Culinary artist Laila Gohar has partnered with Champagne Lallier, a historic Champagne house based in Aÿ, France, to celebrate the launch of their R.021 Brut, the first harvest-to-glass Champagne from Chef de Caves Dominique Demarville. Gohar hosted an intimate launch dinner at downtown hotspot Bridges and shared her tips for summer entertaining, including building Champagne towers and pairing the cuvée with raw scallops.
Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.
Artist Joanna Tam's solo exhibition "when blue meets blue" opened at the 25/8 Art Gallery on April 13, 2026. The show, presented in partnership with the Harvard Square Business Association and Intercontinental Management, features photographic works and installations exploring the ocean and sky as motifs tied to migration, memory, and the complex duality of nature. Tam, who grew up in Hong Kong and moved to the US, draws from personal experience to create a space for meditation on comfort, freedom, trauma, and tension.
Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a landmark exhibition titled “Fifty Forward.” Founded in 1976 by 12 local artists seeking to bypass traditional gatekeeping, the gallery has survived five decades of economic shifts and environmental challenges through a robust cooperative structure. The anniversary programming includes a "Homecoming" show at its original location, the Jung Center, alongside concerts, poetry readings, and a juried exhibition.
Art Monte-Carlo is celebrating its 10th anniversary at the Grimaldi Forum from April 29 to May 1, featuring 26 international galleries and a newly introduced curatorial section. Held under the patronage of Prince Albert II, the fair includes a mix of returning heavyweights like Almine Rech and Galleria Continua alongside newcomers from Paris, Stockholm, and Busan. The event coincides with Monaco Art Week, creating a concentrated period of commercial art activity across the Principality.
Recent US-Israeli strikes in the Iranian city of Isfahan have caused significant damage to several UNESCO World Heritage sites and historic landmarks. Reports indicate that the 17th-century Chehel Sotoun Palace suffered shattered windows, broken doors, and a large crack in a major fresco depicting Shah Tahmasp and the Mughal Emperor Humayun. Nearby, in the historic Naqsh-e-Jahan Square, the Ali Qapu Palace and the Jame Abbasi Mosque also sustained damage, including the destruction of iconic turquoise tiles and intricate fretwork.
An exhibit opening at the La Grua Center in Stonington, Connecticut, celebrates the work of local artists Dennis Sirrine and Tom Frohnapfel. The show, which runs through the end of February, features their representational and abstract paintings, mixed media, glass works, and furniture, reflecting over four decades of creative exploration. Both artists moved from the Midwest to New York City in the 1980s before settling in Stonington in the 2000s. Sirrine, who manages the Velvet Mill Gallery, presents works ranging from early cityscapes to recent abstractions, while Frohnapfel, a Pratt Institute graduate, showcases his design-and-build furniture, glass blowing, and paintings.
Coastal Breeze News published an article titled "The Joys of Local Art" that celebrates the value and appeal of art created within local communities. The piece highlights how local art fosters a sense of connection, supports regional artists, and makes art accessible to a broader audience.
Mango Tango Art Gallery in St. Thomas, Virgin Islands, is opening a commemorative exhibition titled “Gone but Not Forgotten” on Saturday, November 22, from 5:30 to 8:30 p.m. The show honors three beloved local artists—Kathy Carlson, Max Johnson, and Smokey Pratt—whose lives and works shaped the Caribbean art scene. The evening will feature live music by Neko Crush, appetizers, and spirits. Carlson and Johnson, both East Coast natives who studied at the Art Students League of New York, created lush floral paintings and portraits inspired by their Caribbean travels. Johnson also painted New England landscapes. Carlson was a respected educator who taught math at Antilles High School, while Johnson had a career in advertising at J. Walter Thompson. Pratt, a chef, musician, and gallery co-owner, contributed humorous cartoons and played in the blues duo 2 Blue Shoes. The exhibition runs for one month.
Friedrich I of Baden-Württemberg upgraded his summer residence, Ludwigsburg Palace in Germany, after allying with Napoleon and becoming king. Four prized rooms, including the unusually complete drapery bedchamber, are set to reopen in 2026 after substantial restoration. The bedchamber features original turquoise silks, now faded blue-green, and over 6,000 tassels, presenting a major conservation challenge. Textile conservator Anu-Susanna Ventelä notes it is likely the only palace in Europe with such an intact drapery room. The project is part of a larger revamp of 35 rooms funded by the State of Baden-Württemberg, with conservators consulting historical inventories to restore furnishings to their original layout.
