Newly released documents from the Jeffrey Epstein case reveal that billionaire investor and former Museum of Modern Art chairman Leon Black was a major private collector of works by Vincent van Gogh. The files detail his ownership of at least five significant Van Gogh pieces, including the painting 'Quarry near Saint-Rémy' and the drawing 'Garden with Flowers,' with a combined value exceeding $95 million by 2016.
The article reviews the Van Gogh year in 2025, highlighting several key developments. The Van Gogh Museum in Amsterdam faces potential closure unless the Dutch government increases its annual building subsidy from €8.5m to €11m, leading the museum to file a legal complaint. At auction, two Van Gogh paintings sold, with "Parisian Novels" (1887) fetching $62.7m at Sotheby's, a record for his Paris period, and eight drawings were sold, including "Sower in a Wheatfield with setting Sun" (1888) for $11.2m. Acquisitions included "Tarascon Stagecoach" (1888) given to LACMA via the Henry and Rose Pearlman Foundation, and "Head of a Peasant" (1885) bought by Korean-born gallery owner Hong Gyu Shin, marking the first known Van Gogh acquisition by a Korean.
The art market experienced a turbulent 2025, beginning with a 12% decline in sales from 2024, following a 3% drop in 2023, as reported by the Art Basel and UBS Global Art Market Report. Major auction houses Christie’s, Sotheby’s, and Phillips saw average sales fall 6% in the first half of the year. However, the market rebounded by autumn, with strong sales at London and Paris art fairs and a 15% year-on-year increase in auction sales at the three main houses by December, according to Pi-eX. Key events included Sotheby’s failed sale of Alberto Giacometti’s *Grand tête mince* in May, followed by a record-breaking $236 million sale of Gustav Klimt’s *Portrait of Elisabeth Lederer* in November, and a $31.4 million record for François-Xavier Lalanne’s *Hippopotame Bar*.
Hong Kong is hosting a vibrant array of must-see art exhibitions in December 2025, as highlighted in a curated guide. Key shows include 'Zao Wou-Ki: Master Printmaker' at M+, focusing on the artist's lithograph prints; 'Violet Veil' by Laura Zhang at The Extension, featuring meditative violet-hued works; 'Guan Yu vs. Wilson Shieh' at JPS Gallery, blending traditional gongbi painting with AI technology; and 'The Villepin House' at Villepin, celebrating the gallery's fifth anniversary with works by Zao Wou-Ki and Myo.
The Noordbrabants Museum in 's-Hertogenbosch, Netherlands, opens a focused exhibition titled "Van Gogh and the Potato" on 11 October, running until 1 February 2026. The show features five Van Gogh paintings, two drawings, and a print centered on the potato motif, including "Still life with Potatoes" (autumn 1886), which has been newly identified as depicting "rat's back" potatoes. A key highlight is the study "Head of a Woman (Gordina de Groot)" (March-April 1885), acquired by the museum last year for €8.6 million. The exhibition also includes a lithograph of "The Potato Eaters" and explores Van Gogh's shift from peasant subjects to flower still lifes after moving to Paris.
The Van Gogh Museum in Amsterdam has opened "Van Gogh and the Roulins: Together Again at Last," the first comprehensive exhibition dedicated to Vincent van Gogh's portraits of postman Joseph Roulin and his family. The show, which runs until January 11, 2026, features the artist's first portrait of Roulin on loan from the Museum of Fine Arts, Boston, alongside the very wicker armchair on which Roulin posed in 1888. The chair, originally bought by Van Gogh for his Yellow House in Arles, was acquired by the museum in 1969 and is exhibited for the first time since then. The exhibition previously drew 280,000 visitors in Boston.
