO Fine Art Editions, among others.
This article highlights 14 solo shows and one duo exhibition currently on view in New York galleries, curated by CULTURED magazine. Featured artists include Aiza Ahmed, whose debut solo show "The Music Room" at Sargent's Daughters draws on Satyajit Ray's 1958 film; B. Wurtz at Garth Greenan, presenting assemblages of everyday objects; Ali Banisadr at Olney Gleason, with works responding to visual overload; Brock Enright at Club Rhubarb, showcasing eccentric mixed-media pieces; and Jay DeFeo at Paula Cooper, focusing on her 1980s paintings. Each entry includes location, closing date, and a brief curatorial rationale.
A guide to art galleries in Luxembourg highlights year-round venues like Villa Vauban, which focuses on 17th-19th century Old Masters, and Casino Luxembourg – Forum of Contemporary Art, known for its international contemporary program and experimental approach. The article also promotes Luxembourg Art Week, taking place November 21-23, 2025 at Glacis, featuring 77 galleries from 15 countries, and the Salon du Cercle Artistique de Luxembourg from November 1-16, 2025 at Tramsschapp.
An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.
Cherry Cheng, an art collector and founder of the high-end perfume house Jouissance, discusses her art-buying habits, favorite London spots, and Frieze week plans in an interview. She studied at Sotheby's Institute of Art and Goldsmiths, worked for Gurr Johns, and now collects works by artists such as Tancredi di Carcaci and Anastasia Pavlou, while supporting institutions like the Serpentine, Studio Voltaire, and the Institute of Contemporary Arts.
At Frieze London 2025, the Artist-to-Artist section features emerging artists selected by established names, including René Treviño chosen by Amy Sherald and Ilana Harris-Babou nominated by Camille Henrot. Treviño's solo presentation centers on the sculpture 'Regalia, Moscas Brillantes (Rojo)' (2025), which addresses queer resistance and colonial histories through a fusion of Aztec and European aesthetics. Other presentations include Katherine Hubbard's photographs about her mother's dementia (nominated by Nicole Eisenman), T. Venkanna's delicate works on gender and patriarchy (picked by Bharti Kher), Ana Segovia's subversive cowboy paintings (selected by Abraham Cruzvillegas), and Neal Tait's paintings (chosen by Chris Ofili).
During Frieze London, multiple acquisition prizes and awards were announced, including the Tate Frieze Fund (supported by a private patron) which purchased works by Lubna Chowdhary and Barbara Walker for £150,000. The inaugural Nicoletta Fiorucci Foundation Prize was awarded to Alex Margo Arden, while the Arts Council Frieze Acquisitions Fund grew to £90,000, acquiring works by Sarah Ball, Olu Ogunnnaike, Vanessa Raw, and Liorah Tchiprout. Other acquisitions included works by Michael Landy and Shaquelle Whyte for the Walker Art Gallery, and the Camden Art Centre Emerging Artist Prize went to Bogdan Ablozhnyy. Offsite, the Circa 2025 prize was won by Adham Faramawy for a film addressing the migration crisis.
The Broad museum in Los Angeles will present 'Yoko Ono: Music of the Mind,' the artist's first solo museum exhibition in Southern California, from May 23 to October 11, 2026. Organized in collaboration with Tate Modern, London, the show spans Ono's seven-decade career, featuring interactive instruction works, participatory installations like 'Wish Trees for Los Angeles,' films such as 'Cut Piece' (1964) and 'FILM NO. 4 (BOTTOMS)' (1967), and collaborative pieces with John Lennon including 'Bed Peace' (1969). Visitors will be invited to engage directly with works that turn simple acts into expressions of peace and connection.
Dublin Gallery Weekend 2025 will take place from 6–9 November, transforming the city into a canvas with over 40 galleries, cultural institutions, and artist studios participating. The program features more than 100 Irish contemporary artists, including solo exhibitions by Isabel Nolan at Kerlin Gallery, Corban Walker at Soloman Fine Art, Geraldine O’Neill at Kevin Kavanagh Gallery, and Patrick Graham at Hillsboro Fine Art. International highlights include Chilean artist Cecilia Vicuña’s first Irish solo show at the Irish Museum of Modern Art, and a cross-cultural printmaking project responding to Lafcadio Hearn’s ghost stories at SO Fine Art Editions. The weekend offers over 60 free events, including studio tours, talks, workshops, and late-night socials.
