This article highlights 11 must-see museum exhibitions in New York for spring 2025, including shows at Amant, the American Folk Art Museum, the Guggenheim, the Hill Art Foundation, the Metropolitan Museum of Art, and MoMA PS1. Featured artists include Madalena Santos Reinbolt, Rashid Johnson, Sam Moyer, Jennie C. Jones, and Andro Eradze, with works spanning textiles, sculpture, sound installations, and mixed media.
Tracey Emin, the British artist known for her confessional and provocative works, has been the subject of recent coverage in The Art Newspaper. The article details her ongoing artistic output and public engagements, including her latest exhibitions and contributions to contemporary art discourse. It highlights her continued prominence in the art world, with recent shows and critical attention reaffirming her status as a leading figure in British and international art.
Printed Matter, the nonprofit artists' bookstore and publisher, celebrated its 50th anniversary with a gala at the High Line Hotel in New York. The event featured speeches honoring co-founder Pat Steir and artist Ed Ruscha, performances from the opera *Einstein on the Beach*, and a crowd of notable artists, museum directors, and gallerists including Joan Jonas, Glenn Ligon, MoMA Director Christophe Cherix, and Larry Gagosian. Founded in 1976 by Sol LeWitt, Pat Steir, and Lucy Lippard, Printed Matter has become a vital platform for artist books, operating a bookstore, exhibition space, and one of the world's largest book fairs.
Cultured magazine asked several seasoned art collectors—Will Bennett, Laurent Asscher, Geoff Snack, Amélie du Chalard, Allison Sarofim, and Pamela Joyner with Fred Giuffrida—to share their most important advice for novice collectors. Their responses range from building relationships with dealers and scouring unexpected sources like eBay and street-side book boxes (Snack) to focusing on an artist's conceptual approach, technical mastery, and aesthetic result (du Chalard). Others emphasize training the eye through constant exposure, buying what you love rather than what is trendy, and developing a focused area of interest to guide acquisitions.
Paris Fashion Week is drawing crowds to the city, but a parallel art scene offers respite through a diverse array of gallery and museum shows this March. Highlights include a solo exhibition of recent paintings by French post-war legend Martial Raysse at Templon, featuring his monumental canvases "La Peur" and "La Paix" from 2023, and Bettina Samson's ceramic sculptures at Sultana, inspired by philosophers and poets. Other notable shows include Dove Allouche's photo series exploring the elements of life at Peter Freeman, Inc., and Giangiacomo Rossetti's "Résurrectine" at Mendes Wood DM, which reanimates art historical figures.
Cultured magazine has published a preview of must-see museum shows for 2026, highlighting exhibitions across the United States. Featured shows include a survey of the late Los Angeles artist Noah Davis at the Philadelphia Art Museum, the first solo New York institutional exhibition in over 35 years for Pat Oleszko at SculptureCenter, a Carol Bove survey at the Solomon R. Guggenheim Museum, the Whitney Biennial 2026, a comprehensive Raphael exhibition at the Metropolitan Museum of Art, a Lucas Samaras photography show at the Art Institute of Chicago, a Ming Smith exhibition at the Portland Museum of Art, and a Bruce Conner film showcase at the Marciano Art Foundation.
Cultured magazine asked 25 photographers to each select a single image for a time capsule representing the first quarter of the 21st century. The resulting portfolio includes works by Juergen Teller (a Balenciaga ad featuring Putin, Trump, and climate imagery), Sinna Nasseri (a cat amid a California wildfire), Naima Green (a domestic scene mediated by smartphones), Lele Saveri (a critique of property ownership), and Trevor Paglen (a CIA black site in Kabul), among others.
The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.
Johanna Fateman and Blakey Bessire share their picks for the best art books of the year. Fateman highlights a new edition of Claude Cahun's anti-memoir "Cancelled Confessions or Disavowals" from Siglio Press, featuring photomontages by Cahun and Marcel Moore, and the first monograph on Greer Lankton, "Could It Be Love," edited by Francis Schichtel, Jordan Weitzman, and Nan Goldin with an essay by Hilton Als. Bessire selects "Voice of Space: UFOs and Paranormal Phenomena," a catalog from the Drawing Center exhibition exploring UFOs and altered states, and "Alice Coltrane, Monument Eternal," a Hammer Museum catalog edited by Erin Christovale that examines Coltrane's sonic and spiritual work.
Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.