The Art on Paper fair has returned to Pier 36 in Lower Manhattan for its 11th edition, featuring 81 exhibitors from around the world. The fair, organized by Art Market Productions (a division of a21), includes a VIP preview on September 4 and a full program of interactive events and workshops, including the return of Booksmart Fair in partnership with the Center for Book Arts. Standouts include Nina Katchadourian's plant-like sculptures at Pace Gallery, Mary Beth Edelson's Story Gathering Boxes at Accola Griefen Fine Art, and Nicolas V. Sanchez's hyperrealistic ballpoint pen sketchbook drawings. Some exhibitors push the boundaries of the paper medium by showing paintings, ceramics, and other non-paper items, prompting one visitor to ask, "Where's the paper stuff?"
The Museum of Modern Art is celebrating the 40th anniversary of its New Photography series with 'New Photography 2025: Lines of Belonging,' featuring 12 international artists from Mexico City, Johannesburg, Kathmandu, and New Orleans. Other must-see exhibitions include 'Ministry: Reverend Joyce McDonald' at the Bronx Museum, showcasing the artist's ceramic works born from her HIV diagnosis and art therapy; 'The Magical City: George Morrison’s New York' at the Metropolitan Museum of Art, highlighting the overlooked Abstract Expressionist painter; and 'Christian Marclay: Doors' at the Brooklyn Museum, a cinematic supercut in the new Moving Image Gallery.
The Modern Art Museum of Fort Worth has announced it will be the only U.S. venue to host the touring retrospective "Jenny Saville: The Anatomy of Painting," honoring the English artist known for revitalizing figurative art in the 1990s. Organized by the National Portrait Gallery in London, the exhibition opens October 12, 2025, and runs through January 18, 2026, featuring nearly 50 works spanning Saville's career from her student days at the Glasgow School of Art to recent abstracted portraits. The show includes monumental oil paintings, charcoal drawings, and a new series, accompanied by a publication with contributions from curators and critics.
William Kentridge, the South African artist known for his multidisciplinary practice, has created a new film series titled "Self-Portrait as a Coffee-Pot" (2020–2024), comprising nine half-hour segments. The work, which features his signature blend of drawing, animation, performance, and music, is currently on view at Hauser & Wirth's 22nd Street gallery in New York under the exhibition "A Natural History of the Studio." The article explores Kentridge's improvisational process, where he starts without a plan and lets gestures and materials guide him, often interviewing himself in the film to dramatize the artist's dual nature and the act of creation.
The Royal Academy of Arts in London is hosting "Kiefer/Van Gogh" (28 June–26 October), a focused exhibition pairing Anselm Kiefer's monumental multimedia works with Vincent van Gogh's paintings and drawings. The show, curated by Julien Domercq, features seven huge Kiefer pieces including the 8.4m-wide "The Starry Night" (2019) and a single sculpture, alongside 11 Van Gogh works—five on loan from the Van Gogh Museum. It previously ran at the Van Gogh Museum in Amsterdam, where it drew 340,000 visitors. The London iteration is smaller but includes different works, with a central room dedicated to Van Gogh's pieces spanning his career.
This episode of 'A brush with...' features artist Hew Locke, who discusses his career and artistic practice. Born in Edinburgh in 1959 to artists Donald and Leila Locke, he moved to Guyana as a child and returned to the UK to study art in 1980. Over three decades, Locke has created sculptures, installations, photographs, drawings, and textiles exploring nationhood, culture, and power, often using found objects and cardboard. He reflects on influences including his parents, a tutorial with Paula Rego, and Hans Haacke's 1993 Venice Biennale pavilion, and discusses his upcoming exhibitions: 'Gilt' at Compton Verney (2025-2027), 'Passages' at the Yale Center for British Art (2025-2026), 'Armada' at Newlyn Art Gallery, and 'Cargoes' at King Edward Memorial Park.
In early 1945, during the Dutch 'Hunger Winter' at the end of World War II, Vincent van Gogh's nephew, Vincent Willem van Gogh, exchanged two of the artist's drawings for 35 packets of butter and some bacon. The swap was arranged with the help of artist Charley Toorop and involved the cheese business Visser Kaas in Heiloo. One of the drawings, *Head of a Peasant Woman, left profile* (December 1884–May 1885), is now being offered at Sotheby's on 25 June with an estimate of £400,000–£600,000, suggesting the pair would be worth around £1 million today. The nephew's family was suffering from starvation and tragedy, including the execution of his eldest son by German forces.
