felix la art fair 2026 exhibitor list

Felix LA has announced the 57 exhibitors for its eighth edition, taking place February 26 to March 1, 2026, at the Hollywood Roosevelt Hotel, with a VIP preview on February 25. The fair includes a mix of established galleries such as Corbett vs. Dempsey, Luis De Jesus Los Angeles, and Yossi Milo, alongside emerging spaces like ATLA, One Trick Pony, and Plato. Over 20 galleries are participating for the first time, including New York Life Gallery, Feia, and Som Gallery, with international participants from Kyoto, Toronto, Milan, Busan, and Buenos Aires.

Khaled Sabsabi—who had his Australia Pavilion cancelled and reinstated—will also exhibit in main Venice Biennale show

Khaled Sabsabi has achieved a historic milestone as the first Australian artist to be selected for both a national pavilion and the Venice Biennale’s main international exhibition. After a tumultuous period in which his appointment to the Australia Pavilion was cancelled and then reinstated following political controversy, Sabsabi will now present his work 'conference of one’s self' in the Giardini alongside a separate contribution to the central show. Both projects are deeply rooted in Tasawwuf (Sufism) and themes of spiritual enlightenment and communal unity.

Things to do on Wednesday, February 18

A wide array of cultural events are scheduled across Cyprus for Wednesday, February 18. These include the opening of a curated showcase of publications from the late archaeologist Vassos Karageorghis in Nicosia, a contemporary art auction featuring 82 works, a presentation by underwater photographer Sakis Lazaridis, a sold-out theatre performance in Limassol, and numerous ongoing exhibitions in Nicosia, Limassol, and Larnaca featuring both historic and contemporary Cypriot artists.

Amid a wave of global crises, Ilya and Emilia Kabakov’s Ship of Tolerance sets sail again—with added potency

Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.

Institute of Museum and Library Services Saved from Defunding After Legal Challenge

The American Library Association (ALA) and the American Federation of State, County and Municipal Employees (AFSCME) have reached a settlement with the U.S. Department of Justice to halt the Trump administration’s efforts to dismantle the Institute of Museum and Library Services (IMLS). The agreement ensures the federal agency will continue its operations, reinstates previously terminated grants, and reverses staff reductions. This legal victory follows a period of significant uncertainty where the agency's budget was slated for a 98% reduction, threatening its role as the primary federal supporter of museums and libraries.

Statue Removed from Delaware During Black Lives Matter Protests to Be Reinstated in Washington D.C.

A statue of Caesar Rodney, a signer of the Declaration of Independence who enslaved over 200 people, is set to be reinstated in Washington D.C.'s Freedom Plaza. The National Park Service plans to place the statue as part of the nation's 250th birthday celebrations, six years after it was removed from Wilmington, Delaware, during Black Lives Matter protests.

pride flag removal stonewall elected officials reinstate

The Trump administration removed the Pride flag from the flagpole at the Stonewall National Monument in New York City, a site commemorating the birth of the modern LGBTQ+ rights movement. The action, reportedly carried out by the National Park Service, followed a memo restricting "non-agency" flags at federal sites.

ousted dusable museum vp lawsuit

Kim Dulaney, former vice president of education and programs at Chicago's DuSable Black History Museum and Education Center, has filed a whistleblower and retaliatory discharge lawsuit against the museum and its CEO, Perri Irmer. Dulaney alleges she was wrongfully terminated in October after repeatedly raising concerns about misuse of restricted funds, improper financial practices, and workplace misconduct to museum leadership, the board, and government agencies. The lawsuit, filed in Cook County Circuit Court on December 1, seeks reinstatement, damages, and injunctive relief. The museum has denied the allegations, stating that Dulaney's termination followed a thorough review process and that it maintains strict financial controls.

trump epstein statue dc returns national mall

A controversial 12-foot-tall statue depicting President Donald Trump and convicted sex offender Jeffrey Epstein has returned to Washington, D.C.'s National Mall after being removed by the National Parks Service late last month. Originally titled *The Secret Handshake*, the work was created by anonymous artists to "celebrate" Trump's ties to Epstein during Friendship Month, and features plaques with a message Trump allegedly wrote to Epstein. The National Parks Service cited the statue's height as non-compliant with its permit, and the artists accused the Trump administration of suppressing free speech. The statue has since been repaired and retitled *Why Can't We Be Friends?*.

