The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.
Artist Paribartana Mohanty's solo exhibition "I Rescued Speed Altogether" at Delhi's Shrine Empire gallery presents 12 paintings and three moving-image works created over eight years of documenting the demolition of the Kathputli art colony, a historic slum cluster in west Delhi known for its street performers. The works, mounted on found objects like glue cans and plastic, focus on the objects and landscapes left behind after demolitions, with human figures absent from the canvases. Mohanty's title comes from his three-year-old son's triumphant statement after learning to pedal a bicycle, which the artist sees as an absurd phrase fitting for what he calls the "absurd acts" of demolition.
The Maui Arts & Cultural Center will present "Satoru Abe: Reaching for the Sun," a retrospective exhibition showcasing over seven decades of work by the late Hawaiʻi-based artist Satoru Abe (1926–2025). Running from September 16 to November 22, 2025, at the Schaefer International Gallery, the show features more than 70 paintings, sculptures, and works on paper drawn from the Honolulu Museum of Art’s permanent collection and private lenders. Co-curated by HoMA curators Katherine Love and Alejandra Rojas Silva, the exhibition traces Abe’s evolution from figurative works in the 1950s through abstract explorations of natural forms, marking his first solo exhibition on Maui.
The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.
Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.
The Royal Collection Trust will mount an exhibition titled "Queen Elizabeth II: Her Life in Style" at the King's Gallery at Buckingham Palace in London in spring 2026, marking the centenary of the late monarch's birth. The show will feature around 200 pieces, including the dresses she wore at her 1947 wedding and 1953 coronation, both designed by Norman Hartnell, along with diplomatically significant gowns, everyday attire, and never-before-exhibited colorful prints from the 1970s by Ian Thomas. Sketches and correspondence with her couturiers will also be on display.
Phoenix Art Museum will debut the 2024 Arizona Artist Awards exhibitions on July 23, 2025, featuring new works by Safwat Saleem, Elizabeth Z. Pineda, and Omar Soto. Saleem presents his first solo museum exhibition, "The Unrequited Love Institute (T.U.L.I.)," a satirical installation exploring immigrant belonging and cultural preservation, while Pineda and Soto are featured in a group exhibition as recipients of the Sally and Richard Lehmann Emerging Artist Awards. The exhibitions run through January 25, 2026, with a free public lecture by Saleem on opening night.
Artspace111 in Fort Worth has announced the 52 artists selected for its 2025 Texas Juried Exhibition, the gallery's 12th annual showcase. Texas artist Jon Flaming served as juror, choosing 55 artworks from across the state. The exhibition opens July 26 and runs through August 23, with $15,000 in prizes awarded, including the $10,000 Edmund Craig Memorial Award, which offers a future exhibition opportunity at the gallery.
The City of Las Vegas is partnering with the future Las Vegas Museum of Art (LVMA) to present a contemporary art exhibition titled "Family Album" at the newly unveiled Las Vegas Civic Center Art Gallery. Organized by the Los Angeles County Museum of Art (LACMA), the show features family photographs from over 20 intergenerational artists, including Dannielle Bowman and Janna Ireland, and runs from September 4, 2025 through January 9, 2026. This marks the first public-facing program for LVMA, which has been in development since 2023 and is expected to break ground on a $150 million facility in Symphony Park as early as 2026, with a projected 2028 opening.
The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.
Alison Mustokoff, a feminist artist and former teacher, opened The Jane Gallery in Philadelphia's Old City in October 2024. The gallery is dedicated exclusively to showcasing women, nonbinary, and queer artists, offering exhibitions, performances, workshops, artist talks, and community events. Mustokoff, who moved from New York to Philadelphia 16 years ago, cites the statistic that only 17% of artists in museums are women as a driving force behind her mission to support and celebrate underrepresented voices in the visual arts.
A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.
