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At Birmingham's Ikon Gallery, Angela de la Cruz's audacious, visceral art takes no prisoners

Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.

‘Your homes will be destroyed, your family killed’: the US has dropped millions of war propaganda leaflets – but do they work?

The United States military has been dropping propaganda leaflets in psychological operations (psyops) for over a century, from World War I through the Gulf War and the wars in Iraq and Afghanistan. A new interactive exhibit at Pioneer Works in Brooklyn, organized by the digital archive group Khajistan, displays hundreds of these leaflets, including those dropped on Japan during World War II and in more recent conflicts. However, declassified internal documents, such as a 1971 US Air Force report, reveal that leaflets were often used as toilet paper, cigarette rolling paper, or souvenirs by enemy soldiers, undermining the official narrative of their effectiveness.

Brendan Fernandes animates a century-old Chicago auditorium through dance

Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.

Stick a euro in the slot for the lights! The mesmerising, strictly Venetian works of Lydia Ourahmane

British-Algerian artist Lydia Ourahmane has created a new exhibition in Venice, opening alongside the Venice Biennale, that is deeply rooted in the city itself. Rather than shipping in materials, she built a pier for the island of Poveglia in collaboration with a local cooperative that saved the island from development, and she acquired a coin-operated light machine from the church of San Giovanni Crisostomo, which visitors must feed with a euro to illuminate the show. The exhibition is presented at the Nicoletta Fiorucci Foundation.

jonathan carver moore profile fog art fair

Jonathan Carver Moore, founder of an eponymous gallery in San Francisco, is presenting a solo booth of new paintings by Cameroonian-born artist Sesse Elangwe at the FOG Design + Art Fair. The works, developed during a residency with the gallery, depict local Bay Area subjects against recognizable backdrops. Moore, who opened his gallery in 2023 after a career in nonprofit communications and criminal justice reform, emphasizes creating an inclusive, conversational atmosphere for art viewing and collecting.

louvre museum to install 100 surveillance cameras anti intrusion systems

The Louvre Museum will install 100 surveillance cameras and anti-intrusion systems following the theft of France’s crown jewels last month. Director Laurence des Cars announced the measures to the Committee of Cultural Affairs of the National Assembly, noting that the cameras will monitor the building's exterior for "complete protection of the museum's surroundings." The anti-intrusion systems will be operational within two weeks, while the cameras are expected by the end of next year. The theft involved disc cutters used to break glass display cases in the Apollo Gallery, a method des Cars said had not been anticipated when the cases were replaced in 2019.

oliver gabet louvre director decorative arts le monde interview

Olivier Gabet, director of decorative arts at the Louvre Museum, has publicly opposed suggestions to replace the French crown jewels with copies or move them to less accessible storage after a theft on October 19. Thieves broke into the Apollo Gallery, stealing nine objects including Empress Eugénie’s crown, which was dropped and damaged during the escape. Two suspects were arrested on October 24. Gabet told Le Monde that the crown was deformed and flattened as thieves extracted it through slits cut in the glass case, but it has been recovered and is deemed restorable by experts, with only a few small diamonds and one gold eagle missing.

louvre laurence des cars senate hearing

On Wednesday, Laurence des Cars, president and director of the Louvre Museum, testified before the French Senate about the theft of nine pieces of France's crown jewels from the Apollo Gallery. The heist occurred on Sunday when robbers used a cherry picker and angle grinder to steal jewelry worth an estimated $102 million in under eight minutes. Des Cars revealed that security cameras were outdated and inadequate, with only one camera covering the breached balcony, and that she offered her resignation afterward, which the French Minister of Culture refused. The museum had previously faced criticism over security, including a staff walkout in June over staffing and safety concerns, and an official report had flagged outdated systems and lack of CCTV.

Morag Keil at Arcadia Missa

The London-based gallery Arcadia Missa is currently hosting a solo exhibition by artist Morag Keil titled "With You For Life." Running from March 5 through April 25, 2026, the presentation features a new body of work documented through a series of installation views captured by photographer Tom Carter.

