I'm a punk artist, I don't give a damn

"Ich bin Punk-Künstlerin, ich geb einen Scheiß drauf"

During the opening week of the Venice Biennale, the Russian activist and Pussy Riot member Nadya Tolokonnikova staged a protest against the Russian pavilion, wearing pink balaclavas and chanting slogans like "Blood is Russia's Art." Meanwhile, Florentina Holzinger's Austrian pavilion, subtitled "I Live in Your Piss," drew massive crowds with its scatological installations and extreme performances, causing wait times of up to two and a half hours. German media critics have widely covered the Biennale's heightened political tone, with debates over boycotts of Russia and Israel, and the tension between art and activism.

"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Wer vertritt wen in Venedig?

What We Throw Away Does Not Disappear

Was wir wegwerfen, verschwindet nicht

The Museum Ostwall at the Dortmunder U in Dortmund has opened a new exhibition titled "Müll – die globalen Wege des Abfalls" ("Waste – The Global Paths of Garbage"), curated by Christina Danick and Michael Griff. Featuring around 50 international artworks from the 20th and 21st centuries, including two newly commissioned pieces, the show uses art to explore waste as material, motif, and aesthetic strategy. Key works include Kader Attia's "Los de Arriba y Los de Abajo," which addresses power imbalances through the lens of garbage in Hebron, and historical pieces by César Baldaccini, Arman, and HA Schult. The exhibition also highlights contemporary issues such as e-waste, global waste trafficking, and the environmental impact of industrial nations on the Global South.

Ballets of Repetition

Ballette der Wiederholung

Vivien Zhang, a painter whose work blends botany, mathematics, and migration, is now exhibiting in Berlin. Her paintings feature tongue-like petals, crystalline butterflies, dewdrops, seed capsules, chromosomes, and frozen brushstrokes, all arranged in grid-like patterns that create a ballet of repetition. The forms are technoid-organic and three-dimensional, presenting enigmatic visual puzzles that explore how shapes, identities, and systems emerge anew.

Einatmen – Ausatmen

Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.

Special Interest: Marble

Spezialinteresse: Marmor

Karl Kolbitz has published a new book focusing on the depiction of marble in Early Renaissance paintings. He explores how artists used the fictional representation of marble to visualize the divine, drawing inspiration from art historian Georges Didi-Huberman and employing modern imaging techniques to reveal previously hidden details.

I Have Always Been Drawn to the Despised

"Ich habe mich schon immer zum Verachteten hingezogen gefühlt"

Irish artist Alice Maher discusses her ongoing exploration of patriarchal structures, mythology, and the symbolic power of female hair in her practice. Her current work focuses on large-scale drawings of Sibyls—ancient female prophets—whose excessive hair serves as a metaphor for identity, power, and the 'monstrous feminine.' Maher reflects on her career-long engagement with Irish history, from collecting hair during the Troubles to her collaborative textile masterpiece, "The Map," which reclaims the legacy of Mary Magdalene from Catholic institutional narratives.

Au CAPC de Bordeaux, Trevor Yeung recueille nos vœux les plus intimes et relit la mythologie chinoise

Hong Kong artist Trevor Yeung has transformed the 1,000-square-meter nave of the CAPC in Bordeaux into an immersive installation titled "Jardin des neuf soleils" (Garden of Nine Suns). Visitors climb a monumental rainbow-colored scaffolding structure to the ceiling, tying colored ribbons as wishes, accompanied by a symphony of bells. The exhibition also features green light inspired by an Insectron device found in the museum's storage, and nine "Chaotic Sun" light sculptures that reinterpret a little-known Chinese myth about ten suns crossing the sky.

Dans les ateliers de la Maison du vitrail, où création et restauration conjuguent au présent cet art du verre et de la couleur

The article visits the Maison du vitrail, a French stained-glass workshop founded in 1973 by Christiane and Philippe Andrieux and now run by their daughter Emmanuelle. Located in a historic courtyard, the studio employs fourteen artisans who cut, paint, and assemble colored glass for both restoration and original creations. The workshop has evolved from a small space in Châtillon to a thriving enterprise that handles everything from church windows and Parisian staircases to trophies, jewelry, and commercial projects for clients like Truffaut and the Casino de Paris.

Venice Biennale 2026: The Pavilions Not to Be Missed

Biennale de Venise 2026 : les pavillons à ne surtout pas manquer

The 61st Venice Biennale, curated by Koyo Kouoh as an invitation to slow down and reconnect with emotions, features a constellation of contemplative and powerful proposals across the city. Notable national pavilions include the Holy See transforming a monastic garden into an immersive sound experience by Soundwalk Collective, Canada exploring colonial heritage through giant water lilies by Abbas Akhavan, and Austria electrifying the Giardini with radical performances by Florentina Holzinger. Other highlights include Spain dissecting collective memory through postcards, Poland imagining new forms of language between human and underwater worlds, and India's pavilion exploring notions of home.