The article highlights nine must-see museum exhibitions across the United States for summer 2025, offering escapes from heat and virtual travel through art. Featured shows include "Lisa Yuskavage: Drawings" at the Morgan Library and Museum (June 27, 2025–January 4, 2026), the first comprehensive museum presentation of her drawings; "Gustave Caillebotte: Painting His World" at the Art Institute of Chicago (June 29–October 5, 2025), featuring over 120 works including the recent Musée d'Orsay acquisition *Boating Party*; and "Anicka Yi" at the Museum of Fine Arts, Houston (June 29–September 7, 2025), showcasing the bio-tech artist's imaginative works on karmic debt.
Post-Minimalist sculptor Joel Shapiro died on 14 June in Manhattan at age 83 from acute myeloid leukemia. Best known for vibrant, humanoid sculptures built from wooden beams that balance abstraction and figuration, Shapiro completed over 30 public commissions, including *Loss and Regeneration* (1993) at the United States Holocaust Memorial Museum. His career began with fingerprint drawings that caught gallerist Paula Cooper's attention, leading to a 1982 mid-career retrospective at the Whitney Museum of American Art. He later showed at Pace Gallery and other major venues, with his most recent solo exhibition at Pace in New York in September 2024.
Kulturstiftung Basel H. Geiger has opened a two-room exhibition dedicated to Basel native Irène Zurkinden (1909-87), her first major hometown show since the 1980s. The exhibition spans portraits, self-portraits, still-lifes, landscapes, drawings, and several sketchbooks on public view for the first time. Zurkinden studied fashion illustration in Basel before finishing her training at Paris’s Académie de la Grande Chaumière, inspired by Henri de Toulouse-Lautrec. She lived between Paris and Basel and was close friends with Meret Oppenheim, whose portrait by Zurkinden, Meret à l’orange (1932-35), is in Kunstmuseum Basel’s permanent collection and included in the show.
The Museum of Modern Art (MoMA) has acquired the 35 individual paintings, drawings, and video works that comprised Adam Pendleton's monumental installation *Who Is Queen?* (2019-21), which was on view in the museum's atrium from 2021 to 2022. The installation explored Pendleton's conceptual framework of "Black Dada," a term he first outlined in his *Black Dada Manifesto* (2008), and included works such as *Notes on the Robert E. Lee Monument, Richmond VA (Figure)* (2021), a film reflecting on the 2020 racial justice protests. The acquisition marks a significant institutional commitment to Pendleton's practice, which continues to evolve in his current exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, DC.
Seven art exhibitions across the Southern United States are highlighted for fall 2025, ranging from the Montgomery Museum of Fine Arts' showcase of Bill Traylor's expressive drawings on discarded cardboard to the Crystal Bridges Museum of American Art's "Get in the Game" exhibition exploring sports and culture. Other shows include the North Carolina Museum of Art's contemporary visions of the state, the Mississippi Museum of Art's retrospective of Joe Overstreet's abstract works, and the Morris Museum of Art's celebration of agricultural Southern landscapes. The exhibitions span diverse themes such as post-slavery narratives, athletic achievement, social justice, and regional identity.
The Museum of Modern Art (MoMA) is presenting "What Stands Behind the Flowers," an exhibition centered on Hilma af Klint's "Nature Studies" portfolio of 46 works on paper acquired in 2022. Completed from 1919 to 1920, these precise botanical renderings include abstract diagrams, and the show features over 50 additional pieces contextualizing the series within the Swedish artist's broader practice, including earlier works like her 1889 mushroom studies and "The Atom Series" from 1917.