The Geneva Museum of Art and History (MAH) coordinated a frantic evacuation of thousands of archaeological artefacts from Gaza’s main storage facility on 9 September, ahead of an Israeli strike that destroyed the Al-Kawthar residential tower housing the repository. The facility, operated by the French Biblical and Archaeological School of Jerusalem (EBAF), contained finds from key sites including the fourth-century Saint Hilarion Monastery, a UNESCO World Heritage site. MAH staff, led by curator Béatrice Blandin, negotiated with Israeli authorities, Swiss diplomats, UNESCO, and the Aliph Foundation to secure a brief window for removal. Despite the operation, 30% of the artefacts—mostly ceramics and lapidary objects—could not be saved.
The Great Plains Art Museum at the University of Nebraska–Lincoln will open “Reflections of Our People, Our Ways, Our Land” on September 5, the first-ever exhibition centered on Otoe-Missouria artists. Featuring 24 artists from the tribe, the show spans traditional to contemporary mediums and runs through December 20. The exhibition is part of the Walking in the Footsteps of our Ancestors project, funded by the Mellon Foundation, which aims to promote healing and reconciliation by reconnecting the tribe to its Nebraska homelands.
The University of California, Davis, will host the Arts & Humanities 2025 Graduate Exhibition from June 5–22 at the Jan Shrem and Maria Manetti Shrem Museum of Art. The multidisciplinary showcase features 31 graduate students from art studio, art history, design, comparative literature, English, environmental science and policy, music, and performance studies. Works include photography, painting, sculpture, video, performance, and textiles, with live performances and awards on opening night. Participants explore themes such as human-technology relationships, environmental resilience, African diaspora, and emotional healing.
An unsuspecting couple in their sixties from Pembrokeshire, South Wales, discovered two paintings by 19th-century cat artist Louis Wain in a skip while walking their dog. The works—'Blue Cat Among the Flowers' (estimated at £5,000) and 'Psychedelic Cats' (a double-sided piece valued at £6,000)—were initially considered as a gift for their cat-loving daughter-in-law. The paintings are now being auctioned by Rogers Jones Auctioneers & Co as part of the British and European Fine Art Sale in Cardiff on May 21.
French-Mexican artist Hugo Toro is debuting his first solo art exhibition in the United States at Perrotin New York on May 20, 2026. The show features over a dozen paintings and sculptures that explore themes of origin, belonging, and identity, with water serving as a recurring metaphor for memory. Toro, who also works in architecture and interior design, describes his creative process as instinctive, starting from emotional impulses and moving from abstraction toward figuration.
The Ashe Arts Center in Lansing, North Carolina, is hosting an opening reception for "Shadow of the Hills," a new exhibit featuring artwork created by the Blue Ridge Art Clan (BRAC). The reception will take place on Friday, May 8, from 5-7 p.m., and the exhibit will remain on display through June 6. BRAC, founded by Florence Thomas in 1978, promotes fine arts and supports artistic excellence, with members including professional and hobby artists from Ashe County and the surrounding High Country. The 2026 exhibit features 28 participating artists, including Scott Ballard, Lynn Baranowski, and Pete Benda, among others.
Jacob Fry, a White City-based carpenter and self-taught artist, debuted his first public exhibition on March 20 at Central Art Gallery in Medford. Known as "The Wayward Hare," Fry transitioned from lifelong black-and-white sketching to a vibrant, multi-media practice involving spray paint, acrylics, and paint pens. The show features abstract, colorful depictions of the natural world, including signature pieces like "Great Blue Heron" and "The Patient Fox."
Toledo Tattoo Company and Bold Lines Gallery are set to host a grand opening for their new combined venue in downtown Toledo on March 14. The event will feature a live jazz band, ice carving demonstrations, and the gallery's inaugural major exhibition, with a portion of proceeds benefiting Nationwide Children’s Hospital.
The Angular Festival, curated by Focus Group Radio, takes over four spaces at Palomar by Crossway in Chennai, blending music stages, an art gallery, listening sessions, artist installations, and a makers market. Five artists—Arya, Poorvaja Rathi, BVS, Sasithar, and co-curator Rhea Fabian—present works across painting, sculpture, installation, and film, while musical acts like Komododo, CDV, and The Dipshit Ladies perform on two stages. The event also features listening sessions curated by non-musicians and interactive installations by Television Dust and Abhishek Jayaprakash.