Cultured magazine published a guide to gallery exhibitions opening during Art Basel Paris, highlighting six shows across Paris galleries. Featured artists include Shelby Jackson (founder of 15 Orient) with his first solo show at Lo Brutto Stahl, Rirkrit Tiravanija at Galerie Chantal Crousel exploring the concept of 'alien,' Tomasz Kowalski at Crèvecoeur, a group show curated by Reena Spaulings at Galerie Hussenot, Yann Stéphane Bisso at Exo Exo, and Walter De Maria at Gagosian Le Bourget. Each entry includes dates, a brief description, and why the show is worth seeing.
The article is a review of fall art openings in Los Angeles, written by Juliana Halpert for her Critics’ Table debut. Halpert surveys a range of exhibitions, including Calvin Marcus's show at Karma, Stanya Kahn's solo presentation, the Hammer Museum's "Made in L.A." biennial and its scrappier counterpart "Made in HelLA," Josh Smith's grim reaper paintings at David Zwirner, and Adam Alessi's show at Hoffman Donahue. She also recounts attending the Poetic Research Bureau's 25th anniversary party and fundraiser at 2220 Arts + Archives, where musician Jack Skelley performed. The review weaves a thematic thread of mortality and the macabre, noting how many shows this season engage with death, from fake blood and skulls to sinister landscapes.
The article is a first-person diary chronicling the author's experiences during Armory Art Week in New York City in September. It begins at the Fulton Transit Center for the launch of artist Chloë Bass's public sound work "If you hear something, free something," presented by Creative Time and MTA Arts & Design, which features recorded announcements in five languages playing across 14 subway stations. The author then visits galleries in Chinatown, including Matthew Kirk's show at Fierman and Ohad Meromi's exhibition at 56 Henry, encountering notable art-world figures like Jerry Saltz, Issy Wood, and Naomi Fry along the way.
The article is a first-person diary of an art critic's trip to Aspen for ArtWeek, centered around Matthew Barney's performance "TACTICAL parallax" (2025) at the Aspen Art Museum. The author navigates travel delays, attends the dress rehearsal, and participates in a whirlwind of events including the Aspen Art Museum's AIR festival, a public conversation with artist Issy Wood, and dinners with art-world figures like MoMA board president Sarah Arison and artists Paul Chan and Aria Dean. The narrative weaves personal observations with the broader art scene in Aspen, touching on themes of the American West and contemporary art.
The article is a July 2025 New York exhibition guide from Cultured, highlighting last-chance viewing opportunities for shows across the city. Featured exhibitions include Willem de Kooning at Gagosian, Salman Toor and Jack Whitten at MoMA, Jane and Louise Wilson at 303 Gallery, Chloe Dzubilo at Participant Inc., N.H. Pritchard at Peter Freeman Inc., and Steve McQueen at Dia Chelsea, among others. The guide organizes shows by neighborhood and includes critical commentary on each artist's work.
A wave of new creative energy is reshaping Manhattan's Upper East Side, as artists, gallerists, and tastemakers migrate uptown. Notable newcomers include White Cube's gallery outpost (opened 2023), fashion brands like Khaite and Toteme, and fresh eateries such as Chez Fifi and Maxime's. Artist Margaret Lee, who co-founded a downtown gallery, notes the special feeling of crossing Park Avenue. Playwright Matthew Gasda observes an influx of young people while the neighborhood retains its multigenerational character. The article features nine local residents—including designer Leandra Medine Cohen and Instagram documentarian Joshua Kamei—sharing their perspectives on the area's evolution.
Cultured's "Art Basel Best of Art Guide" highlights key exhibitions and events in and around Basel, Switzerland, during the summer art season. Featured shows include Jordan Wolfson's VR installation "Little Room" at Fondation Beyeler, a Medardo Rosso retrospective at Kunstmuseum Basel, a Meret Oppenheim showcase at Hauser & Wirth, the second annual "Air Service Basel 2025" group show at Lo Brutto Stahl, Suzanne Lacy's video installation "By Your Own Hand" at Museum Tinguely, and works by Ser Serpas. The guide provides practical details such as dates, locations, and insider tips for each exhibition.
Cultured magazine has published its first Young Dealers List, highlighting 23 galleries under five years old that are revitalizing the art world. The list was compiled from over 100 recommendations gathered from more than 40 collectors, advisors, and curators. The article profiles one of the selected gallerists, Adora Mba, founder of ADA Contemporary Art Gallery in Accra, Ghana, who opened her space in 2020 after working as a cultural news producer. Mba emphasizes supporting emerging African artists and has dedicated her 2025 program to women artists and curators.
Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.
