Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
The Butler Institute of American Art has opened its call for entries for the 89th National Midyear Juried Exhibition, a prestigious competition for contemporary American artists. Open to U.S. residents aged 18 and older, the exhibition accepts 2D and relief artworks, with a submission deadline of April 17. This year’s selections will be juried by Louis A. Zona, the museum’s director emeritus, and will be on display from July 12 through August 20.
The Brooklyn Museum has announced a landmark exhibition titled "Hopi Kachina Dolls: Blessings for a Balanced World," scheduled to open in October 2026. Featuring over 120 objects ranging from the 19th century to the present, the show draws from the museum's extensive Indigenous art collection alongside contemporary loans of ceramics, textiles, and jewelry. The presentation is uniquely structured around the life stages of Hopi women—from infancy to marriage—and includes newly commissioned video interviews with community members.
The Marion Art Gallery at Fredonia is presenting "Children of Grass: A Portrait of American Poetry," an exhibition featuring 50 photographic portraits and one video of prominent American poets by photographer B.A. Van Sise. Each portrait visually interprets a poem by its subject, creating a collaborative image. The exhibition runs from February 24 to April 15, with related events including a lecture by Van Sise and a poetry reading by former U.S. Poet Laureate Joy Harjo.
The University of North Texas abruptly cancelled the solo exhibition "Ni de Aqui, Ni de Allá" by artist Victor Quiñonez in its College of Visual Art & Design Gallery just nine days after its opening. The university covered the gallery windows with brown paper, removed all promotional material from its website and social media, and informed the artist via a misspelled email that it had terminated its loan agreement with Boston University Art Galleries, which originated the show. The artist was not notified in advance and learned of the closure from students.
The Tar River Art Gallery in Rocky Mount, North Carolina, is hosting a winter exhibit opening and public reception on February 22, from 2:00 to 4:00 PM at the Dunn Center on the campus of North Carolina Wesleyan University. The exhibition features works from over 40 regional artists, including paintings, watercolors, pen-and-ink works, collages, assemblages, ceramic sculpture, metal art, fused glass, and handcrafted jewelry. The event is free and open to the public, with light refreshments and opportunities to meet the artists. The gallery builds on the legacy of the former Gravely Gallery, honoring Janice Gravely, and now offers expanded space for a broader range of mediums.
The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."
Creative Loafing Tampa Bay's 2026 Spring Arts Issue highlights seven emerging visual artists from the Tampa Bay area, identified through recommendations from local curators. The artists include Clancy Riehm, Zack Wittman, Jesi Cason, Patrick Carew, Mary-Helen Horne, Tatiana Mesa Paján, and Fary Charles (aka Junkyrd), each with distinct practices and upcoming projects.
The Brooklyn Museum is presenting "Iris van Herpen: Sculpting the Senses," a major exhibition dedicated to the Dutch fashion designer known for her avant-garde, sculptural garments that blend art, science, and technology. The show features over 80 of van Herpen's most iconic creations, alongside works by contemporary artists and scientific artifacts that inspired her designs.
The Alfred Ceramic Art Museum will host “Fihankra,” an exhibition of ceramic sculptures by Eugene Ofori Agyei, opening February 12 and running through July 19. The works, created during Agyei’s tenure as Turner Teaching Fellow at Alfred University, incorporate Adinkra symbols from Ghana’s Akan ethnic group, wooden benches, batik fabric, yarn, and found objects to explore themes of diaspora, cultural adaptation, and belonging. A reception will be held from 5 to 7 pm on opening day, and the exhibition will be accompanied by the 2026 Perkins Lecture featuring a conversation between Agyei and independent curator Larry Ossei-Mensah.
The Yale Center for British Art has opened a new exhibition, “Painters, Ports, and Profits: Artists and the East India Company, 1750-1850,” on January 8. Curated by Laurel Peterson and Holly Shaffer, the show features over a hundred works—including watercolors, portraits, and a 37-foot-long scroll of Lucknow—drawn from the museum’s collection and beyond. It explores the artistic networks and innovations that emerged around the British East India Company’s colonial and economic activities in India and China.
Bolton Museum is inviting local artists to submit their work for the Open Art Exhibition, with submissions due on January 29, 2026, at Bolton Library. Three prizes are on offer: the Young Artist award (ages 16–25, sponsored by Bolton at Home), the Visitors’ Choice award (sponsored by Bromley Art Supplies), and the Winners Prize (sponsored by the Library and Museum service). The judging panel includes Amy Brunn, Professor Kirsty Fairclough, David Gledhill, and the Manchester Young People’s Panel. All mediums except installations and live performances are accepted, and entrants must be aged 16 or over and live, work, or study in Bolton.
Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.
At 82, ceramicist Pippin Drysdale is the subject of a major retrospective, "Infinite Terrain," which opened in December at the Art Gallery of Western Australia (AGWA). The exhibition, curated by Isobel Wise, spans Drysdale's prolific 40-year career and was sparked by a chance, spirited encounter with AGWA director Colin Walker. Drysdale, who began ceramics in 1981 after earlier ventures in herbs and paper flowers, studied at Perth Tech, Anderson Ranch in Colorado, and Curtin University, and her work has been deeply influenced by travels to Italy, Siberia, and Russia.
Sarasota Art Museum presents "Radical Softness," a retrospective exhibition spanning visual artist Janet Echelman's 40-year career. The show features her signature large-scale mesh sculptures suspended in cities worldwide, including the temporarily closed "Bending Arc" in St. Petersburg, alongside full-scale pieces and scale models. Echelman's work originated from a 1997 Fulbright lectureship in India, where lost paints led her to create art with fishing nets. The exhibition also includes her computer-programmed sculptures, which calculate angles, weight, and wind forces.
Hui Noʻeau Visual Arts Center on Maui is presenting its Annual Juried Exhibition from January 16 to February 20, 2026. The open-theme show features works in ceramics, printmaking, sculpture, photography, painting, digital media, jewelry, Hawaiian cultural arts, wood, fiber, and more, juried by Denise Karabinus, Executive Director of Honolulu Printmakers. The exhibition opens with a juror walkthrough and reception on January 16, and artists from Maui and beyond were invited to submit work created within the past two years.
Yasmin Smith, an Australian artist described as an 'archaeological ceramicist,' presents her solo exhibition *Elemental Life* at the Museum of Contemporary Art Australia (MCA) in Sydney, running until June 8. The show features sculptural installations that use ceramics and glaze technologies to decode environmental and human histories. Key works include *Seine River Basin (2019)*, commissioned by the Centre Pompidou, which uses ash-glazed stoneware replicas of tree branches to reflect the chemical history of the River Seine, and *Chicxulub (2025)*, which draws on samples from the asteroid impact crater in Mexico to explore mass extinction. Smith’s practice involves extensive field research and collaboration with ecologists, archaeologists, and local communities, creating site-specific glazes that act as chemical records of place and time.
El Camino College Art Gallery is hosting an exhibition titled "Kieva Campbell: The Sister I Never Met," featuring paintings by artist Kieva Campbell that tell the story of her sister April Savino, a teen runaway who struggled with depression and died by suicide in 1987. The show, on view through spring 2026, includes workshops and interactive stations led by participant Carrie Lockwood, who presents a coloring book called "A Book About Me" to help visitors explore emotions. The exhibition aims to address youth mental health through art.
Timothy Akis, born around 1944 in Tsembaga village, Madang, is recognized as a pioneer of contemporary art in Papua New Guinea. His 1969 solo exhibition at the University of Papua New Guinea (UPNG) is considered the country's first Western-style show by a Papua New Guinean artist, catalyzing a modern art movement. Akis developed a distinctive drawing style using ballpoint, felt pen, and ink, depicting highlands creatures like cassowaries and flying foxes. His work inspired younger artists, notably Mathias Kauage, who became PNG's most internationally visible contemporary painter after seeing Akis's exhibition. Akis's career included exhibitions in Australia, Europe, and the United States, and his works are held by institutions such as the National Gallery of Australia and the Queensland Art Gallery, Gallery of Modern Art.
Legendary visual artist Jamel Shabazz, a retired New York City correction officer, has opened his first solo exhibition on Long Island at the Emily Lowe Gallery inside Hofstra University's Museum of Art in Hempstead. Titled "Love is the Message," the show features photographs spanning over five decades, capturing love and humanity in overlooked urban communities. Shabazz's work is also held in major institutions including the Metropolitan Museum of Art, Brooklyn Museum, and the Smithsonian.
Concord, New Hampshire's downtown galleries and art-related stores will stay open late on Friday for InTown Concord's final First Friday of 2025, themed as an Art Walk with 23 destinations including the League of New Hampshire Craftsmen, Go Native Gallery, Pompanoosuc Mills, and Glimpse Gallery. The event runs from 4-8 p.m. with live music, food trucks, and a free trolley. Concurrently, Concord artist Saad Hindal holds a gallery opening at 57 North Main Street from 12-8 p.m., with his work on display until Christmas Eve. The weekend also features a Christmas craft fair at the United Church of Penacook on Saturday and a film screening of "Pressure Drop" at the Bank of New Hampshire Stage on Sunday.
