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Enter the unsettled space of Asian American abstraction

The Milton Resnick and Pat Passlof Foundation in New York is hosting the exhibition "How Asian Is It?", featuring 12 pioneering East Asian American abstractionists born between 1928 and 1955. Curated by Lilly Wei, the show includes works by Barbara Takenaga, Emily Cheng, Charles Yuen, and David Diao, among others. These artists navigated an art world where downplaying their Asian identities often felt necessary for survival, especially after the 1965 Immigration and Nationality Act reshaped US immigration policy. The exhibition explores how their abstraction—marked by attention to interval, pause, and what remains unsaid—reflects a disciplined negotiation with space rather than a shared style or manifesto.

Basquiat’s Former Dealer on the Making of an Art World Icon

Bruno Bischofberger, who served as Jean-Michel Basquiat's exclusive worldwide dealer from 1982 until the artist's death in 1988, reflects on Basquiat's life and legacy in an excerpt from the forthcoming book *Basquiat: The World of Jean-Michel*, published by Assouline. Bischofberger contrasts Basquiat's raw, politically charged approach with Andy Warhol's detached, commercial style, and recounts personal memories of Basquiat's visits to Switzerland, where he absorbed everything from visual art to folk art and design.

Close encounters: the new wave of women photographers – in pictures

The Saltzman-Leibovitz photography prize, founded in 2025 by Lisa Saltzman and Annie Leibovitz, announces its winners and runners-up for 2026. Bolivian photographer Marisol Mendez wins for her series 'MADRE,' which challenges patriarchal representations of women in Bolivia through portraits of matriarchs and references to the Inca moon goddess. Runner-up Miranda Barnes documents African American debutante cotillions in Detroit, while other featured photographers include Bettina Pittaluga and Cole Ndelu, whose works explore body diversity and the fusion of Zulu cosmology with Catholicism. The exhibition runs at Photo London, Olympia, 13–17 May 2026.

Venice Biennale Artists Decline Consideration for Golden Lions Chosen by Public Vote

Nearly half of the artists in the main exhibition of the Venice Biennale have signed a statement declining consideration for the Golden Lion awards, in solidarity with the jury that resigned last month. The statement, published by e-flux, includes prominent names such as Alfredo Jaar, Tuan Andrew Nguyen, Otobong Nkanga, and Walid Raad, as well as national pavilion representatives from France, Lithuania, and the Netherlands. The Biennale had planned to replace the jury-selected Golden Lions with "Visitor Lions" decided by public vote, but the artists' refusal marks an unprecedented protest within the exhibition.

The glories of Francisco de Zurbarán’s paintings | Letters

Two letters to the editor respond to Charlotte Higgins's article on Francisco de Zurbarán. Paul McGilchrist critiques the physical inaccuracy of crucifixion depictions, including Zurbarán's *The Crucified Christ*, noting that most paintings fail to convey the true weight and distortion of a body suspended by nails. Jean Wilson highlights Zurbarán's series *Jacob and his 12 Sons* at Auckland Palace in Bishop Auckland, describing its history since 1756 and its connection to Bishop Trevor's support for Jewish rights.

Khaled Sabsabi is finally at the Venice Biennale: ‘Being here is already a win’

Khaled Sabsabi has opened his exhibition 'conference of one’s self' at the Australian Pavilion of the 61st Venice Biennale, alongside a second installation 'Khalil' in the Arsenale. This follows a tumultuous period in which Creative Australia rescinded his appointment as Australia’s representative in February 2025, sparking widespread backlash from the art community. After being reappointed in July 2025, Sabsabi presents two monumental multimedia works inspired by Sufi practice, created in Bangkok and described as 'one body with two limbs'.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

Venice Diary Day 2: “In Minor Keys” Is a Major Statement on Perseverance and Play

The article is a diary entry from the 2026 Venice Biennale, focusing on the exhibition "In Minor Keys" curated by the late Koyo Kouoh. The author describes an emotional experience, beginning with a poem by Refaat Alareer on the Arsenale wall, and highlights works by Guadalupe Maravilla, Alexa Kumiko Hatanaka, and others that address themes of perseverance, healing, and survival. Maravilla's sculptures reference a child kidnapped by ICE, while Hatanaka's linocuts explore bipolar disorder as an adaptive trait. The show also features artist-led collectives like Denniston Hill and fierce pussy, emphasizing institution-building and world-making.

