TEFAF New York has announced the exhibitor list for its 2026 edition, set to take place at the Park Avenue Armory from May 15 to 19. The fair will feature 88 galleries from 14 countries, including nine new participants and 78 returning dealers, with a focus on modern and contemporary art, design, jewelry, and antiquities. Major international galleries like Gagosian, Hauser & Wirth, and David Zwirner will be present.
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Art historian Christof Metzger has challenged the long-held view that a portrait of Albrecht Dürer's father in London's National Gallery is a copy, declaring it an authentic work by the Renaissance master. Metzger, chief curator of the Albertina in Vienna, bases his argument on the painting's outstanding artistic quality and masterful technique, detailed in his new book, despite the museum's previous assessment that its unusual, streaky background suggests it is a copy.
The Louvre has indefinitely postponed the competition to select an architect for its expansion project, Louvre—Nouvelle Renaissance, just days before the jury was set to vote on a winning proposal. Announced by French President Emmanuel Macron in January 2025, the $778 million plan aimed to ease overcrowding at the museum, which hosts 9 million visitors annually, by creating a new entrance, upgrading infrastructure, and controversially building a dedicated 33,000-square-foot gallery for the Mona Lisa. Five firms—Amanda Levete Architects, architecturestudio, Dubuisson Architecture, Sou Fujimoto, and STUDIOS Architecture—had been shortlisted. The postponement follows staff walkouts, a leaked memo detailing structural issues, and a high-profile theft.
London artist Georg Wilson opens "Against Nature," her second solo exhibition with Pilar Corrias, exploring the hidden world of poisonous plants in the English countryside. The show features paintings of henbane, thorn apple, and nightshade, depicting them as rebellious agents that thrive in abandoned, uncultivated land. Wilson's work coincides with her institutional debut at Jupiter Artland in Edinburgh, titled "The Earth Exhales." Her research began by collecting second-hand botanical books, which led her to notice toxic flora growing unnoticed around London, including a towering thorn apple near her studio.
Jonathan Anderson presented his debut haute couture collection for Dior, the Spring 2026 line, at Paris Fashion Week. The runway was transformed into a garden with suspended flowers, blending floral motifs with an edgy, exploratory aesthetic. Anderson drew inspiration from ceramicist Magdalene Odundo, whose sinuous forms influenced the collection's sculptural tension, and referenced 18th-century miniatures by Rosalba Carriera and John Smart for couture jewelry. The collection is now on view at the Musée Rodin in a week-long presentation titled "Grammar of Forms," alongside works by Christian Dior and Odundo.
A group of 14 watercolors and drawings by Adolf Hitler, dated from 1904 to 1922, will be auctioned at the Weidler auction house in Nuremberg, Germany, between June 18 and 20. The works are expected to sell for between €1,000 and €45,000 each, following a previous sale of a Hitler watercolor that fetched €130,000 in November last year.
Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.
The National Portrait Gallery in London has acquired the only surviving photographs of 19th-century mathematician Ada Lovelace, a group of three daguerreotypes that were originally offered at Bonhams in June 2025 with an estimate of £80,000 to £120,000. The lot was withdrawn from auction and the museum secured it via a private treaty sale, a confidential negotiation process that allows institutions to purchase significant artworks directly from private owners. Two of the daguerreotypes were taken by French photographer Antoine Claudet around 1843, the year Lovelace published her foundational paper on Charles Babbage's Analytical Engine, while the third, by an unknown photographer, reproduces an 1852 portrait by Henry Wyndham Phillips showing Lovelace near the end of her life.
2025 has been a landmark year for dinosaur fossils in the art world, marked by high-profile sales, seizures, and ethical controversies. In November, a pair of Allosaurus fossils and a Stegosaurus skeleton worth £12 million ($15.6 million) were seized by the UK's National Crime Agency from Binghai Su, a Chinese national linked to a major money-laundering case in Singapore. The fossils had been purchased at Christie's Jurassic Icons auction in 2024. Meanwhile, Sotheby's sold a juvenile Ceratosaurus fossil for $30.5 million in July, far exceeding its $6 million estimate, and Phillips entered the dinosaur market for the first time, selling a juvenile Triceratops skeleton for $5.4 million in November. The most expensive dinosaur fossil ever, a Stegosaurus named Apex bought by hedge fund titan Kenneth Griffin for $44.6 million in 2024, was loaned to the American Museum of Natural History.