Danish artist Anders SCRMN Meisner presents his first solo exhibition in New York at Isabel Sullivan Gallery, featuring 14 new paintings inspired by what he calls a "European lust for life." The show, on view through November 29, includes works such as *Blue Flamenco Shoes and Portrait* (2025), *Orange Blossom Water (Like Wild Horses)*, and *The Flower Picker* (2025), which draw on flamenco motifs, Sevillian culture, and folk-inspired imagery. Meisner, who lived in Seville in his 20s, infuses his canvases with vivid blues, reds, and yellows, often depicting his wife Carolina and using pointillist dots and poetic titles painted directly on the canvas.
Helsinki's top art galleries are highlighted in a guide featuring recommendations from local artists and art world insiders. The article lists 10 spots, including Galerie Anhava, Helsinki Contemporary, Galerie Forsblom, and Kohta, emphasizing that galleries are low-threshold, free, and welcoming to all. The scene is shifting eastward from the city center to neighborhoods like Kallio, Sörnäinen, Vallila, and Kalasatama, with many galleries closed on Mondays.
The Arlington Museum of Art has opened "Game of Thrones™: The Exhibition," an immersive display featuring over 60 original costumes, props, and behind-the-scenes materials from HBO's epic fantasy series. Curated in partnership with Warner Bros. Discovery Global Experiences and the show's production archives, the exhibit showcases costumes worn by iconic characters such as Daenerys Targaryen and Jon Snow, alongside design sketches and insights into the craftsmanship of the series' award-winning costume designers and artisans.
The University of Montana's Montana Museum of Art and Culture (MMAC) will present three solo exhibitions by Montana artists this fall: Sara Mast's "Standing in the River" (opening Oct. 16), Manette Rene Bradford's "Unsettled Lands" (opening Nov. 13), and a posthumous show for Rand Robbin (opening Dec. 4). The exhibitions span painting, glass sculpture, collage, drawing, and printmaking, with each artist offering a distinct perspective on landscape, nature, and Montana's artistic traditions.
Artist Paribartana Mohanty's solo exhibition "I Rescued Speed Altogether" at Delhi's Shrine Empire gallery presents 12 paintings and three moving-image works created over eight years of documenting the demolition of the Kathputli art colony, a historic slum cluster in west Delhi known for its street performers. The works, mounted on found objects like glue cans and plastic, focus on the objects and landscapes left behind after demolitions, with human figures absent from the canvases. Mohanty's title comes from his three-year-old son's triumphant statement after learning to pedal a bicycle, which the artist sees as an absurd phrase fitting for what he calls the "absurd acts" of demolition.
Fibre Arts Australia's third International Art Textile Biennale is now touring Australia, featuring 39 textile artists from 10 countries. The exhibition will visit nine galleries across the country through September 2026. At its debut at East Gippsland Art Gallery, three Australian artists received biennale awards: Sue Coppock won the Major Award (AU$2,000) for her embroidered fencing mask 'Are You Wearing a Mask Right Now?', Claudia Mazzotta won the Australian Excellence Award for 'Untouched Terrains', and Nicola Oliver won the Glenys Mann Award for 'Shadows Where Life Once Was'.
The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.
York Public Library in York, Maine, is hosting 'Creative Joy,' a solo exhibition of works by artist Dustan Knight, running from September 4 through October 31, 2025. Knight, who holds an MFA from Pratt Institute and an MA in art history from Boston University, has over 40 years of creative exploration and a three-decade teaching career at institutions including the New Hampshire Institute of Art and Maine College of Art. The exhibition features her expressive, abstract landscapes inspired by New England's coastal light, alongside narrative and playful works, and includes a reception with the artist on September 16.
The Vincent Price Art Museum is hosting 'Before You Now: Capturing the Self in Portraiture,' an exhibition drawn from LACMA's collection that explores self-portraiture through over 50 contemporary American artists working in photography, prints, drawings, video, and installation. The show includes a video series featuring artists like Jessica Wimbley, who discusses her work 'Cabinet Portrait: Wife Portrait' (2022), a large-scale reimagining of a 19th-century cabinet card bridal portrait that centers Blackness in American material culture by depicting herself in a non-traditional black wedding dress. The exhibition runs through August 30, 2025, with a related collage workshop led by Kalli Arte Collective on August 23.