climate protestors pardoned raphael sistine madonna dresden

Two climate activists from the German group Letzte Generation (Last Generation) have received pardons after being convicted for gluing their hands to the frame of Raphael's *Sistine Madonna* at the Dresden Old Masters Picture Gallery in August 2022. The protest left superglue residue on the frame, causing €2,300 in property damage. The activists initially faced fines of €1,500 each, later reduced to €600 by the Dresden District Court, and ultimately halved to €300 on appeal after the court considered their ongoing restitution efforts as a mitigating factor. They have since paid over €2,000 in damages to the Dresden State Art Collections and agreed to a separate settlement of €5,500 with the Free State of Saxony.

bayeux tapestry fragment rediscovered in germany

A long-lost fragment of the Bayeux Tapestry, the 11th-century embroidered chronicle of the Norman Conquest of England, has been rediscovered in the Schleswig-Holstein State Archives in Schleswig, Germany. The roughly one-inch linen piece belonged to the estate of archaeologist Karl Schlabow, who had been part of a Nazi-affiliated group that re-measured the tapestry in 1941. The fragment will be repatriated to France later this year, but first it will go on public display at the Museum of Archaeology at Gottorf Castle as part of the exhibition “Viking Twilight: Turning Point in the North” from April 16 through November 2.

‘We can all coexist’: artist Es Devlin uses selfies to unite UK in portrait of a nation

Artist Es Devlin has created a new installation at the National Portrait Gallery in London titled 'A National Portrait for the National Portrait Gallery,' made in collaboration with Google Arts & Culture Lab. The work invites people across the UK to upload selfies, which are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin's own hand-drawn works. These portraits then appear on a constantly evolving projected carousel, blending and dissolving into one another. Devlin, known for designing visual worlds for Beyoncé, Adele, and the London Olympics closing ceremony, describes the piece as a non-verbal space for coexistence amid national division.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.

‘It was a way of processing violences I’ve survived’: how iconoclastic musician Arca beat burnout with frenzied painting

The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

These Ghosts. Clémentine Bruno  by Michela Ceruti

Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.

literature hans ulrich obrist curator book

Hans Ulrich Obrist, the prolific Swiss curator and artistic director of Serpentine Galleries, discusses his lifelong passion for books in a new interview timed to the U.S. release of his memoir "Life in Progress." Obrist reveals his daily ritual of buying a book, which has amassed an archive of over 40,000 volumes housed at LUMA Arles, and shares current reading recommendations including Kenneth O. Stanley's "Why Greatness Cannot Be Planned." He also reflects on the serendipitous origins of his Instagram Post-it note project, inspired by philosopher Umberto Eco and artist-poet Etel Adnan.

art dasha zhukova ray real estate

Dasha Zhukova, the former fashion designer, magazine publisher, and museum founder, has launched a new real estate development company called Ray. Its first project, Ray Harlem, is a 21-story residential building on Fifth Avenue in Harlem, built in collaboration with the National Black Theatre (NBT). The development replaces NBT's original building and integrates a 27,000-square-foot theater as its centerpiece, with 222 apartments above, a quarter of which were offered through an affordable housing lottery. The building features site-specific commissioned artworks by emerging Black artists such as Jurell Cayetano, Freddy Carrasco, Nikko Washington, and Ellon Gibbs, and was designed by Frida Escobedo Studio with Handel Architects.

art dead artists museum exhibitions politics

CULTURED reports that in 2025, nearly 50 percent of solo exhibitions at New York museums featuring modern and contemporary art focused on deceased artists, more than double the 18 percent share in 2019. Major institutions like MoMA, the Broad, ICA Miami, and the Whitney have programmed posthumous shows for figures such as Wifredo Lam, Helen Frankenthaler, Ruth Asawa, Robert Therrien, Joyce Pensato, Richard Hunt, and Roy Lichtenstein. The article traces this trend to a confluence of factors: ongoing scholarly revisionism, a cultural swing toward equity during the Biden administration, and the long lead times for museum exhibitions that have landed in a more polarized political climate under Trump II.

