Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.
Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.
Artist Madeline Jiménez Santil has opened a solo exhibition at the Arróniz gallery in Mexico City. The show features her signature graphite drawings that create swivelling, geometric grids, which she describes as visual representations of dance and movement.
Dana Awartani, an artist based in Jeddah, will represent Saudi Arabia at the 61st Venice Biennale in 2026, with her pavilion located in the Arsenale under the theme 'Celebrating Visions.' In an interview with ArtReview, Awartani discusses her exhibition, which builds on her practice of foregrounding Arab cultural histories and preserving the region's material heritage. She connects her work to the Biennale's theme 'In Minor Keys' by focusing on repair, healing, and the quiet consequences of conflict, emphasizing craft as a form of quiet resistance against mechanization. The pavilion, she says, reflects the diversity of voices within Saudi Arabia's artistic community rather than a single national narrative.
Kader Attia has been announced as the curator of the 7th edition of the Kochi-Muziris Biennale, scheduled for 2027–2028. The announcement was made by the Kochi Biennale Foundation via Instagram, with Attia selected by a committee chaired by Jitish Kallat and including Shilpa Gupta, Amrita Jhaveri, Pooja Sood, Tasneem Zakaria Mehta, Mariam Ram, and Rirkrit Tiravanija. Attia, an artist, curator, and professor at HfbK-Hamburg, is known for his work exploring history, memory, repair, and colonial legacies across installation, sculpture, film, and archival research.
The 2026 Venice Biennale opened for professionals on Tuesday amid a series of protests, with more planned throughout the week. Around 60 artists from the exhibition "In Minor Keys" gathered at the Giardini for a collective action called "Solidarity Drone Chorus," inspired by Gazan composer Ahmed Muin's "Drone Song," to draw attention to genocide and war in Palestine. The Art Not Genocide Alliance (ANGA) organized a 24-hour strike for Friday 8 May, protesting Israel's participation. Pussy Riot staged a protest outside the Russian pavilion, and the Latvian pavilion launched a campaign against Russia's involvement. The protests follow a highly politicized lead-up, including calls for boycotts of the Russian, Israeli, and US pavilions, EU funding cuts over Russia's participation, and the resignation of the Biennale jury.
Jenna Sutela, representing Finland at the 61st Venice Biennale, will present an exhibition titled *Aeolian Suite* in the Giardini pavilion. The work features sound sculptures that engage with wind as both a physical and political force, using meteorological data, wind machines, recorders, a children's woodwind orchestra, and recordings of winds from Venice, Helsinki, and beyond. Sutela explores noise as a creative medium, drawing on the concept of deep listening inspired by artist Pauline Oliveros, and connects her project to the Biennale's theme, *In Minor Keys*, curated by Koyo Kouoh.
The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.
The fourth Thailand Biennale, titled 'Eternal [Kalpa]', has launched across 19 venues in Phuket, aiming to challenge the island's reputation as a mere tropical leisure destination. Curated by a team including Hera Chan, the exhibition utilizes diverse locations—from municipal gymnasiums to mangrove forests—to explore themes of subjective time and local history. Despite logistical delays that saw some artists still installing works during the press preview, the biennial presents a series of site-specific commissions that engage with Phuket’s ecological and social complexities.
Le primitivisme pour réinventer l’art
Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.
Thousands of protesters marched through Venice to demonstrate against Israel's presence at the Venice Biennale, leading many national pavilions to close in solidarity. Pavilions from Austria, Belgium, Egypt, Japan, the Netherlands, South Korea, and over a dozen other countries shut fully or partially, with some displaying signs reading "We Stand with Palestine." The Israeli pavilion remained closed for its exhibition opening, and armed police clashed with protesters. The main exhibition, curated by Koyo Kouoh, stayed open initially but the Arsenale closed by late afternoon with riot police outside. The 24-hour strike, organized by Art Not Genocide Alliance (ANGA) and Italian activist groups, was described as the largest protest in Biennale history.
The Art Not Genocide Alliance (ANGA) has announced a 24-hour strike for Friday, May 8, coinciding with previews of the 2026 Venice Biennale, alongside a protest rally organized by local group Biennalocene and Italian trade unions. Earlier this week, sixty artists staged a sonic protest at the Giardini entrance to draw attention to the plight of those affected by genocide and war in Palestine and elsewhere. The Latvian pavilion has also encouraged attendees to wear a design by artist Krišs Salmanis reading “Death in Venice – Russia go home!” Meanwhile, dissident artists Pussy Riot stormed the Russian pavilion waving Ukrainian flags, and the entire 2026 Biennale jury resigned after the decision to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court from competing for top prizes.
The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.
필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge
The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.