The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.
The article highlights nine must-see art exhibitions in the Bay Area for October, despite recent gallery closures like KADIST and Gallery 16. Key shows include the Museum of the African Diaspora's twin exhibitions 'Continuum' and 'Unbound' for its 20th anniversary, Drew Villanueva's first solo exhibition at Good Mother Studio inside Ikea, Jim Melchert's retrospective at di Rosa Center for Contemporary Art, and Mills College Art Museum's '100 Years of Creative Visions'. The programming is anchored by the second edition of Nexus, a Bay Area art week spotlighting Black voices and bridging regional divides.
Christian Marclay's video collage 'Doors' (2022) has opened at the Brooklyn Museum's newly constructed Moving Image Gallery, marking the institution's first dedicated space for time-based media. The 54-minute work, co-purchased by the Brooklyn Museum and the Smithsonian's Hirshhorn Museum and Sculpture Garden, splices hundreds of film clips showing characters entering and exiting doorways, building on the visual language of Marclay's acclaimed 24-hour film 'The Clock' (2010). The gallery was built to Marclay's specifications, offering a theatrical setting rather than a typical black-box presentation.
The article is a podcast transcript featuring an in-depth conversation with Wolfgang Tillmans, the influential German photographer born in 1968. It covers his four-decade career, his experimental approach to photography—spanning portraiture, still life, landscape, political subjects, and abstraction—and his innovative installation methods that respond to specific exhibition spaces. Tillmans discusses early influences like Kurt Schwitters, Francisco de Zurbarán, Isa Genzken, Laurie Anderson, and Jiddu Krishnamurti, and reflects on his expanding practice into video, text, sound, and music. The piece also lists current and upcoming exhibitions, including a solo show at Maureen Paley in London and his participation in the 36th Bienal São Paulo.
Art Center Sarasota is celebrating its 100th anniversary with a season of exhibitions, including "SARTQ Collective: Legacy x Response: SARTQ Responds to a Century of ACS," which honors the center's history through contemporary works by local artist collective SARTQ. Other featured shows include "Juan Alonso-Rodriguez: Earthly Glyphs," presenting fictional microscopic views of Earth's strata, and "Njeri Kinuthia: Reconstruction," exploring identity through textile-inspired portraits. These exhibitions are part of 32 visual art shows taking place across Southwest Florida in October, hosted by more than a dozen art centers from Sarasota to Marco Island.
Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.
Artnet News profiles five groundbreaking fiber artists as part of its "25 of 2025" series, highlighting Diedrick Brackens and Melissa Joseph among them. Brackens, born in 1989, has seen his textile works exhibited at major institutions including the Museum of Modern Art, the National Gallery of Art, and LACMA, with a solo show "the shape of survival" at the SCAD Museum of Art and a U.K. debut at the Holburne Museum in 2025. Melissa Joseph, who only began working with felt in 2020, has rapidly gained attention through solo exhibitions and major public commissions, including a 2024 installation at Rockefeller Center and the 2025 UOVO Prize-winning work "Tender" at the Brooklyn Museum.
Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.
Artnet News spotlights five trailblazing performance artists defining 2025, including Geumhyung Jeong, whose work "Toys, Selected" (2025) at Canal Projects in New York explores the uncanny relationship between humans and robots through intimate, choreographed interactions with machine parts she built herself. Jeong, who studied acting, dance, and film animation in South Korea, has performed at Kunsthalle Basel, the 2022 Venice Biennale, and London's ICA, and is currently unrepresented by a gallery. The article also profiles Maja Malou Lyse, who was tapped to represent her country at the Venice Biennale.
The Smithsonian American Art Museum will debut "Nick Cave: Mammoth," a monumental new commission by artist Nick Cave, in February 2026. This marks Cave's first solo exhibition in Washington, D.C., and represents the museum's largest-ever commission by a single artist. The installation combines sculpture, video, and found objects, drawing on Cave's childhood in Chariton County, Missouri, and exploring themes of family history, landscapes, and craft traditions. The exhibition will be on view from February 13, 2026, through January 3, 2027, and is organized by curator Sarah Newman.
