art storm ascher hamptons black arts council

Storm Ascher, an artist and curator who has spent years in the Hamptons, founded the Hamptons Black Arts Council in 2020 to support public programming for Black artists and arts organizations. This summer, the council is marking milestones including the "Mami Wata" benefit exhibition at the Eastville Community Historical Society, which explores themes of water, healing, and Black women's history, and the establishment of a permanent contemporary art collection at Eastville with works by artists like Sanford Biggers and Derrick Adams.

christian dior couture scad fash lacoste exhibition

A new exhibition titled “Christian Dior: Jardins Rêvés” has opened at SCAD FASH Lacoste, the Provençal campus of the Savannah College of Art and Design in France. The show features nearly 30 archival Dior couture silhouettes, over 60 accessories, perfume bottles, press sketches, René Gruau illustrations, and personal ephemera, all organized around a botanical theme. A bespoke paper installation by Spanish studio Wanda Barcelona crowns the exhibition, which traces the house’s evolution from founder Christian Dior’s childhood gardens in Granville to the work of his successors, including Yves Saint Laurent, Raf Simons, and Maria Grazia Chiuri.

Joe Lycett to showcase artwork via Birmingham exhibition

Birmingham Museum & Art Gallery will stage the first major solo exhibition of artwork by comedian and artist Joe Lycett, titled 'EVERY THING MUST GO', opening on July 29, 2026. The exhibition will feature dozens of new, mixed-media works exploring themes of nostalgia, grief, and loss through Lycett's signature colorful and humorous style, focusing on subjects like deceased celebrities, extinct animals, and discontinued products.

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.

Michel Bassompierre (1948-2026)

French sculptor Michel Bassompierre has died at age 78. Known for his monumental bronze and marble animal sculptures—polar bears, gorillas, elephants, pandas, and horses—he depicted them in moments of rest and balance, simplifying forms in the tradition of François Pompon. Bassompierre studied at the École des beaux arts de Rouen under René Leleu, taught applied arts, and later worked with foundries including Venturi Arte in Italy. His major exhibitions include "Fragiles colosses" at the Jardin des plantes in Paris (2019) and a show at the Musée Despiau Wlérick (2021). In February 2025, the municipality of Vertou announced plans for a Michel Bassompierre museum, slated to open in 2028. He was named a Chevalier of the Ordre des Arts et des Lettres in 2010, received the Légion d'honneur in January 2025, and was promoted to Officier des Arts et des Lettres on April 1, 2025.

The true story of the Caravaggio theft by the Sicilian Mafia behind the Arte series 'The Caravaggio Conspiracy'

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The theft of Caravaggio’s 'Nativity with Saint Francis and Saint Lawrence' from the Oratory of San Lorenzo in Palermo remains one of the world's most notorious unsolved art crimes. Stolen in October 1969 by professional thieves who cut the massive three-meter canvas from its frame, the masterpiece has been missing for over 50 years. Investigations have long pointed toward the Sicilian Mafia, with various theories suggesting the work was displayed at secret summits, hidden in Switzerland, or tragically destroyed.

Israel’s Artist Said to Have Threatened Legal Action Before Venice Biennale Jury Resignation

Belu-Simion Fainaru, the artist representing Israel at the 2024 Venice Biennale, allegedly threatened legal action against Biennale officials, accusing them of “racial discrimination” and “antisemitism” after the international prize jury announced it would exclude countries whose leaders are charged with crimes against humanity—effectively barring Israel and Russia from awards. The jury, handpicked by late artistic director Koyo Kouoh, resigned en masse on April 30, citing their earlier statement of intent. Fainaru had previously opposed calls to exclude Israel over its military actions in Gaza, arguing for dialogue over boycotts.

Upcoming Exhibition Celebrates Artwork of Lois Dodd

The Art Gallery at Brooklyn College will present “Lois Dodd: A Radiant Simplicity,” a major exhibition celebrating the work of painter and former faculty member Lois Dodd, who taught at the college from 1971 to 1992. This is Dodd’s first solo show in a noncommercial gallery in the United States in 20 years, running from February 3 through March 25, with an opening reception on February 10.

The Boston Collective: Assembled at the Right Time and Place

Boston Art Review (BAR), an independent online and print publication focused on contemporary art in Boston, has published an article titled "The Boston Collective: Assembled at the Right Time and Place." The piece explores how a group of artists, curators, and cultural organizers in Boston have come together at a pivotal moment to form a collective that amplifies local creative voices and fosters collaboration across the city's art scene.

