The Brooklyn-based artist KAWS has listed an offset lithograph titled 'The Nature of Need' (2012) for sale through Kumi Contemporary. The work, priced at £350, features the artist's signature synthesis of pop culture animation and street art aesthetics, presented as an unsigned edition on smooth paper.
The AOY Art Center in Yardley, Pennsylvania, is launching its 14th annual Juried Show, featuring 137 selected works from over 425 regional submissions. Curated by Amanda C. Burdan of the Brandywine Museum of Art, the exhibition spans various mediums including painting, sculpture, and photography. The show opens April 10 with a public reception and includes specialized honors such as the Frumi Cohen memorial award for wildlife art.
The 27th edition of Art Rotterdam took place at the Rotterdam Ahoy, featuring over 150 galleries with a heavy emphasis on the Dutch art scene. This year’s fair was marked by a strategic integration with the photography fair Unseen and coincided with major local developments, including the relocation of the Nederlands Fotomuseum to its new 'Santos' home and the opening of the Fenix Museum of Migration. Notable presentations included Sakir Khader’s poignant photography of Palestinian resistance at No Man's Art Gallery and Shimon Kamada’s atmospheric oil paintings at Diez Gallery.
The Spencer Museum of Art at the University of Kansas has launched "Street Nihonga: The Art of Jimmy Tsutomu Mirikitani," the most comprehensive exhibition to date of the late artist's work. Curated by Kris Ercums and Maki Kaneko, the show features 145 works that trace Mirikitani’s journey from his Nihonga training in Japan to his incarceration in a U.S. internment camp during WWII, and finally his years as a homeless street artist in Lower Manhattan. The exhibition is accompanied by a major scholarly catalog and documentary footage by filmmaker Linda Hattendorf.
Works by Edgar Degas and Ben Nicholson are among the artworks donated to UK public collections through the government's Acceptance in Lieu (AIL) and Cultural Gifts Schemes (CGS) between April 2024 and March 2025. The total value of objects gifted reached £59.7 million, settling £39.3 million in tax. Degas's pastel *Ballet Dancers* (1888) was allocated to the National Gallery in London, settling £7.9 million in tax, while three paintings by Ben Nicholson went to Kettle's Yard in Cambridge and a fourth to Pallant House Gallery. Other donations include 73 photographs by Bill Brandt to Tate, a Vanessa Bell still life to the Charleston Trust, and works from the Radev Collection.
Hillsboro Fine Art in Dublin announces 'Studio house museum', a solo exhibition by Irish artist Eamon O’Kane, running from 5 February to 7 March 2026. The show features new paintings from his ongoing Ideal collection series, inspired by residencies and visits to iconic studios and houses of artists, collectors, and architects, including Francis Bacon’s Reece Mews studio, Eileen Gray’s E-1027, the Edith Farnsworth House, Philip Johnson’s Glass House, and others. O’Kane explores creative spaces as living archives, reconstructing environments that blend Modernist aesthetics, architectural clarity, and painterly intuition, mapping networks of influence across generations.
Two exhibitions opening in January at the Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis explore themes of cultural origins, legacy, and preservation in California art. "Sahar Khoury: Weights & Measures" (Jan. 7–June 20) is the Bay Area sculptor's largest solo show to date, featuring works in ceramics, metal, papier-mâché, and found objects that interrogate value systems, personal and political symbols, and site sensitivity. The emotional centerpiece, "The Elephant in the Room," evokes ruins and marketplaces of North Africa and Southwest Asia. Concurrently, "Backstory: Digitizing the Museum Collection" (Jan. 21–May 2) turns the museum into a working digitization lab, displaying signature works from UC Davis’ Fine Art Collection while revealing the process of preserving art for posterity.
The Vancouver Art Gallery (VAG) has received a landmark donation of 131 works by 78 artists from an anonymous Hong Kong-based collector, named the Art Continuum Hong Kong (ACHK) collection. The gift, the largest contribution of Hong Kong art in the gallery's history, spans painting, sculpture, printmaking, film, installation, and lens-based media from the 1950s to the present, chronicling social, political, and cultural change in Hong Kong. It includes works by internationally recognized artists such as Luis Chan, Irene Chou, Tsang Kin Wah, Wesley Tongson, Sin Wai Kin, and Wucius Wong, as well as Hong Kong-born, Vancouver-based artists like Howie Tsui and Lam Tung Pang. The VAG will present an exhibition of the donation alongside its permanent collection in 2027, coinciding with the 30th anniversary of Hong Kong's handover from the UK to China.
