Auction record
A new auction record has been set, with a significant artwork selling for a high price at a major auction house. The sale took place recently, drawing attention from collectors and the art market.
A new auction record has been set, with a significant artwork selling for a high price at a major auction house. The sale took place recently, drawing attention from collectors and the art market.
DeviantArt has undergone a significant resurgence, reaching over 108 million users by 2026 following a multi-year modernization effort. The platform has pivoted away from traditional advertising models to a creator-centric ecosystem that prioritizes artist monetization through subscriptions, digital tip jars, and low-fee sales. By removing third-party ads and implementing advanced image protection technology, the site has positioned itself as a secure alternative to mainstream social media for digital creators.
The Metropolitan Museum of Art has announced "Fashion is Art" as the official dress code for the 2026 Met Gala, complementing the Costume Institute’s upcoming exhibition, "Costume Art." Curated by Andrew Bolton, the show will feature approximately 400 objects that juxtapose couture fashion with traditional artworks and artifacts. The exhibition will be the first to inhabit the museum's new Condé M. Nast Galleries and is structured around a "typology of bodies," exploring how fashion interacts with various human forms ranging from classical nudes to aging bodies.
Photographer Ron Timehin discusses a standout image from his documentary project in Labadi, Accra, featuring five local community members and a horse against a ruined farm building. The project, commissioned by My Runway Group, aims to move away from traditional documentary tropes by portraying West African communities in a collaborative, dignified, and elegant manner.
The Korean Cultural Center New York (KCCNY) presents the major exhibition "Lee Kang So: A Field of Becoming," on view from May 13 to June 20, 2026. The show features the work of pioneering Korean contemporary artist Lee Kang So (b. 1943), who since the 1970s has worked across photography, painting, sculpture, installation, and performance, resisting fixed forms to explore how art emerges through process, material, and context. The exhibition includes key works from his 1970s performances and installations, as well as later sculptures and paintings that foreground gravity, chance, and bodily gesture. Lee, who was active in New York in the 1980s and participated in MoMA PS1's Studio Artist Program, returns to the city with this exhibition at KCCNY's expanded venue.
Dustin Yellin, known for his glass sculptures and as founder of Pioneer Works, has made his first film, *Goodnight Lamby*, produced by Darren Aronofsky's A.I.-focused studio Primordial Soup. The short film, a hero's journey to rescue his daughter Zia's favorite stuffed animal, premiered at Cannes. Yellin discusses the project with his friend actor Paul Rudd, who voices the character "Papa," exploring how fatherhood and his existing artistic practice of "frozen cinema" inspired the animation.
The Kochi Biennale Foundation has appointed contemporary artist and curator Jitish Kallat as the new president of the Kochi-Muziris Biennale. He will chair the selection committee for the next edition's curator, succeeding co-founder Bose Krishnamachari, who resigned earlier this year.
L’artiste Fabien Verschaere, auteur de joyeux capharnaüms, s’est éteint à l’âge de 50 ans
The French contemporary artist Fabien Verschaere has passed away suddenly at the age of 50. Known for his dense, colorful, and highly personal visual language, Verschaere was scheduled to receive the Chevalier des Arts et des Lettres distinction just days after his death. His work, which drew heavily from childhood imagery and his own experiences with chronic illness, created a bridge between dreams and nightmares through a cast of recurring characters like ghosts, superheroes, and hybrid creatures.
Chile's new president, José Antonio Kast, has implemented a 3% budget cut across all government ministries, including the Ministry of Cultures, Arts and Heritage. This reverses the trend of his predecessor, Gabriel Boric, who significantly increased cultural funding. The new Minister of Cultures, Francisco Undurraga, has stated there is "excessive spending on culture," and the government is seeking an additional $1bn in cuts, requiring ministries to identify alleged abuses in public fund usage.
embattled louvre director laurence des cars resigns
Laurence des Cars has resigned as director of the Louvre Museum following months of intense scrutiny and institutional turmoil. Her departure, accepted by French President Emmanuel Macron, comes in the wake of a massive $102 million jewelry heist in October 2025 that exposed severe security lapses, outdated infrastructure, and systemic management failures. Despite proposing a major security overhaul and a massive modernization project, Des Cars faced mounting pressure from government audits, staff walkouts, and investigations into ticket fraud.