Simon Silva urges a return to creativity at IVC gallery opening

Simon Silva, a renowned artist and author, delivered a passionate call for a return to creativity during the opening of his exhibition at the Imperial Valley College (IVC) gallery. The event showcased his vibrant works, which draw heavily on his Mexican-American heritage and the agricultural landscapes of the Imperial Valley, and drew a large crowd of students, faculty, and community members.

Behold the Lamb: New Spori Art Gallery exhibit

The Spori Art Gallery opened a new exhibition titled "Behold the Lamb" on Thursday evening, featuring artwork depicting Jesus Christ. The gallery was filled with students, faculty, and community members who viewed paintings such as "Jehovah Creates the Earth (Jesus Christ Creates the Earth and the Heavens)" by Walter Rayne, "For Unto Us a Child Is Born" by Lynne Millman-Weidinger, and works by Kristen M. Yee, Rose Datoc Dall, J. Kirk Richards, Rembrandt van Rijn, and Peter Paul Rubens. The exhibit is free and open to the public through December 19.

NYC’s American Folk Art Museum Is Closing for Renovations

The American Folk Art Museum (AFAM) on Manhattan's Upper West Side will temporarily close this summer for a major renovation project. The museum will shutter its current exhibition "Somewhere to Roost" on May 2 and close remaining galleries on May 26. The renovation, the largest in 30 years, will revitalize the museum shop, courtyard, office spaces, entry façade, and operations systems, with phased reopenings starting this fall and full completion expected next spring, timed around the 250th anniversary of U.S. independence.

Art Problems: WTF Is an A-Corp?

The article explains the concept of an Artist Corporation (A-Corp), a new business structure for artists introduced in a bill before the Colorado state legislature, originally proposed by entrepreneur Yancey Strickler. It allows artists to form a legally recognized business entity without hiring a lawyer, simply by filling out a form, and provides liability protection by separating personal assets from business assets. The bill is expected to reach the governor's desk by mid-May and be enacted within six months, with five or six other states, including New York, expressing interest.

A review within a play. Play by Josiane M.H. Pozi and Emily Pozi  by Nasra Abdullahi

Josiane M.H. Pozi's exhibition "PORTRAIT O.A.Y.G." at Carlos/Ishikawa in London is reviewed through an unconventional, fragmented narrative that blends a play script with critical observation. The review describes Pozi's video works, including "Rhythmic Stimming" (2025) and "Restaurants" (2023), which capture mundane domestic scenes and personal artifacts. The text shifts between a first-person account of meeting the artist and a scripted dialogue between characters J and E, reflecting the exhibition's themes of identity, selfhood, and the poetic potential of everyday objects.

Artists invited to submit work for Moraine Valley’s annual community show

Moraine Valley Community College in Palos Hills, Illinois, is inviting artists aged 18 and older living within 50 miles to submit up to two pieces for its 23rd annual community art show. Submissions are accepted May 19-21, with notifications on May 26. The exhibition runs May 29 to July 30, opening with a reception and awards ceremony on May 30. This year’s juror is Lisa DeLuca, a photographer and teaching artist with experience as a recruiter for art schools and a docent at the Museum of Contemporary Art, Chicago. She has previously juried the college’s high school exhibition and other regional shows.

Harmless Art: Kim Sang-yu Exhibition Becomes Healing Space

A retrospective exhibition for the late Korean artist Kim Sang-yu, titled 'A Person Who Does Not Easily Fade,' is being held at the Seoul Museum of Art to mark the centennial of his birth. The show, featuring over 150 works, has become a popular destination for meditation and healing, with visitors describing the serene paintings as comforting and harmless.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.

Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in Philosophy

Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in Philosophy

The article reviews Alberto Toscano's book 'Communism in Philosophy', which examines the intellectual convergence of philosophers Alain Badiou and Antonio Negri. Both thinkers, whose major works gained prominence in the early 2000s, are analyzed for their shared commitment to rethinking communism as a philosophical concept beyond its historical political failures.

