Heritage Auctions achieved a record $2 billion in sales in 2025, driven by explosive growth in the collectibles market. CEO Joe Maddalena highlights the sustained and increasing global demand for categories like sports memorabilia, comic books, trading cards, and vintage toys, noting that money previously focused on traditional art is now consistently flowing into these areas.
Approximately Blue (AB), a contemporary art consultancy and brokerage, is deliberately operating without a public-facing brand, social media presence, or physical address. Founded by François-Luc Giraldeau and Emily Johnson, the firm focuses exclusively on primary market fine art prints and multiples, prioritizing deep research and direct, substantive relationships with collectors over visibility and hype.
The sixth edition of the Every Woman Biennial opened at New York's Pen + Brush gallery, featuring hundreds of works by women and nonbinary artists in a densely hung, salon-style exhibition. The event, which began as a one-night pop-up in 2014, has grown into a major intergenerational showcase, mixing emerging artists with established names like Swoon and Mickalene Thomas, and includes performances and installations.
Prominent Ukrainian artist Nikita Kadan is launching a new exhibition titled 'A New Integrity' at Pavilion 13 in Kyiv. The installation features prostheses suspended in mid-air, accompanied by a soundscape of recorded testimonies from veterans who have experienced limb loss during the ongoing Russian invasion. The project, commissioned by the non-profit RIBBON International, uses these mechanical replacements to symbolize the broader losses of territory, people, and future perspectives that Ukraine has endured.
The art world mourns the passing of Celeste Dupuy-Spencer, a prominent artist and activist known for her politically charged paintings and human rights advocacy, who died at the age of 46. Simultaneously, dissident artist Ai Weiwei has released a new book titled 'On Censorship,' which reflects on his career-long struggle against state persecution and the nuances of freedom of expression. Other notable developments include Gagosian's announcement of a new Upper Manhattan space dedicated to Marcel Duchamp and the detention of artist Criselda Vasquez’s father by ICE.
The Jewish Museum in New York has launched "Paul Klee: Other Possible Worlds," the first U.S. museum exhibition dedicated specifically to the artist’s late-period works. Featuring 100 paintings and drawings, the show focuses on the final decade of Klee’s life (1930–1940), a period marked by his dismissal from the Düsseldorf Academy by the Nazis, his exile to Switzerland, and his battle with a fatal autoimmune disease.
The Vatican has announced a star-studded lineup of musicians and artists for its pavilion at the 2026 Venice Biennale, titled "The Ear Is the Eye of the Soul." Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the exhibition features commissioned sound works from figures including Brian Eno, FKA Twigs, Patti Smith, and the late Alexander Kluge. The project is inspired by the 12th-century mystic Saint Hildegard of Bingen and will be staged across two historic Venetian locations: the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice.
Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.
The article is a weekly entertainment guide covering cinema, gigs, art, stage, streaming, games, albums, and other cultural events. In the art section, it highlights two major exhibitions in London and its surroundings: a solo show of new paintings by British artist Cecily Brown at the Serpentine Gallery, created in response to Kensington Gardens, and a display of Henry Moore's iconic Shelter Drawings at his studio in Perry Green, focusing on his depictions of Londoners during the Blitz.
Mappatura delle mostre da vedere a Roma durante il periodo di Pasqua 2026
Rome's cultural institutions are presenting a diverse lineup of exhibitions for the Easter 2026 holiday period. Major shows include 'Treasures of the Pharaohs' at the Scuderie del Quirinale, a Hokusai retrospective at Palazzo Bonaparte, 'Flowers. From the Renaissance to Artificial Intelligence' at the Chiostro del Bramante, 'Bernini and the Barberini' at the Gallerie Nazionali Barberini Corsini, a show on Roman villas and gardens at Palazzo Braschi, and 'Impressionism and Beyond' at the Museo dell'Ara Pacis.
A Reuters investigation this week identified street artist Banksy as 52-year-old Robin Gunningham, reigniting a long-running public debate about the unmasking of anonymous artists. This follows a recent hoax announcement of novelist Elena Ferrante's death, which similarly targeted her carefully guarded identity.
The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.
Organizers of the British Art Show have unveiled the theme and artist list for its tenth edition, titled "A Chorus of Strangers." Curated by Ekow Eshun, the quinquennial exhibition will launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead through 2028. The show features a diverse roster of contemporary artists including Turner Prize winner Jasleen Kaur, Alvaro Barrington, and Precious Okoyomon, organized around three conceptual pillars: psychological, sociological, and ecological.
The Counterpublic Triennial has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12 in Saint Louis. Curated by a five-member international team, the exhibition features forty-seven artists and collectives, including prominent figures like Glenn Ligon and Rebecca Belmore alongside local Saint Louis practitioners. The triennial will feature nearly fifty commissions, with a significant focus on site-responsive works installed along the Mississippi riverfront and the Gateway Arch.
Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.
Artist Glenn Ligon opened a major solo exhibition titled "Break It Down" at the Aspen Art Museum. The show, curated by Daniel Merritt, will be on view from November 21, 2025, through March 15, 2026, and is extensively documented with 39 installation images.
Was taugt die Mallorca-Ausgabe der Art Cologne?
