A Smaller Art Brussels Represents a Shift in the Fair Ecosystem Toward a ‘Quality-First’ Approach

Art Brussels, now in its 42nd edition (April 23–26), has downsized from 164 to 138 participating galleries, a 15% reduction that allows the fair to fit entirely within one hall of Brussels Expo. Director Nele Verhaeren openly acknowledged the shift, framing it as a deliberate move toward a 'quality-first' approach that prioritizes visitor experience over sheer scale. The fair introduces a new section called Horizons, curated by Devrim Bayar of the upcoming Kanal-Pompidou museum, featuring seven large-scale works in the freed-up space. Dealers like Xavier Hufkens and Nadja Vilenne support the strategy, noting that galleries must now carefully choose which fairs to attend amid rising costs and geopolitical tensions.

Art Basel Curbs Pre-Fair Sales—and More Art Industry News

Art Basel has launched a "Basel Exclusive" initiative to curb pre-fair PDF sales, encouraging galleries to withhold works from previews to drive in-person discovery at its flagship Swiss event (June 16–21). Around 170 of 232 exhibitors have opted in. Meanwhile, Volta returns to Basel with a new "5,000 Edit" section for works under CHF 5,000 to attract younger collectors, and the alternative fair Esther will hold its third edition in New York during Frieze Week. In other news, Sotheby's set a U.S. record for design auctions with the Jean and Terry de Gunzburg collection totaling $96 million, and billionaire collector Mitchell P. Rales pledged $116 million to the National Gallery of Art to fund loans to smaller museums. The Smithsonian American Art Museum named Lynda Roscoe Hartigan as its new director, and Gladstone Gallery plans a new Seoul space for 2026.

Hunt Slonem | Me (2022) | For Sale

Hunt Slonem's painting "Me" (2022), a small oil-on-wood work from his signature Bunnies series, is listed for sale at $8,000 through OA Fine Art in Paris and Hong Kong. The piece measures 10 × 8 inches, is hand-signed and dated by the artist, and comes with a certificate of authenticity. Slonem, born in 1951, is known for Neo-Expressionist paintings featuring repeated birds, bunnies, and butterflies, influenced by Andy Warhol's Pop art seriality.

Martin Schongauer in 2 Minutes

Martin Schongauer en 2 minutes

Martin Schongauer (c. 1445–1491), the Alsatian painter, draftsman, and engraver, is celebrated as the greatest German copperplate engraver before Albrecht Dürer and one of the first artists to achieve pan-European fame in his lifetime. The article outlines his life and career, from his early training in his father's goldsmith workshop in Colmar to his studies at the University of Leipzig and travels through Flanders, where he absorbed the influence of Rogier van der Weyden and Dirk Bouts. It highlights his 116 copper engravings, signed with the monogram 'M+S', which elevated engraving to a high art and circulated from Spain to Bohemia, inspiring Dürer and the young Michelangelo. Key works discussed include the painting 'La Vierge au buisson de roses' (1473) and the engraving 'La Tentation de saint Antoine' (c. 1470–1475).

The Art Trade Is Taking Calculated Risks With A.I.

The article examines how the art trade is cautiously experimenting with artificial intelligence, noting that while AI tools are being developed to attract newer collectors, the industry remains heavily reliant on trust and personal relationships that technology cannot replicate. It also reports on Fair Warning's new 'No Warning' sealed-bidding auction format, reflecting a rise in private auctions, and highlights a Sotheby's New York sale of the Jean and Terry de Gunzburg collection that set a U.S. record for design auctions at $96 million, led by a set of 15 mirrors by Claude Lalanne for Yves Saint Laurent that sold for $33.5 million.

In Naples, an International Exhibition to Map Instability and Deactivate Borders

A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini

The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.