A leaked French government audit reveals that the Louvre Museum's security system is "outdated and inadequate," with significant gaps in CCTV coverage. The report, conducted by France's Court of Auditors and set for public release next month, found that modernization of security systems had been repeatedly postponed, and cameras were mostly installed only when rooms were refurbished. In the Denon Wing, home to the Mona Lisa, one-third of rooms lack cameras; in the Richelieu Wing, 75 percent of rooms are without them. Only 138 additional cameras have been installed since 2019. The audit was initiated by Louvre president and director Laurence des Cars after she assumed the role in 2021. The findings follow a robbery of French crown jewels from the museum and come amid staff strikes over understaffing and overcrowding.
A 4,000-year-old limestone relief depicting the three seasons of the ancient Egyptian calendar has been stolen from the Saqqara necropolis near Cairo. The relief, measuring 16 by 24 inches, was cut from the wall of a Fifth Dynasty tomb belonging to high-ranking official Khenti Ka using an electric saw. Egypt's Ministry of Tourism and Antiquities reported the theft on Sunday, and an archaeological committee has been formed to inventory the tomb's contents while the matter is under investigation by the Public Prosecution.
Performance artist Crackhead Barney, known for her viral street interventions and ambush interviews at protests and public events, is transitioning her work to the formal stage. Her new play, GOD IS RAPING ME, is having sold-out dates at the Pageant performance space in Brooklyn, marking a significant shift from her guerrilla-style, social media-driven practice to theatrical production.
Manhattan District Attorney Alvin Bragg has charged veteran New York antiquities dealer Michael Ward with criminal facilitation following an investigation into the illicit trade of cultural property. Ward, who operated his Upper East Side gallery for nearly forty years, was convicted in September for his role in facilitating the sale of stolen artifacts, including a 1st-century gilded bronze plaque. Court documents reveal a broader pattern of misconduct involving 40 objects stolen from Italy, Greece, and Turkey, with a total value reaching into the millions.
Cowley Abbott’s Fall Live Auction of Important Canadian Art will take place on November 26 at Toronto’s Globe and Mail Centre, featuring a curated selection of historical and contemporary Canadian works. Highlights include Jean Paul Riopelle’s *Sans titre* (1950, est. CA$1.2–1.5M), Emily Carr’s *Pole of Harhu* (1912, est. CA$800,000–$1.2M), Lawren Harris’s *Rocky Mountains; Abstract Composition* (est. CA$400,000–$600,000), Jack Bush’s *Awning* (1974, est. $200,000–$300,000), and Jean Paul Lemieux’s *Jeune fille en jaune* (1964). Founded in 2013 as Canada’s first online art auction house, Cowley Abbott has evolved into a hybrid gallery and digital marketplace, with onsite viewing at its Dundas Street West gallery through the auction date.
Private dealer Nikolaus Leskovar, through Leskovar Fine Art, has amassed a significant collection of works by Pop art pioneer Roy Lichtenstein (1923–1997), including pieces such as *I Love Liberty* (1982), *Modern Print* (1971), and *Still Life with Red Jar* (1994). The article highlights Leskovar's admiration for Lichtenstein's ability to blend comic strip aesthetics with high art, and notes that the gallery offers both iconic and lesser-known compositions for collectors. Market data from the Artnet Price Database shows that Lichtenstein print sales rose 16% in 2024 to $11.6 million, with average sale prices increasing 17% to $44,000, partly driven by strong demand for his 1994 nude series—exemplified by *Roommates* selling for $1.2 million at Sotheby's in November 2024.
CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.
Lu Yang's solo exhibition "Electromagnetic Brainology" opened at Kunsthalle zu Kiel, running from January 30 to March 15, 2026. Curated by Muriel Meyer, the show features a new body of work from the Shanghai-based multimedia artist, known for immersive installations blending digital avatars, neuroscience, and pop culture iconography.
A major solo exhibition of work by the celebrated artist and activist Tourmaline has opened at the Australian Centre for Contemporary Art in Melbourne. Titled "Transcendent," the show is curated by Sophie Prince and runs from December 12, 2025, through March 15, 2026. It features new and existing works, including film, photography, and archival installations that explore themes of Black trans history, joy, and liberation.
A new book titled "Walter Otero: un galerista tropical" is being published this March. It features an interview by curator Omar-Pascual Castillo with Puerto Rican gallerist Walter Otero, chronicling his journey from personal assistant to painter Arnaldo Roche Rabell to founding his influential San Juan gallery, Walter Otero Contemporary Art (WOCA). The book details the gallery's history, its roster of artists, and Otero's adaptation to the digital age and crises like Hurricane Maria.
