Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.
This matters because Lee Ufan represents a bridge between Eastern philosophical traditions and contemporary minimalism, and his growing global acclaim signals a broader shift in the art market toward meditative, process-based works. As collectors and institutions seek depth and tranquility in art, Lee's practice offers a counterpoint to the frenetic pace of the commercial art world, making his work both culturally significant and increasingly valuable.