"Etwas zaghaft, etwas ängstlich, etwas sicher"

The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.

Julia Stoschek Foundation Closes Berlin Location

Julia Stoschek Foundation schließt Berliner Standort

The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.

Queer Saints, Big Egos

Queere Heilige, große Egos

Andrew Durbin's new biography examines the intertwined lives of artists Peter Hujar and Paul Thek, focusing on their art, desire, and self-staging. The review notes that while the book covers their creative circles—including figures like David Wojnarowicz, Divine, John Waters, and Susan Sontag—it loses sight of the urgent political and social context that animated their work, particularly the AIDS crisis and Reagan-era repression.

L’œuvre « indocile » du photographe Guido Guidi exposée au BAL

The article announces the exhibition of photographer Guido Guidi's work at Le BAL in Paris, curated by Simona Antonacci, Pippo Ciorra, and Antonello Frongia, with scenography by Cyril Delhomme. The show, titled "Col tempo, 1956-2024," runs from February 20 to May 24, 2026, and was previously presented in a larger version at the MAXXI museum in Rome. Guidi, now 85, is described as the last of a generation of Italian photographers—alongside Luigi Ghirri and Ugo Mulas—who radically redefined photographic language through patient, obstinate reflection on the act of seeing.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

Prelude for a Press at palace enterprise

An exhibition titled 'Prelude for a Press' is on view at palace enterprise in Copenhagen from March 19 to April 25, 2026, organized by Jesper List Thomsen. It features works by Marie Angeletti, Gerry Bibby, Ezio Gribaudo, Asger Jorn, Marion Milner, Anastasia Pavlou, Georgia Sagri, Jesper List Thomsen, and Jackie Wang.

À Annecy, le cinéma d’animation célébré toute l’année grâce à l’ouverture d’un lieu hybride et ambitieux en juin

A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.

Contrast Reigns in Austn Fischer’s Conspicuous Black-and-White Photos

Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.

An Art Historian’s Riotous Novel Melds Medieval Art with Monica Lewinsky

Julia Langbein's new novel *Dear Monica Lewinsky*, published by Doubleday, follows translator Jean Dornan as she revisits a traumatic relationship with a professor from her youth, set against the backdrop of the 1998 Monica Lewinsky scandal. The story interweaves medieval art, particularly the 13th-century *Golden Legend*, with Lewinsky's public shaming, as Jean prays to Lewinsky for guidance and is visited by a haloed version of her. Langbein, an art historian with a PhD from the University of Chicago, draws on her expertise to explore themes of humiliation, self-estrangement, and collective experience.

Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Venice Biennale Jury Says It Won’t Consider Countries Charged with Crimes Against Humanity, Including Israel and Russia

The Venice Biennale's jury announced it will not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Israel and Russia from competing for top honors. The jury, led by Videobrasil founder Solange Farkas, stated this decision aligns with curator Koyo Kouoh's vision and the Biennale's historical role as a platform connecting art to urgent issues. The ICC has issued arrest warrants for Israeli Prime Minister Benjamin Netanyahu and Russian President Vladimir Putin, while other indicted leaders like Sudan's Omar al-Bashir and Afghan officials lack Biennale pavilions.

Who Were the Best-Selling Old Masters at Auction in 2025?

The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's *Venice, the Return of the Bucintoro on Ascension Day*, which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its exceptional condition and quality.

Who Were the Best-Selling Old Masters at Auction in 2025?

The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's "Venice, the Return of the Bucintoro on Ascension Day" which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its pristine condition. The analysis draws from the Artnet Intelligence Report: Year Ahead 2026.

Venice Biennale jury ‘will not award artists from countries facing war crimes charges’

The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.

‘We’re attached to this land like a tree is rooted in soil’: unexpectedly timely exhibition speaks up for the people of south Lebanon

An exhibition titled 'Forget Me Not: South Lebanon in Memory and Motion' was held at London's Palestine House earlier this month. It featured archival news footage from 2000, photographs, audiovisual materials, and children's drawings to document the history, culture, and resilience of southern Lebanon, a region experiencing renewed conflict.

Nilbar Güreş on Representing Turkey at the 61st Venice Biennale

Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.

