
Long Overlooked, Minnie Evans’s Mystical Landscapes Are Finally Getting the Spotlight
Minnie Evans (1892–1987), a self-taught African American artist who worked as a gatekeeper at Airlie Gardens in Wilmington, North Carolina, is experiencing a major resurgence. For over 25 years, she sold her vibrant, kaleidoscopic drawings—made on scrap paper with affordable materials—to visitors from her tiny gatehouse studio. Despite a 1975 retrospective at the Whitney Museum of American Art, her name faded after her death. Now, a touring exhibition is on view at the Museum of Fine Arts, Boston, curated by Colton Klein, and a larger show opens this November at the High Museum of Art in Atlanta, traveling to the Whitney next summer.





