Phillip Allen at Kerlin Gallery

Phillip Allen's solo exhibition 'Deep Waiting' was presented at Kerlin Gallery in Dublin from January 31 to March 7, 2026. The show was documented with 13 images on the Contemporary Art Daily platform.

Matt Browning “All Woodcarvings Remain Slow Motion Mobiles” at Kunstverein München

Matt Browning's exhibition "All Woodcarvings Remain Slow Motion Mobiles" at Kunstverein München presents a decade of his carved Douglas fir sculptures. Each piece is a chain-link form cut from a single block of wood, revealing interior voids and grids without any assembly, showcasing his meticulous technique since 2013.

Russian Museum to host an exhibition with eleven Indian artists

The State Hermitage Museum in St. Petersburg will host its first contemporary Indian art exhibition, 'Sediments of Becoming: Fossilised Present, Summoned Pasts', opening June 4. Curated by Marina Schulz and Tunty Chauhan in collaboration with Delhi's Threshold Art Gallery, the four-month show features eleven Indian artists—including Afrah Shafiq, Ravinder Reddy, and Pushpamala N.—who have created new works responding to the museum's collections and architectural context.

Threshold Art Gallery and the Hermitage Museum Present Landmark Exhibition of Contemporary Indian Art

Threshold Art Gallery and the State Hermitage Museum in St. Petersburg, Russia, are presenting a landmark exhibition of contemporary Indian art titled "Sediments of Becoming: Fossilised Present, Summoned Pasts." Opening on 4 June 2026 and running until 4 October 2026, it is the first dedicated presentation of contemporary Indian art in the Hermitage's 260-year history. The exhibition features works by eleven Indian artists—including Afrah Shafiq, Anindita Bhattacharya, Debashish Mukherjee, Gargi Raina, Lakshmi Madhavan, Manjunath Kamath, Maya Krishna Rao, Pushpamala N., Ravinder Reddy, Sumakshi Singh, and V. Ramesh—several of whom created new commissions after a 2025 residency at the Hermitage. Curated by Marina Schulz and Tunty Chauhan, the show places contemporary works alongside historical objects from the museum's vast collections, fostering a dialogue across time and geography.

Cedars Union in Dallas Opens Call for 6th Artist Cohort

The Cedars Union, a nonprofit arts incubator in Dallas, has opened applications for its sixth cohort of artists. The 18-month program offers affordable studio spaces (64–200 sq ft at $1.60/sq ft), 24/7 access to communal workspaces with woodworking, printing, and textile equipment, plus critiques, workshops, lectures, and exhibitions. The jury includes Emily Budd, Thomas Feulmer, Christina Hahn, Ade Omotosho, and Ahava Silkey-Jones. Applications close June 12, 2026, with the cohort running September 1, 2026 to February 29, 2028.

Campbell River Art Gallery presents Sacred in All Forms

The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.

Exhibition | Tommaso Spazzini Villa, 'The Time That’s Left' at TOTAH, New York, United States

TOTAH gallery in New York presents 'The Time That’s Left', a solo exhibition of works by Italian artist Tommaso Spazzini Villa, opening May 14, 2026. The show expands on his recent large-scale mural on West 45th Street in Hell’s Kitchen, moving from public space to an intimate gallery setting. It features graphite drawings traced across antique book pages—sacred texts, epic poetry, theatre scores—depicting root-like forms that challenge linear language, alongside metal box sculptures with wire, light, and dried leaves that create fleeting shadow dioramas.

Museum Moves 24 – 30 April 2026

This article is a weekly roundup of museum news from 24–30 April 2026, covering openings, closures, and exhibitions across the UK. Highlights include the permanent closure of Blackpool's Tramtown museum due to structural unsafety, the reopening of Sibsey Trader Windmill after a five-year restoration, and several new exhibitions: 'Vennels: Perth’s Little Streets' at Perth Museum, 'The 90s: Art and Fashion' at Tate Britain, 'Regeneration' at Hull's Streetlife Museum, 'Inspiration' at Stockport Station, 'Our Story with David Attenborough' at Outernet London, and 'Lynn Chadwick at Houghton Hall' in Norfolk.