Tristram Hunt, director of London's Victoria & Albert Museum, has been knighted by King Charles III on the UK's 2026 New Year Honors list for his "services to museums." Hunt, a former Member of Parliament and shadow education secretary, has led the V&A since 2017, overseeing major exhibitions and expanding the museum's international presence through initiatives like V&A East. Other arts figures recognized include Ekow Eshun (OBE), art historian Marcia Pointon (OBE), Jo Quinton-Tulloch (OBE), Janet Blake (OBE), Susan Bowers (MBE), and Hilary McGrady (CBE).
This article explores the history and significance of illuminated manuscripts, correcting the common misconception that they were exclusively produced by medieval European monks. It highlights five standout examples, including the Très Riches Heures du Duc de Berry, made for Jean I, Duke of Berry around 1411 by the Limbourg brothers, and the Book of Kells, created around 800 C.E. by monks of Iona Abbey. The article notes that illuminated manuscripts, defined by the decorative use of gold or silver, date back to the 4th century B.C.E. and span cultures from the Middle East to Africa and Mesoamerica, serving primarily as status symbols rather than reading material.
Hong Kong will send two artists, Angel Hui and Kingsley Ng, to represent the special administrative region at the 2026 Venice Biennale, marking the first time a duo has been selected. The Hong Kong Museum of Art (HKMoA) and the Hong Kong Arts Development Council (HKADC) are collaborating for the first time on the presentation, which will take place at the Campo della Tana as a collateral event. Hui, a gongbi ink painter born in 1991, and Ng, a media artist and associate professor born in 1980, will explore "the poetic rhythms of daily life" in dialogue with the Biennale's main exhibition theme, "In Minor Keys." The selection follows HKADC's decision in April to oust M+ museum as the exhibition's organizer, a role it had held since 2013, without citing a reason.
Manhattan District Attorney Alvin Bragg's office has successfully repatriated eight life-sized Roman sculptures that were illegally removed from Bubon, Turkey, 60 years ago. The sculptures, part of a shrine honoring Roman emperors, were sold to Americans by Turkish villagers in the 1960s without required permits. After a two-year legal battle involving two lawsuits and an arrest warrant, the final sculpture—a headless bronze piece—was surrendered by collector Aaron Mendelsohn, who had acquired it for $1.33 million. The sculpture was returned to Turkish officials at a ceremony hosted by Bragg's office, alongside dozens of other looted Turkish antiquities, including a marble head of Demosthenes seized from the Metropolitan Museum of Art.
This episode of the podcast series "How to Get Ahead in the Art World" features Loïc Gouzer, the former Christie's executive known for orchestrating the record-breaking $450 million sale of Salvator Mundi. Gouzer discusses his career risks, including pioneering the curated sale format and launching Fair Warning, a private auction app that has achieved new price records. He emphasizes trusting instinct over data in the art market and offers advice on spotting opportunities, mastering skills before breaking rules, and building an authentic personal brand.
New York-based artist Saya Woolfalk is the subject of her first retrospective, "Saya Woolfalk: Empathic Universe," at the Museum of Arts and Design (MAD) in New York. The exhibition, curated by Alexandra Schwarz, runs from April 12 to September 7, 2025, and surveys two decades of Woolfalk's multidisciplinary practice, which blends science fiction, fantasy, and critical examinations of race, science, anthropology, and identity. The show is organized into chapters highlighting major projects, including her fictional "Empathics"—a race of women who can fuse with plants—and features sculptures, video, painting, works on paper, a commissioned audio drama, and live dance performances.
