Santa Monica Events: New Art Gallery, Kids Club & More

Santa Monica is launching its first-ever municipal art gallery at the Bergamot Station Arts Center, debuting with the inaugural exhibition "Case Study: Adapt." The opening ceremony on April 10 will feature remarks from California for the Arts Executive Director Julie Baker and a commendation for State Senator Ben Allen in recognition of Arts Month. The launch is part of a broader weekend of community programming including the Venice Street Fair and sound art workshops at the Camera Obscura Art Lab.

The Metropolitan Museum of Art Appoints Oluremi C. Onabanjo as Curator in the Department of Photographs

The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a Curator in the Department of Photographs. Joining from the Museum of Modern Art (MoMA), Onabanjo will focus on 20th-century and contemporary photography with a specific emphasis on international practices from Africa and Asia. Her responsibilities include overseeing the stewardship of the recently acquired Walther Collection and developing a major exhibition for 2028.

art artists and mothers nonprofit organization

Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.

Inside the New Madison Avenue Flagship of the Powerhouse Gagosian Gallery

Larry Gagosian has opened a new flagship gallery at 974 Madison Avenue (preferring the address 980 Madison at 76th Street) after Bloomberg Philanthropies took over the building's upper floors, which had housed Gagosian's New York flagship since the late 1980s. The megadealer relocated to the street level, creating a 12,000-square-foot complex with exhibition spaces, offices, meeting rooms, and private viewing areas designed by Jonathan Caplan of Caplan Colaku Architects. The gallery launched with a double-header presentation of works by Marcel Duchamp and Robert Rauschenberg, and features ceilings just over 12 feet high, adaptable walls, and a vestibule display of art books.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."

Art Dubai announces details for revised 2026 edition

Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Dialogues & Conversations

The Pulitzer Arts Foundation in St. Louis is marking its 25th anniversary with the exhibition 'Dialogues & Conversations,' organized by its founder and chair, Emily Rauh Pulitzer. The show features over 85 works by more than 30 artists, including Edgar Degas, Willem de Kooning, and David Hammons, drawn from Pulitzer's personal collection, institutional loans, and works featured in past Pulitzer exhibitions.

Review: The new LACMA is divisive. It’s also ambitious, disorienting — and radically alive

The Los Angeles County Museum of Art (LACMA) has unveiled its $724-million David Geffen Galleries, a massive concrete structure designed by Swiss architect Peter Zumthor that spans Wilshire Boulevard. Replacing several older pavilions, the new building rejects traditional museum conventions like white-cube galleries and encyclopedic organization in favor of a sinuous, organic form that emphasizes light, atmosphere, and a visceral connection to the surrounding landscape.

BUSINESS MONDAY: Spotlight on Art in the Berkshires—now open on Castle Street

Art in the Berkshires, founded in 2024 as an online resource, has opened a physical gallery and studio space at 8 Castle Street in Great Barrington, Massachusetts. The venture is led by Shany Porras, an abstract painter and founder who serves as gallery director, aiming to make Berkshire creativity more accessible through artist directories, venue listings, and a weekly newsletter.

Here is the first and for now only interview with the curators of the 2026 Venice Art Biennale

Ecco la prima e per ora unica intervista ai curatori della Biennale d’Arte di Venezia 2026

The team of the late curator Koyo Kouoh has completed the 61st International Art Exhibition of the Venice Biennale, titled "In Minor Keys," which opens to the public on May 9, 2026. In an exclusive interview, curators Gabe Beckhurst Feijoo, Marie Helene Pereira, Rasha Salti, Siddhartha Mitter, and Rory Tsapayia discuss the challenges of realizing Kouoh's vision after her death, including fundraising, installation design by Wolff Architects of Cape Town, and the use of cardboard as a non-invasive material to create thresholds between spaces.

Beyond the prompt: when the medium is generative AI, the artist becomes a systemic director

Oltre il prompt: quando il medium è l’AI generativa l’artista diventa regista sistemico

The article argues that as AI-generated images become more spectacular, the role of the artist is often misunderstood as merely writing prompts. Instead, the author contends that the most significant generative artworks are systems—predetermined rule-based environments where the artist designs the conditions for images to emerge. Works like Hans Haacke's "Condensation Cube" (1963-1965) and Refik Anadol's "Unsupervised" (2022) exemplify this shift from object to process, where the artwork is the behavior or architecture itself.

Highlights and Hidden Gems at Dumbo Open Studios

DUMBO Open Studios celebrated its 10th anniversary with over 175 artists across 21 buildings participating in the weekend event. The open studios, jointly managed by Team Dumbo and real estate developer Two Trees, featured a wide range of work, with a noted highlight being works on paper from artists like Bianca Fields, Amy Cutler, and Jason Karolak. Despite rainy weather, the event fostered impromptu conversations and community, with more than half of surveyed artists reporting sales and expectations of future exhibition opportunities.

V&A East opens as ‘civic space’ for creativity and community

V&A East Museum, a major new branch of the Victoria and Albert Museum, opened on 18 April in London's Olympic Park as part of the East Bank cultural quarter. The free-entry museum features permanent galleries and temporary exhibitions, launching with a landmark show titled 'The Music is Black: A British Story,' which traces over a century of Black British music through more than 200 objects. Developed with BBC Music, the exhibition includes items from artists like Winifred Atwell, Little Simz, Skepta, and Mis-Teeq. The museum's permanent display, 'Why We Make,' was co-created with the V&A East Youth Collective and explores global creative motivations. The opening was marked by a star-studded event with performances by AJ Tracey, Beverley Knight, and MNEK.