A View From the Easel

Hyperallergic's ongoing series "A View From the Easel" features two artists describing their unconventional studio practices. Georgina Arroyo works in a shared academic space at Purchase College, compartmentalizing her process-intensive mold-making and casting work around her job schedule. Linda Jacobson, based in her Venice, California studio for 17 years, works on multiple pieces simultaneously, currently focusing on a large commissioned painting.

Required Reading

This week's cultural roundup connects diverse stories from art conservation to literary analysis. Novelist Karma Brown draws parallels between restoring artworks and revising novels, inspired by visits to the Art Gallery of Ontario, while an interview with Namwali Serpell examines the complex "monumentalization" of Toni Morrison's legacy. The column also includes a poignant image from Tehran—a framed artwork hanging in a bomb-damaged apartment—and touches on topics ranging from celebrating Eid in Gaza to discussions about "girl games" and the Lindy West drama.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.

Ron Nagle in Milan: at Gió Marconi the first Italian solo exhibition 'Phantom Banter'

Gió Marconi Gallery in Milan will host 'Phantom Banter', the first Italian solo exhibition of American sculptor Ron Nagle, from May 29 to July 24, 2026. The show features eleven ceramic sculptures created between 2024 and 2026, along with a selection of recent drawings, highlighting Nagle's process-oriented practice focused on material, surface, and language. Nagle, born in San Francisco in 1939, is a key figure in the California Clay Movement, having apprenticed with Peter Voulkos in the 1960s and influenced by Ken Price. His small-scale works, rarely exceeding 15 centimeters, explore reduction of scale and surface construction through cast and fired ceramics combined with resins and synthetic materials.

Exhibition | Man Ray, 'M for Dictionary' at Gio Marconi, Milan, Italy

Fondazione Marconi and Gió Marconi present 'Man Ray: M for Dictionary,' a comprehensive survey of Man Ray's work organized around his linguistic experiments. The exhibition, marking the fiftieth anniversary of the artist's death, is curated by Yuval Etgar and Deborah D’Ippolito and spans photography, painting, sculpture, and drawing. It includes a second display titled 'In Other Words' featuring contemporary artists Alex Da Corte, Simon Fujiwara, Wade Guyton, Allison Katz, and Tai Shani, whose work engages with language in visual art.

Masure Gallery Brings a Focused Lens to Local Fine Art Photography in Fort Worth

Masure Gallery of Photography has opened in Fort Worth, Texas, as the city's only gallery dedicated exclusively to fine art photography. Founded through a partnership between gallery manager Simone Fischer and the co-owners of Fort Worth Camera, Jeff and CJ Masure, the space transforms a former event room into a white-walled exhibition venue with gallery-quality lighting. The gallery launched with "RED – A Bold Photography Exhibition," selected from nearly 200 open-call submissions requiring the color red, and now represents six local photographers: Walt Burns, Brooks Burris, Caroline Hanson, Chris Ireland, Felix Schilling, and K.P. Wilska. The first solo show, "Modern Exposure" by Walt Burns, opens June 4.

Running from one image to another, from one time to another, from one hope to another: at Circolo, in Milan, an exhibition on the contemporary Lebanese scene

The article reviews "Shifting Crossroads. Beirut Contemporary," an exhibition at Circolo in Milan that surveys the contemporary Lebanese art scene. It features internationally recognized artists like Mona Hatoum and Simone Fattal alongside emerging talents, including works from the Saikalis Bay Foundation, founded in 2024 by Nicole Saikalis and Matteo Bay. The show spans historical-archival investigation, photography, installation, painting, and sculpture, with pieces such as Stéphanie Saadé's "Stage of Life" (2021), Catherine Cattaruzza's "I am Folding the Land" (2022), and Joana Hadjithomas & Khalil Joreige's "Waiting for the Barbarians" (2013) exploring themes of memory, fragility, and geopolitical instability.

Catalyst: Art as Activism

Summerhall Arts in Edinburgh has launched "Catalyst: Art as Activism," a major exhibition featuring four solo shows by artists Eilidh Appletree, Taraneh Dana, Kasia Oleskiewicz, and Molly Wickett. The project utilizes sculpture and installation to confront urgent global issues including the climate crisis, capitalist extraction, disability rights, and the realities of migration. A central component, Eilidh Appletree’s "Net Worthy," uses materials like mycelium, soya wax, and sand to create a submerged seascape that warns of biodiversity loss and the ecological consequences of industrial food production.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

Venice Biennale opens under shadow of protests over Russia and Israel

The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.