Tokyo's museums have announced their 2026 exhibition schedules, featuring a diverse lineup of international and domestic shows. Highlights include 'YBA & Beyond: British Art in the 90s from the Tate Collection' at the National Art Center, a major retrospective of Hajime Sorayama at the Creative Museum Tokyo, and a solo exhibition of Lithuanian artist M. K. Čiurlionis, alongside shows by Picasso, Ron Mueck, Hiroshi Sugimoto, and Minami Tada.
The Lee Kun-hee Collection touring exhibition, featuring over 330 masterpieces including seven National Treasures, has drawn 3.5 million visitors across South Korea and is now traveling internationally to Washington, Chicago, and London. The exhibition, organized by the National Museum of Korea and the National Museum of Modern and Contemporary Art, Korea (MMCA), showcases Korean art from the Three Kingdoms period to the present, and has been widely covered by outlets like The Washington Post, CNN, and Forbes.
The Studio Museum in Harlem reopened in November 2025 after a seven-year reconstruction, unveiling a new building designed by Adjaye Associates and Cooper Robertson that incorporates architectural elements of Harlem, such as masonry-framed windows and a staircase evoking brownstone stoops. The reopening featured a major exhibition highlighting alumni from its renowned artist-in-residence program, which began in 1968 with Tom Lloyd as the first recipient. Founded by Charles E. Innis and a coalition of artists, activists, and philanthropists, the museum has long served as a nexus for artists of African descent, expanding the canon of Black art during the civil rights and Black Power movements.
The National Museum of Modern Art, Tokyo (Momat) is presenting "Anti-Action: Artist-Women’s Challenges and Responses in Post-war Japan," an exhibition that highlights the work of women artists in 1950s and 1960s Japan. Curated by Hajime Nariai, the show features Yayoi Kusama alongside figures like Atsuko Tanaka, Tsuruko Yamazaki, and Hideko Fukushima, as well as ten lesser-known artists whose names have been largely forgotten. The exhibition uses the term "anti-action," coined by art historian Izumi Nakajima, to describe these artists' shared determination to resist the dominant masculine ethos of action painting and Eurocentric art trends, instead forging their own unique practices.
Rapper 21 Savage and British-Nigerian artist Olaolu Slawn (known as Slawn) took over Atlanta's High Museum of Art to celebrate the release of Savage's new album, *What Happened to the Streets?*. The exhibition featured 15 original artworks co-created by the duo, including the album's cover art inspired by Kerry James Marshall's 1980 painting “A Portrait of the Artist as a Shadow of His Former Self,” eight portraits of collaborators (Drake, Latto, G Herbo, Lil Baby, Jawan Harris, GloRilla, Metro Boomin, Young Nudy), and four additional paintings from the album's 4-CD cover art series. The event follows their Art Basel rollout, which included a 20-foot inflatable sculpture roaming Miami.
Gustav Klimt's portrait "Portrait of Elisabeth Lederer" (1914–1916) sold for $236.4 million (about R4 billion) at a Sotheby's auction in New York, becoming the most expensive modern artwork ever sold at auction and the second most expensive painting in history, behind only Leonardo da Vinci's "Salvator Mundi." The sale, which featured works from the estate of billionaire collector Leonard Lauder, unfolded in a tense 20-minute bidding war among six collectors. The painting had been hidden from public view since the 1980s. The same auction also saw Maurizio Cattelan's 18-karat gold toilet "America" sell for over $12 million.
Sotheby's first evening auctions in its new Manhattan headquarters, the former Whitney Museum building designed by Marcel Breuer, achieved a record total of $605.1 million ($706 million with fees) on November 18. The night was headlined by the sale of 24 works from the collection of the late billionaire Leonard Lauder, which alone brought in $456.2 million. The standout lot was Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer, 1914-16)', which sold for $205 million ($236.3 million with fees) after a nearly 20-minute bidding war, becoming the second-most-expensive painting ever sold at auction. A subsequent contemporary art auction added $148.8 million ($178.5 million with fees) across 44 lots.
