spring break art show surprises 2025

New York's Spring Break Art Show has returned to its namesake season, opening alongside Frieze New York after abruptly canceling its Los Angeles edition due to January's devastating fires. Founded by artist duo Andrew Gori and Ambre Kelly, the fair is now held in a former book printing office on Varick Street, featuring offbeat emerging art and boundary-pushing installations. Roughly a third of the presentations were already planned under the theme "Paradise Lost and Found," but the accelerated timeline led to last-minute additions, with some artists joining just the night before. Standout works include Louis Sarowsky's carved stone food sculptures, Kate Rusek's zero-waste porcelain pieces molded from trash, and Colin J. Radcliffe's ceramic sculptures reimagining queer figures in classical iconography.

art black museums moad mocada auc

CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

art new york museum exhibition guide winter

Cultured magazine has published a winter exhibition guide for New York museums, highlighting six major shows running through early 2026. Featured exhibitions include Ayoung Kim's "Delivery Dancer Codex" at MoMA PS1, a survey of UFO-themed works at The Drawing Center, a Ruth Asawa retrospective at MoMA, Renoir drawings at the Morgan Library & Museum, Robert Rauschenberg's photography at the Museum of the City of New York, and Alexander Calder's circus at the Whitney Museum of American Art. Each entry provides dates, curatorial context, and visitor tips.

New York gallery Kasmin will close this autumn as leadership launches new venture, Olney Gleason

The Chelsea gallery Kasmin will close this autumn after 35 years of operation, transitioning into a new venture called Olney Gleason. The new gallery will be led by Kasmin president Nick Olney and senior director Eric Gleason, both longtime employees who say the move aligns with the wishes of the late founder Paul Kasmin. Olney Gleason will continue working with an unspecified number of artists and estates from Kasmin's roster, including François-Xavier and Claude Lalanne, Lee Krasner, and Jackson Pollock's estate, and will open a flagship space in Chelsea with an inaugural show this autumn.

The Best Art Exhibitions To Visit In Hong Kong This July

This article highlights three must-see art exhibitions in Hong Kong for July 2025. At Alisan Fine Arts, local artist Cherie Cheuk presents her first solo show, 'A Wrinkle In Time,' blending traditional Chinese ink painting with pop culture motifs like Super Mario and Pac-Man. At Villepin, 'Worlds Within' unites works by four migrant-influenced artists, including a debut Hong Kong showcase for Spanish-Filipino modernist Fernando Zóbel and a record-breaking painting by Lê Phổ. Ben Brown Fine Arts hosts 'Wish You Were Here,' a group show curated by Jie Xia featuring artists such as Gerhard Richter and Hilary Pecis, exploring themes of travel, paradise, and nostalgia.

Gundlach Collection to Remain in the Deichtorhallen Until 2046

Gundlach-Sammlung bleibt bis 2046 in den Deichtorhallen

The Hamburg Senate has announced a 20-year extension of the loan agreement for the F.C. Gundlach Collection at the Deichtorhallen. The prominent photography collection, which has grown to 14,000 works, will remain in the institution's 'Haus der Photografie' until 2046 and will receive a dedicated exhibition area on the first floor.

The glories of Francisco de Zurbarán’s paintings | Letters

Two letters to the editor respond to Charlotte Higgins's article on Francisco de Zurbarán. Paul McGilchrist critiques the physical inaccuracy of crucifixion depictions, including Zurbarán's *The Crucified Christ*, noting that most paintings fail to convey the true weight and distortion of a body suspended by nails. Jean Wilson highlights Zurbarán's series *Jacob and his 12 Sons* at Auckland Palace in Bishop Auckland, describing its history since 1756 and its connection to Bishop Trevor's support for Jewish rights.