Biennale de Venise 2026 : les saturnales éblouissantes d’Yto Barrada pour le pavillon français

Yto Barrada has been selected to represent France at the 61st Venice Biennale in 2026 with her exhibition "Comme Saturne" (Like Saturn) in the French Pavilion. The installation features rebellious stage curtains hiding wasp nests and a copper daguerreotype plate of a planet, a large rock, a Wheel of Fortune, and a nostalgic vanitas arrangement around a missing mirror frame. Curated by Myriam Ben Salah, the show explores textile and natural dyeing, with three cabinets addressing the transmission of know-how, migration of plants and people, postcolonial history, and Enlightenment imperialism. A central room displays 70 pieces forming a symmetrical frieze of red natural dyes, while a black monochrome patchwork highlights the difficulty of achieving black in dyeing. Barrada is the fifth woman to represent France at the Biennale.

For the 61st Venice Biennale, a quest for beauty despite a troubled world

Pour la 61e Biennale de Venise, une quête de beauté malgré un monde troublé

Koyo Kouoh, the Swiss-Cameroonian curator who was set to become the first African woman to direct the Venice Biennale, died suddenly on May 10, 2025, at age 57, just weeks before the opening of the 61st edition she had conceived. Titled "In Minor Keys," the exhibition at the Giardini and Arsenale will proceed posthumously based on her detailed directives, featuring 111 artists including Laurie Anderson, Wangechi Mutu, and Kader Attia, with a focus on beauty, resilience, and radical emotional connection amid global turmoil.

L’œuvre « indocile » du photographe Guido Guidi exposée au BAL

The article announces the exhibition of photographer Guido Guidi's work at Le BAL in Paris, curated by Simona Antonacci, Pippo Ciorra, and Antonello Frongia, with scenography by Cyril Delhomme. The show, titled "Col tempo, 1956-2024," runs from February 20 to May 24, 2026, and was previously presented in a larger version at the MAXXI museum in Rome. Guidi, now 85, is described as the last of a generation of Italian photographers—alongside Luigi Ghirri and Ugo Mulas—who radically redefined photographic language through patient, obstinate reflection on the act of seeing.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

In Rodez, the haunting shadows of Sugimoto and Soulages meet in a cosmic exhibition

À Rodez, les ombres envoûtantes de Sugimoto et de Soulages se rencontrent dans une exposition cosmique

The Musée Soulages in Rodez is hosting a major exhibition titled "Hiroshi Sugimoto. Reprendre la mélodie," which creates a visual dialogue between the Japanese photographer and the late French master of black, Pierre Soulages. Curated and scenographed by Sugimoto himself, the show pairs iconic series such as "Theaters," "Seascapes," and the colorful "Opticks" with Soulages’ "Outrenoir" paintings. The exhibition highlights their shared fascination with the horizon, the origins of humanity, and the architectural presence of art within a space.

Extraterrestrial Art Created During Space Observatory Residencies on View in Mouans-Sartoux

À Mouans-Sartoux s’expose l’art extra-terrestre créé lors des résidences de l’Observatoire de l’espace

The Espace de l’art concret in Mouans-Sartoux is hosting a landmark exhibition featuring "extraterrestrial" artworks created through the Observatoire de l’espace’s residency program. Since 2006, this cultural laboratory of the French National Centre for Space Studies (CNES) has invited artists like Renaud Auguste-Dormeuil, Stéphane Thidet, and Victoire Thierrée to produce works in zero-gravity environments. These creations are born aboard parabolic flights on the Airbus A310 Zero G or via stratospheric balloons, where physical laws like gravity and atmospheric pressure are suspended.

Lee Miller at the Musée d’Art Moderne: The Future Great Photographer Who Went from Rebel Child to Vogue Model

Lee Miller au musée d’Art moderne : la futur grande photographe passée de l’enfant rebelle au mannequin Vogue

The Musée d’Art Moderne in Paris is hosting a major retrospective dedicated to Lee Miller, tracing her evolution from a rebellious child in upstate New York to a celebrated Vogue model and pioneering surrealist photographer. The exhibition highlights her early life under the influence of her father, Theodore Miller, an amateur photographer who introduced her to the technical aspects of the darkroom, and her subsequent move to Paris in 1930 where she transitioned from being a muse for photographers like George Hoyningen-Huene to a formidable artist in her own right.

Quelques œuvres choisies au gré des 6 salles d’exposition

The article presents a thematic tour through six exhibition rooms dedicated to still life painting, focusing on works by Giorgio Morandi and Pablo Picasso. Each room explores a different conceptual angle: the grammar of objects in Morandi's metaphysical still lifes, the poetic dimension of Picasso's cubist compositions, contemporary vanitas motifs, the anti-Albertian nature of the genre, the interplay of presence and erasure, and the dislocation of form in Morandi's etchings. The exhibition draws on art historical references from Norman Bryson and Cesare Brandi to frame the evolution of still life from tradition to radical abstraction.