The article reports on major auction results from Christie's, Bonhams, and other houses, including a $700 million evening sale at Christie's and a Norman Rockwell painting sold for $7.25 million linked to former President Donald Trump. It also highlights notable consignments and bidding activity from high-profile collectors and estates.
A portrait by Gustav Klimt, *Portrait of Elisabeth Lederer* (1914–1916), sold for $236 million at Sotheby's in New York, setting a record for the auction house. The painting, depicting the daughter of Klimt's patron, was part of the collection of late billionaire Leonard A. Lauder. In the same sale, Maurizio Cattelan's solid gold toilet *America* (2016) fetched $12.1 million, with the piece satirizing superwealth. The toilet had previously been exhibited at the Guggenheim Museum and was stolen from Blenheim Palace in 2019; its current whereabouts remain unknown.
Christie's New York will auction Kim Whan-Ki's 1971 painting *19-VI-71 #206* (estimate $7.5–10 million) on 17 November 2025 as part of its prestigious 20th Century Evening Sale. This marks the first time a Korean artwork has been included in this marquee sale, placing the piece alongside works by Pablo Picasso, Marc Chagall, Joan Mitchell, and David Hockney. The painting, from the artist's New York period, is one of only 30 large-scale 'dot paintings' exceeding 200 cm and was created in the same year as his record-setting *05-IV-71 #200 (Universe)*, which sold at Christie's Hong Kong in 2019 for over HK$100 million.
Nine artists are featured in major museum exhibitions this year and next, including John Singer Sargent at the Musée d'Orsay, Alexander Calder at Calder Gardens and the Whitney Museum, Beauford Delaney at the Studio Museum in Harlem, Man Ray at the Metropolitan Museum of Art, and Cecily Brown at the Barnes Foundation. The article highlights key shows such as Sargent: Dazzling Paris, High Wire: Calder's Circus at 100, and When Objects Dream, each presenting significant works and historical context.
The Portland Art Museum (PAM) is opening a new 24,000-square-foot glass structure called the Mark Rothko Pavilion on November 20, 2025. The $111 million expansion, funded almost entirely by private donations, connects the museum's two existing buildings—the original travertine building designed by Pietro Belluschi and a former Masonic temple—above ground for the first time. The pavilion is named after the artist Mark Rothko, who had his first museum exhibition at PAM in 1932 under his birth name Marcus Rothkowitz. The project was designed by Chicago firm Vinci Hamp Architects and Portland's Hennebery Eddy.
This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Alexander Morrison visits the Fitzwilliam Museum in Cambridge to explore 'Made in Ancient Egypt,' an exhibition revealing the untold stories of the craftspeople and techniques behind ancient Egyptian objects. Ben Luke speaks with Katlijne Van der Stighelen about the largest-ever exhibition of Baroque painter Michaelina Wautier at the Kunsthistorisches Museum in Vienna, which will travel to the Royal Academy of Arts in London. The episode also features Robert Rauschenberg's iconic work 'Bed' (1955), part of the exhibition 'Five Friends' at the Museum Ludwig in Cologne, which brings together artists John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly.
This podcast episode from The Art Newspaper covers three major art stories. Ben Luke tours Kerry James Marshall's retrospective 'The Histories' at the Royal Academy of Arts in London—the largest European survey of the US artist's work—with curator Mark Godfrey, and visits a related exhibition of Marshall's graphic novel 'Rythm Mastr' at The Tabernacle in Notting Hill. The National Gallery in London announces a £400m expansion called Project Domani, the largest transformation in its 200-year history, with £375m already raised, and a shift in its collecting boundary beyond 1900. Finally, Tate Modern's centenary exhibition 'Theatre Picasso' centers on Pablo Picasso's 'The Three Dancers' (1925), discussed with co-curator Natalia Sidlina and designer Enrique Fuenteblanca.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, has announced a historic expansion, increasing its size by 50 percent to 114,000 square feet, with a grand opening scheduled for June 6 and 7, 2026. The expansion, designed by Safdie Architects, includes fully reimagined galleries and is celebrated by two landmark gifts: 18 major works by women artists donated by chairperson Olivia Walton and her husband Tom Walton, and 200 artworks by over 100 artists donated by collectors Candace and Michael Humphreys. The Walton gift features artists such as Yayoi Kusama, Alice Neel, and Njideka Akunyili Crosby, while the Humphreys gift introduces many new artists to the museum's holdings.