An adjunct professor at Hamline University in St. Paul, Minnesota, Erika López Prater, lost her job after showing her art history class two Medieval paintings depicting the Prophet Muhammad during an online lecture on October 6, 2022. She issued a content warning before displaying the images, which came from a 14th-century manuscript by Rashīd al-Dīn and a 16th-century work by Mustafa ibn Vali. A student, Aram Wedatalla, complained, and the university's administration, including associate vice president David Everett, decided not to renew her contract, calling the incident Islamophobic. The decision has sparked widespread debate, with a Change.org petition signed by over 2,500 scholars and a condemnation from PEN America.
Artist Jack Butcher (b. 1988) debuted his first-ever booth at Art Basel Miami Beach, titled *Self Checkout*, where he sells art—literally receipts—on a pay-what-you-wish model. Each receipt includes a seed phrase creating a custodial Ethereum wallet holding a digital copy, but the NFT cannot be sold; it merely proves ownership of the physical receipt. The project features a real-time tracker showing his progress toward recouping the $74,211 total cost of the booth, with purchases made at self-checkout kiosks or online in Ethereum. By the fair's second day, the amount needed had dropped to $33,103.56, and Butcher was optimistic about breaking even. If the countdown hits zero, he will auction the flip board and receipt case as a one-of-one sculpture.
The Prado Museum in Madrid has launched the third installment of its "The Female Perspective" series, a self-guided thematic route highlighting the collection of Queen Isabella Farnese. The route, running through May 2026, features 45 works from the queen's 1,000-piece collection, including five pieces newly out of storage and a Murillo sketch stolen in 1897 recently recovered from France's Musée de Pau. This is the first edition focused on a single woman, showcasing Farnese's role as the Royal Collection's most significant donor.
Pace Gallery, Emmanuel Di Donna, and David Schrader are launching a new joint gallery called Pace Di Donna Schrader Galleries (PDS), dedicated to secondary-market sales. The boutique operation will begin operations in spring 2026, open a formal space on New York's Upper East Side in summer, and host a major historical exhibition in autumn. The venture is a collaborative model rather than a merger, combining Pace's global reach and estate relationships, Di Donna's connoisseurship, and Schrader's expertise in private sales.
A Madrid court has ruled that Fernando Ramírez de Haro, 10th Marquess of Villanueva del Duero, must pay his brother Íñigo Ramirez de Haro, Marquis de Cazaza in Africa, €853,732 from the proceeds of the 2012 sale of Francisco de Goya's portrait *Portrait of Valentín Belvís de Moncada* (ca. 1795–1800). The painting, inherited from their father, was sold for €5.8 million to billionaire Juan Miguel Villar Mir via Sotheby's. Íñigo sued Fernando for failing to distribute shares of the sale to siblings as agreed in a 2014 family settlement, alleging fraud, document falsification, and that Fernando's wife, former Spanish minister Esperanza Aguirre, abused her office by not registering the work as national heritage.
Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after a 45-year career in criticism, including 36 years at the newspaper. His final day is Friday. Knight, one of the few remaining full-time art critics in American journalism, was praised by colleagues for his encyclopedic knowledge and razor-sharp assessments. He won the Pulitzer Prize for criticism in 2020, notably for a series of articles that harshly critiqued the Los Angeles County Museum of Art's (LACMA) proposed redesign by architect Peter Zumthor. He also received a lifetime achievement award from the Dorothea and Leo Rabkin Foundation in 2020, and the College Art Association's Frank Jewett Mather Award in 1997. Before his journalism career, Knight worked as a curator at the Museum of Contemporary Art San Diego and consulted for the Lannan Foundation and the Smithsonian Institution's Archives of American Art.
Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.
Art Basel will launch Zero 10, a new curated platform dedicated to digital art, at its Miami Beach edition in December 2025. Supported by OpenSea and curated by digital art strategist Eli Scheinman, the inaugural presentation will feature 12 international exhibitors including Art Blocks, bitforms gallery, Beeple Studios, Pace Gallery, AOTM, and Visualize Value, along with a loan of Lu Yang's DOKU – Heaven (2022) from the UBS Art Collection. The initiative takes its name from Kazimir Malevich's historic 1915 exhibition 0,10 and will run from December 5–7, 2025, with VIP previews on December 3–4, before expanding to other Art Basel fairs in 2026.