art lauren quin young artist

Pace Gallery announced representation of Los Angeles-based painter Lauren Quin in August 2024, following a solo show of her manic, neon-tinged abstractions at its downtown offshoot 125 Newbury. Quin, age 33, is slated for a solo exhibition at Pace's Los Angeles outpost opening in January. In an interview, she discusses her creative process, the struggle behind works like "Cub Cross," and her dream of building a sauna gallery in her backyard.

art film tina kukielski art21 documentary

Art21, the nonprofit documentary platform behind the PBS series *Art in the Twenty-First Century*, is celebrating its 25th anniversary and the 12th season of its Peabody Award-winning series. In an interview with *CULTURED*, Executive Director and Chief Curator Tina Kukielski discusses how the organization has evolved from its early days in 2001 to embrace digital platforms like YouTube and TikTok, producing over 575 films featuring more than 300 artists. The organization also offers educational programming through Art21 Educators and makes its archive freely available to a global audience of five million.

art robert rauschenberg centennial

Robert Rauschenberg's centenary is being celebrated with a sprawling, interdisciplinary series of events that began this fall and will continue into 2026. At least eight major institutional exhibitions of his work are mounted worldwide, alongside a book of his writings published by Yale University Press and a national tour by the Trisha Brown Dance Company and the Merce Cunningham Trust featuring Rauschenberg's sets and costumes. Cultured magazine invited artists across disciplines to reflect on his legacy, with contributions from Jeff Koons and RJ Messineo, among others.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

A Muddy History of Plant-Hunting

The exhibition "Seeds of Exchange" at London's Garden Museum highlights a 1773 botanical collaboration between British amateur plant hunter John Bradby Blake and Cantonese painter Mak Sau. Centered on Blake’s unpublished "Flora Sinensis," the project attempted to systematically catalogue Chinese flora, including the Camellia japonica, through detailed watercolors that blended Western objective illustration with Chinese artistic expertise. These works served as the primary medium for introducing Chinese plant species to the West long before live specimens could survive the journey.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Artists Spar Over Credit For A Dress Displayed In The Met’s ‘Costume Art’ Exhibition

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute of exhibiting a dress that she claims is a counterfeit of her work in the ongoing "Costume Art" exhibition. The dress, titled Corpus Nervina 0.0, is credited solely to New York-based Israeli designer Yoav Hadari, but Samms alleges it closely resembles an earlier Nervina hair dress she co-developed with Hadari during their 2023 residency at the Lee Alexander McQueen Sarabande Foundation. Samms discovered the display via a social media post and has since spoken out, noting that a contract from their collaboration designated her as the sole owner of the intellectual property of the fabric. The Met has requested that the two parties resolve their dispute before the museum takes further action.

Chanel Will Launch New Culture Fund Fellowship With the Guggenheim

Chanel will launch an annual, one-year fellowship in fall 2026 in collaboration with the Guggenheim. The Chanel Culture Fund Fellowship will host a fellow in New York and at the Peggy Guggenheim Collection in Venice, targeting MA and PhD-level scholars dedicated to collection studies and curatorial research. The program complements existing Guggenheim fellowship and internship programs, aiming to nurture emerging talent in modern and contemporary art curation.

Keisha Scarville Awarded Brooklyn Museum’s $25,000 UOVO Prize

The Brooklyn Museum has named photographer and multimedia artist Keisha Scarville the winner of its sixth annual UOVO Prize. She will receive a $25,000 unrestricted grant, a public exhibition titled "Where Salt Meets Black Water" at the museum's Iris Cantor Plaza opening May 8, and a commission for a large-scale work on the façade of UOVO's Bushwick storage facility.

