The US-Israeli bombardment of Iran, beginning in late February, has severely disrupted the country's cultural life and art scene. The typically busy Nowruz (Persian New Year) period was marked by fear, travel restrictions, and internet blackouts, leading to the evacuation of museum collections, the closure of galleries, and artists being unable to work in their studios.
The Walker Guest House, a 1953 architectural pavilion designed by Paul Rudolph, has been transported from Florida and reassembled inside the Pacific Design Center in West Hollywood. It is being offered for sale for $2 million as part of the Basic.Space L.A. high-design shopping event, complete with original furnishings and architectural drawings.
A major exhibition titled "Vivienne Westwood: Rebel – Storyteller – Visionary" has opened at the Bowes Museum in County Durham, England. The show features over 40 ensembles and numerous accessories drawn almost entirely from the private collection of Peter Smithson, a chemistry teacher and dedicated Westwood supercollector who has amassed these pieces over three decades.
The Hong Kong International Cultural Summit returns on March 22-23, gathering cultural leaders from 14 countries in the West Kowloon Cultural District to discuss how institutions can reimagine their relationship with communities. Key figures like M+ Museum Director Suhanya Raffel, Hong Kong Palace Museum Director Louis Ng, and WestK CEO Betty Fung highlight the district's cross-disciplinary, audience-focused approach.
Shenzhen, China's major technology hub, is making a concerted push to become a significant player in the art world. The city began 2025 with major announcements from tech giants JD.com and Tencent, which are establishing new art museums in the city, appointing prominent directors Robin Peckham and Pi Li to lead them. This follows years of building cultural infrastructure, including the OCAT museum, the Sea World Culture and Arts Center, and the growth of local art fairs like Art Shenzhen.
The Royal Ontario Museum (ROM) in Toronto has appointed Nicholas R. Bell as its new director and CEO, effective July 6. Bell, who currently leads the Glenbow museum in Calgary, succeeds Josh Basseches following a decade-long tenure. During his time at Glenbow, Bell was noted for securing a $250 million capital campaign and implementing a landmark free-admission policy, the first of its kind for a major Canadian museum.
director of poland jewish museum reinstated
Dariusz Stola has been reinstated as the director of the Polin Museum of the History of Polish Jews in Warsaw, seven years after being forced out by Poland’s former nationalist government. Stola, a respected historian who led the museum from its 2014 opening, was blocked from reappointment in 2019 by the Law and Justice party despite winning a competitive selection process. His return follows the 2023 election of a centrist coalition led by Donald Tusk and a subsequent move by Culture Minister Marta Cienkowska to reverse the previous administration's ideological purges.
Elvira Dyangani Ose is stepping down as the director of the Museu d'Art Contemporani de Barcelona (MACBA) in April, months before her contract was set to expire. Her resignation follows a conflict with the MACBA Consortium, which ruled that her new appointment as director of the Abu Dhabi Public Art Biennial was incompatible with her leadership role in Barcelona. Dyangani Ose, who became the first woman and first person of color to lead the institution in 2021, had requested to balance both positions, but the governing body denied the proposal.
The Africa Museum in Tervuren, Belgium, a museum dedicated to the country's colonial history in Africa, is at the center of a dispute over access to its historical geological records from the Democratic Republic of Congo. The Congolese government and KoBold Metals, a mining company backed by billionaires like Jeff Bezos and Bill Gates, are seeking access to these documents, which detail rich mineral deposits, as part of a deal to digitize them and explore for critical minerals like lithium and cobalt.
The Museum of Fine Arts, Boston has laid off 57 employees, with an additional 56 staff members taking voluntary retirement. The cuts are a direct response to the severe financial impact of the museum's extended closure due to the public health crisis, which has led to massive losses in revenue from admissions, events, and retail.
British artist Henry Walsh, known for his intricate paintings of miniature worlds filled with tiny figures and narratives, has announced a series of exhibitions for 2025 and 2026. His work will be shown at Fresh Art Fair in London (January 31–February 2, 2026), the Affordable Art Fair New York and Austin editions in March and May, and a solo show titled "Changing Seasons" at Fine Art Consultancy from June 10 to July 12. The exhibitions follow a private commission inspired by the Austin City Limits Festival, which Walsh used as a starting point for his painting "Pageant" (2025), featuring music icons like Bonnie Raitt and Leon Bridges.
The European Fine Art Foundation (TEFAF) and its managing director Dominique Savelkoul have parted ways after just over a year, making her the fourth managing director in six years (counting an interim). Savelkoul, a Belgian arts administrator who took up the post in September 2024, had never run an art fair before. TEFAF cited “differing views on the organisation’s future strategic direction” in a statement. Savelkoul succeeded Bart Drenth, who resigned in May 2023 after controversial social media posts. She previously held roles at the London Philharmonic Orchestra, the National Gallery in London, and Mu.Zee in Ostend.