Star of the Wilderness Exhibition celebrating the Publication of "Paint of This Planet” Volume III

ShugoArts in Tokyo presents 'Star of the Wilderness,' an exhibition by Japanese artist Masato Kobayashi celebrating the publication of the final volume of his autobiographical novel trilogy *Paint of this Planet*. The show features new works, including two large-scale paintings—'Artist and the Model' (over 2.6 meters) and 'Star of the Wilderness'—that exemplify Kobayashi's distinctive method of stretching canvas onto its frame while painting directly with his hands. The exhibition traces his journey from Kunitachi, Tokyo, to Ghent, Belgium, where he was discovered by curator Jan Hoet, and later to Tomonoura, Hiroshima, highlighting how his paintings emerge from specific places and moments.

Gagosian's Rare Gallery Failures Reveal Art World's Challenges

Larry Gagosian, often considered the most powerful art dealer in the world, has publicly reflected on rare professional setbacks, including a failed 2016 gallery opening in San Francisco and a misunderstood location in Geneva. These admissions coincide with a strategic shift for his empire, marked by the opening of a new street-level gallery at 980 Madison Avenue in New York. The move signals a departure from the exclusive, upper-floor models of the past toward a more accessible physical presence.

Intuit Solo Show A Dream Come True For Self-Taught Morgan Park Artist Marvin Young

Self-taught artist Marvin Young, 64, who has an intellectual and developmental disability, will have his first solo exhibition, “Impressions of a City,” at the Intuit Art Museum in Chicago from April 9 to August 23, 2026. Curated by Christina Stavros, the show features Young’s vivid drawings of Chicago cityscapes, architecture, and portraits, created from memory using graphite, colored pencils, crayons, and markers. Young, who works at Envision Unlimited and Arts of Life—nonprofits supporting people with disabilities—has long dreamed of selling his art, and this exhibition marks a major milestone in that goal.

Singapore Art Week puts women artists from the region to the fore

Singapore Art Week (SAW) this year spotlights women artists from Southeast Asia through multiple initiatives, including the release of the book *You Are Seen: Women’s Contemporary Art Practice in Southeast Asia* and the exhibition *Fear No Power: Women Imagining Otherwise* at the National Gallery Singapore (NGS). The book, published by Yeo Workshop, and the exhibition, featuring five trailblazing artists such as Amanda Heng and Imelda Cajipe-Endaya, reflect a concerted push to elevate female voices in the region. Audrey Yeo, president of the Art Galleries Association Singapore (AGAS), calls it a “big women’s moment,” while collector and author Krystina Lyon notes the varied challenges women artists face across Southeast Asia, from censorship to conservative social norms.

Nat Faulkner’s New Exhibition Revels in the Alchemy of Photography

British artist Nat Faulkner has opened a new solo exhibition titled 'Strong Water' at Camden Art Centre, exploring themes of transformation, alchemy, and photographic processes. The show features works that incorporate light-sensitive chemicals like iodine, sculptures, and photographic prints, including a large-scale photograph of scrap metal printed on collaged paper. Faulkner, who won the Emerging Artist Award at Frieze in 2024, describes his studio-darkroom as a collaborative 'machine' that produces works through indirect interventions.

Llyn Foulkes, art world iconoclast, has died, aged 91

Llyn Foulkes, the iconoclastic Los Angeles artist known for his defiantly independent and multidisciplinary practice, died on 20 November at age 91. A painter, jazz musician, and provocateur, Foulkes resisted commercial commodification throughout his career, creating work that ranged from Pop Art-inflected paintings to political assemblages incorporating Mickey Mouse imagery. His death was announced by Kent Fine Art, a New York gallery that had published several books on his work.

