Artists Anne Imhof and Tyler Mitchell engage in a cross-disciplinary dialogue reflecting on their recent solo exhibitions, "Wish You Were Gay" at Kunsthaus Bregenz and "Wish This Was Real" at C/O Berlin. The conversation explores the intersection of performance, photography, and the choreography of space, with both artists discussing how they manipulate the viewer's physical and emotional presence within an installation.
Alserkal Avenue in Dubai has launched its 2026 Art Month, expanding its traditional week-long celebration into a five-week program. The opening weekend features 18 participating galleries debuting flagship exhibitions, including a solo show by Anthony Akinbola at Carbon 12 and a 20th-anniversary group exhibition at Gallery Isabelle. Key highlights include interactive screen-printing workshops with Shilpa Gupta and the unveiling of her public art installation, "Still A Sky We Hold," alongside curated tours and artist talks.
The Lyon Museum of Contemporary Art (MAC Lyon) has launched a major seasonal program featuring three distinct exhibitions that explore memory, archives, and the evolution of contemporary media. Central to the program is Giulia Andreani’s solo exhibition, "Cold Painting," which presents sixty canvases created between 2011 and 2025 that interrogate historical power structures and the erasure of women from art history. Complementing this is a significant showcase of video art drawn from a massive donation by collectors Isabelle and Jean-Conrad Lemaître, alongside a retrospective dedicated to Jean-Claude Guillaumon.
La sintesi tra poesia e violenza. Ecco come sono le mostre alla Pinault Collection di Venezia
The Pinault Collection has unveiled its 2025 exhibition program across its two Venice venues, Palazzo Grassi and Punta della Dogana. This year, the institution opts for a multi-artist approach rather than a single-artist takeover, featuring Michael Armitage and Amar Kanwar at Palazzo Grassi, alongside Lorna Simpson and Paulo Nazareth at Punta della Dogana. The exhibitions focus heavily on global perspectives, spanning from Kenya and India to Brazil and the United States, addressing contemporary social tensions through diverse media.
L’evoluzione dell’agricoltura racconta il mondo in un’imperdibile mostra alla Fondazione Prada
The Fondazione Prada in Milan is hosting "Dash," a comprehensive solo exhibition by Chinese artist Cao Fei that explores the intersection of ancient agricultural rituals and cutting-edge technology. The exhibition features installations like 'Land Ceremony,' where an agricultural drone is treated as a ritualistic rice dragon, alongside VR experiences and documentary films that investigate the automation of farming in China and Southeast Asia.
Everlyn Nicodemus presents 'Without History' at Goodman Gallery in Cape Town, marking her first solo exhibition with the gallery and a rare return to the African continent since the 1980s. The show, organized in partnership with Richard Saltoun Gallery, features major bodies of work including the 'Woman in the World' cycle and the 'Wedding' series. These works, created while Nicodemus lived across Europe, explore themes of trauma, gender, and spiritual survival through a practice that blends painting with deep archival research and social anthropology.
Crown Equipment has announced the construction of the Modern Aboriginal Art Museum in New Bremen, Ohio, a 23,700-square-foot facility scheduled to open in late 2026. The museum will house one of North America’s largest collections of contemporary Australian Aboriginal art, featuring over 100 paintings and sculptures. The project stems from the company’s 60-year business history in Australia and follows the philanthropic model of Crown’s previous local cultural investments.
The city of Valencia is actively promoting a cultural itinerary dedicated to Joaquín Sorolla, tracing the master painter's life from his birthplace in the historic center to the Mediterranean shores that inspired his most famous works. The route encompasses key biographical sites including the Church of Santa Caterina, the School of Craftsmen, and the Real Academia de Bellas Artes de San Carlos, where his early sketches and academic records are preserved.
Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.
MoMA PS1 has officially launched "Greater New York 2026," a massive building-wide exhibition featuring over 150 works by 53 artists and collectives. This quinquennial survey, which coincides with the institution’s 50th anniversary, showcases a diverse range of mediums including large-scale installations, painting, animation, and performance art. For the first time, the exhibition was organized by the museum’s entire curatorial team, resulting in a broad cross-section of the city's contemporary creative output.
The Hyde Park Art Center (HPAC) stands as a vital pillar of Chicago’s grassroots creative identity, serving for eighty-six years as an unpretentious alternative to the city's major encyclopedic museums. From its early days under curator Don Baum, the center became a catalyst for the avant-garde, famously launching the careers of the Chicago Imagists and the Hairy Who. Today, it continues to function as a multifaceted ecosystem that blends community education, artist residencies, and experimental exhibitions within a residential neighborhood setting.