Interview with the great sculptor Charles Ray who shows in two different galleries in Los Angeles

Intervista al grande scultore Charles Ray che a Los Angeles si mostra in due diverse gallerie

Charles Ray, the renowned American sculptor, opened two simultaneous solo exhibitions in Los Angeles on April 18, one at Matthew Marks Gallery and the other at Jeffrey Deitch Gallery, located about a mile apart. The Matthew Marks show features three new works, including "Junk 2" (2026) and "The Animation of Pandora" (2026), while the Deitch exhibition presents three older iconic pieces such as "Firetruck" (1993), "Pepto-Bismol in a Marble Box" (1988), and "Table" (1990). Ray, who has lived in Los Angeles for four decades, is known for his meticulous, slow-working process and his exploration of the human body and everyday objects at altered scales.

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

how artverse helps galleries and advisors navigate todays art world

ArtVerse Advisory, a London-based B2B firm, has launched a suite of services designed to help galleries and art advisors overcome capital constraints and inventory limitations. Founded by CEO Amit Mehra, the company provides professional intermediaries with access to a curated selection of primary and secondary market works—ranging from blue-chip artists like Andy Warhol to rising stars like Raghav Babbar—through flexible deal structures such as consignments and personalized payment plans.

Gerhard Richter Church Windows

gerhard richter church windows

Gerhard Richter has been commissioned to design three stained-glass windows for Tholey Abbey in Saarland, Germany's oldest monastery church. The 87-year-old artist's designs will be unveiled in September, with the final installation expected by summer 2020 as part of the abbey's broader restoration. The project is being funded by a private investor and includes a collaboration with Richter’s longtime creative partner, the Estonian composer Arvo Pärt.

giancarlo politi founder flash art magazine died at 89

Giancarlo Politi, the influential founder and publisher of Flash Art magazine, has died at the age of 89. Established in Rome in 1967, Flash Art became a cornerstone of international art criticism, famously documenting the rise of the Arte Povera movement and providing an early platform for iconic artists like Marina Abramović, Maurizio Cattelan, and Jeff Koons. Politi, alongside his wife Helena Kontova, transformed the publication into a global network that bridged European and American art scenes, effectively serving as a "hands-on school" for generations of critics and curators.

jeff koons stella mccartney capsule 2026

Jeff Koons and Stella McCartney have launched a limited-edition capsule collection for Spring 2026. The collection features ready-to-wear items like hoodies, t-shirts, tote bags, and keychains, adorned with prints of Koons's artworks such as "Untitled (Girl with Dolphin and Monkey)" (2006) and sculptures from his "Made in Heaven" series, paired with McCartney's playful slogans like "Slippery When Wet" and "Doggy Style." The release also includes a reimagined pendant based on Koons's iconic "Rabbit" (1986) sculpture.

philip leider artforum founding editor dead

Philip Leider, the founding editor of Artforum, died at his home in Berkeley, California, on January 11 at age 96. Leider helped transform Artforum into a leading source for rigorous art criticism after becoming its editor in 1962, but he left the publication in 1971 and largely disengaged from the mainstream art world, later teaching at the University of California, Irvine and the Bezalel Academy of Fine Arts in Israel.

art fairs luxury collaborations 2025 market

In 2025, art fairs and auction houses have deepened their integration with luxury brands, with Sotheby's and Christie's reporting that luxury items like handbags, jewels, and watches now account for a significant share of revenue—roughly a third at Sotheby's, with private luxury sales surging 350% year-on-year. Art fairs such as Frieze London and Art Basel's global editions have moved beyond traditional sponsorship, embedding luxury partners like Tiffany & Co., Ray-Ban, Stone Island, and De Beers into curated sections, mentorship programs, and immersive installations. Industry figures like Marc Spiegler and Emily Glazebrook emphasize that the most successful collaborations prioritize artists over brands, with initiatives like UBS's Unlimited sector and the Chanel Culture Fund serving as models.