Crystal Bridges Museum of American Art in Bentonville, Arkansas, announced its expansion will open on June 6, 2026, adding 114,000 square feet—a 50% increase in size. Designed by Safdie Architects, the project began in 2022 and includes hundreds of newly donated works, the largest gift in the museum's history: over 200 pieces from Dallas-based collectors Candace and Michael Humphreys. Additional donations from board chair Olivia Walton and her husband Tom include 18 works by women artists, honoring her late mother, gallerist Monique Knowlton.
Allen Rosenbaum, the former director of the Princeton University Art Museum who led the institution from 1980 to 1999, died on August 3, 2025, at Calvary Hospital in New York City at age 88. Rosenbaum joined Princeton in 1974 as assistant director under Peter Bunnell, and during his 25-year tenure as director, he significantly expanded the museum's collections, adding major works such as Giulio Cesare Procaccini's "The Martyrdom of Saint Justina," Pinturicchio's "Saint Bartholomew," and Pietro da Cortona's "Saint Martina Refuses to Adore the Idols." He also oversaw the 1989 opening of the Mitchell Wolfson Jr. Wing, which added 27,000 square feet of exhibition space.
Christie's will auction the collection of Danish collector Ole Faarup during its October 2025 Marquee Week, featuring around 140 lots with an overall estimate of £16–22 million. Highlights include major works by Peter Doig, Chris Ofili, and Jean-Michel Basquiat, alongside Danish and international artists. Proceeds from the sale will benefit The Ole Faarup Art Foundation, which supports emerging artists and cultural institutions.
The article previews seven major art exhibitions opening across the United States this fall, from New York City to San Francisco. Highlights include a rare U.S. retrospective of Finnish painter Helene Schjerfbeck at the Metropolitan Museum of Art, the first comprehensive U.S. survey of Afro-Cuban surrealist Wifredo Lam at the Museum of Modern Art, and a long-overdue museum retrospective for multimedia artist Suzanne Jackson at the San Francisco Museum of Modern Art. Other featured shows include Yoko Ono's traveling retrospective at the Museum of Contemporary Art Chicago.
The Metropolitan Museum of Art has announced its MetLiveArts fall and winter 2025–26 season, featuring world premiere performances and commissions created specifically for the museum's galleries, as well as concerts in the Grace Rainey Rogers Auditorium. The season highlights a significant number of new works by female artists, including composers and musicians Gabriela Ortiz, Wu Man, Hanzhi Wang, Emily Wells, Layale Chaker, and Leilehua Lanzilotti. Performances will draw inspiration from the Met's collection and special exhibitions like 'Man Ray: When Objects Dream,' with events beginning September 9, 2025, featuring Wu Man and The Knights. The season also includes the JACK Quartet as the museum's 2025–26 Quartet in Residence and the appointment of Sarah Jones as Head of Live Arts.
The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.
The National Gallery in London, home to over 2,300 paintings spanning Western European art from Giotto to Cézanne and including early modernism by Picasso, has recently completed a comprehensive rehang of its collection at its Trafalgar Square site. This coincides with the reopening of the Sainsbury Wing after a two-year renovation. The article highlights ten essential works to see, including Jan van Eyck's *The Arnolfini Portrait* (1434), Leonardo da Vinci's *The Burlington House Cartoon* (around 1506-08), and Paolo Veronese's *The Adoration of the Kings* (1573), emphasizing the gallery's free admission and its role as a cultural treasure.
The Los Angeles County Museum of Art (LACMA) is nearing completion of its new Brutalist building designed by Swiss architect Peter Zumthor, known as the David Geffen Galleries. Museum members will get a sneak peek at the empty interior spaces starting July 3, though the fully finished project with art installed won't open until April 2026. The poured-in-place concrete structure spans 347,500 square feet, including 110,000 square feet of exhibition space across 90 galleries, elevated 30 feet above ground on seven massive piers crossing Wilshire Boulevard. The article offers a critical preview of the building's aesthetics, noting the overwhelming monotony of concrete across floors, walls, and ceilings, while acknowledging some appealing views and powerful visual impact.