The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.
The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.
Gow Langsford Gallery is presenting a group exhibition of new works by its roster of represented artists at its Auckland City gallery. The show features a diverse range of mediums including painting, sculpture, and installation, highlighting the current directions of contemporary practice in Aotearoa New Zealand.
Actor Boman Irani inaugurated the group exhibition 'To Be Continued…' at the prestigious Jehangir Art Gallery in Mumbai. Featuring nearly 70 works ranging from scrap metal sculptures to 3D canvases, the show brings together a diverse group of emerging and established artists. During the event, Irani engaged personally with the participants, emphasizing the role of galleries as essential spaces for creative inspiration and human development.
Art Basel has announced the 33 nominees for the second edition of the Art Basel Awards, held in partnership with the fashion brand BOSS. The diverse shortlist features high-profile contemporary artists such as Jenny Holzer, Arthur Jafa, and Barbara Kruger, alongside multidisciplinary figures including architect Kulapat Yantrasast and critic Hilton Als.
The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.
"Wir gehören zu denjenigen in der Menge, die überglücklich sind"
The Hungarian art scene is celebrating a major political shift following Péter Magyar’s electoral victory over Viktor Orbán, ending 16 years of restrictive cultural policies. Local figures, including gallerist Margit Valkó and artist János Sugár, express immense relief and hope for a future defined by institutional autonomy and international engagement after years of state-led hostility toward contemporary art.
Mulberry Art Studios in Lancaster, Pennsylvania, has launched a posthumous exhibition titled "Is This Art?: The Collected Works of Donald Shoffstall." The show features a collection of photocopied signs and posters that Shoffstall, a local figure who experienced homelessness, stapled to telephone poles throughout the city during the late 20th century. Curated by Steve Sylvester and Jerry Greiner, the exhibition presents these stream-of-consciousness writings and abstract graphic works as significant pieces of outsider art.
The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.
The Gallery at Bowie House in Fort Worth is launching a new exhibition titled "Memory Lane," featuring abstract works by artists Carly Allen Martin and Erik Skoldberg. Since opening in December 2023 within the luxury Auberge Resorts Collection hotel, the gallery has integrated fine art into every guest room and public space, selling hundreds of works ranging from $30,000 to several hundred thousand dollars. The upcoming show marks a shift for the space, moving from its typical figurative Western aesthetic toward contemporary abstraction.
French artist Bertrand Lavier is presenting a solo exhibition titled 'Brushstroke n.7' at MASSIMODECARLO Pièce Unique in Paris. The exhibition centers on a single, sinuous steel sculpture that translates the traditionally flat, expressive painterly gesture into a three-dimensional physical entity. This presentation marks Lavier's sixth solo show with the gallery and continues his decades-long exploration of the boundaries between painting, sculpture, and the readymade.
The Burlington Magazine - n°1477 vol CLXVIII - April 2026
The April 2026 issue of The Burlington Magazine presents a wealth of new scholarship, highlighted by significant discoveries regarding the 'Rainbow' portrait of Queen Elizabeth I and a previously unpublished portrait of Sarah Churchill by Godfrey Kneller. The edition spans centuries of art history, featuring research on 18th-century color theorist Mary Gartside, the pottery windows of William Bell Scott, and newly identified drawings by Marcellus Laroon the Younger.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
Archaeologists in northern Sinai have unearthed the ruins of a unique circular water temple at the site of ancient Pelusium, dating back to the second century. Initially mistaken for a political senate building, the structure features a 35-meter wide basin and brick walls characteristic of Roman construction, suggesting it was used for religious rituals linked to the local fertility god Pelusius.
More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.
New York City’s First Lady, Rama Duwaji, provided an exclusive look into her creative life during a studio visit at Gracie Mansion. The interview explores her dual identity as a ceramicist and illustrator and her transition into the political spotlight, showcasing the personal practice behind her public role.
Artist Merike Estna will represent Estonia at the 61st Venice Biennale in 2026 with a project that transforms the national pavilion into an active, open studio. Eschewing the display of finished products, Estna plans to start with empty canvases and complete a series of 22 paintings over the course of the exhibition, allowing visitors to witness the "living" process of creation.
NBA star Devin Booker has developed a significant connection with James Turrell’s Roden Crater, visiting the massive land art project in a dormant Arizona volcano three times since 2020. The Phoenix Suns guard has formed a mutual friendship with Turrell, who praised Booker’s artistic sensibility, while Booker credited the immersive installation with providing a sense of presence and perspective that transcends his professional basketball career.
The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.