Malaysia Showcases Recovered 1MDB Artworks, From Picasso to Miró

Four artworks recovered from the 1MDB scandal—by Picasso, Miró, Balthus, and Maurice Utrillo—have gone on public display for the first time at the Malaysian Anti-Corruption Commission headquarters in Putrajaya. The paintings were repatriated from New York after being traced through Sotheby’s and shipped back to Malaysia on April 14. They are part of a broader art trail linked to the massive financial fraud, with Malaysian officials framing the display as an act of restitution rather than an art event.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

Pleasure, parody and propaganda: rethinking the art of illustration in a new history of the genre

D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

BBC ‘Buried’ Footage of Banksy at NYC Mural Site, Former Reporter Claims

Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.

Seen a ghost? The eeriest images from Fotografia Europea – in pictures

Fotografia Europea, the international photography festival in Reggio Emilia, Italy, has opened with 20 exhibitions and related events under the theme 'ghosts of the moment'. The festival features works by artists including Tania Franco Klein, Giulia Vanelli, Felipe Romero Beltrán, and Salvatore Vitale, exploring themes of memory, migration, identity, and the unseen forces shaping contemporary life. The festival runs until 14 June 2026.

‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

‘It has become a symbol of hope’: the epic journey of Ukraine’s origami deer to the Venice biennale

Ukrainian artist Zhanna Kadyrova's concrete origami deer sculpture, originally installed in Pokrovsk in 2018, has been evacuated from the war-torn Donetsk region and transported across Europe to become the centerpiece of Ukraine's national pavilion at the 2026 Venice Biennale. The sculpture, which replaced a Soviet fighter-bomber monument in a local park, was rescued in August 2024 by co-curator Leonid Marushchak amid intensifying Russian attacks, with the help of city authorities and museum staff.

After His Untimely Death, Rutherford Chang’s Survey Rewrites What a Square Can Do

Rutherford Chang, who died last year at age 45, is the subject of a posthumous survey at UCCA Center for Contemporary Art Beijing titled "Hundreds and Thousands." The exhibition centers on Chang's socially engaged works that explore value, circulation, and systems through the deceptively simple form of the square. His best-known piece, "We Buy White Albums" (2013–25), involved amassing roughly one percent of the first pressing of the Beatles' "White Album," highlighting how objects accrue personal and economic worth through use and history. Other works include melting 10,000 copper pennies into a cube and assembling Wall Street Journal portraits from 2008 into a grid that captures a year of crisis and change.

‘In every drop of paint he slurped, you see the Holocaust’: the genius and torments of Georg Baselitz

Georg Baselitz, the German painter and sculptor known for his provocative confrontations with Nazi history, has died. Born in 1938, he was one of the last living artists with direct childhood memories of the Third Reich. His early works, such as *Die große Nacht im Eimer* (1961) and his upside-down German eagles, deliberately shocked postwar West Germany by depicting obscene, shameful images of a society trying to forget the Holocaust. He famously exhibited a zombie Hitler woodcarving at the 1980 Venice Biennale alongside Anselm Kiefer, insisting on confronting rather than ignoring the Nazi heritage of the German Pavilion.

