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Henrike Naumann—selected for this year's Germany pavilion at the Venice Biennale—has died

Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.

London’s Mosaic Rooms, dedicated to art from the Arab region, reopens after expansion

London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

Architects respond to "excess and demolition" at reuse exhibition in Mexico

Fifteen international architecture studios have created installations from reused building materials and found objects for the exhibition "Reuse: Architectures of Almost Nothing" at artspace Laguna in Mexico City during art week. The show, curated by Laguna's curatorial director María Muñoz and architect Edgar Rodríguez, features works made from windshields, tarps, barrels, and even a complete car, all arranged across the former factory space. Participating studios include Sam Chermayeff Office, Ex-Soup, Parabase, Bangkok Tokyo, and others, with each piece designed as an "architectural accessory" that resignifies a single object through redeployment.

One of most famous illustrations of Burns' Tam o' Shanter set for auction

Alexander Goudie's painting *The First Drink*, a key illustration from his celebrated series based on Robert Burns' poem *Tam o' Shanter*, will be auctioned at McTear’s Scottish Contemporary Art Auction in Glasgow on February 26. The oil painting, estimated at £10,000–£20,000, depicts the poem's protagonist resting beside his horse Meg and is being sold by an anonymous vendor who has owned it since it was commissioned in the late 1990s.

Iris van Herpen: Sculpting the Senses

The Brooklyn Museum is presenting "Iris van Herpen: Sculpting the Senses," a major exhibition dedicated to the Dutch fashion designer known for her avant-garde, sculptural garments that blend art, science, and technology. The show features over 80 of van Herpen's most iconic creations, alongside works by contemporary artists and scientific artifacts that inspired her designs.

Exeter artists turn away from traditional landscapes in bold new exhibition

A new exhibition titled 'Not A Pretty Landscape' opens at Kaleider Studios in Exeter from January 31 to February 1, featuring 15 artists who present contemporary and unconventional views of the South West, deliberately avoiding traditional coastal and rural landscapes. Curated by Exeter-based artist Claire Le Day, the show emerged from an open call with no rules or experience requirements, only the condition that no pretty landscapes be submitted. Artists keep 100% of their profits, and most will be present to meet visitors and manage sales. Featured artists include Jo Beer, whose portraits have been recognized by the National Portrait Gallery and the Royal Society of Portrait Painters.

National Endowment for the Humanities awards $75.1m to 84 projects across the US

The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.

Bill Koch’s collection could fetch $50m at Christie’s as interest in American Western art grows

Christie’s has announced the consignment of billionaire Bill Koch’s American Western art collection, estimated to fetch at least $50 million across two sales on January 20 and 21. The collection, described as the most valuable tranche of the genre ever to appear at auction, features works by Frederic Remington—including his painting *Coming to the Call* (estimated $6–8 million)—and Charles Marion Russell, among others. The sale aims to spotlight a niche but growing sector of the art market.

‘Colourful Dialogues’: An art exhibition by Gwarniċ

Gwarniċ presents 'Colourful Dialogues', a collective exhibition opening on 7 January 2026 at Bizzilla Art Space in Floriana, Malta, running through 27 January. The show brings together local and international artists—including Kevin Sciberras, Antje Flauss, Chris Saliba, Teo Burki, Rosette Bonello, Irakli Chikovani, and Sopho Simonishvili—to explore colour as a universal visual language that connects cultures and artistic approaches. The exhibition marks Gwarniċ's transition from digital and site-specific curation to a fully realized physical exhibition.

In Oregon, a One-Night Art Exhibition Within a Midcentury Home

A one-night, invitation-only exhibition titled "The Open House" took place within a private midcentury home in Oregon, designed by modernism pioneer Robert Rummer. Curated by Lena Vasilenko and Emma Strgar of the experiential agency Ethereal Reflections, and presented by Marisa Swenson of Modern Homes Collective, the group show featured works by contemporary artists including Stephanie Ketty, Christopher Belluschi, Ben Latham, Aremy Stewart, and Carvers Collective. The installation was designed to integrate the artworks with the architecture, encouraging reflection on how art enhances domestic space.