The six artists shortlisted for the 2025 Artes Mundi 11 prize present works addressing displacement, colonial trauma, and migration amid divisive global politics. The exhibition, held at the National Museum Cardiff and other Welsh venues, features Sancintya Mohini Simpson’s subversive Indian miniature-style paintings depicting the horrors of indentured labor, alongside works by Jumana Emil Abboud, Anawana Haloba, and Sawangwongse Yawnghwe. The prize, the UK’s largest cash award for an exhibition at £40,000, continues its evolution by offering solo presentations across multiple venues.
The article reviews the exhibition "Manet & Morisot" at the Legion of Honor in San Francisco, which pairs works by Édouard Manet and Berthe Morisot to explore their artistic dialogue. It highlights how, contrary to the common assumption that Morisot was influenced by Manet, the show argues that Manet increasingly adopted Morisot's lighter palette, looser brushwork, and intimate subject matter in his later years, especially as his health declined. Key pairings include Manet's "Before the Mirror" (1877) and Morisot's "Woman at her Toilette" (around 1875-80), as well as their respective series of seasonal allegories, shown together for the first time.
Alphonse Mucha’s monumental 20-painting series *Slav Epic*, completed in 1928, has never received the permanent exhibition space in Prague that the artist demanded when he donated the work to the city. For decades the series has been displayed in Moravský Krumlov, and its current loan there was recently extended to 2031. Plans to install the Epic in a vaulted underground space designed by Thomas Heatherwick as part of Crestyl’s Savarin development have stalled due to permitting delays, though Crestyl now expects construction to begin in 2025 and open in 2029. Meanwhile, legal disputes persist: John Mucha (the artist’s grandson) had threatened to revoke the city’s ownership, and another granddaughter, Jarmila Mucha Plocková, has challenged the proposed location as unworthy.
The 11th edition of Artes Mundi, the UK's largest contemporary art prize, has opened across multiple venues in Wales, featuring six international shortlisted artists. The multi-venue format includes a group show at the National Museum Cardiff and solo presentations at Mostyn in Llandudno, Aberystwyth Arts Centre, Glynn Vivian Art Gallery in Swansea, and Chapter Art Centre in Cardiff. Artists such as Jumana Emil Abboud, Antonio Paucar, Anawana Haloba, Sawangwongse Yawnghwe, Kameelah Janan Rasheed, and Sancintya Mohini Simpson explore themes of home, belonging, displacement, and community through diverse media including sculpture, performance, painting, and text-based installation. The winner of the £40,000 prize will be announced on 15 January 2026.
Frieze London 2025 is underway with a series of off-site events and colorful encounters. Highlights include a Prada Mode installation by Elmgreen & Dragset at Camden Town Hall, where the duo transforms a former council chamber into an auditorium filled with mannequins and a looping abstract film. At Nahmad Projects, artist Michelangelo Pistoletto met Mick Jagger at an exhibition pairing his new Mirror Paintings with Cubist works by Picasso. Belgian collector Alain Servais turned heads in a blazer emblazoned with British rock band names and the slogan "Anarchy in the UK." Russian performance artist Petr Davydtchenko displayed his Pfizer-forehead tattoo as part of his archive piece "Skin in the Game" (2025), acquired by the A/POLITICAL collection. Meanwhile, Victoria and Albert Museum director Tristram Hunt published a Financial Times op-ed defending London and the UK as a cultural destination.
Taipei's art scene presents a diverse fall lineup of exhibitions in September and October, featuring internationally recognized figures such as Anthony McCall, whose 'Solid Light' series debuts in Taiwan at the Fubon Art Museum, and a major retrospective of Finnish architect Alvar Aalto at the Jut Museum of Art. Local galleries also shine, with shows by Taiwanese artists Michael Lin, Shi Jin-hua (posthumous tribute), and Jenny Chen, alongside German artist Michael Muller at Gdm Gallery and Swiss artist Thierry Feuz at Bluerider Art. The season includes technology-focused exhibitions, pop culture offerings like a 'Ghost in the Shell' metal art show, and group shows exploring travel, memory, and contemporary Asian aesthetics.