The Metropolitan Museum of Art and the Neue Galerie in New York have announced a merger set for 2028. The Neue Galerie, founded by collector Ronald S. Lauder, will become The Met Ronald S. Lauder Neue Galerie, absorbing the most significant collection of early 20th-century Austrian and German art outside Europe, including Gustav Klimt's "Portrait of Adele Bloch-Bauer I." Lauder and his daughter Aerin Lauder Zinterhofer will donate thirteen major works from their private collection, and a fundraising campaign has been launched to support the integration.
Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche
The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.
Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune
The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.
Paolo Masi, the Florentine artist known for his lifelong exploration of poor materials and their transformation, died in Florence on Wednesday, May 6, just days before his 93rd birthday. His career spanned from informal experiments in the 1950s through a rigorous investigation of materials in the 1960s, including his first solo show at the Strozzina in 1960. He joined the aesthetic research group Centro F/Uno alongside Baldi, Lecci, and Nannucci, and later co-founded the collective spaces Zona (1974) and Base (1998) with Mario Mariotti and Maurizio Nannucci. Masi participated in the Venice Biennale (1978) and the Rome Quadriennale (1986), and his works are held by major museums and foundations internationally. His later years saw significant retrospectives at the Museo MAGA in Gallarate (2018) and at Le Murate in Florence (2018), as well as a 2023 solo show at Florence's Galleria Frittelli, which remembered him as an extraordinary artist and dear friend.
The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.
A Perugia Giotto e i Giotteschi per celebrare gli 800 anni dalla morte di San Francesco
The Galleria Nazionale dell'Umbria in Perugia has opened the exhibition "Giotto e san Francesco. Una rivoluzione nell'Umbria del Trecento" to mark the 800th anniversary of the death of Saint Francis of Assisi. Curated by Veruska Picchiarelli and Emanuele Zappasodi, the show brings together major international loans to reunite works by Giotto and his Umbrian and Sienese followers, exploring the artistic revolution sparked by Francis's life and Giotto's break from Byzantine tradition toward naturalism.
L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze
Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.
Oltre il prompt: quando il medium è l’AI generativa l’artista diventa regista sistemico
The article argues that as AI-generated images become more spectacular, the role of the artist is often misunderstood as merely writing prompts. Instead, the author contends that the most significant generative artworks are systems—predetermined rule-based environments where the artist designs the conditions for images to emerge. Works like Hans Haacke's "Condensation Cube" (1963-1965) and Refik Anadol's "Unsupervised" (2022) exemplify this shift from object to process, where the artwork is the behavior or architecture itself.
A Reggio Emilia torna la grande rassegna Fotografia Europea. Programma, appuntamenti, centinaia di mostre diffuse
Fotografia Europea, the major photography festival in Reggio Emilia, returns for its 21st edition from April 30 to June 14, 2026, under the theme "Fantasmi del quotidiano" (Ghosts of the Everyday). The official circuit features twenty exhibitions across historic venues such as Chiostri di San Pietro, Palazzo da Mosto, and Palazzo dei Musei, as well as modern spaces like Spazio Gerra and Collezione Maramotti. Highlights include works by Felipe Romero Beltrán (winner of the KBr Photo Award 2025), Mohamed Hassan, Salvatore Vitale, Marine Lanier, Ola Rindal, Tania Franco Klein, Giulia Vanelli, Frédéric D. Oberland, and Simona Ghizzoni, with curatorial contributions from Tim Clark and Luce Lebart. Over three hundred off-circuit exhibitions will also be held throughout the city.
“Non esistono arti minori o femminili”. Ce lo spiega Domitilla Dardi nel suo nuovo libro
Domitilla Dardi's new book "Cucire Universi" (published by Einaudi) presents a counter-history of design, focusing on techniques traditionally dismissed as "feminine" and "minor"—such as sewing, ceramics, cooking, and knitting. The book argues that these practices have been systematically undervalued by official art histories, yet have contributed significantly to technologically advanced research fields. Dardi uses real historical figures like Emily Dickinson to illustrate how women's creative and scientific talents were channeled into these marginalized domains, and she calls for overcoming the dualistic view that separates art from craft.