Art Toronto gets sales boost from baseball World Series

Art Toronto, Canada's largest art fair, took place from October 23-26 at the Metro Toronto Convention Centre, coinciding with the first two games of the MLB World Series between the Toronto Blue Jays and the Los Angeles Dodgers at the adjacent Rogers Centre. Despite concerns that the baseball championship might divert attention and sales, the fair saw increased attendance and a boost in purchases in the C$50,000 to C$100,000 range, according to director Mia Nielsen. Gallerists reported a positive mood, with the National Gallery of Canada even acquiring a work from Central Art Garage. The synergy between the events energized the city, though it worsened Toronto's notorious traffic.

Tanoa Sasraku: ‘I don’t see that the work needs to live forever’

The Institute of Contemporary Arts (ICA) in London has opened "Morale Patch," an exhibition of new work by Plymouth-born multimedia artist Tanoa Sasraku. The show centers on "Watchlist," a commission featuring a collection of branded trinkets from oil companies, and "Subdued Morale Patch," a series of experimental works on paper created using a novel printing technique with water and ultraviolet light. Sasraku's work explores raw materials, particularly crude oil, as a vehicle to examine themes of national identity and conflict, drawing on her collection of military ephemera and corporate oil-industry mementos.

BMCC’s Shirley Fiterman Art Center Fall Exhibition to Feature Artists Courtney McClellan and Victoria Dugger

Borough of Manhattan Community College's Shirley Fiterman Art Center will present two concurrent exhibitions from September 10 to December 20, 2025: Courtney McClellan: Simulations and Victoria Dugger: Late Bloomer. McClellan's installation features photographs of mock courtrooms at law schools across the American South, exploring performance and the law through what she calls 'applied fiction.' Dugger's mixed-media works, including painting and sculpture, use playful yet grotesque imagery to interrogate growth, identity, and embodiment as a Black, disabled woman. Both artists, who live and work in Georgia, will participate in an opening discussion and reception on September 10.

I was fed up with the lack of representation in art — so I opened my own London gallery

Aki Abiola, the son of Nigerian political icon Chief MKO Abiola, opened Hope 93 gallery in central London eight months ago to address the lack of diversity in the art world. After a career in finance and a personal art-collecting journey, Abiola founded the gallery to showcase underrepresented artists and create a welcoming space where people feel comfortable engaging with art. He also advises the Tate Gallery on African art.

Buzz in New York’s art trade during Frieze week masks uncertainties

During New York's Frieze week, over a dozen art fairs opened in four days, creating a bustling atmosphere that masked underlying economic and political uncertainties. Dealers and advisers reported strong preview-day attendance and a palpable energy, with some noting that the crowded calendar and a recent US-UK trade deal helped buoy spirits. However, the art market has not returned to its 2022 peak, with auction estimates down $250 million from 2024 and high interest rates still deterring average collectors.

PROJECT LOOP a new POC and queer-owned gallery & open-studio opens.

PROJECT LOOP, a new POC and queer-owned gallery and open-studio residency space, opens in Hoxton, London on April 26, 2025. The inaugural exhibition features works by Emmanuel Awuni and Fungai Benhura, and Ruby Dickson will initiate the artist-in-residence programme. The space is co-directed by Alïn-Sitoé Diallo and aims to challenge traditional gallery models by integrating a live-in residency with an exhibition space.

Regarding the Pain of Images: Dinh Q. Lê at 10 Chancery Lane

A posthumous exhibition titled "Remembrance: A Tribute to the Work of Dinh Q. Lê" is on view at 10 Chancery Lane in Hong Kong from March 20 to May 23, 2026. Curated by David Elliott, the show features key works by the late Vietnamese artist, including his series of manipulated photographs that slice and weave the iconic 1972 image "The Terror of War" into pixelated grids, alongside pieces like "Skin on Skin Black Mixed No. 9" that critique the influx of Western pornography into Vietnam after internet legalization.