confederate general monument reinstalled trump

The National Park Service announced it will reinstall a statue of Confederate General Albert Pike in Washington, D.C., after it was toppled and burned by protesters during the 2020 Black Lives Matter demonstrations. The agency shared an image of the bronze work being cleaned of corrosion and graffiti, citing federal historic preservation law and recent executive orders to restore pre-existing statues in the nation's capital. The statue is expected to return to public view in October, with site preparation beginning soon to repair its damaged masonry plinth.

galileo 1 5 million sale auction record

A rare first edition of Galileo Galilei's 1605 publication *Dialogo de Cecco di Ronchitti da Bruzene in perpuosito de la stella Nuova* sold for £1.1 million ($1.5 million) at Christie's London's Valuable Books and Manuscripts sale on July 9, roughly double its presale estimate. The work, Galileo's first publication, has not appeared on the market in over a century, and only seven other complete copies are known, all held by institutions such as the Berlin State Library and All Souls College at Oxford University.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

Philadelphia Museum of Art to experiment with pay-what-you-wish tickets on Friday nights

The Philadelphia Museum of Art is reinstating a pay-what-you-wish admission policy for Friday nights from April 2026 through Labor Day. This initiative, funded by the William Penn Foundation and board chair Ellen Caplan, coincides with the museum's 150th anniversary and the launch of "Nation of Artists," a massive collaborative exhibition with the Pennsylvania Academy of the Fine Arts featuring over 1,000 works.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

Jury for Venice Biennale's art prize resigns after refusing to recognise Israeli, Russian artists

The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.

Peabody Essex Museum director steps down to lead Smithsonian American Art Museum

Lynda Roscoe Hartigan is stepping down as director and CEO of the Peabody Essex Museum (PEM) in Salem, Massachusetts, to become the director of the Smithsonian American Art Museum (SAAM) in Washington, D.C., starting September 8. Hartigan, who began her career as an intern at SAAM, previously served as PEM's first chief curator in 2003, deputy director in 2016, and returned as director in 2021 after a brief stint at the Royal Ontario Museum. During her tenure at PEM, she oversaw the reinstallation of a 40,000-square-foot wing, guided a five-year strategic plan, and expanded programs in global fashion, contemporary art, photography, and American art.

Persistent low attendance and funding cuts are forcing US museums to think local

A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.

Climate report from Getty’s PST Art programme urges cultural organisations to confront exhibitions’ impacts

The Getty has released a comprehensive climate impact assessment of its PST Art initiative, titled Art & Science Collide (2024-25), based on its inaugural Climate Impact Program (CIP). Developed with climate adviser Laura Lupton and artist Debra Scacco, the program provided webinars, guidance, and networking to participating institutions, with over two-thirds completing a climate impact report. Key findings show that air travel and air freight of art are the most carbon-intensive activities, and shifting to sea freight could reduce total emissions by 18%. Many institutions reduced waste through simple, low-cost changes, with some committing to permanent sustainability practices.

Portland Art Museum's new addition set to open November 20

The Portland Art Museum has previewed its new four-story addition, which will open to the public on November 20, 2025. The 100,000-square-foot expansion connects the museum's two existing buildings and adds new gallery and public spaces, featuring a complete reinstallation of the collection with nearly 300 new acquisitions that have rarely or never been displayed before.

California nonprofits keep losing funding in what new study calls ‘the shadow of the pandemic cliff’

A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."

After a £27m makeover, Norwich Castle reopens with a new gallery, royal rooms—and medieval toilets

Norwich Castle has reopened after a five-year, £27.5m renovation that reinstates long-lost royal rooms within its medieval keep. The Royal Palace Reborn project added a bedroom, chapel, kitchen, banqueting hall, and medieval toilets, recreating the spaces as they would have appeared when King Henry I stayed in 1121. Visitors can explore the rooms with period-appropriate furniture, textiles, and painted decorations, plus new animations projected onto the keep's walls. A new Gallery of Medieval Life, developed with the British Museum, displays over 900 medieval objects, including 50 on long-term loan from the British Museum.

Newly designed gallery for Applied Arts of Europe opening at Art Institute of Chicago

The Art Institute of Chicago will open the newly designed Eloise W. Martin Galleries for the Applied Arts of Europe on July 11, 2025. The 4,500-square-foot space will display over 300 objects from the museum's collections of furniture, silver, ceramics, and glass dating from 1600 to 1900, with 40% more objects on view than previously. Highlights include a carved chair made by Indian artisans for a European merchant, rare Chinese porcelain vases mounted in gilded bronze, and a neo-Gothic sideboard by William Burges. The galleries, designed by Barcelona-based architects Barozzi Veiga, follow a chronological narrative exploring design, craftsmanship, and commerce amid geopolitical shifts and colonialism.