This article surveys four notable art spaces in and around Guangzhou, China. It profiles the He Art Museum in Foshan, a private nonprofit founded by He Jianfeng and designed by Tadao Ando, which houses the He family collection spanning Lingnan School ink painting to international modernists. It also covers the Bai’etan Greater Bay Area Art Center, a government-funded complex opened in April 2024 that includes branches of the Guangdong Museum of Art, the Guangdong Intangible Cultural Heritage Museum, and the Guangdong Literature Museum. Additionally, it highlights Vitamin Creative Space, a dual independent art space and commercial gallery founded by Zhang Wei and Hu Fang, and the ChunYangTai Arts and Cultural Centre, part of the Langtou Experiment village revitalization project.
The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.
The Newport Art Museum will present "Howard Gardiner Cushing: A Harmony of Line and Color," the first major retrospective in decades of the Gilded Age artist, opening July 11. Guest curated by Ricardo Mercado in collaboration with Newport Curates, the exhibition features dozens of Cushing's full-length portraits and Asian-influenced decorative paintings, organized into two galleries that separate his two main genres: intimate depictions of family and friends, and semi-theatrical works. Cushing, who died in 1916 and was later dismissed as old-fashioned, is being restored to his place as an innovative artist who challenged academic conventions of the late 19th and early 20th centuries.
This podcast episode features a conversation with Lubaina Himid, the Turner Prize-winning artist born in Zanzibar in 1954 and based in Preston, UK. Himid discusses her paintings, sculptures, and installations that center marginalized figures, diasporic cultures, and overlooked histories. She reflects on the influence of artists Stanley Spencer, Bridget Riley, and William Hogarth, as well as writers Audre Lorde and Essex Hemphill. The episode also covers her curatorial work in the 1980s, her role in the Black British Arts movement, and her admiration for peer Claudette Johnson. Upcoming exhibitions include a show with Magda Stawarska at Kettle’s Yard in Cambridge, a group show at the Institute of Contemporary Arts in London, and her representation of the British Pavilion at the 2026 Venice Biennale.
This article guides readers on a global tour to see every surviving painting by Leonardo da Vinci, numbering around 16 works predominantly by the master himself, plus a few with his intervention. It traces his career through Florence, Milan, Rome, and France, highlighting key locations such as the Louvre, the National Gallery in London, the Alte Pinakothek in Munich, the Hermitage in St. Petersburg, the National Gallery of Scotland in Edinburgh, and museums in Washington, D.C., and Krakow. The piece also notes the disputed attribution and unknown whereabouts of the $450m Salvator Mundi.
Four artists—Nnena Kalu, Rene Matić, Mohammed Sami, and Zadie Xa—have been shortlisted for the Turner Prize 2025. The winner will be announced on 9 December 2025 at a ceremony in Bradford, with an exhibition of their work running from 27 September 2025 to 22 February 2026 at Cartwright Hall Art Gallery, as part of the Bradford 2025 UK City of Culture celebrations. The prize, now in its 41st year, awards £25,000 to the winner and £10,000 to each of the other nominees.
The article announces an exhibition titled "Sargent and Paris" at The Metropolitan Museum of Art, focusing on John Singer Sargent's formative decade in Paris from his arrival in 1874 through the mid-1880s. It traces his rapid rise as a young American art student who studied under Carolus-Duran at the École des Beaux-Arts, immersed himself in Parisian cultural life, and produced daring portraits of cosmopolitan subjects. The exhibition highlights key works including his scandalous success "Madame X" and other canvases that captured Parisian society, culminating in his reputation as the era's greatest portrait painter.
Christie's will offer exceptional works from the Bass House in Fort Worth, Texas, designed by architect Paul Rudolph for Anne and Sid Bass in 1970. The single-owner sale, titled "Art from the Bass House," will be held on 12 May 2025, headlined by a rare Mark Rothko painting from 1950-1951, along with works by Ellsworth Kelly, Alexander Calder, and Frank Stella. The collection will be presented within the 20th Century Evening Sale and the Post-War & Contemporary Art Day Sale, continuing the Bass collection's presence at Christie's after the record-breaking 2022 sale of The Collection of Anne H. Bass.