Three Filipino artists make the Sovereign Asian Art Prize 2026 shortlist

The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). The author, who previously identified and exhibited twenty-seven drawings in 2014, now adds thirty-two more sheets—twenty-two of which are previously unpublished. This collection represents a first attempt to reconstruct a dismembered album of Honthorst's drawings. The research is based on direct observation, digital microscopy, and various lighting techniques, and is intended as a preliminary step toward a forthcoming catalogue raisonné of the artist's drawings to be published by R.S.V.P. Editions in Brussels.

A Dismembered Album by Gerard van Honthorst (1592-1656): Unpublished Drawings and Reconstruction of a Corpus

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.

Einatmen – Ausatmen

Lee Ufan, the renowned Korean artist known for his meditative single brushstroke paintings, is the subject of a feature article in Monopol. The piece visits his home in Kamakura, Japan, where he lives and works in a simple wooden cube house, reflecting the minimalist philosophy that defines his art. The article explores how Lee finds the entire universe in a single brushstroke, and how the art world is increasingly captivated by his serene, contemplative works.

'Hidden heritage' Metro art shown in exhibition

An exhibition at the Baltic Centre for Contemporary Art in Gateshead is showcasing "Blazing Trails," a project by local artist Sofia Barton originally commissioned for Tyne and Wear Metro trains. The artwork celebrates the hidden heritage of north-east England by depicting lesser-known community leaders, including suffragette Kathleen Brown and Chinatown founders Koon Kiu Cheng and Peter Cheng. The display runs until 27 September in the Baltic's pop-up shop.

WORDS WORDS WORDS at Everard Read shows the power of words in contemporary art

The article reviews 'WORDS, WORDS, WORDS,' an exhibition at Everard Read Gallery's CIRCA space in South Africa, which explores the role of language in contemporary visual art. Curated with a focus on how words are bent, repeated, fragmented, and reassembled, the show features works by South African artists including Willem Boshoff and Luca Evans, who engage with conceptual art traditions from Dada to Barbara Kruger. Boshoff's braille-inset wooden piece 'Planet of Echinus' questions inclusion and exclusion in language, while Evans' work riffs on Joseph Kosuth's iconic text pieces using ancient wood-inlay techniques.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

designboom's ultimate guide to the venice art biennale 2026

Designboom has published a comprehensive guide to the 2026 Venice Art Biennale, featuring a curated list of must-see exhibitions, installations, and events across the city. Highlights include Miet Warlop's "IT NEVER SSST," Michael Armitage's "The Promise of Change" at Palazzo Grassi, and DRIFT's "Shy Society" at Palazzo Strozzi, alongside works by Lotus L. Kang, Lida Abdul, and Kan Yasuda. The guide also points to collateral shows in Pietrasanta and Berlin, offering visitors a broad itinerary beyond the main Biennale venues.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

France reopens its historic pavilion at the 2026 Venice Art Biennale after restorations with artist Yto Barrada

La Francia riapre il suo storico padiglione alla Biennale Arte 2026 dopo i restauri con l’artista Yto Barrada

France will reopen its historic pavilion at the 61st Venice Biennale (May 9–November 22, 2026) after restoration, with Franco-Moroccan artist Yto Barrada (b. 1971) presenting the immersive textile-based project "Comme Saturne," curated by Myriam Ben Salah. The exhibition uses the "dévoré" technique—acid selectively corrodes fabric—as a metaphor for destruction and creation, featuring a goat-skin kite, a Room of Folds with wool drapery that fades in natural light, a Laboratory inspired by Saturnalia, and a Study Room linked to Barrada's garden of dye plants in Tangier, culminating in the Room of the Devoured where chemically attacked material fragments into an aesthetic of wear and formlessness.

Julie Hamisky's garden, the artist who fixes the ephemeral in time, is on show in a Milan auction house

Il giardino di Julie Hamisky, l’artista che fissa l’effimero nel tempo è in mostra in una casa d’aste di Milano

French artist and designer Julie Hamisky presents 'Giardino Alchemico' (Alchemical Garden) at Pandolfini Auction House in Milan during Fuorisalone. The exhibition, organized in collaboration with Galerie Mitterrand of Paris, features around twenty works including monumental sculptures like 'La Géante' (a giant poppy), jewelry, and a chandelier titled 'Aqua'. Hamisky uses electroplating—a 19th-century technique she learned from her father-in-law—to preserve fresh plants and flowers by coating them in metal, freezing them at their peak of beauty before decay. The process involves immersing botanicals in a galvanic bath with electric current, creating unpredictable color variations from deep greens and electric blues to lilacs and warm copper tones.

