Art in America hosted a launch event for its 2025 "New Talent" issue at PMC's headquarters in New York, bringing together 20 emerging artists and two established luminaries—Carroll Dunham and Rochelle Feinstein—for a panel discussion moderated by senior editor Emily Watlington. The conversation explored the art world's current shift from figuration to abstraction, with Dunham and Feinstein reflecting on their own careers and the evolving dynamics of painting.
The Art Institute of Chicago is appealing a New York court order to return Egon Schiele's drawing *Russian War Prisoner* (1916) to the heirs of its original owner, Fritz Grünbaum, a Jewish art collector who died in a Nazi concentration camp. The museum secured a temporary stay while it pursues the appeal, following an April ruling by Justice Althea Drysdale that found credible evidence the 1956 sale to Swiss dealer Eberhard Kornfeld was illegitimate. The drawing was seized from the museum in September 2023 and remains off view.
The feminist activist group FEMEN staged a topless protest at Paris's Musée d'Orsay on Saturday, September 12, 2020, after the museum barred a woman named Jeanne from entering the galleries unless she covered up her low-cut dress. About 20 activists gathered in the sculpture gallery, removed their shirts, and painted slogans such as "obscenity is in your eyes" and "this is not obscene" on their torsos, standing alongside classical nude statues. They chanted in protest and later moved outside the museum. The museum issued an apology to Jeanne but did not address accusations of sexism or discrimination.
A comprehensive new documentary on Eva Hesse, the innovative 1960s artist, will premiere in New York in April. Directed by Marcie Begleiter, the film explores Hesse's life as a German-born American who fled Nazi Germany, her difficult childhood as an immigrant, and her rise in New York's art scene. It features interviews with artists like Robert Mangold and examines her pioneering use of materials such as plastic, latex, and fiberglass. Hesse's career was cut short when she died of a brain tumor at age 34 in 1970, but her legacy has grown through posthumous retrospectives at major museums.
The Art Institute of Chicago has been granted an emergency stay by an appellate judge, pausing the restitution of Egon Schiele's drawing "Russian War Prisoner" (1916) to the heirs of Fritz Grünbaum, a Jewish cabaret performer and art collector who died in a Nazi concentration camp. The museum is appealing a New York Supreme Court judge's April 23 order to surrender the artwork, which has been off view since September 2023 when it was seized by the Manhattan District Attorney's office. The museum disputes that the work was looted, citing evidence that Grünbaum's sister-in-law recovered the collection after the war and sold it to a dealer.
A Manhattan judge has blocked London-based art dealer Richard Nagy from selling or transporting two watercolors by Egon Schiele, which were on display at his booth during the Salon of Art + Design fair at the Park Avenue Armory. The works—Woman in a Black Pinafore and Woman Hiding Her Face—are claimed by the heirs of Fritz Grünbaum, a Jewish Holocaust victim and cabaret performer who died at Dachau. The heirs, Timothy Reif and David Fraenkel, filed suit in Manhattan Supreme Court, alleging the paintings were among 400 artworks surrendered to the Nazis by Grünbaum's wife. Nagy disputes the claim, arguing the works were sold legally by Grünbaum's sister-in-law in 1956 and that previous arbitration boards found no evidence of Nazi looting.
Mara Manus is stepping down as CEO of Pioneer Works, the Brooklyn arts and science non-profit founded by artist Dustin Yellin, after a brief tenure that began in 2023. Her departure comes after she met the organization's fundraising goals months ahead of schedule and completed the third phase of a $30 million capital campaign in early 2025. Gabriel Florenz, the founding artistic director since 2012, has expanded his role to executive director, while Stephanie Hemshrot was appointed Chief Operating Officer. Manus previously led the New York State Council on the Arts and the Public Theater.
Lincoln Logs, the iconic wooden construction toy that has entertained American children for over a century, was designed by John Lloyd Wright, the second-eldest son of famed architect Frank Lloyd Wright. John conceived the toy while in Japan with his father between 1916 and 1917, inspired by the interlocking wooden foundation Frank Lloyd Wright designed for the Imperial Hotel in Tokyo to make it earthquake-resistant. The toy, named after Abraham Lincoln, went on to become a classic, inducted into the National Toy Hall of Fame in 1999.