Heading for Brittany! 5 art galleries to visit in Rennes

Cap sur la Bretagne ! 5 galeries d’art à visiter à Rennes

Beaux Arts Magazine highlights five art galleries to visit in Rennes, France, a city already known for its Musée des Beaux-Arts, art centers 40mcube and La Criée, and a spectacular Frac designed by architect Odile Decq. The featured galleries include Oniris, which celebrates 40 years and the centenary of artist François Morellet in 2026; Jonathan Roze, a newcomer from Paris now located on Place du Parlement; Mica, a gallery in Saint-Grégoire run by former cabinetmaker Michaël Chéneau; and Divet, an even older gallery with a strong Breton identity.

Who is Prune Delon, the 24-year-old fashion designer selected for a residency at the Villa Medici?

Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?

Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.

Toronto Biennial of Art announces 2026 artists and theme

The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.

Thomas Hart Benton, Jessie Wlicox Smith announced for shows at Lucas Museum of Narrative Art.

The Lucas Museum of Narrative Art in Los Angeles, co-founded by filmmaker George Lucas and businesswoman Mellody Hobson, has announced its inaugural exhibitions. The ambitious survey will feature over 1,200 works from a founding collection of more than 40,000 objects, including pieces by Thomas Hart Benton and Jessie Wilcox Smith. The museum is housed in a 300,000-square-foot building designed by Ma Yansong of MAD Architects with Stantec.

More than 30 exhibitions on display in May at art centers from Marco Island to Sarasota

More than 30 exhibitions are on display in May at art centers across Southwest Florida, from Marco Island to Sarasota. Venues like Art Center Sarasota host shows featuring member, regional, and nationally renowned artists, including the "North Sarasota County Schools Spring Art Show" with over 1,500 student artists, solo exhibitions by Anja Palombo and Cat Tesla, and the "Architects Who Art" show co-curated by Morris Hylton III.

Raphael: Sublime Poetry

This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."

Birmingham Museum of Art to unveil new Black American art exhibition

The Birmingham Museum of Art (BMA) announced it will unveil a landmark exhibition titled "Roll Call: Two Hundred Years of Black American Art" in September 2026. The show features 99 works drawn entirely from the museum's permanent collection, tracing two centuries of Black artistic production. Organized in four thematic sections—The Ground We Stand On, Ujima: Collective Work and Responsibility, What Freedom Feels Like, and In the Heart of It All—the exhibition highlights the museum's history of collecting Black art, which began in 1971 and now includes over 1,000 works by 250 Black artists. The exhibition coincides with the museum's 75th anniversary and runs from September 26, 2026 to January 17, 2027.

The Music Is Black: Frequencies of Belonging in Britain

V&A East Museum is launching its inaugural exhibition, 'The Music is Black: A British Story,' a comprehensive exploration of Black British music spanning over a century. Curated by Jacqueline Springer, the show features more than 200 objects—including instruments, fashion, and personal artifacts—alongside significant artworks by figures such as Sonia Boyce and Frank Bowling. The exhibition traces the evolution of genres from early 20th-century compositions to contemporary grime and drill, framing them as vital expressions of migration, resistance, and cultural identity.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

The Bahamian Pavilion Brings Junkanoo to Venice in a Biennale Standout

After a thirteen-year hiatus, the Bahamian Pavilion has returned to the Venice Biennale with an exhibition titled "In Another Man's Yard," featuring the late master John Beadle and his former student Lavar Munroe. The pavilion, housed in the San Trovaso Art Space in Dorsoduro, centers on Junkanoo—the vibrant, crepe-costumed procession that is a defining cultural tradition of the Bahamas. Munroe's large-scale sculptural works incorporate strips of discarded Junkanoo costumes, while paintings and installations commemorate Beadle, who died in 2024. The presentation was revived with support from Baha Mar, a resort company, after government funding was withdrawn in 2014.

Portland’s Converge 45 Reveals Theme and Artists, Including Trisha Baga, Rose Salane, and Srijon Chowdhury

Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

From intimate still lives to shadowed saints: the many sides of Spanish painter Francisco de Zurbarán go on show at London’s National Gallery

The National Gallery in London is opening a major survey exhibition of Spanish painter Francisco de Zurbarán (1598-1664), the first on this scale since 1987. The show expands beyond his famous austere saints to include intimate still-lifes, late private devotional works, and large-scale altarpiece reconstructions. Curator Daniel Sobrino Ralston highlights two newly discovered paintings, including *Alcarraza on a Plate*, and a rare reconstruction of the second tier of the Charterhouse of Jerez de la Frontera altarpiece, reuniting works from museums in Grenoble and Poznań.

More than 200 cultural figures sign statement criticising international response to destruction of Iran’s heritage

More than 200 international scholars and cultural heritage professionals have signed a joint statement condemning the United States and Israel for inflicting "irreversible damage" on Iran’s cultural heritage. The group, which includes academics from leading global institutions, alleges that recent military strikes have damaged over 130 UNESCO-registered monuments and museums, including the Senate Palace in Tehran and sites in Isfahan. They argue these actions violate the 1954 Hague Convention and criticize international bodies like UNESCO for failing to issue a sufficiently forceful response.

NADA’s Heather Hubbs on Building the Fair Into an Art-World Mainstay

Heather Hubbs, executive director of the New Art Dealers Alliance (NADA), reflects on the organization's evolution from a grassroots initiative into an international coalition with over 250 gallery members and fairs in New York and Miami. The 12th edition of NADA New York returns to the Starrett-Lehigh Building from May 13–17, featuring more than 100 galleries and the return of the Curated Spotlight, organized by curator Anthony Elms in partnership with TD Bank. Hubbs discusses the fair's growth, its commitment to supporting galleries and artists year-round, and highlights 51 first-time exhibitors and experimental works by artists like Chang Sujung and Douglas Rieger.

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.