David Nahmad maintains that his Modigliani was not looted by the Nazis

David Nahmad is continuing his legal battle to prove that his Modigliani painting, *Seated Man with a Cane* (1918), was not looted by the Nazis from the Jewish dealer Oscar Stettiner. Despite a recent New York ruling against him, Nahmad’s lawyers have filed a motion to review the case based on new eyewitness testimony. Two witnesses claim the painting they saw in the Van der Klip family—which bought the Nazi-looted work in 1944—is completely different from Nahmad’s painting, lacking a seated man or a cane. Nahmad’s legal team also cites a 1946 French bailiff report and a recent catalogue raisonné by Marc Restellini to argue that Mondex, the restitution firm working for Stettiner’s heirs, misidentified the work.

$25 Million Modigliani Goes to Jewish Heir in Landmark Restitution Case

A New York Supreme Court judge has ruled that the estate of Jewish art dealer Oscar Stettiner is the rightful owner of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The decision concludes an 11-year legal battle led by Stettiner’s grandson, Philippe Maestracci, against billionaire art dealer David Nahmad. The court found that the painting was unlawfully seized by the Nazis after Stettiner fled Paris in 1939 and that subsequent sales, including the 1996 purchase by Nahmad at Christie’s, did not extinguish the original owner's rights.

nahmad lawsuit nazi looted modigliani

The estate of Jewish art dealer Oscar Stettiner has filed a new lawsuit in the New York State Supreme Court against the Nahmad family, seeking the restitution of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The suit alleges that the $25 million portrait was looted by the Nazis in Paris and is currently held by the International Art Center, which the plaintiffs claim is a shell company controlled by the Nahmads. This legal action follows a 2012 dismissal of a similar claim by Stettiner’s grandson, Philippe Maestracci, due to a lack of standing.

david nahmad denies modigliani nazi loot

Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.

Yto Barrada Says France Had ‘Full Awareness’ of Her Views on Israel When It Chose Her for Venice Biennale

Artist Yto Barrada, selected to represent France at the Venice Biennale, has stated that the French government and pavilion organizers were fully aware of her political views when they chose her. This follows criticism from the Representative Council of French Jewish Institutions (CRIF), which denounced Barrada for signing an open letter calling for Israel's exclusion from the Biennale and suggested the government should force her to withdraw her signature.

artists circulate letter urging jewish museum save murals guston shahn fogel demolition

A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.

ai weiwei returns to china 10 years

Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.

david lynch daughter la compound

Jennifer Lynch, daughter of the late artist and filmmaker David Lynch, revealed on Reddit that her father's will stipulates his Los Angeles compound must be sold immediately as a single property, with proceeds split evenly among his four children. The 2.3-acre Hollywood Hills property, listed at $15 million, includes a 10-bedroom home, pool, editing suite, and lime-green kitchen countertops. Jennifer expressed that the family would prefer to keep the property but must follow David's instructions to avoid any sibling feeling less loved.

christies lawsuit milos vavra egon schiele nazi looted art

A Czech man named Milos Vavra, a descendant of Jewish cabaret performer and collector Fritz Grünbaum who was murdered by the Nazis, has filed a lawsuit against Christie's in New York Supreme Court. Vavra demands that the auction house disclose the ownership and location of several blue-chip artworks from the Grünbaum Collection, including works by Egon Schiele. He alleges that Christie's entered a nondisclosure agreement with a Swiss family seeking to auction looted artworks, and he needs the information urgently to file claims before the Holocaust Expropriated Art Recovery Act (HEAR Act) statute of limitations expires in late 2026.

christo jeanne claude the gates ar shed

An augmented reality (AR) experience is reviving Christo and Jeanne-Claude’s iconic 2005 installation *The Gates* in New York’s Central Park. Starting in February 2025, visitors can use the Bloomberg Connects app to view virtual saffron-colored fabric panels suspended over 23 miles of park pathways, recreating the original work that featured 7,503 panels on metal arches. The project is a collaboration between the Christo and Jeanne-Claude Foundation, the New York City Parks Department, the Central Park Conservancy, and Bloomberg Philanthropies, with support from former Mayor Michael Bloomberg. The Shed is concurrently hosting an exhibition documenting the project’s history, including original arches and a scale-model diorama.