The Art Cologne has launched a new satellite edition in Palma de Mallorca, returning to the island 19 years after a previous attempt failed. Held at the modern Palau de Congressos, the fair adopts a 'boutique' format designed to tap into the local market of wealthy European expatriates and second-home owners. Unlike the high-stakes environment of major fairs like Art Basel, this iteration features an innovative pricing model that allows smaller, younger galleries to showcase curated, riskier presentations at more affordable entry points.
"Hinter allen schönen Dingen liegt ein Leiden"
The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.
In London geht es Tracey Emin um Tod und Auferstehung
Tracey Emin has opened a major exhibition at the Tate Modern in London. The show, which follows her battle with an aggressive bladder cancer diagnosed in 2020, presents a new chapter in her work, focusing on themes of trauma, triumph, and the body.
Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »
South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.
Séries, documentaires, films… Tout l’art à voir sur les plateformes en ce moment
Beaux Arts Magazine has curated a comprehensive selection of art-focused films, documentaries, and series currently available on major streaming platforms like Netflix, Arte.tv, and France.tv. The selection highlights diverse narratives, including the investigative documentary regarding a rediscovered Gustav Klimt portrait of a Ghanaian prince, an AI-assisted exploration of Andy Warhol’s diaries, and the cinematic dramatization of Varian Fry’s efforts to rescue artists like Chagall and Duchamp from Nazi-occupied France.
Un chef-d’œuvre d’Otto Dix prend vive dans la nouvelle saison d’« À Musée Vous, À Musée Moi »
The popular web series "À Musée Vous, À Musée Moi" has returned for a new season focusing on Otto Dix’s 1926 masterpiece, "Portrait of the Journalist Sylvia von Harden." Created by Fouzia Kechkech and co-produced by the Centre Pompidou and Dada Media, the series uses short, humorous live-action sketches to bring iconic paintings to life. In these episodes, actress Isabelle Desplantes portrays Von Harden, navigating anachronistic situations—such as dealing with social media trolls—while providing historical context about the New Objectivity movement and the "New Woman" of the Weimar Republic.
Auguste Renoir en 2 minutes
Pierre-Auguste Renoir remains a cornerstone of Impressionism, celebrated for his transition from porcelain painting to becoming a master of figure and light. While he initially pioneered plein air techniques alongside Claude Monet, Renoir eventually pivoted toward a more classical study of 18th-century masters, focusing on portraits, domestic scenes, and nudes. His career was marked by iconic works like 'Bal du moulin de la Galette' and a persistent drive to paint even as severe rheumatism physically debilitated him in his final years at Cagnes-sur-Mer.
Sur Arte, un documentaire décrypte le malentendu tenace autour du peintre du bonheur, Auguste Renoir
A new documentary titled "Renoir in Love" airing on Arte examines the persistent critical misunderstanding surrounding Auguste Renoir. The film, released in tandem with a major double exhibition at the Musée d'Orsay, argues that Renoir's joyful depictions of couples and modern leisure have been unfairly dismissed as saccharine, relegating him to the margins of modern art history. It presents a nuanced portrait of an artist whose work was fundamentally driven by a philosophy of love and human connection.
Giverny avant les nymphéas : un Monet méconnu et intime se dévoile au musée des Impressionnismes
The Musée des Impressionnismes in Giverny is presenting an exhibition focused on Claude Monet's first seven years in the village, a period before he created his famous water lily pond. The show, assembled for the centenary of his death, features lesser-known works from private collections and small museums, revealing a Monet grappling with financial instability, family scandal, and artistic doubt as he transitioned to stability and fame.
De l’art de paraître
The Musée Cognacq-Jay in Paris is hosting an exhibition titled "Révéler le féminin," which explores the intersection of 18th-century fashion and portraiture. Curated in collaboration with the Palais Galliera and the Musée d’arts de Nantes, the show features works by prominent portraitists like Élisabeth Louise Vigée Le Brun and Maurice Quentin de La Tour alongside rare period textiles. The exhibition examines how the rising bourgeoisie used clothing as a visual language of prestige and social standing during the Enlightenment.
Musée Postal
The Musée de la Poste in Paris is currently hosting a series of diverse exhibitions and cultural programs, ranging from a focused look at Henri Matisse's vibrant painterly style to an exploration of how design has integrated into national heritage. The institution is also featuring the chaotic architectural installations of Tadashi Kawamata and a deep dive into the historical and cultural construction of the 'witch' archetype.
Museion in Bolzano has launched a major retrospective titled "Feedback. The Environments of Franco Vaccari," focusing on the influential Italian conceptual artist. The exhibition marks the first comprehensive institutional survey to prioritize Vaccari’s "environments"—immersive spaces that utilize photography, video, and archival materials to engage the viewer in a process of real-time feedback.
Isa Genzken's monumental 16-meter-tall sculpture 'Vollmond' has been installed in front of Den Frie in Copenhagen for nearly a year. The venue is now hosting the exhibition 'World Receiver,' which gathers significant works from the German artist's career spanning several decades.
The U.S. Department of Justice has reached a settlement with the American Library Association and the AFSCME union, effectively halting President Donald Trump’s executive attempt to dismantle the Institute of Museum and Library Services (IMLS). Following a series of legal defeats where courts ruled that only Congress has the authority to eliminate federal agencies, the administration withdrew its appeal and reinstated previously terminated grants. However, the threat remains as the proposed 2027 federal budget once again seeks to zero out funding for the IMLS, the NEA, and the NEH.