The Los Angeles County Museum of Art (LACMA) held its first public event inside the new Peter Zumthor-designed David Geffen Galleries on Thursday evening, offering a sneak peek before art is installed. The preview featured a site-specific concert by composer Kamasi Washington, with multiple bands and a choir performing throughout the empty concrete galleries. The building, which has been under construction for five years, is targeted to open in April 2026, though some construction details remain unfinished and landscaping is still settling.
The global art market saw total sales of $57.5 billion in 2024, a 12% decline year-on-year, marking the second consecutive annual drop. Transaction volumes rose 3% to about 40.5 million, driven by works under $50,000 which made up 85% of dealer sales. Sotheby's and Christie's together accounted for roughly half of global fine-art auction turnover, though both saw significant auction revenue declines. The United States led with 43% of global sales, while China's market share fell to 15%, its lowest since 2009. Online art sales grew to 18% of total value, and new buyer momentum was strong, with 44% of dealer buyers being new and 91% of high-net-worth collectors optimistic.
Art Basel has announced the launch of Art Basel Qatar, a new international art fair set to debut in Doha. The fair will be held under the patronage of Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, chairperson of Qatar Museums, and is expected to bring together leading galleries from around the world. The announcement marks a significant expansion of the Art Basel brand into the Middle East, following its existing fairs in Basel, Miami Beach, Hong Kong, and Paris.
The Grand Rapids Art Museum (GRAM) has opened a new exhibition titled "David Hockney: Perspective Should Be Reversed," featuring over 160 works by the celebrated British artist David Hockney, spanning from 1954 to 2022. The prints on display come from the collection of Jordan D. Schnitzer and His Family Foundation. The exhibit runs from May 31 through November 2, with admission free for members and children under five, and $12 for adults. GRAM curator Jennifer Wcisel discussed the exhibition in a recent interview.
Saya Woolfalk's largest survey exhibition, 'Empathic Universe,' has opened at New York's Museum of Arts and Design. The show introduces visitors to the Empathics, a fictional plant-human hybrid species that embodies profound understanding and interconnection. Organized by curator Alexandra Schwartz, the exhibition spans two decades of Woolfalk's career and includes video, sculpture, installation, works on paper, and artist-fashioned clothing. It explores themes of empathy, hybridity, and utopia, drawing on Afrofuturist thinkers and science fiction, while addressing issues of racism and sexism in a polarized world.
The Cleveland Museum of Art is presenting an expanded version of Takashi Murakami's exhibition 'Stepping on the Tail of a Rainbow,' originally shown at The Broad in Los Angeles in 2022. The show fills the Kelvin and Eleanor Smith Foundation Exhibition Hall and Gallery with Murakami's vibrant paintings and sculptures, including early drawings, self-portraits, and new works unseen by American audiences. A highlight is the Yumedono project, a re-creation of the Dream Hall at Hōryū Temple in Nara, Japan, created in collaboration with the team from the FX series *Shogun*. Curator Ed Schad emphasizes the exhibition's exploration of how art can address crisis, healing, and escapist fantasy after shared historical trauma, with loans that dialogue with classical Japanese artists like Ogata Kōrin, Kitaōji Rosanjin, and Itō Jakuchū.
Plastic surgeon Charles Boyd, based in Michigan and deeply involved in the Detroit art scene, discusses his art collection and passion for visual art in an interview with The Art Newspaper. Boyd chairs the board at the Museum of Contemporary Art Detroit, serves on the board of the Detroit Institute of Arts, and is on the acquisitions committee of the Studio Museum in Harlem. His collection, which began in earnest in 2004 after inheriting art from his father, includes works by prominent Black American artists such as Ming Smith, Kerry James Marshall, Titus Kaphar, Deborah Roberts, and Sanford Biggers. He shares stories about his first purchase (a sculptural work from Côte d'Ivoire), his most recent acquisition (by the late Cuban artist Belkis Ayón), and a regret over not buying a Norman Lewis painting when he was a resident.