Fondazione Bvlgari Bets on the Venice Biennale: Beyond the Pavilion in the Giardini, an Exhibition at the Biblioteca Marciana

Fondazione Bvlgari scommette sulla Biennale di Venezia: oltre al padiglione ai Giardini, una mostra alla Biblioteca Marciana

Fondazione Bvlgari is making its debut at the Venice Biennale with a collateral exhibition at the Biblioteca Nazionale Marciana, featuring site-specific works by Monia Ben Hamouda and Lara Favaretto. The show runs from May 9 to November 22, 2025, alongside the 61st International Art Exhibition. Ben Hamouda presents 'Fragments of Fire Worship,' neon sculptures in the Vestibule that explore language and cultural heritage, while Favaretto installs the final edition of 'Momentary Monument – The Library' in the Salone Sansovino, inviting public consultation of donated books. Additionally, Bvlgari has a pavilion in the Giardini featuring Canadian artist Lotus L. Kang, as part of a three-edition partnership with the Biennale through 2030.

'Hidden heritage' Metro art shown in exhibition

An exhibition at the Baltic Centre for Contemporary Art in Gateshead is showcasing "Blazing Trails," a project by local artist Sofia Barton originally commissioned for Tyne and Wear Metro trains. The artwork celebrates the hidden heritage of north-east England by depicting lesser-known community leaders, including suffragette Kathleen Brown and Chinatown founders Koon Kiu Cheng and Peter Cheng. The display runs until 27 September in the Baltic's pop-up shop.

Gulistan at GNAMC of Rome

Chinese artist Gulistan, based in Beijing, presents her solo exhibition "Time Garden" at the National Gallery of Modern and Contemporary Art (GNAMC) in Rome. Curated by Gabriele Simongini and supported by the Foundation for Chinese Art in Italy and the International Federation of Women Artists 923 Art Space, the show explores a fusion of Eastern and Western aesthetics through painting, drawing on the legacy of the Silk Road. The exhibition features series such as "Fragments of Time," "The Nature of Memory," and "Memory of the Portraits," blending Chinese ink traditions with classical Western portraiture and archaeological motifs.

‘Good for the soul’: Local art show opens at Oshawa art gallery tonight

The Oshawa Art Association (OAA) is hosting the opening reception and awards night for its 58th annual juried art exhibition tonight at The Robert McLaughlin Gallery in Oshawa, Ontario. The free event runs from 6 to 9 p.m., featuring live music by local singer David Saliba, attendance from local politicians, and a cash bar. The exhibition, which includes over 100 artworks selected from nearly 300 submissions, will remain on display until May 10. Categories include wildlife, people, abstracts, sculptures, and a youth category for artists aged 12 to 18, with $3,000 in total prize money awarded by jurors Hi-Sook Barker and Lucy Manley.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

From gunshots to gilded plates: Who are the real hooligans of the art world?

Alex Burchmore reviews 'The Hooligans,' an exhibition that explores the Maoist concept of hooliganism in the context of contemporary Chinese art. The show features works by artists like Xiao Lu, who famously fired a gun at her installation during the 1989 'China/Avant-Garde' exhibition, as well as Zhu Yu and He Yunchang, known for incorporating human body parts and surgical procedures into their art. The exhibition contrasts these transgressive acts with more market-friendly works, such as Zhu Yu's gilded plate paintings and Hu Yinping's commercial-style figurines, highlighting the tension between artistic rebellion and commercial success.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

A new sensual exhibit from Mexico City is now on display at the Museum of Sex

The Museum of Sex in New York is hosting "The Life Force: Portraits from the Amparo & Manuel Foundation," a new exhibition opening April 23 that brings 45 works from a Mexico City-based collection to the U.S. for the first time. Featuring artists such as Amoako Boafo, Tracey Emin, and Bert Stern, the show explores themes of vulnerability, desire, and the tension between Eros and Thanatos—the life instinct and death drive—through painting, sculpture, drawing, and photography.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

'Sachlichkeit' at Galerie Albrecht, Berlin, Germany on 2 May–27 Jun 2026

Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.

Vertiginous 2658, 2007 by Lucas Samaras

The article highlights a partnership with leading global galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers and available by application and invitation only. It also emphasizes the role of art advisors who provide visibility and access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.

Metro Events Guide: From art exhibitions to house shows, we’ve got you covered this week in Metro Detroit

This week's Metro Detroit events guide highlights several art exhibitions and cultural happenings from April 23–30. The Elaine L. Jacob Gallery at Wayne State University presents 'Keith Haring: Subway Drawings' (April 17–August 15), featuring 25 drawings created by Haring between 1980 and 1985. Wayne State also hosts its 2026 Undergraduate Art Exhibition (April 24–May 8) showcasing student work in fine arts, art history, and design, with an opening reception on April 24. That same evening, the Wayne State University Graduate Artist Coalition holds an open studio and gallery event with live music and refreshments. Additional events include a 12-hour party at Marble Bar & Lincoln Factory, a house music event by Specter at an undisclosed location, an R&B night at Big Pink, and an Oakland University Film Showcase.