'60 Years Of The Grateful Dead' Unveils Band’s Most Comprehensive Art Exhibition Yet [Photos]

The Chambers Project Gallery in Grass Valley, CA, has opened '60 Years of the Grateful Dead,' billed as the most comprehensive exhibition of original Grateful Dead artwork ever assembled. Curated by Brian Chambers, the show features historic posters, album covers, sketches, and rare artifacts from key artists like Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, and Wes Wilson, alongside collaborators such as Bill Walker and Owsley 'Bear' Stanley. Highlights include Bill Walker's original Anthem of the Sun mandala, stored for years in his sister's garage, and Edmund J. Sullivan's 1900 'Skeleton Amid Roses' illustration, reinterpreted for the band's iconic 1971 album cover. The opening weekend also featured a concert by the supergroup White Lightning at the Bodhi-Hive.

Louvre staff vote to strike, citing failures of management and building maintenance

Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.

Buried lines and bold beginnings

Timothy Akis, born around 1944 in Tsembaga village, Madang, is recognized as a pioneer of contemporary art in Papua New Guinea. His 1969 solo exhibition at the University of Papua New Guinea (UPNG) is considered the country's first Western-style show by a Papua New Guinean artist, catalyzing a modern art movement. Akis developed a distinctive drawing style using ballpoint, felt pen, and ink, depicting highlands creatures like cassowaries and flying foxes. His work inspired younger artists, notably Mathias Kauage, who became PNG's most internationally visible contemporary painter after seeing Akis's exhibition. Akis's career included exhibitions in Australia, Europe, and the United States, and his works are held by institutions such as the National Gallery of Australia and the Queensland Art Gallery, Gallery of Modern Art.

Louvre closes gallery ‘until further notice’ citing structural problems

The Musée du Louvre in Paris has closed its Campana Gallery, which houses nine rooms of ancient Greek ceramics, after a technical report revealed structural weaknesses in beams supporting the second floor of the Sully Wing. The gallery will remain closed 'until further notice' as a precaution, and 65 staff members will be relocated, though the artworks will not be moved. The closure comes amid the Louvre's ambitious New Renaissance renovation project, announced by French President Emmanuel Macron, which includes a new visitor entrance under the Perrault Colonnade by 2031 and is now valued at €1.15bn.

Louvre’s €666m plans for new entrance ‘financially unsound’—and security should come first—auditor says

A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.

Netherlands will return stolen ancient statue—featured at Tefaf art fair in 2022—to Egypt

The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.

Political censorship of art exhibition at California’s Pepperdine University

Pepperdine University, a private Christian institution in Malibu, California, censored and closed an art exhibition titled "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art. The exhibition, curated by museum director Andrea Gyorody, featured works centered on hands as symbols of labor, identity, care, and connection. On October 1, administrators Lauren Cosentino and Nicole Singer visited the museum, leading to the shutdown of artist Elena Mann's video "Call to Arms 2015-2022," which included references to Donald Trump's policies, the overturning of Roe v. Wade, the Brett Kavanaugh hearings, and the George Floyd protests. Another work, "Con Nuestras Manos Construimos Deidades" by Natalie Godinez and the nonprofit AMBOS, was also censored after officials objected to text reading "Save the Children" and "Abolish ICE."

Williamson Gallery exhibit illuminates political history of Mexican muralist Alfredo Ramos Martínez

The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.

Benalla Art Gallery to close but temporary gallery to open

Benalla Art Gallery is set to close its current location, but a temporary gallery will open to ensure continued access to art for the community. The article also highlights local artist Lisa Brand, whose passion for mosaics is inspiring students in Benalla and the surrounding district, with her works potentially enduring for centuries like ancient mosaics.

A new Horizon beckons: Stunning Emma Davis art exhibition opens at Studio Two Six One

Scottish landscape artist Emma S. Davis opens a new solo exhibition titled "Horizon: The Journey from Land to Light" at Studio Two Six One in Newton Mearns. The private view takes place on Friday, September 19, 2025, with the public opening on September 20, running through October 11. The show features Davis's expressive, textured paintings that explore the liminal space between earth and sky, dusk and dawn, inviting viewers into quiet, atmospheric moments of transition in the Scottish landscape.