The Korea Craft and Design Foundation (KCDF) announced the launch of its "2026 KCDF Craft and Design Open Call Exhibition" on April 27, selecting 10 emerging artists, 6 mid-career artists, and 3 groups through a professional review. The program opens with a solo exhibition by mid-career artist Seo Junghwa, titled "Ambiguity," featuring metal furniture that blurs boundaries between natural and artificial objects, running from April 29 to May 10 at KCDF Gallery. Additional window gallery shows include Jeon Young Eun's "Showcase of Extinction" (April 15–May 10) and Lee Hyungchan's "Supporting [ ]s" (May 13–June 7). Since 2018, the Foundation has supported 154 exhibitions through this initiative.
Chilean artist Catalina Bauer presents her exhibition "El volcán, la ballena y otros mundos" at the Sala Capilla of Centro Cultural Montecarmelo in Santiago de Chile, 2026. The show features an immersive installation centered on a whale-like sculptural form that has beached inside the chapel, surrounded by cosmic and natural elements such as stars, ferns, and maranta plants, creating a dreamlike ecosystem that invites tactile and contemplative engagement.
Photographer David Bird has unveiled a new exhibition titled "Cold Water Swimmers" at the Royal Bournemouth Hospital’s Art Space gallery. The series features before-and-after portraits of local swimming groups, such as Beyond the Blue in Poole, capturing the physical and emotional transformation of participants who brave the sea at sunrise without wetsuits. The project was developed during Bird's recent MA in Photography at Arts University Bournemouth, marking a return to academia after a 30-year career in commercial and press photography.
Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.
The Blue House Gallery in Dayton, Ohio, will host "Imagining Abolition: State Blues," a group exhibition presented by The Returning Artists Guild (RAG), an abolitionist collective of directly-impacted practicing artists from Ohio and beyond. The exhibition opens on June 13, 2026, with a reception from 6-9pm, and runs through July 13, 2026, with open hours on Fridays from 4-6pm or by appointment.
Four emerging Indigenous artists from Nagula Jarndu, a women's art centre in Broome, have been selected to present their work at Revealed, an annual Perth showcase of new and emerging Western Australian Aboriginal artists. The artists—including Ebony Pierik—created large-scale silk pieces using hand-carved linocut blocks, now displayed in the main gallery of the Perth Institute of Contemporary Art (PICA). The exhibition, curated by Whadjuk, Balladong and Wilman Noongar artist Zali Morgan, also features a large-scale art market where thousands of works are sold directly to buyers, with 100% of proceeds going to the artists.
Blue Streak Gallery in Wilmington, Delaware, is hosting an opening reception on May 1st for its new group exhibition titled "AWE and DELIGHT." The show features 20 artists, each contributing one painting that depicts something that brings them delight, showcasing a range of styles, techniques, and subjects. Participating artists include Ruth Ansel, Lisa Bartolozzi, Susie Benarcik, Jeremy Butler, Karen Delaney, Mary Page Evans, Alida Fish, Craig Hable, Sutton Hays, Annie Oldach, Annie Patrizi, Rachel Romano, Lynda Schmid, Libbie Soffer, Bill Spiker, Carol Spiker, Steve Tanis, and Valetta. The exhibition runs through June 2nd.
Helena College is showcasing its annual capstone exhibition, titled 'The Cost of Living,' at the Holter Museum of Art in Helena, Montana. The show features final projects from six second-year art students—Vinessa Sanford, Kraig Mougeot, William Krings, Linus Leeper, Sophie Uda, and Red Romano—and opened on April 3, running through May 3, 2026. Assistant professor Seth Roby organized the exhibition, which includes works ranging from a turbulent abstract painting to a whimsical nook with lavender wisteria and fairy dwellings, all exploring existential themes tied to life and living.
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
On April 12, the Reed Gallery opened 'Shuttered Light,' an exhibition of photographs by Deerfield Academy student Albert Yuk (class of 2026). The show juxtaposes staged war scenes from a Beijing film set with real wartime documentation from Israel and Iran, aiming to highlight media bias and the blurring of authenticity in news imagery. Yuk, who has traveled to conflict zones including Israel, Iran, Kazakhstan, and Afghanistan, began his photography career working for Pulitzer Prize-winning Chinese photojournalist Liu Heung Shing. The exhibition includes personal favorites like 'Intersection of Tradition and Modernity' and 'Warrior’s Respite,' reflecting themes of freedom, liberty, and gender roles.
Homestead Fine Art Gallery in downtown Berthoud has established itself as a vital community hub, currently representing 23 local artists from Northern Colorado. The gallery recently hosted its third annual student art show, featuring works from Berthoud High School students and concluding with a public awards reception. Managed by volunteer Executive Director Jim Fronapfel, the space operates on a cooperative model where artists juried into the gallery rent space and contribute volunteer hours to maintain operations.