Egypt has recovered two ancient artifacts from Belgium after a decade-long effort, announced on December 2 by the Egyptian Ministry of Tourism and Antiquities. The objects—a painted and gilded Ptolemaic sarcophagus (305–30 B.C.E.) and a wooden beard from a Middle Kingdom statue—were seized by Belgian authorities in 2015 following an Interpol alert, as they were displayed in a Brussels antiques gallery without legal documentation. After a drawn-out diplomatic and legal process, the artifacts were returned in a ceremony at the Royal Museums of Art and History in July, attended by senior Egyptian culture ministers.
Louvre director Laurence des Cars defended the museum's security protocols in a New York Times interview following a recent robbery. She revealed that a comprehensive security review had already been initiated, including a master plan to add 100 cameras to the museum's perimeter, and that several companies had bid on the project before the theft occurred. However, she acknowledged that implementation has been slow due to the museum's scale and public procurement rules, with the full camera system not expected to be operational until the end of next year.
The British Museum has ended a 15-year sponsorship deal with Japan Tobacco International (JTI) after concerns that the partnership violated the World Health Organization's Framework Convention on Tobacco Control (FCTC), which the UK signed in 2004. The decision followed pressure from the Department of Health and Social Care and the Department for Culture, Media and Sport, which provides the museum with around £75 million annually. The sponsorship had funded acquisitions of over 2,400 Japanese objects, a curatorial post, an African heritage tour, and diversity training, while giving JTI access to museum galleries for private events and filming, which critics said allowed the tobacco company to launder its reputation and meet policymakers.
A new survey from the American Alliance of Museums (AAM) reveals that one-third of American museums have lost government grants and contracts since President Donald Trump took office. Based on responses from 511 museum directors, the report documents funding cuts from federal agencies including the Institute of Museum and Library Services (IMLS), the National Endowment for the Humanities (NEH), and the National Endowment for the Arts (NEA). These losses have forced museums to defer infrastructure improvements, cancel programming for underserved communities, and lay off staff. Some institutions have taken legal action, and a court ruling in May halted further dismantling of the IMLS. The Mellon Foundation has offered emergency grants, but two-thirds of surveyed museums have been unable to replace lost funding, with a median grant loss of $30,000.
London's Courtauld Gallery and Institute has received a £30 million ($40.06 million) donation from the Reuben Foundation, the largest gift in its 93-year history. The foundation, established by billionaire brothers David and Simon Reuben, will also share their extensive art collection to support future exhibitions as part of a long-term partnership. The donation will help fund the refurbishment of the Courtauld's academic wing, which still requires an additional £65 million to complete.
The National Gallery of Art in Washington, D.C., announced it will close starting October 5 due to the ongoing government shutdown, becoming the first major museum in the capital to do so. The Smithsonian Institution, which operates several other museums, is using its own funds to remain open at least through Monday. The closure threatens upcoming programming, including a major exhibition of Australian Indigenous art scheduled to open October 18, which is currently still listed as planned.
Leon Black, a billionaire investor and prominent art collector, is facing renewed scrutiny over his ties to Jeffrey Epstein. Senator Ron Wyden of Oregon has called on the Internal Revenue Service to investigate what he describes as suspicious tax planning work performed by Epstein for Black, involving tens of millions of dollars paid to Epstein to help Black evade billions in taxes. Wyden submitted a letter to the IRS on July 31, demanding more information by September 1. Black has previously been investigated for his Epstein connections; a 2021 probe found he had no involvement in Epstein's criminal activities but confirmed he paid $158 million to Epstein between 2012 and 2017.
The Fine Arts Museums of San Francisco (FAMSF), which operates the de Young Museum and the Legion of Honor, announced the layoff of 12 staff members on July 18, 2025. Director and CEO Thomas P. Campbell cited a prolonged period of softening tourism in San Francisco, with visitor numbers down nearly 20 percent compared to pre-pandemic levels, as the reason for the reduction. The layoffs primarily affect FAMSF's nonprofit side and follow a March discussion to cut city-funded positions by nearly a quarter after the mayor's office mandated a 15 percent reduction in general spending.
Iwan and Manuela Wirth, owners of the global art gallery Hauser & Wirth, have relocated their permanent residency from the United Kingdom to Switzerland, where the gallery’s holding company is based. The move was registered in documents filed with Companies House this month, and the gallery confirmed to the Financial Times that the decision was for personal reasons, unrelated to tax law changes. Despite the relocation, the Wirths plan to open a new London location in 2026, and their UK gallery reported a 13 percent drop in turnover to £144 million in 2023.