Trento, Studio Raffaelli brings Silas and Angus Borsos' painting and photography to Italy

From September 25 to December 15, 2025, Studio d'Arte Raffaelli in Trento, Italy, presents a double solo exhibition by Canadian brothers Silas and Angus Borsos, titled 'Broadway Dreams and the Vancouver Void.' Silas Borsos, a painter based in Brooklyn, shows small-format impressionistic works focused on theater, film scenes, and New York subway glimpses, alongside a large wall installation on paper. Angus Borsos, a photographer and former music video director, exhibits black-and-white analog photographs capturing Vancouver's urban landscapes and existential atmosphere. The exhibition marks the brothers' first joint presentation in Italy and includes a catalog with contributions by Virginia Raffaelli, Camilla Nacci Zanetti, and Gian Marco Montesano.

34 Luxembourgish artists take over Larochette Castle

More than 30 Luxembourgish artists have taken over Larochette Castle for the L’Art-Rochette exhibition, running until 14 September. The show features wood, marble, scrap metal sculptures, pottery, photography, paintings, and jewellery, with most works available for purchase. Highlights include wooden sculptures by Jean-Paul Thielfels, scrap metal works by Karin Mayer, marble sculpture by Eck Lunkes, pottery by Mady Roef, and photography by Marc Barthelemy. Organisers Laurence Anciaux and Ren Spautz launched the event in 2020, and it has grown into a biannual art and photo show.

In a new exhibition, Turkey displays the success of its heavyweight heritage drive

Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.

16 artists for Emerging Vision exhibit

Arnim's Art Galleria in Port of Spain is hosting its fourth annual group exhibition, Emerging Vision, featuring 40 works by 16 emerging artists from August 8-23, 2025. Curator Gabriella Bedeau selected a diverse range of styles and media, including abstract, portraits, caricature, photography, digital art, and mixed media, without imposing a theme to preserve each artist's creativity. The exhibition also includes a conservation and preservation art talk on August 23 by restoration expert Surrendra Maraj, covering climate effects on artwork and forgery recognition. Featured artists include Jace-Michael Joseph, Jhad Moses, Kirsten Skinner, and Katelyn Skinner, who shared insights into their work and inspirations.

Artist’s ‘most expansive collection’ in U.S. to be shown at Aspen Grove Fine Art

Aspen Grove Fine Art will present “What is Real: The Echoes of Ashley Collins,” the most expansive collection of artist Ashley Collins’s work ever shown in the United States. The exhibition features large-scale mixed-media paintings and includes private and public opening receptions on August 1–2, 2025, with artist talks, live music, and cocktails sponsored by Aspen Vodka. A companion online viewing room, “UNBROKEN: The Art of Ashley Collins,” has also launched for remote collectors.

Scotland and Wales to return to Venice Biennale after years-long break

Scotland and Wales will return to the Venice Biennale in 2026 after a years-long pause. Scotland will be represented by the Glasgow-based artist duo Bugarin + Castle, whose work is curated by Mount Stuart Trust and commissioned by Scotland + Venice. Wales will be represented by artist Manon Awst and critic Dylan Huw in collaboration, with support from the Arts Council of Wales. Both countries will participate as official collateral events rather than as national pavilions.

Rocket Man Jacky Tsai’s interstellar adventure

London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.

100 Years of Leighton House

Leighton House in London has announced a year-long centenary program for 2026, marking 100 years since the house opened as a museum. The centerpiece is "The Arab Hall: Past and Present" (21 March – 4 October 2026), featuring three site-specific installations by artists Ramzi Mallat, Kamilah Ahmed, and Soraya Syed, a short film by Syrian filmmaker Soudade Kaadan, and an exhibition of original designs by George Aitchison, William De Morgan, and Walter Crane, alongside new research by Dr. Melanie Gibson published in a fully illustrated book. The museum is also collecting public memories and memorabilia for a Centenary Archive, and has formed an Advisory Panel to inform the exhibition.