What Pipeline gallery presents "Sad Cowboy," a group show organized for Miguel Bendaña at The Falstaff Project in El Paso, running from May 28 to July 4, 2026. The exhibition features three Detroit artists—Israel Aten, Cay Bahnmiller, and Dylan Spaysky—whose works explore American mythology, masculinity, and identity through collage, drawing, and sculpture. The title references a collage by Bahnmiller incorporating Amiri Baraka's poem "Sad Cowboy," critiquing the lone cowboy myth. Aten's colossal figures blend medieval iconography with video games, Bahnmiller's text-based works deconstruct language, and Spaysky's carbon paper drawings capture disposable media moments.
Meg Webster's exhibition 'Thicket' opens May 9 at Paula Cooper Gallery, 521 West 21st Street, New York, featuring new sculptures and drawings. The centerpiece is a large spiral installation made from plant cuttings, inviting viewers inside for an immersive sensory experience. The show follows Webster's major presentation at Dia Beacon (2024–2026) and her inclusion in 'Minimal' at Bourse de Commerce - Pinault Collection, Paris (2025–2026). Also on view are monochromatic works on paper made by rubbing organic materials onto the surface, and a three-part beeswax relief.
Tabish Khan, the London-based art critic, selects his top gallery and museum exhibitions to see in late May in London. Highlights include Christopher Page's illusionistic mirror paintings at Ben Hunter, Dirk Braeckman's chemically altered photographs at Grimm, a historical exhibition on Hawai'i's relationship with the UK at The British Museum, a pairing of James Capper's claw-like machines with Anthony Caro's metal sculptures, and a focused display of George Stubbs' horse portrait and anatomical drawings at The National Gallery.
The Frist Art Museum in Nashville is opening three new exhibitions this summer. 'International Surrealism from Tate: Fifty Years of Dreams' (May 22–Aug. 30) features surrealist works from the Tate collection, including pieces by Salvador Dalí, René Magritte, and Joan Miró, marking 100 years since the first surrealist exhibition in Paris. 'Anila Quayyum Agha: Interwoven' (May 22–Aug. 30) is a mid-career retrospective of the Pakistani American artist's immersive light installations and beaded drawings. 'An Indigenous Present' (June 26–Sept. 27) showcases works by fifteen Indigenous artists, curated by artist Jeffrey Gibson and curator Jenelle Porter.
The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.
Kiki Smith presents her tenth solo exhibition at Galerie Lelong in Paris, titled 'Flight'. The show features bronze sculptures, two large stained-glass windows, drawings, and an imposing print, all exploring themes of continuity and unity across humans, animals, and plants. Birds such as eagles, doves, and owls carry symbolic weight, reflecting the artist's fears, desires, and dreams.
The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.
Gladstone Gallery has announced its representation of The Estate of Anna Zemánková, a self-taught Czech artist known for her influential abstract works that explore psychological and spiritual realms. The gallery will collaborate with Cavin-Morris Gallery and plans to present a solo booth of Zemánková's work at TEFAF New York from May 14–19, 2026, following a spring 2025 exhibition in New York featuring her botanical drawings and works on paper. Zemánková, a key figure in Art Brut, created untitled, biomorphic works rooted in the subconscious, often compared to artists like Kunz and Hilma af Klint.
Paula Cooper Gallery in New York will present an exhibition of large-scale sculptures and drawings by Mark di Suvero from May 2 through July 17. The show features the debut of the kinetic sculpture 'Avanti!' (c. late 1990s), a human-intervention piece with a suspended beam that viewers can rock with their body weight, alongside the 1986 work 'Nelly' and the stainless steel 'Tables Turn’d' (2004), as well as a selection of works on paper including interactive "sliding drawings."
NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.
The Wrightwood 659 museum in Chicago has launched "Martin Wong: Chinatown USA," the first major monographic exhibition of the artist's work since 2017. Featuring over 100 paintings, sculptures, and drawings, the show explores Wong’s complex relationship with his Chinese-American identity, his life in New York’s Lower East Side, and his fascination with urban landscapes, sign language, and queer intimacy. The exhibition includes significant loans such as the triptych "Tai Ping Tien Kuo" and the record-breaking "Portrait of Mikey Piñero at Ridge Street and Stanton."