The Frick Collection has reopened after a $220 million, five-year renovation, featuring a new installation called "Porcelain Garden" by Ukrainian-born artist Vladimir Kanevsky. The display includes over 30 handcrafted porcelain floral pieces, such as a lemon tree, lilies of the valley, and a wild artichoke, placed alongside masterpieces by Vermeer, Rembrandt, Goya, and Bellini. Kanevsky, a 74-year-old Jewish-Ukrainian émigré who moved to New York in 1989, originally trained as an architect and turned to porcelain as a side project, which unexpectedly became his career. All the flowers at the Frick have been sold, with prices ranging from $5,000 to $500,000, though his secondary market remains minimal.
The Rachofsky House, a landmark contemporary art residence in Dallas designed by Pritzker Prize-winning architect Richard Meier, has been quietly listed for sale off-market by Compass agent Faisal Halum. The 9,000-square-foot home at 8605 Preston Road has been owned for decades by prominent collectors Howard and Cindy Rachofsky, who annually hosted the Two x Two gala there, raising over $130 million for amfAR and the Dallas Museum of Art. Howard Rachofsky confirmed the sale, citing his age (81) and ongoing estate planning.
Gagosian Gallery will present a new body of work by artist Anna Weyant at TEFAF New York, featuring intimately scaled paintings of jewelry rendered with trompe l’oeil precision. The booth, designed with lavender walls and pine-hued carpet, showcases pieces like "Pearl Earrings" (2025) and "Pearl Bracelet (Sold)" (2025), some with cheeky price tags and red dot stickers. Weyant, represented by Gagosian since 2022, has seen her market soar, with her auction record set at $1.6 million for "Falling Woman" (2020) at Sotheby’s in 2022.
A large Mark Rothko painting, *Grey, Orange on Maroon, No. 8*, was removed from display at Museum Boijmans van Beuningen in Rotterdam after a young visitor scratched it during an "unguarded moment." The 1960 work, measuring over 7 by 8 feet, is one of only two Rothkos in Dutch collections. The museum has sought conservation expertise in the Netherlands and abroad, and expects the painting to be shown again after treatment. The work was on view at the museum's open storage facility, the Depot Boijmans Van Beuningen, while the main building undergoes renovation until at least 2030.
The article recounts the first meeting between artists Marcel Duchamp and Man Ray in 1915, when a language barrier threatened their connection. They broke the ice with an impromptu tennis match using old rackets and a ball, with no net, as Man Ray called out tennis scores and Duchamp simply replied 'yes.' This playful encounter launched a five-decade friendship and prolific collaboration, during which they co-created works ranging from photographs and installations to experimental films, and became central figures in New York Dada.
Castle Howard, the historic North Yorkshire estate known for its role in Netflix's *Bridgerton* and the 1981 film *Brideshead Revisited*, is reopening to the public after major restoration work. The centerpiece is the tapestry drawing room, which had stood as an empty shell since a 1940 fire devastated much of the house. The room has been fully reconstructed with a new ceiling, floor, fireplace, paneling, and window casings, overseen by architect Francis Terry. Four 18th-century tapestries by John Vanderbank, depicting the seasons, have been restored and reinstalled in their original locations for the first time since the early 1700s. The restoration also prompted a rehang of the Long Gallery and a reimagining of the grand staircase, which now displays artifacts collected by the earls of Carlisle.
Kent Monkman, a member of the Fisher River Cree Nation and a leading contemporary painter based between Toronto and New York, is the subject of a feature article discussing his career and his first major U.S. museum exhibition, "History is Painted by the Victors," opening at the Denver Art Museum. Monkman is known for epic, genre-bending canvases that subvert classical European painting traditions, particularly 19th- and 20th-century history painting, to expose colonial distortions and omissions. Central to his work is Miss Chief Eagle Testickle, his time-traveling alter ego who queers history and repositions Indigenous presence and agency. The article includes an interview where Monkman reflects on his upbringing in Winnipeg, his relationship to museums, and how painting serves as both a political tool and a method for processing historical trauma.