Monet, the Great Traveler

Monet, grand voyageur

The publishing house Cinabre has launched a new book series called 'Partance' that explores the influence of travel on artists' work. The inaugural volume, 'Partance. Claude Monet,' published in 2026, marks the centenary of Claude Monet's death by comprehensively tracing all of his foreign travels for the first time and analyzing their impact on his art.

‘What Color is Your Sky Today?’: The Becoming of the Image

Armineh Negahdari, a Bordeaux-based artist, presents her first institutional solo exhibition in France at the Fondation Louis Vuitton's Open Space series. Titled 'What Color is Your Sky Today?': The Becoming of the Image, the show features a new body of drawings that use charcoal, pastel, and oil paint to explore unstable morphologies between human, vegetal, and animal forms. The works resist narrative closure, emphasizing drawing as an event rather than representation, with lines that accumulate, falter, and begin again. The exhibition is on view at Gallery 8 until 30 August 2026.

THREE PERUVIAN GALLERIES AT PINTA LIMA 2026 A DIALOGUE BETWEEN THE LOCAL AND THE GLOBAL

Three prominent Peruvian galleries—Galería Enlace, Forum, and Livia Benavides—are presenting curated selections of artists at the Pinta Lima 2026 art fair. Their proposals blend emerging and established artists from Peru and abroad, working across painting, sculpture, installation, and new media, to foster a dialogue between local traditions and global contemporary practices.

Banksy statue appears in Central London.

A large statue mysteriously appeared in central London earlier this week and has been confirmed as the work of the street artist Banksy. The piece, bearing the artist's signature, depicts a suited man carrying a flag that obscures his face as he walks off a plinth. It was installed in Banksy's signature guerrilla style at Waterloo Place in St. James's, near statues of Edward VII and Florence Nightingale.

8 Artists to Follow if You Like Elsa Schiaparelli

The article profiles eight contemporary artists whose work resonates with the legacy of fashion designer Elsa Schiaparelli. It highlights creators like Shona McAndrew, whose soft sculptures explore the body's interior, and Kiki Smith, known for visceral, anatomical forms, drawing direct parallels to Schiaparelli's surrealist and corporeal inspirations.

Meet the Former Monk Taking Over Venice During This Year’s Biennale

Wallace Chan, a Hong Kong-born sculptor and jeweler who once lived as a Buddhist monk, is presenting his latest exhibition “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice on May 8, coinciding with his 70th birthday and the Venice Biennale, followed by a show at Shanghai’s Long Museum on July 18. The exhibition features three monumental titanium sculptures standing seven, eight, and 10 meters tall, evoking religious oil vessels, and explores themes of birth, growth, and rebirth through the demanding medium of titanium, which Chan describes as the material closest to eternity.

Prelude for a Press at palace enterprise

An exhibition titled 'Prelude for a Press' is on view at palace enterprise in Copenhagen from March 19 to April 25, 2026, organized by Jesper List Thomsen. It features works by Marie Angeletti, Gerry Bibby, Ezio Gribaudo, Asger Jorn, Marion Milner, Anastasia Pavlou, Georgia Sagri, Jesper List Thomsen, and Jackie Wang.

art exhibition biennials this year curators

In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.

art charles porch instagram art collecting

Charles Porch, VP of Global Partnerships for Instagram, moved from Venice Beach to a historic West Village brownstone in 2020. He enlisted sculptor-turned-designer Jed Lind to renovate the property, blending vintage furnishings with contemporary artworks collected from emerging artists. The home features pieces by Pierre Augustin Rose, Michael O’Connell, and artworks by Whitney Bedford, Robert Natkin, and Brett Cody Rogers. Porch later married Robert Denning, a philanthropist on the Met’s Board of Trustees, and the couple has since moved to a Chelsea space, combining their collections.

art leah ke yi zheng interview painting

Leah Ke Yi Zheng, a Chinese-born painter based in Chicago, is the subject of a feature interview discussing her first solo institutional exhibition at the Renaissance Society, on view through April 12. Zheng, who earned her MFA at the School of the Art Institute of Chicago (SAIC) in 2019, has developed a distinctive practice that moves beyond traditional canvas to Chinese silk and explores asymmetric forms. Her exhibition comprises 64 paintings rooted in the I Ching, the ancient Chinese text, featuring motifs of machine gears, haunting absent faces, and hexagrams. The show is designed in dialogue with the Renaissance Society's architecture, with modified windows and wall proportions to create a recursive, reflective experience.

art cyle warner young artist

Cyle Warner, a 2023 graduate of the School of Visual Arts, is gaining recognition for his mixed-media works that incorporate photographs, textiles, and sculptures to explore personal memory and fill gaps in untold stories. His fiber piece "chasing a second sunrise; it’s no fun running alone" was selected for "The Brooklyn Artists Exhibition" at the Brooklyn Museum’s 200th anniversary last year, and he will be featured in the Bronx Museum’s AIM Biennial opening in January 2026.