Student artists from 33 schools across Southern California, including several from the San Fernando Valley, will showcase their work at the ninth annual Student Visual Arts Exhibition at the Autry Museum of the American West. The exhibit, running from April 26 to June 1, features 191 pieces selected from 510 submissions, curated by Katherine Herman, the museum's senior outreach manager. The theme is "Visions of the Future," asking students to imagine the future of Los Angeles and the American West. The opening reception on April 26 includes the Barrio Mobile Art Studio from Self Help Graphics and Art, student DJs, and art-making activities.
A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.
Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat
The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.
Five museum collections in Scotland have been awarded national significance status on International Museum Day, bringing the total number of recognized collections in Scotland to 56. The newly designated collections are the Linoleum Collection (managed by OnFife), the Photographic Collection (University of St Andrews), the Duncan of Jordanstone College of Art & Design Collection (University of Dundee Museums), the Oakbank Collection (Scottish Crannog Centre), and the Art Collection (University of Stirling). The Recognition Scheme, managed by Museums Galleries Scotland, highlights collections beyond those held in national museums and galleries, spanning from Shetland to Dumfries and Galloway.
The Oklahoma Arts Council has announced a historic gift of artworks for the Oklahoma State Art Collection. The donation, described as one of the largest in the collection's history, includes a significant number of works by Oklahoma artists and will be formally added to the state's holdings.
Dataland, the world's first museum of AI arts, has partnered with L'Oréal Luxe to create an olfactory art experience for its inaugural exhibition, *Machine Dreams: Rainforest*. Co-founded by Refik Anadol and Efsun Erkılıç, the museum opens on 20 June in downtown Los Angeles. L'Oréal Luxe has developed 12 unique 'olfactive imprints' that will be diffused through smart devices, responding to artworks and visitor presence. The scents, including 'Scent of Rain' and 'Scent of Data', are drawn from Anadol's Large Nature Model, an open-source AI system based on data from 16 rainforests worldwide. The exhibition runs through 31 January 2027.
The 2026 IVC Student Art Exhibit opened at Imperial Valley College's Juanita Lowe Art Gallery on May 6, featuring a ribbon-cutting ceremony and a diverse range of student works including sculptures, videos, paintings, mixed media, and photography. Notable pieces include Catalina Gonsalez's acrylic series "Fire-Fuego," "Wind-Viento," "Water-Agua," and "Earth-Tierra," Stephanie Carrillo's watercolor of Salvador Dali, Kimberly Rodriguez's "Fragile Dancer," and Alejandro Mendez's "Self Portrait." Artist Daniel Barrera Jr. showcased Renaissance-inspired drawings, and author Cuauhtemoc (Chucky) Cortez presented his children's book "Joaquiner Stinker" with illustrations by Jesus Felix.
Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.
Art collector Christoph Müller has gifted approximately 200 works on paper—drawings, prints, and watercolours—to the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin. The gift is being presented in four successive exhibitions at the Gemäldegalerie under the title "Das alles bin ich" (I am all that!), with the final installment, "Leaf by leaf – A life with art," running from 10 March to 14 June 2026. The works span five centuries and originate from Germany, Italy, the Netherlands, and France, covering themes such as nature, portraits, landscapes, history, and everyday life.
Janet Werner, an artist with a nearly four-decade career, has created a new body of work titled "Landscape with Legs" that distorts fashion imagery from Vogue archives and vintage campaigns by Marc Jacobs. Her paintings transform archetypal fashion models—thin, blonde, and emblematic of privilege—into unsettling, complex figures that expose a tension between glamor and the grotesque. The exhibition runs from May 1 to June 12, 2026, at Anat Ebgi Gallery in New York, marking her second solo show there. In an interview, Werner discusses her background as a dancer, her creative process of collaging photographic images with art historical references like Watteau and Caspar David Friedrich, and the political moment that makes the show feel urgent.
Corazón Cafe in downtown San Luis Obispo hosts an annual art gallery called "Chingonas" during March and April, celebrating Women's History Month. The gallery, curated by co-owner Sara McGrath, features around 20 participants ranging from ages 5 to 85, displaying works that honor "badass women"—from famous figures like Alexandria Ocasio-Cortez and Gloria Steinem to everyday family members. The term "Chingonas" is a reclaimed Mexican-Spanish slang for strong, independent women.