Rocky statue gets its own exhibition in museum after years of tension

The iconic Rocky statue, a symbol of Philadelphia and the beloved film franchise, is now the subject of its own dedicated exhibition at a museum after years of tension between the city, the film's creators, and local institutions. The statue, originally created as a prop for the 1976 film 'Rocky' starring Sylvester Stallone, has had a complicated history, moving from the Philadelphia Museum of Art steps to the Spectrum arena and back, with debates over its artistic merit and placement.

Lucio Santiago | LA ESPERA (2015) | For Sale

Lucio Santiago's bronze sculpture "LA ESPERA" (2015) is listed for sale at US$3,400 through Bernardini Art Gallery & Auction House. The work measures 23 × 19 × 19 cm, is unique, and signed. Lucio Santiago, born in 1987 in Oaxaca de Juárez, is the son of artist Alejandro Santiago. His artistic training includes workshops in photography at the Manuel Álvarez Bravo center and with Katy McFadden, as well as graphic art at Gráfica Bambú and a three-year residency at La Ceiba in Xalapa. His first solo exhibition was in 2007, and he has since shown in Europe and the US. His work explores themes of life and death, incorporating wings, skeletons, mutilated bodies, and animals like eagles, fish, and coyotes.

BOTERO RETURNS TO SEOUL WITH HIS LARGEST RETROSPECTIVE IN ASIA

Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.

Ngununggula unveils major women artists exhibition 2026

Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled *Old Days, New Days | Arlta-imankinya, Arlta-errama*, featuring artists from Tangentyere and Yarrenyty Arltere alongside Arrernte and Kalkadoon artist Thea Anamara Perkins. The show includes painting, sculpture, textiles, video, and works on paper, with a focus on women's roles in sustaining family and community life through care, gathering, and storytelling. Key works include Perkins' portrait series from The Slattery Collection and an immersive installation by Marjorie 'Nunga' Williams. The exhibition runs until 14 June 2026.

Experience Western’s 2026 art biennial

Western Washington University’s art department has opened its 2026 biennial exhibition, featuring 20 faculty and staff artists with works spanning painting, photography, sculpture, video, and installation. The show runs through May 2 in the Fine Arts Building, with free admission and interactive pieces that invite viewer participation. New gallery director Kelly Lindner curated the exhibit, which includes works such as Jennifer Anable’s “Tulip Vase (Hell Fire)” and collaborative pieces by multiple artists.

Experience Western’s 2026 art biennial

Western Washington University’s art department has opened its 2026 faculty and staff biennial, featuring 20 artists with works spanning painting, photography, sculpture, video, and installation. The exhibition is held in the Fine Arts Building, room 124, and runs Monday through Saturday until May 2, with free admission. New gallery director Kelly Lindner curated the show, which includes interactive pieces and collaborative works. Featured artist Jennifer Anable contributed three works inspired by Skagit Valley and dark humor, emphasizing the importance of students seeing their teachers’ professional practice.

‘Embrace of the Earth’: Rajib Ahasen’s debut solo exhibition opens at AFD

Rajib Ahasen's debut solo exhibition, 'Embrace of the Earth', opened on April 24, 2026, at La Galerie, Alliance Française de Dhaka (AFD). The show features around 36 works in watercolour and acrylic, rooted in the artist's memories of rural Bangladesh and his transition to urban life. Scenes of earthen roads, canals, riverbanks, and agrarian life dominate the collection, reflecting a personal narrative shaped by observation and recollection. Ahasen, who earned a Mawlana degree from a Qawmi madrasah in 2014 without formal fine arts training, has previously participated in national and international exhibitions including the Friendship Art Exhibition and Kahal International Art Fair.