Lucas Museum Aims to Tell the History of Storytelling via 1,200 Objects

The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

The forgotten Chinese conceptualists: Melbourne show brings together works by New Measurement Group

An exhibition at Buxton Contemporary in Melbourne, titled "Poetry Goes No Further Than Language: a Historical Moment of Art Becoming Art Again," brings together the complete artistic output of the New Measurement Group, a pioneering Chinese conceptual art collective from Beijing, alongside four conceptual experiments by Shanghai-based artist Qian Weikang. Curated by Carol Yinghua Lu and artist Liu Ding, the show aims to reassess early Chinese conceptual art, featuring works by the New Measurement Group (Chen Shaoping, Gu Dexin, Wang Luyan), pieces from the New Wave art movement, and new commissions by Melbourne artist Darcey Bella Arnold. The curators faced challenges locating the group's five publications, including one purchased on eBay from Europe, and used re-enactment and re-fabrication to recreate lost works like Qian's "Ladder Poem" (1990).

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

When archaeology was dominated by men | Letters

A reader named Elke Bachler writes a letter to The Guardian challenging a sentence in a review of Thomas Laqueur's book *The Dog's Gaze*. The review described a prehistoric scene as showing "a boy and a dog" standing together in wonder before cave art. Bachler argues there is no evidence the child was a boy, noting that archaeology has historically been dominated by men who interpreted evidence through contemporary gender roles.

The Tabloids Are Fouling Mayor Mamdani Over His Knicks Art. Here’s the Story

Artist Tom Sanford loaned his hand-painted wooden "Knicks Cutout" portraits of legendary New York Knicks players to New York City Hall at the invitation of Mayor Zohran Mamdani, intended to celebrate the team's playoff run. Tabloid media, including the New York Post and New York Times, framed the gesture as a "curse" on the team, suggesting fans blamed the mayor for the Knicks' losses. Sanford defends the artwork as a sincere, community-driven tribute rooted in New York street-corner cutout traditions, not a cheap stunt.

Vancouver Biennale names senior curator for 2027-29 edition

The Vancouver Biennale has appointed Marcello Dantas as senior curator for its 2027-29 edition. Dantas, a Brazilian curator and art director, has worked on major projects including co-curating Desert X AlUla in Saudi Arabia, curating an Es Devlin exhibition in São Paulo, and serving as art director at Sfer Ik in Tulum. He previously contributed to the Vancouver Biennale's 2013-15 edition with a Vik Muniz project. Dantas emphasizes collaboration with local First Nations and community groups, and plans to explore themes of belonging, displacement, and public art that is ephemeral and participatory.

Antony Gormley sculpture quietly removed and sold off by UK council

Kent County Council, led by the Reform party, has removed and sold Antony Gormley's early public sculpture 'Two Stones' (1979-81) from outside the Kent History and Library Centre in Maidstone. The council sold the work back to the artist himself in a private sale to raise funds, citing severe financial pressures and a need to avoid increasing costs for residents. The council's most recent accounts valued the work at £859,000, but the final sale price remains confidential.

The Wonderful World that Almost Was by Andrew Durbin review – the queer artists who shaped New York cool

Andrew Durbin's new book, 'The Wonderful World that Almost Was,' is a double biography of painter and sculptor Paul Thek and photographer Peter Hujar. It chronicles their artistic maturation, their open and unapologetic gay relationship, and their central role in defining the 'cool' of the New York creative scene from the 1950s to the mid-1970s, before their deaths from AIDS.

Chris Mullen obituary

Chris Mullen, a distinguished educator and historian of art and design, has died at the age of 81. Throughout a career spanning over three decades at the Norwich School of Art and the University of Brighton, Mullen became a pivotal figure in integrating contextual studies with studio practice. He was renowned for his vast personal archive of printed ephemera and his digital project, "The Visual Telling of Stories," which served as a vital resource for generations of students and researchers.

Colours of Time review – Monet meets Mamma Mia in charming French artist comedy

Director Cédric Klapisch’s new film, *Colours of Time* (originally *La Venue de L’Avenir*), is a sentimental French comedy that weaves a fictional romantic history around Impressionist master Claude Monet and pioneering photographer Félix Nadar. The plot follows a group of modern-day descendants who discover a trove of historical secrets in a derelict cottage, leading to a whimsical, time-bending exploration of their ancestors' lives in Belle Époque Paris.