The Denver Art Museum (DAM) is hosting a member preview on April 19, 2025, for "Kent Monkman: History is Painted by the Victors," the U.S. debut exhibition of the artist. Featuring 41 monumental works, the show reimagines Western art history through an Indigenous lens, addressing colonial injustice, generational trauma, and Two-Spirit and queer visibility, with pieces from the DAM's collection and loans from other institutions.
Christie's will offer Jean-Michel Basquiat's 1982 painting *Baby Boom* as a highlight of its 21st century evening sale this May, with an estimate of $20–30 million. The work, a stylized family portrait believed to depict Basquiat with his parents, was first shown at his landmark Fun Gallery solo exhibition in 1982 and has been featured in major retrospectives at the Brooklyn Museum, Fondation Beyeler, and Fondation Louis Vuitton. Previously owned by collector Peter Brant—who bought it for $1 million in 2001—the painting was later offered at Levy Gorvy's Art Basel stand in 2017 for $30 million.
The Violeta Parra Museum in Santiago, Chile, has reopened after being closed for over six years due to arson attacks during the countrywide social protests of February 2020. The museum, dedicated to the multifaceted artist and musician, suffered three fires but its distinctive guitar-shaped building, designed by architect Cristián Undurraga, did not sustain major structural damage. A $1 million restoration, funded by the museum's fire insurance and overseen by director Denise Elphick, focused on cleaning soot and rehabilitating the concrete, while adding heat-resistant windows and enhanced security.
The Pinakothek museums in Munich have restituted a painting by German-Jewish Impressionist Lesser Ury to the heirs of its original owner, Berlin banker Curt Goldschmidt. The work, 'Interior with Children (The Siblings),' was sold at a forced auction in the 1930s after the Goldschmidt family bank collapsed under Nazi economic policies.
Swiss dealer Yves Bouvier has been ordered to stand trial in a Paris criminal court over the alleged disappearance of dozens of works by Pablo Picasso from a storage unit. The unit was rented by Picasso's stepdaughter, Catherine Hutin, from Bouvier's company. Bouvier faces charges of concealing stolen goods and laundering, while his business partner, Olivier Thomas, is charged with breach of trust, embezzlement, and laundering. The investigation, triggered by Hutin's 2015 complaint, found that nearly 70 works went missing, with some, including two portraits and 60 drawings, later discovered to have been sold by Bouvier to Russian collector Dmitri Rybolovlev for €36 million.
The article reports on a new European Union regulation, Regulation 2019/880, set to take effect on June 28, which will impose stricter import requirements on antiquities and artworks over 200 years old and valued above €18,000. Importers must now prove that such objects were legally exported from their country of origin, even if the export occurred decades ago. This comes amid ongoing tariff confusion in the U.S., adding another layer of complexity for the international art trade. The article also teases a rediscovered J.M.W. Turner painting bought for $500 that could sell for $500,000, and highlights upcoming art hot spots for summer.
The article highlights five standout pavilions and installations at the 2026 Venice Biennale. Florentina Holzinger's Austrian pavilion features extreme, nude performances including a woman submerged in a urine-purified tank, drawing police attention. Sanya Kantarovsky presents eerie paintings and a Murano glass sculpture in a historic palazzo. Gabrielle Goliath's 'Elegy'—a hypnotic mourning performance for women killed in violence—was banned by South Africa but staged with London's Ibraaz. Carrie Schneider's 1.5km photographic curl in the Arsenale references Chris Marker's 'La Jetée'. Lydia Ourahmane's delicate sculptural show uses materials sourced from Venice, including a bead curtain made by inmates.
French artist François Boisrond, a key figure of the 1980s Figuration libre movement, presents his new series "Ouvrages d'art" at Galerie Maïa Muller in Paris. The series reinterprets monumental architecture—including the Millau Viaduct, the Pont de Normandie, Mont Saint-Michel, Notre-Dame, and the Eiffel Tower—using drone-sourced images. Boisrond employs a new liquid acrylic technique that creates a matte, flat finish, producing works that appear hyperrealistic from a distance but dissolve into impressionistic or pixelated abstraction up close. The exhibition, extended through May 16, 2026, features large-format paintings priced between €25,000 and €50,000.