lost gustav klimt portrait african prince tefaf maastricht

A long-lost Gustav Klimt portrait of an African prince, missing since World War II, has resurfaced and is now on view at TEFAF Maastricht with a €15 million ($16.4 million) price tag. The painting, titled *Prince William Nii Nortey Dowuona* (1897), was brought to W&K – Wienerroither & Kohlbacher Gallery in 2023 in poor condition, but a stamp from Klimt's estate led to its identification by catalog raisonné author Alfred Weidinger, who had searched for it for two decades. The work depicts an Osu prince from present-day Ghana, created after Klimt attended an ethnographic exhibition at Vienna's Tiergarten am Schüttel where Osu people were put on display. The painting had been owned by Ernestine and Felix Klein, Jewish collectors who fled the Nazis, and is now being shown after a restitution settlement with Klein's heirs.

rediscovered klimt painting tefaf maastricht export debate

A rediscovered Gustav Klimt painting of a West African prince, shown at TEFAF Maastricht in March, has sparked a dispute over its export legality. The Hungarian publication HVG reported that the work was "smuggled" into Austria, while the Austrian outlet Der Standard countered that the Viennese gallery Wienerroither and Kohlbacher obtained the necessary export permit. The gallery denies any wrongdoing, calling HVG's claims an insinuation. The painting, made in 1897 and depicting Prince William Nii Nortey Dowuona, was priced at €15 million and appeared at TEFAF following a restitution settlement with the heirs of Jewish collector Ernestine Klein.

switzerland buhrle foundation settlement manet jewish heirs

The foundation overseeing the Emil G. Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg over Édouard Manet's painting *La Sultane* (c.1871), allowing the work to remain on view at the Kunsthaus Zurich. Bührle, a German Swiss industrialist who profited from arms sales to Nazi Germany and used slave labor, amassed a collection now known to include many Nazi-looted artworks. The settlement follows a 2021 report by Raphael Gross finding that over a quarter of the 205 loaned works likely belonged to Jewish owners, sparking public protests and artist Miriam Cahn's withdrawal of her works from the museum.

Open letter calls for ousting of Art Gallery of Ontario trustee who led vote against Nan Goldin acquisition

A major controversy has erupted at the Art Gallery of Ontario (AGO) following the revelation that trustee Judy Schulich led a successful effort to block the acquisition of a new work by photographer Nan Goldin. The museum's Modern and contemporary curatorial working committee voted 11-9 against jointly purchasing Goldin's video piece *Stendhal Syndrome* (2024) with two other institutions, after Goldin was reportedly labeled antisemitic and compared to Nazi propagandist Leni Riefenstahl for her criticism of Israel's actions in Gaza. The decision prompted the resignation of the AGO's curator of modern and contemporary art and two volunteer committee members.

One Art Space Tribeca Presents “The Space Between Us”

One Art Space in Tribeca presented “The Space Between Us,” a group exhibition curated by Mitchell Rodbell featuring 13 artists including Rodbell, Miyuki Fuji, Madhu Powar Garg, Marietta Gavaris, and others. The weeklong show ran from January 12 to January 18, 2026, with many works sold during the VIP opening night. Notable attendees included co-owner MaryAnn Giella McCulloh, Dr. Robi Ludwig, Melanie Goodreaux, and Bruce Morrow.

17 museums and galleries to explore in Berkeley

Berkeleyside has published a guide to 17 museums and galleries in Berkeley, California, highlighting free and affordable arts and culture destinations. The list includes major institutions like the Berkeley Art Museum and Pacific Film Archive (BAMPFA), the Kala Art Institute, the Berkeley Art Center, the Magnes Collection of Jewish Life and Art, and the Lawrence Hall of Science, as well as smaller venues such as the Arts and Crafts Cooperative (ACCI), Shoh Gallery, 120710, and the Lacis Museum of Lace and Textiles. Each entry includes hours, admission details, and notable features, with an emphasis on free access and local artists.