Trude Fleischmann Photography Exhibition: Famous & Family , Opens May 2

The Fairfield University Art Museum's Bellarmine Hall Galleries will host 'Famous & Family: Through the Lens of Trude Fleischmann' from May 2 through July 26, 2025. This is the first American solo museum exhibition dedicated to the Austrian-born photographer Trude Fleischmann (1895-1990), featuring over 100 photographs that span her groundbreaking career in 1920s-30s Vienna and her influential work in the United States after fleeing Nazi persecution in 1938. The show includes portraits of cultural figures such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein, alongside never-before-exhibited works from family collections and a documentary film.

Fairfield University Art Museum Presents Famous & Family: Through the Lens of Trude Fleischmann, May 2 – July 26

Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.

Unpacking the Venice Biennale controversies and highlights

The 2026 Venice Art Biennale is proceeding with a posthumous main exhibition, "In Minor Keys," curated by the late Cameroonian-born artistic director Koyo Kouoh, who died in May 2025. The event features 100 national participations, including seven first-time countries, and has reinstated Russia's pavilion after its voluntary withdrawal following the 2022 invasion of Ukraine.

Hilliard Art Museum announces spring season featuring Andy Warhol

The Hilliard Art Museum at the University of Louisiana at Lafayette has announced its spring 2026 exhibition season, titled 'Spring Awake.' The season features a major focus on Pop Art and its legacy, with exhibitions including 'Andy Warhol: Plus One,' showcasing Polaroids gifted by The Andy Warhol Foundation, and a new exhibition by contemporary artist Rachel Libeskind. The program also includes 'Gulf Streams,' an exhibit blending field recordings from the Atchafalaya Basin with contemporary art, and continues the immersive installation 'Nervescape XI' by Hrafnhildur Arnardóttir (Shoplifter). The museum will host several public events, including an opening preview, a day-long fête, and an outdoor fundraising picnic.

Grammys get the Pop Art treatment at this buzzy new downtown L.A. gallery

Pop artist Kii Arens has opened a new downtown Los Angeles gallery called FAB LA inside the historic Fine Arts Building. His latest exhibition, "And the Winner Is," curated by Arens and featuring poster art of Grammy winners, opens Friday, two days before the 2026 Grammys. The show continues Arens' tradition of blending art with celebrity-studded party scenes, following earlier exhibitions at FAB LA such as "XO, LA: A Love Letter to Los Angeles" and "Mick Rock's Rocky Horror Art Show." Arens previously ran LA-LA Land gallery in Hollywood for two decades before its lease ended last year.

Book offers fresh perspectives on why Cubism came into being

Christopher Green, a leading scholar of Cubism, has published a new book titled *Cubism and Reality*, which reexamines the origins and intentions of early Cubism through the works of Georges Braque, Pablo Picasso, and Juan Gris. The book focuses on the years immediately before World War I, arguing that Cubism was not a step toward abstraction but a deliberate reinvention of reality based on lived visual experience. Green draws on decades of research, including his own earlier works and the foundational 1959 study by John Golding, and contrasts the movement with mass-produced imagery in chapters on Roy Lichtenstein and Francis Picabia.

Gaudi’s original vision for Casa Batlló has been restored

Antoni Gaudí’s Casa Batlló in Barcelona has undergone a €3.5 million restoration that returns the building’s rear façade and private courtyard to their original 1906 design. Led by architect Xavier Villanueva, the year-long project employed local artisans to rebuild Gaudí’s vaulted balcony support system, reinstate lost features such as planters and a pergola, and restore original colors using 85,000 Nolla mosaic pieces, ironwork, stucco, and trencadís. The work coincides with the 20th anniversary of the building’s UNESCO World Heritage designation.

‘The arts are vanishing from education’: new report urges UK government to invest in arts sector

A coalition of UK arts organizations, including Contemporary Visual Arts England (CVAN) and the Design and Artists Copyright Society (DACS), has presented a new report titled 'Framing the Future: The Political Case for Strengthening the Visual Arts Ecosystem' to parliament. Written by Eliza Easton of the Erskine Analysis think tank, the report calls for a £5m grassroots visual arts fund to address the shortage of affordable studio spaces, a UK Cultural Investment Partnership Fund to encourage philanthropic donations, expanded funding for the Art & Design National Saturday Club, and reinstatement of high-cost funding for creative subjects in higher education. Artists including Tracey Emin and Larry Achiampong have voiced support, warning that arts are disappearing from state education.