The Centre for Contemporary Arts (CCA) in Glasgow, Scotland, closed for the rest of the week after a pro-Palestine protest organized by Art Workers for Palestine Scotland escalated into a confrontation. The group staged a sit-in at the CCA courtyard, demanding the institution support the Palestinian Campaign for the Academic and Cultural Boycott of Israel. Police were called to clear the protest, leading to arrests and allegations of excessive force. The CCA board cited security concerns and a forced entry as reasons for the closure.
The Grand Egyptian Museum (GEM) has postponed its official grand opening, originally scheduled for July 3, until the final quarter of this year. Egyptian Prime Minister Mostafa Madbouly cited "current regional developments" in a press conference, referencing recent conflict between Israel and Iran. The museum issued a statement explaining the delay stems from a sense of national responsibility, aiming to hold the event at a more auspicious time. This is not the first delay for the project, which has faced setbacks since its announcement in 1992 due to political unrest, the Covid-19 pandemic, and economic struggles. The GEM has partially opened, with 12 main galleries accessible since late October 2024.
Staff at the British Museum have criticized the institution for allowing the Israeli embassy in London to host a party on its premises celebrating the 77th anniversary of Israel's founding. An internal petition signed by 250 staff members demands an end to relations with Israeli cultural institutions, citing concerns over perceived political bias and potential damage to curatorial partnerships. The event, held on May 13, featured Israeli ambassador Tzipi Hotovely and other political figures, and was not publicly advertised. The museum defended the event as a commercial rental handled on a non-political basis, but former curator Venetia Porter and others argue it undermines impartiality amid the ongoing conflict.
Harvard University has transferred ownership of fifteen daguerreotypes from around 1850, considered the earliest surviving photographs of enslaved African Americans, to the International African American Museum in Charleston, South Carolina. The settlement ends an eight-year legal dispute with Tamara Lanier, who claimed the images depict her ancestors, Renty and Delia, and argued they were taken without consent for the discredited biologist Louis Agassiz. The Massachusetts courts had previously ruled that ownership remained with the photographer, but allowed Lanier to pursue emotional distress claims over Harvard's continued use of the images in marketing materials.
The Mediterranean Alliance for Wetlands has launched a campaign against the Guggenheim Museum's proposed expansion into the Urdaibai Biosphere Reserve in Spain. The campaign warns that building a new museum spanning Guernica and the protected reserve would harm biodiversity, water quality, and conservation frameworks, and has gathered over 2,400 signatures on a petition urging UNESCO, the Ramsar Secretariat, and the Spanish government to intervene.
A class action lawsuit was filed Monday by the Authors Guild, independent scholars, and writers against the National Endowment for the Humanities (NEH) and officials within the Department of Government Efficiency (DOGE) for terminating millions in committed grants from Congressional funds. The lawsuit argues these actions violate the Administrative Procedure Act, the separation of powers, and freedom of expression, exceeding agencies' congressionally granted authority. It seeks to stop mass grant terminations, restore funds, and require the NEH to operate according to Congress's intent to preserve multicultural artistic heritage and support new ideas. The grants were canceled following extreme cuts by DOGE under the Trump administration, affecting recipients under programs like the Public Scholar and Fellowship initiatives.
Regional arts organizations across the United States are speaking out against recent cuts by the National Endowment for the Arts (NEA). The Trump administration proposed budget cuts that would effectively eliminate the agency by 2026, prompting the NEA to cancel many of its 2025 grants. A collective of U.S. Regional Arts Organizations issued a joint statement urging Congress to restore grant funding and maintain bipartisan support for the NEA. The cancellations also affect humanities councils in 56 states and jurisdictions, which expected about $65 million from the National Endowment for the Humanities (NEH) out of its $210 million annual budget. Three humanities organizations are currently suing the NEH and the Department of Government Efficiency (DOGE) over the dismantling.
The Trump administration's 2026 budget proposal seeks to eliminate the National Endowment for the Humanities (NEH), the National Endowment for the Arts (NEA), and the Institute of Museum and Library Services (IMLS). The proposal follows recent cuts that have already halted 2025 funding, slashed $65 million from the NEH's $210 million budget, and fired roughly 65% of its staff. A lawsuit filed by three humanities-focused organizations aims to reverse the cuts, and a judge has issued a temporary restraining order to block the dismantling of the IMLS. The Mellon Foundation has provided $15 million in emergency funding to state humanities councils to prevent closures.
Leaders from roughly 10 Ivy League and top private research universities have formed a private collective to coordinate their response to the Trump administration's attacks on academic independence and research funding. The administration has paused billions in funding at Cornell and Northwestern, cut $400 million from Columbia, and blocked $2 million from Harvard, which is now suing the government. The collective, operating behind the scenes, is concerned about federal overreach into admissions, hiring, curricula, and international student and faculty policies.