The Baltimore Museum of Art (BMA) has achieved a historic milestone with its exhibition 'Amy Sherald: American Sublime,' which drew 84,000 visitors between October 2025 and March 2026. This figure more than doubled the museum's initial projections and set a new record for the highest attendance of any exhibition at the institution in the 21st century. The show featured 45 large-scale portraits by the Baltimore-born artist, focusing on themes of identity and representation.
The article highlights six local art exhibitions taking place across various Chicago neighborhoods in April, moving beyond the city's major art fair. It details shows in areas like Pilsen, Logan Square, and West Town, featuring a mix of emerging and established artists working in diverse mediums.
Intervista al gallerista di frontiera che ha aperto il suo spazio a Vasto in Abruzzo
Sangallo Fine Art, a modern art gallery located in Vasto, Abruzzo, Italy, is profiled in an interview with its founder Giorgio di Michele Marisi. The gallery, born from a chance encounter and a passion for 20th-century art, has carved out a distinctive space in the periphery of the art world. It is currently presenting the exhibition "Permanenza della materia espansa" (2026), curated by Lorenzo Madaro, which exemplifies its commitment to critical rediscovery and experimental display. Despite being geographically distant from traditional art hubs, the gallery has built a loyal clientele of knowledgeable collectors and international buyers, relying on direct relationships and participation in art fairs.
Una delle più importanti gallerie del Brasile in queste settimane è a Roma con una mostra. L’intervista
Brazilian gallery A Gentil Carioca has brought the first Italian solo exhibition of artist Miguel Afa to the Fondazione Capitolina in Rome, in collaboration with the Rhinoceros space. Titled "Il tempo che vive in me" (The Time That Lives in Me), the show features works created during Afa's residency in Rome, exploring themes of time, memory, and light through oil paintings that blend Brazilian and Roman imagery.
Joe Macken, a truck driver from upstate New York, spent 22 years building a 50-by-27-foot miniature scale model of New York City entirely from balsa wood, cardboard, and glue. The model, which includes all five boroughs and landmarks like the Twin Towers and One World Trade Center, went viral on TikTok after Macken’s daughter encouraged him to post a video. It is now on display at the Museum of the City of New York in an exhibition titled *He Built This City: Joe Macken’s Model*.
Milano Art Week 2026 top e flop: il meglio e il peggio della settimana dell’arte
The 2026 edition of Milano Art Week, anchored by the 30th anniversary of the miart fair, presented a mixed bag of organizational shifts and high-quality artistic programming. Key highlights included the successful Milanese debut of Paris Internationale at Palazzo Galbani and the emergence of new cultural hubs like Mulino Factory, which continue Milan's trend of repurposing industrial heritage. However, the primary fair's relocation to the Allianz MiCo South Wing drew criticism for its labyrinthine layout and logistical hurdles despite the scenic park setting.
La prima edizione della fiera Paris Internationale a Milano convince. Il report
The Parisian satellite fair Paris Internationale successfully launched its first international edition in Milan during the city's 2026 Art Week. Hosted in the modernist Palazzo Galbani, the fair distinguished itself from traditional models like miart through a non-hierarchical layout designed by Christ & Gantenbein and NM3. The event featured 34 carefully selected galleries, emphasizing solo and duo presentations from artists such as Leonora Carrington, Benni Bosetto, and Ibuki Inoue.
The international jury for the 61st edition of La Biennale di Venezia, titled “In Minor Keys” and curated by Koyo Kouoh, has resigned as of April 30, 2026. The jury members—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cite their earlier Statement of Intention issued on April 22, 2026, as the basis for their collective resignation.
The article reviews national pavilions at a major international art exhibition, focusing on the US, British, and German presentations. Andrew Durbin critiques the US pavilion as vacuous and lacking meaning, while praising the British and German installations as incisive and moving. The review highlights a contrast between superficial spectacle and deeply engaging, historically resonant works.
Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.
Milan's art scene is currently anchored by several high-profile exhibitions coinciding with the Miart fair. Key highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, alongside Anselm Kiefer’s monumental portraits of female alchemists. The city's galleries and institutions are showcasing a diverse range of media, from immersive installations to historical retrospectives, positioning Milan as a critical hub for contemporary art during this peak seasonal moment.
New York: An Artist’s City
Milan's art scene is currently anchored by several major exhibitions, ranging from Cao Fei’s exploration of global agricultural shifts at Pirelli HangarBicocca to Anselm Kiefer’s monumental tributes to female alchemists. Other highlights include solo presentations by emerging and established artists across the city's commercial galleries and institutional spaces, coinciding with the Miart fair.
Mirosław Bałka has opened a major solo exhibition at the Pirelli HangarBicocca in Milan, featuring a new, large-scale installation titled 'CROSSOVER/S' (2026). The work, a monumental steel structure filled with salt, continues the Polish artist's decades-long exploration of memory, trauma, and the body, using industrial materials to evoke profound personal and historical narratives.