This year marks the 150th anniversary of Impressionism, which began in 1874 when 31 artists including Paul Cézanne, Claude Monet, and Berthe Morisot staged a groundbreaking exhibition in Paris. To commemorate the sesquicentennial, international institutions are hosting exhibitions such as the Musée d'Orsay's "Paris 1874: Inventing Impressionism," while Artnet and Morgan Stanley have collaborated to analyze auction data from 2014 to 2023, examining the market for works by approximately 120 Impressionist and Post-Impressionist artists. Despite perceptions that Impressionism has lost its luster, the number of lots offered at auction has remained steady, averaging 6,091 annually over the decade.
Artnet News and Morgan Stanley have released an analysis of the global art market, examining auction performance by artists from different regions over the past decade. The report breaks down sales by region—North America, Europe, Asia-Pacific, Africa, Latin America and the Caribbean, and the Middle East—and by genre categories including Old Masters, Impressionist and Modern, Postwar and Contemporary, and Ultra-Contemporary. Key findings show that North American and European artists dominate the market, while African-born artists have seen notable but uneven growth, and Asia-Pacific-born artists have experienced a marked decline.
Jack Whitten's monumental mosaic-painting "9.11.01" (2006) is the focus of this article, which examines the work on view at the Museum of Modern Art. The painting, created in response to the September 11 attacks, uses abstract forms—a cracked black pyramid with dagger-like spines and bootprints—to evoke the trauma of that day. Whitten, who witnessed the first plane strike from his studio in Manhattan, embedded ash and wreckage fragments into the surface, blending abstraction with historical memory.
The American Civil Liberties Union of Texas (ACLU of Texas) has named Houston-based painter Vincent Valdez and Austin-based author KB Brookins as the recipients of its artists-in-residence program for 2025–26. Each artist will receive $30,000 to fund individual projects and will collaborate with the ACLU of Texas and community leaders to advocate for civil rights. Valdez plans to paint portraits of local community leaders and create poster packets combining Know Your Rights information with archival research for statewide distribution. Brookins will address pretrial detention in Texas jails through original compositions, workshops, and public presentations, focusing on mass incarceration issues in Harris County. The pair were selected from roughly 200 applicants following a statewide open call, succeeding artist Kill Joy, who led an immigrants' rights tour with large puppets.
This article from Artnet News compiles a list of notable accidents in museums, where visitors, children, or even curators have inadvertently damaged valuable artworks and artifacts. Incidents include a four-year-old boy shattering a $15,000 Lego sculpture of a Zootopia character, a 12-year-old boy punching a $1.5 million Baroque painting by Paolo Porpora at Huashan 1914 Creative Park in Taipei, a Cy Twombly sculpture knocked over at the Menil Collection in Houston, and a visitor breaking a 4,000-year-old Minoan vase at the Heraklion Archaeological Museum in Crete. The article is framed as a lighthearted yet cautionary look at the fragility of museum objects and the human errors that lead to their damage.
Kevin Beasley has created a large-scale acoustic mirror for Storm King Art Center, opening May 7. The 11-foot-tall, 100-foot-wide four-part sculpture is inspired by World War I–era concrete acoustic mirrors used for detecting enemy aircraft. Unlike those obsolete relics, Beasley's work is made from recycled clothes cast in resin and will amplify visitors' voices and outdoor sounds. The piece engages with the history of the Hudson River School painters and themes of colonialism, Manifest Destiny, and contested land, while also celebrating agricultural cycles through its seasonal titles: Proscenium| Rebirth, Growth, Harvest, and Dormancy.
Pablo Picasso's 1932 painting *Femme à la montre*, depicting his lover Marie-Thérèse Walter, sold for $139.4 million (including fees) at Sotheby's New York during the highly anticipated Emily Fisher Landau sale. The work, estimated at $120 million, was the centerpiece of the auction, with bidding starting at $95 million and concluding after a two-minute standoff among three phone bidders, including one from Asia. Brooke Lampley, Sotheby's head of global fine art, secured the winning bid on behalf of a client. The sale was handled by Sotheby's, which won the right to auction the estate of Landau, a longtime Whitney Museum board member and private collector.
Texas police officers traveled to New York museums in February as part of a failed child pornography investigation against photographer Sally Mann and the Modern Art Museum of Fort Worth. The investigation stemmed from Mann's photographs of her nude underage children, displayed in the exhibition "Diaries of Home," which some local viewers and officials deemed harmful. The officers visited the Guggenheim, Metropolitan Museum of Art, Museum of Modern Art, and Whitney Museum, spending nearly $7,000 on the trip. A grand jury declined to take action in March, and the photos were returned. Museums reported no recent communication with the police and stated Mann's works had not been on view for years.