Take a Peek Inside Peter Zumthor’s New Building for LACMA -

The Los Angeles County Museum of Art (LACMA) opened its new David Geffen Galleries, designed by Swiss architect Peter Zumthor in collaboration with SOM, for a summer preview before the building's official opening in April 2026. The 110,000-square-foot exhibition space, elevated on seven pavilions and made of concrete and glass, was opened to the public for three days with performances by 120 musicians. The preview also includes outdoor sculptures, commissioned artworks by Mariana Castillo Deball and Sarah Rosalena, and new dining and retail spaces.

A Deep Dive Into Westchester’s Arts Scene Right Now

This article surveys the visual arts scene in Westchester County, New York, highlighting museums, galleries, public displays, and artist profiles north of Manhattan. It features institutions such as the Neuberger Museum of Art, ArtsWestchester, Hammond Museum & Japanese Stroll Garden, Hudson River Museum, and Hudson Valley MOCA, noting specific exhibitions like "Smoke in Our Hair: Native Memory and Unsettled Time" and "Bill Viola: Moving Stillness." The piece emphasizes that Westchester offers a vibrant, bucolic alternative to New York City's art scene, with historic estates and contemporary spaces showcasing both established and emerging artists.

Dutch Panel Designs Plan to Deal With ‘Orphaned’ Nazi-Looted Art

A Dutch advisory panel has recommended the creation of a new independent Jewish foundation to manage a vast collection of artworks looted by the Nazis that remain unclaimed. The collection, known as the NK collection, consists of over 3,000 objects currently held by the Dutch state, but whose original owners or heirs have not been identified.

Christie's to sell three early paintings by Lucian Freud for £20m

Christie's will offer three early paintings by Lucian Freud from a single private collection at its London evening sale on 15 October, with a combined estimate of £13m to £20m. The works span three decades of Freud's career: *Woman with a Tulip* (1944, est. £3m-£5m), *Self-portrait Fragment* (around 1956, est. £8m-£12m), and *Sleeping Head* (1961–71, est. £2m-£3m). All three have been in the same collection for many years and have been exhibited widely, including in major retrospectives at the National Gallery, London, and the Kunsthistorisches Museum, Vienna.

‘The Queen of the Ghetto’ Gave New York’s Immigrant Community a Voice. A Century Later, It’s Re-emerging

Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.

Musée d’Orsay opens gallery dedicated to still-unclaimed works stolen by Nazis in WWII

The Musée d'Orsay in Paris has opened a permanent gallery dedicated to artworks believed to have been looted by the Nazis from Jewish owners during World War II, but whose rightful owners have not been identified. The exhibition, titled "Who owns these works?", features a rotating selection of 225 such pieces held by the museum, with twelve paintings and one sculpture currently on display. Works by Renoir, Degas, Rodin, and Alfred Stevens are included, alongside provenance research detailing their murky histories—such as a Degas ballroom scene acquired by a Jewish collector later murdered at Auschwitz.

Summer Exhibitions Coming to West Texas & the Panhandle

Art galleries and institutions across West Texas and the Panhandle have announced their summer exhibition schedules. Highlights include the El Paso Museum of Art's "From the Collection: Portraiture, 1903-2021," featuring works by César Martínez, Edward Curtis, and Andy Warhol; Ballroom Marfa's solo show "Raven Halfmoon: Flags of Our Mothers" with colossal stoneware sculptures; and The Grace Museum in Abilene's "Memory Painters: The Art of Memories," showcasing Texas intuitive painters. Other venues include the Rubin Center for the Visual Arts, the Louise Hopkins Underwood Center for the Arts in Lubbock, and the Museum of the Southwest in Midland, with exhibitions spanning portraiture, student art, memory painting, and immersive installations.