The article reviews the best booths at Frieze New York 2026, held at the Shed in Hudson Yards. It highlights eight standout presentations, including Hauser & Wirth's debut of new Cindy Sherman photographs, Andrew Edlin Gallery's themed booth featuring artists like Paulina Peavy and Melvin Way who explore extraterrestrial themes, and Carlos/Ishikawa's display of Evelyn Taocheng Wang's monumental paintings that engage with Agnes Martin and Georgia O'Keeffe. The author notes that while art fairs prioritize commerce, some galleries successfully balance good art with monetization.
Rago/Wright is hosting two major spring sales on May 14, 2026: 'Pure Edge: American Geometric Abstraction, Selected Works from the Museo de Arte Contemporáneo de Buenos Aires' and a Post War and Contemporary Art sale. The first features 19 works from the museum's premier collection of American geometric abstraction, while the second spans 20th- and 21st-century art. Highlighted lots include Sam Gilliam's 'Sun Woman' (1970, est. $300,000–$500,000), Annie Morris's 'Stack 7 (Ultramarine Blue)' (2015, est. $150,000–$200,000), Miyoko Ito's 'Adam and Eve' (1957, est. $200,000–$300,000), and Maria Martins's 'Impossible' (1946, est. $150,000–$200,000).
The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.
The Art Newspaper published a reading list curated by Jess Baxter, assistant curator of Tracey Emin's exhibition 'Second Life' at Tate Modern. The list features five key books about the British artist, including her autobiography 'Strangeland' (2006), a monograph co-authored by gallerist Carl Freedman, a recent painting survey, a personal photo album, and a forthcoming study by Martin Gayford. The exhibition, inspired by Emin's recovery from bladder cancer, runs until 31 August.
Georg Baselitz, the influential German Neo-Expressionist painter known for his emotionally charged, often violent works and his controversial statements about women artists, has died at age 88. His final paintings will be shown in the exhibition "Eroi d’Oro" at the Fondazione Giorgio Cini in Venice starting May 6. Baselitz rose to prominence with his "Heroes" series of monumental male soldiers and his signature "upside down" paintings, which forced viewers to focus on painterly gesture over representation. He was a key precursor to Germany's Neue Wilde movement and confronted Germany's World War II trauma in works that combined expressionistic brutality with Wagnerian grandeur.
DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) effective June 30, citing a projected $27.4m budget deficit for 2026. Despite an open letter signed by over 3,000 students and faculty, the administration is moving forward with the shutdown of the $7.8m facility that has served as a cultural anchor since 2011. Director Laura-Caroline de Lara had successfully raised funds to keep the museum operational through the current season, but the university's leadership remains committed to the closure as part of a broader cost-cutting initiative.
Art dealer David Schrader is launching a new secondary-market gallery in New York with partners Marc Glimcher and Emmanuel Di Donna. He argues the current market stabilization and renewed optimism, especially in the secondary sector, provide a favorable backdrop for their streamlined, focused venture that aims to avoid the overhead of historic gallery models.
The Solomon R. Guggenheim Museum has launched a major retrospective of Carol Bove, filling the iconic Frank Lloyd Wright rotunda with approximately 100 works spanning her career. The exhibition showcases Bove’s evolution from her early assemblages of driftwood, peacock feathers, and vintage books to her more recent large-scale, brightly colored steel sculptures. A defining feature of the show is Bove’s inclusion of "para-artworks"—pieces by other artists such as Lionel Ziprin, Agnes Martin, and Arnaldo Pomodoro—integrated into her own installations to highlight the influences and histories that inform her practice.
Czech Culture Minister Oto Klempíř has dismissed Alicja Knast from her position as director of Prague's National Gallery. The move has generated significant scrutiny, with critics questioning the lack of a formal explanation and the abrupt manner of her removal, which was announced without a joint press conference.
2026 whitney biennial line up 2729835
The Whitney Museum of American Art has announced the artist lineup for the 82nd edition of its prestigious biennial, scheduled to open on March 8, 2026. Curated by Marcela Guerrero and Drew Sawyer, the exhibition will feature 56 artists, duos, and collectives selected after more than 300 studio visits. The upcoming edition is currently untitled and focuses on the theme of "relationships," exploring everything from family ties and technology to geopolitical entanglements and interspecies connections.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has secured a major promised gift of over 150 modern and contemporary artworks from collectors Penny Cooper and Rena Rosenwasser. This significant bequest focuses exclusively on women artists, featuring works by major figures such as Louise Bourgeois, Julie Mehretu, and Kara Walker. To celebrate the acquisition, the museum is launching "Rhapsody: Works from the Cooper Rosenwasser Collection," an exhibition showcasing 65 pieces that trace the impact of second-wave feminism on artistic production.