Karma gallery in New York has opened 'Norman Zammitt: A Degree of Light', the first New York exhibition in nearly 60 years dedicated to the late Light and Space movement artist. The show features two key bodies of work: his laminated-acrylic pole sculptures and hard-edge 'Band Paintings', reintroducing Zammitt's pioneering colorist practice to a contemporary audience. Zammitt, who died in 2007, was a Canadian-born artist of Mohawk and Italian descent who studied at Otis College of Art and Design and was represented by Felix Landau's gallery in Los Angeles.
The Turner Prize 2025 exhibition opened on 23 September at Bradford's Cartwright Hall Art Gallery, featuring nominees Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa. Kalu, a learning disabled Scottish artist, is nominated for her contributions to the Conversations exhibition at the Walker Art Gallery in Liverpool and her work at Manifesta 15 in Barcelona. Her practice, supported by ActionSpace, includes suspended sculptures and vortex drawings. The exhibition runs from 27 September to 22 February 2026 as part of the UK City of Culture festival.
Thaddaeus Ropac opened its first gallery in Milan on September 20, 2025, located in the neoclassical Palazzo Belgioioso near Via Monte Napoleone. The inaugural exhibition, “L’aurora viene,” features works by Georg Baselitz and Lucio Fontana. The 280-square-meter space is the mega-gallery’s seventh location worldwide. Elena Bonanno di Linguaglossa, a veteran with experience at Lévy Gorvy Dayan, Fondazione Pastificio Cerere, and Blain|Southern, will lead the Milan branch.
The 2025 Fall Arts Guide highlights three visual art exhibits in Washington, D.C. 'Arab Pop Art: Between East and West' at the Middle East Institute features 35 works by 14 Arab and diaspora artists, blending Western pop art with SWANA cultural motifs. 'Vincent Ricardel: Chasing Light' at gallery neptune & brown presents 15 photographs spanning diverse styles and locations. 'Rik Freeman: Wade in the Waters' opens Sept. 24, showcasing oil paintings.
This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.
A rarely seen Walter Sickert painting, *Ennui* (1913), will be offered for sale in a selling exhibition at Piano Nobile gallery in London on 26 September. The work, once owned by Hollywood actor Edward G. Robinson and later by collectors Herbert and Ann Lucas, has not been publicly exhibited since 2001. Priced around £750,000, it is one of five versions Sickert painted in the 1910s depicting a pub landlord and his wife; three are held by British institutions including the Royal Collection and the Ashmolean Museum. The sale also includes a Sickert pastel of a sex worker unseen since 1908, plus works from his Dieppe period.
The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories. Host Ben Luke tours the newly opened David Bowie Centre at the V&A East Storehouse in London, a permanent repository for thousands of items from Bowie's archive, discussing the displays with curator Madeleine Haddon. The episode also reports on the inaugural Bukhara Biennial in Uzbekistan, with art market editor Kabir Jhala delivering a verdict from the opening and curator Diana Campbell offering insights. Finally, the podcast features a 'Work of the Week' segment on two paintings—Hurvin Anderson's 'Untitled' (2025) and Kara Walker's 'West Indies' (2014)—shown in an exhibition at Michael Werner Gallery in London curated by critic and writer Hilton Als, which explores the life and work of Dominican-born writer Jean Rhys.
The Kemper Art Museum in St. Louis will host "Making Their Mark," an exhibition of 68 works by women artists from the collection of Komal Shah and the Shah Garg Foundation. Running from September 12 to January 5, 2026, it is the museum's largest-ever exhibition and its third stop after New York and Berkeley. Curated by Cecilia Alemani and Sabine Eckmann, the show features artists including Joan Mitchell, Howardena Pindell, Charline von Heyl, Judy Chicago, and Suzanne Jackson, organized under themes like "Painting is Technology" and "Luminous Abstraction."
Edward Burtynsky, the renowned Canadian photographer known for his large-scale depictions of industrial landscapes, is the subject of a feature titled "Edward Burtynsky: Taking Place." The article highlights his 40-year career documenting humanity's impact on the planet, from his early influences in St. Catharines, Ontario, to his recent exhibition "BURTYNSKY: Extraction/Abstraction," which premiered at London's Saatchi Gallery in February 2024 before traveling to M9 in Mestre, Italy. It also notes his founding of Toronto Image Works and his ongoing solo and group exhibitions worldwide.