The article profiles artist Vaginal Davis and her exhibition "Magnificent Product" at MoMA PS1, which opened shortly after the author visited. Davis, born in 1961, is described as a transformative figure who repurposes fragments of popular culture—from classic Hollywood to gay porn—to create immersive, queer alternate realities. The show includes works like *The Wicked Pavillion* (with *Fantasia Library* and *Tween Bedroom*, both 2021) and a collaboration with Jonathan Berger titled *Naked on my Ozgoad: Fausthaus—Anal Deep Throat* (2024–ongoing). Davis's practice is characterized by a playful, femme-centered critique of mainstream culture, centering Black women and inverting traditional gazes.
Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.
Moroccan modernist painter Mohamed Hamidi has died at the age of 84, as announced by the Barjeel Art Foundation in Sharjah. Born in Casablanca in 1941, Hamidi studied at the School of Fine Arts of Casablanca and later at the École Nationale Supérieure des Beaux-Arts de Paris. A founding father of Moroccan modern art, he returned to Morocco in 1967 and taught at the Casablanca School, helping to democratize its curriculum. He participated in the landmark 1969 exhibition “Manifesto” in Marrakech and founded the Moroccan Association of Plastic Arts in 1972. His abstract, erotic paintings incorporated traditional Maghreb motifs and geometric shapes.
Athens-based artist Marina Xenofontos has been selected to represent Cyprus at the 2026 Venice Biennale with a pavilion titled “It rests to the bones.” Curated by Kyle Dancewicz, deputy director of SculptureCenter in New York, the exhibition will be housed at the Associazione Culturale Spiazzi near the Arsenale. Xenofontos, born in Limassol in 1988, works across sculpture, kinetic objects, and film, often exploring Cyprus’s history and British colonial legacy. Her proposal was chosen from 21 submissions via an open call organized by Cyprus’s Department of Contemporary Culture, with a five-person advisory committee praising its engagement with Cypriot micro-histories and global issues.
The autumn edition of Asia Week New York is underway, with auction houses reporting strong interest in Asian art despite broader economic challenges. Bonhams kicked off the week with sales totaling $7.3 million, including Chinese ceramics and snuff bottles, though it offered 47% fewer lots than last year. Top results included a blue-and-white jar selling for $1.75 million and a pair of famille rose dishes for $1.5 million. Christie’s sold a Vasudeo S. Gaitonde painting for $2.35 million and a Tyeb Mehta work for nearly $2 million. New US tariffs under the Trump administration have added uncertainty, particularly for cross-border consignments and purchases.
The Metropolitan Museum of Art in New York will open a landmark exhibition dedicated to Renaissance master Raphael in 2026. Titled "Raphael: Sublime Poetry," the show runs from March 29 to June 28 and will be the first major Raphael retrospective ever mounted in the United States. Curated by Carmen Bambach, the exhibition brings together 200 works including paintings, drawings, tapestries, and decorative arts, with loans from major museums worldwide such as the Louvre, the Uffizi, the Prado, and the Vatican Museums. Key loans include the Louvre's "Portrait of Baldassarre Castiglione" and the Galleria Borghese's "Portrait of a Lady with a Unicorn."
The Thomas Kinkade Family Foundation has publicly condemned the Department of Homeland Security (DHS) for using Kinkade's painting *Morning Pledge* in a July 1 social media post on X that included the phrase “Protect the Homeland.” The foundation stated it did not authorize the use of the artwork and that the post promotes division and xenophobia, which is antithetical to its mission. It has requested the post's removal and is consulting legal counsel. This follows similar complaints from artist Morgan Weistling, whose painting *New Life in A New Land* was used by DHS without permission, and criticism over DHS's use of John Gast's *American Progress* (1872), owned by the Autry Museum of the American West.