The Davis Arts Center (DAC) has donated approximately 100 artworks from its permanent collection to the Friends of the Davis Public Library for a sale starting this weekend. The works, mostly from the 1960s-1980s, include pieces by notable Davis-area artists such as Richard Nelson, Robert Arneson, Margery Mann, and Roland Petersen, and are priced under $100. The donation follows DAC's 2019 transformation from an exhibition space to a studio-focused nonprofit offering classes and camps, which led to most of its collection being placed in storage. DAC executive director Sam King enlisted Davis High School art teacher Luke Turner—a former museum professional—to help curate and place select pieces with institutions like the Mills College Art Museum and the Manetti Shrem Museum, while the remaining works are now being offered to the community at bargain prices.
Sharjah Art Foundation has announced details for the 17th edition of the Sharjah Biennial, titled “What remains, sits restive,” running from January 21 to June 13, 2027. The large-scale contemporary art event will feature 109 participants across multiple sites in the emirate, including Sharjah City, Al Dhaid, Khor Fakkan, and Kalba. Confirmed artists include Anri Sala, Hassan Khan, Ibrahim Mahama, Oscar Murillo, Zina Saro-Wiwa, and Angela Ferreira. The biennial will be curated by Angela Harutyunyan and Paula Nascimento, each presenting separate sections under a shared theme examining how past political and cultural histories shape present-day realities through time, memory, and space.
Los Angeles will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026. Co-founded by Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum is located in Frank Gehry's Grand LA complex within the Grand Avenue Cultural District. Its inaugural exhibition, "Machine Dreams: Rainforest," runs through January 31, 2027, and features the Large Nature Model—the first open-source generative AI model dedicated to nature. The exhibition uses real-time audience biofeedback and ecological datasets to create a shifting digital rainforest, including an Infinity Room that plays the extinct Kauaʻi ʻŌʻō bird's call. Pioneer Memberships are now on sale, offering exclusive pre-opening access and a generative print.
Haitian-American artist and curator Edouard Duval-Carrié has been selected to represent Haiti at the 61st Venice Biennale, titled "Smaller Keys." Ahead of the exhibition, he is opening his Little Haiti studio for a rare one-night preview on Friday, April 24, organized alongside the Tout-Monde Art Foundation. The preview includes a conversation with art historian Erica Moiah James and features works that were not sent to Venice but share the same themes of Haitian history, African connections, and diaspora. Duval-Carrié's Biennale theme centers on the question, "What did Africa bring to the world?" His selection was posthumously confirmed from the notes of chief curator Koyo Kouoh, the first African woman appointed to the role, who passed away last year.
The Anozero – Bienal de Coimbra in Portugal is presenting a significant number of works addressing conflict and displacement in the Middle East. The biennial, curated by John Zeppetelli and Hans Ibelings, features projects like Taysir Batniji's "Just in Case #2," a series of 250 photographs of keys belonging to displaced Palestinians, and Adam Broomberg and Rafael Gonzalez's "Anchor In The Landscape," documenting destroyed olive trees.
Hancock County Arts has unveiled its comprehensive schedule for 2026, featuring a diverse array of monthly exhibitions and community events at the Twenty North Gallery in Greenfield. The upcoming season includes themed showcases such as the "Black & White" exhibit, the annual "Visions of Hancock County" photography show, and specialized displays focusing on local student work and regional heritage.
Dealers Matteo Consonni and Dawid Radziszewski have merged their respective galleries, Madragoa in Lisbon and Galeria Dawid Radziszewski in Warsaw, to form a single entity: Consonni Radziszewski. The new gallery launched with a third physical space in Milan, timed to coincide with the city's art week and the Venice Biennale. This merger follows a three-year period of collaboration on art fair booths and joint artist representation, specifically for photographer Joanna Piotrowska.