Laumeier’s ‘Begin Again: 50 Years and Counting’ exhibit celebrates the sculpture park’s history

Laumeier Sculpture Park in St. Louis County is presenting 'Begin Again: 50 Years and Counting,' an exhibition running from February 7 to December 13, 2026, at the Aronson Fine Arts Center. Curated by Dana Turkovic, the show features works from each decade of the park’s history since 1976, including sketches, photographs, and models that are rarely seen by the public, highlighting the creative processes behind the sculptures. A new installation by visiting artist Juan William Chávez and Kranzberg exhibition artist Kiersten Torrez, titled 'Wak’a Garden,' opened on April 18 as part of Art and Nature Day, made from reclaimed natural materials in an amphitheater-like shape dedicated to plants and pollinators.

In My Place in My Time: Brian Tripp Archive Exhibition – 2 Upcoming Events

Cal Poly Humboldt's Reese Bullen & Goudi’ni Native American Arts Galleries will present "In My Time, In My Place: Brian Tripp Archive," an exhibition exploring the late Karuk artist Brian D. Tripp's (1945–2022) use of personal texts, symbols, and geometric language. The show runs April 2 through May 16, 2026, featuring reproduced archival materials from Tripp's papers held in the Cal Poly Humboldt Library Special Collections. Two related events are scheduled: an Artist on Artist Talk with Bob Benson on April 29 and an Archivist Talk with Susan Gehr and Carly Marino on May 7.

8 Deer Park students featured in LI museum art exhibit

Eight students from Deer Park schools have been selected to have their artwork featured in an exhibition at a Long Island museum. The students' pieces were chosen from a larger pool of submissions, highlighting their creative talents and the support of their school's art program.

Scandal in Florence's Skyline? After the Black Cube and the White Cylinder, the Prism That Impales Santa Croce Appears

Scandalo nello skyline di Firenze? Dopo il cubo nero e il cilindro bianco spunta il prisma che impalla Santa Croce

A cylindrical antenna installed by the telecom company Iliad in Florence has sparked controversy after it was reported that, from certain angles, it visually overlaps with iconic landmarks such as Brunelleschi's Dome and Giotto's Campanile. The article traces a pattern of periodic scandals in Florence, including a previous uproar over the so-called "Cubo Nero" (a new building replacing a decaying theater), and notes that the antenna has actually been in place since 2023 without earlier outcry. Local artist Giacomo Costa recently photographed another white prismatic antenna in Via Ghibellina, within the UNESCO zone, that obstructs the view of Santa Croce, fueling further debate.

“Yellow Letters”: arte e politica, libertà e censura nel nuovo film di İlker Çatak

Ilker Çatak's fifth film, "Yellow Letters," premieres on April 30, 2026, distributed by Lucky Red. The story follows Derya and Aziz, a Turkish artist couple whose lives unravel after Aziz, a professor at Ankara University, receives a "yellow letter" terminating his employment. The film, inspired by post-2016 coup purges in Turkey, shifts to Berlin and Hamburg, where the director deliberately avoids mimicking Turkish locations, instead using explicit captions like "Berlin as Ankara" to create a Brechtian alienation effect. Çatak explores how arbitrary state repression fractures personal relationships and moral boundaries, drawing on interviews with artists who faced unjust dismissals.

Art in Bloom returns to Mia, transforming galleries with floral interpretations

Art in Bloom, the Minneapolis Institute of Art's annual floral showcase, returned from April 23 to 26, 2026, featuring over 160 flower arrangements inspired by artworks from the museum's permanent collection. The free, four-day event, presented by the Friends of the Institute, drew thousands of visitors and included guided tours, family activities, and expanded programming. Floral designers, florists, and garden clubs placed their interpretations alongside original pieces, with this year's centerpiece inspired by a Japanese Presentation vase from the early 20th century, once owned by railroad magnate James J. Hill.