The Dubai Collection, launched in 2021 under the patronage of Sheikh Mohammed bin Rashid Al Maktoum, is billed as the emirate's first institutional collection of modern and contemporary art. However, it has no physical location, does not acquire artworks, and exists primarily as a digital platform where top Dubai collectors list their holdings. At Art Dubai 2025, the Collection presented its third exhibition, "Common Grounds," organized by Zayed University students, featuring works from 1949 to 2024. The initiative also includes research, education, and cultural preservation programs, along with events like Dubai Collection Nights.
The Fort Worth Police Department spent nearly $7,000 to send five officers to New York City to investigate child pornography allegations against photographer Sally Mann. The officers visited four major museums—the Metropolitan Museum of Art, the Museum of Modern Art, the Solomon R. Guggenheim Museum, and the Whitney Museum of American Art—to examine Mann's photographs in their collections and speak with curators. The trip, which cost $6,988.77, came after Mann's works were seized from a group exhibition at the Modern Art Museum of Fort Worth following complaints from locals and elected officials who deemed the images "grossly inappropriate." The investigation was later dropped and the photographs returned.
Hong Kong-based activist fund Oasis Management has publicly condemned Japanese chemical company DIC Corporation for relocating the Kawamura Memorial DIC Museum of Art to the International House of Japan (IHJ), a private members' club in Tokyo. The move includes seven of Mark Rothko's "Seagram Murals" and other valuable artworks. Oasis, a major shareholder in DIC Corp, accuses the company's chairman, Yoshihisa Kawamura, of attempting to transfer assets to an inner circle and has urged shareholders to vote against CEO Takashi Ikeda and support governance reforms.
Sotheby's will auction a rediscovered early Jean-Michel Basquiat painting from 1981, unseen for 36 years, with a $10–15 million estimate at its Contemporary Evening Auction in New York this May. The sale also features major works from three tightly held private collections: the estate of Barbara Gladstone, the Roy Lichtenstein Foundation, and Daniella Luxembourg's 'Im Spazio' group, alongside top lots by Lucio Fontana, Robert Rauschenberg, Frank Stella, and Ed Ruscha. The Modern Evening Auction includes a Pablo Picasso musketeer portrait and a Georgia O'Keeffe painting, with combined estimates for both sales reaching up to $525.2 million.
The Fine Arts Museums of San Francisco (FAMSF) will host the 2025 Museums of Tomorrow Roundtable (MTR) from May 11-17, bringing together 14 global museum leaders and technology firms including Adobe, Anthropic, Bloomberg, and Salesforce. Participants include directors such as Marion Ackermann (Stiftung Preußischer Kulturbesitz), Stephanie Rosenthal (Guggenheim Abu Dhabi), Eike Schmidt (Museo di Capodimonte), Mami Kataoka (Mori Art Museum), and others, alongside Bay Area museum heads and AI artist Refik Anadol, who will speak in a free public program at the de Young Museum. The forum aims to bridge the museum and technology communities, exploring how advanced technologies can enrich operations and visitor experiences while supporting artists working with technology.
The National Endowment for the Humanities (NEH) has announced a new grant program to fund statues for President Trump’s National Garden of American Heroes, a sculpture garden first proposed in 2021. The garden will feature life-size statues of 250 notable Americans, with a location still to be determined. Selected artists, who must be U.S. citizens, can receive up to $200,000 per statue, which must be made of traditional materials like marble or bronze and depict figures in a realistic style. The application deadline is July 1, and the project is jointly funded by the NEH and the National Endowment for the Arts with a total of $34 million, drawn from federal grants originally allocated to other cultural programs but later canceled by the administration.
A New York judge has ordered the Art Institute of Chicago to return Egon Schiele's 1916 drawing to the heirs of Fritz Grünbaum, an Austrian Jewish art collector persecuted during the Holocaust. The ruling, issued by Judge Althea Drysdale, determined that the work was looted by the Nazis and that the museum failed to properly scrutinize its provenance, relying on discredited records from Swiss dealer Eberhard Kornfeld. The drawing had been in the museum's collection since 1966 and was seized in 2023; the museum plans to appeal.